Watching Them Gamble From A Sneaky Camera Angle

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Watching Them Gamble From A Sneaky Camera Angle

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By
SC Lannom

on June 28, 2020
The Shot List Ep. 3 — Every Camera Angle Explained
Shot Listing in StudioBinder • Subscribe on YouTube
Eye Level Shot Example • Game of Thrones
Low Angle Examples • Subscribe on YouTube
High Angle Shot Example • Avengers
High Angle Shot Examples • Subscribe on YouTube
Hip Level Shot Example • Punch-Drunk Love
Ground Level Shot Example • Burn After Reading
Shoulder Level Shot • Black Panther
Dutch Angle Camera Angle • StudioBinder
Dutch Angle Example • Subscribe on YouTube
Overhead Shot Camera Angle • StudioBinder
Aerial Shot Example • Black Hawk Down
Y ou’re looking for a list of the different camera angles in film, but you also want great examples that come with clear explanations of when and why to use specific camera shot angles. Whether you want your characters to seem powerful, vulnerable, or intimate, the power of camera angles cannot be understated. We’ll provide you with downloadable shot lists that feature all of the different types of camera shot angles in film. Lezgo.
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It's not enough to just understand shot size. Camera angles, and degree of those angles, can totally change the meaning of a shot. As you prepare your shot list, it helps to remember all the options. We're going to build a shot list using StudioBinder to highlight the various camera angles. Here's a quick video on how a shot list is created.
Here is a shot list with the different types of camera shot angles. We used some of the most iconic camera angles from films like The Matrix , Do the Right Thing , and Pulp Fiction as a sort of cheatsheet. Can you guess what movies are represented here? Follow the image link to see the fully populated shot list, which you can also download and use for reference.
Now that's we've reviewed all the different types of camera angles in film , let's take a closer look at them one at a time.
Our first camera angle is the eye level shot , and this is when your subject is at eye-level. An eye level shot can result in a neutral perspective (not superior or inferior). This mimics how we see people in real life — our eye line connecting with theirs, and it can break down boundaries. 
Here's an example of the eye level camera angle:
Eye level shots are actually much less standard than one might initially think, because directors often prefer to place the camera at shoulder level to attain a much more cinematic look. 
A low angle shot shot frames the subject from below a their eyeline. These camera shots most often emphasize power dynamics between characters — a low angle shot on one character is often paired with a high angle shot on the other character.
Here's an example of the low angle camera angle:
Low angle camera shots are a perfect camera angle for signaling superiority or to elicit feelings of fear and dread. Here's a video that dives deeper into the various low angle shot examples and how they have been used by filmmakers like Wes Anderson , Orson Welles , and Spike Jonze .
In your next shot list, when you've got a character who is powerful (or at least feeling powerful), consider the low angle shot. It will bring that extra bit of meaning to your shot.
In a high angle shot , the camera points down at your subject. It usually creates a feeling of inferiority, or “looking down” on your subject. But, again, with every other camera angle, there are many applications.
Here's an example of the high angle camera angle:
Here is our video on how you can use high angle shots in your film. But, as the video below shows, there are the standard and more creative expressions of the high angle shot.
The high angle shot is a versatile shot that can be used in many situations. The most common usage is to make a character seem vulnerable and powerless but there are always exceptions to the rule.
A Cowboy shot is when your camera is roughly waist-high. Hip level shots are often useful when one subject is seated while the other stands.
Hip level shots can also be extremely useful camera angles for when you have action that occurs near the hip, like weapons being drawn, or someone reaching into their pocket. That's why it's also known as a "cowboy shot" — we can't think of hip level shots without seeing a gun, holster, and the enemy ahead in the distance.
Here's an example of the hip level camera angle:
The further away you get from the subject, like in this moment from Punch-Drunk Love , to keep the subject framed with proper head room, a hip level shot will get the job done.
This is when your camera height is about as low as your subject’s knees. They can emphasize a character’s superiority if paired with a low angle. It's not as extreme as a ground level shot but it gets the same feeling across. These are ideal when you want to focus on characters walking, or in this case from Home Alone , creeping.
Here's an example of the knee level camera angle:
A ground level shot is when your camera’s height is on ground level with your subject. This camera angle is used a lot to feature a character walking without revealing their face, but it can help to make the viewer more active and use the actor's performance to build an idea. 
Here's an example of the ground level camera angle:
A shoulder level shot is a camera angle that is as high as your subject’s shoulders. Shoulder level shots are actually much more standard than an eye level shot, which can make your actor seem shorter than reality.
Here's an example of the shoulder level camera angle:
Because the camera is aligned with the shoulder, it allows the actor's head to reach the top of the frame (reducing head room). It also places the actor's eye-line slightly above the camera, and, in turn, the illusion of a slightly lower angle.
For a Dutch angle (Dutch tilt), the camera is slanted to one side. With the horizon lines tilted in this way, you can create a sense of disorientation, a de-stabilized mental state, or increase the tension.
Here's an example of the Dutch angle camera angle:
Here's a video example of the Dutch angle camera angle focusing on the precise moment to use one. Watch as the scene begins with "level" and "normal" shots before switching to Dutch angles for maximum impact.
Think of the Dutch angle as "emphasis" for any tense or subjective moment. It's a great way to amplify whatever emotion, mental state, or suspense you're bringing to the scene.
An overhead shot is from above, looking down on your subject. These are typically shot from 90 degrees above — anything less might be considered a high angle shot instead.
An overhead shot doesn't need to be super high, but it can be. Here's an example of the overhead shot camera angle:
Overhead shots are great for providing perspective on a scene — but not just any perspective. It's often used as either a "neutral" or sometimes "divine" point of view. 
An aerial shot , whether taken from a helicopter or drone, is captured from way up high. It establishes a large expanse of scenery. Many of the helicopter shots in Black Hawk Down are aerial shots.
Here's an example of the aerial shot camera angle:
Affordable drones have made aerial photography more accessible to filmmakers. Once considered a big-budget luxury or stock-footage mainstay, original aerial photography is now within reach of almost any production, all thanks to the "rise" of drones (and Sky-net).
Explore the different types of camera angles, and learn how to combine them with other shot specs for visual storytelling.
Camera angles are very important in visual storytelling but they are just the beginning of the options available. When you find yourself prepping a shot list, remember shot size, framing, focus, and camera movement. When filmmakers can combine these elements into a single shot for the right reasons, that's when iconic moments in film are born. If you'd like to see our entire list of camera shots in film, make sure to continue onto the next post. 
Create robust and customizable shot lists. Upload images to make storyboards and slideshows.
SC Lannom is a screenwriter and director living in Los Angeles. He works as a writer, director, and content producer here at StudioBinder.
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Casino Operations Director Dustin Boshers breaks down gambling scenes from movies, including 'Casino Royale,' 'The Hangover,' 'Ocean's 13,' 'Casino,' '21,' 'Swingers,' 'Rounders' and 'Vegas Vacation.'

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[Robert] They were knocking this place dead for years.
We do not use chainsaws in the back room anymore.
Director of Casino Operations at Red Rock Casino
we enter the final phase of the game,
is that you can't buy any more cash.
Whatever is on that game right now in chips is it.
You gotta keep playing the game until somebody wins.
right now is No Limit Texas Hold 'Em.
They say that most players can't play it
This game, basically you can bet all your money in one hand
and a lot of other poker games, you can't do that
and so you really gotta have some skill.
I think a high stakes game is different to everybody.
But in our world when we're talking about millions
of dollars, then that's pretty much a high stakes game.
They're gonna be either in back rooms of a casino.
From a table games perspective, not so much poker,
you would actually have salons or private rooms.
usually just kinda stumble upon those.
Most guests feel intimidated to go into a salon or into
a room but here in Nevada, you're allowed to go in the room.
Now there are some things called private salons.
The normal guests can't just walk into that room
but that would be the only exclusion to that.
you're just saying, I don't want to bet any money.
Now ultimately if another player does decide
to bet more money, then you either have to make
the choice to bet the same or more or fold your hand.
Folding the hand means basically I'm throwing in,
I give up, you're gonna end up beating me.
So I think they're doing this for cinematic
reasons but the dealer's talking way too much,
especially on a high end game like this.
These are all professional poker players.
sitting there going He checks, he checks, he checks.
No, the player say check so this is way out of character.
Now in those really high end games,
unless they have to because they know
what kind of money is being played on the table.
Those blue square-looking rectangular
things that you see on the table that they have,
They're usually used in really high-end salons where
they'll use 'em as a 100 or even a million dollars
representation but it's basically like a chip.
It's very, very common in Europe that they use those.
But we rarely see those and I don't know if I've ever
seen 'em in a poker room here in the United States,
expect is a No Limit Texas Hold 'Em.
It's definitely one of the more difficult poker games.
The goal is to get the strongest hand
or the best hand out of all the other players
that are actually playing in that round.
You could end up winning with the worst hand because nobody
else has a hand better than you or in this situation,
absurd set of hands you've ever seen.
James Bond is trying to determine if he's bluffing,
meaning you're acting that you have
a really strong hand that the other player can't beat.
Like this long delay here where they're
staring each other down, the game is like set.
There's nothing else anybody can do.
There's no more action that anybody can do.
Basically everybody on the table's all in at this point.
having the players show their hand.
Let's pause it right here, this isn't accurate.
What would happen is the two biggest players right here,
James Bond and the bad guy would show their cards because
they have the most money in the pot in this situation.
You would also have what we call side pots
because the first couple players on the game,
they're going in for really small amounts.
So if that guy who only bet the $5 million,
if he had the best hand out of all the players,
he would only win five million from each
of the players because all he put in was five million.
He's not gonna win the total 115 million because
he didn't bet the equivalent to the other players
and so how they're showing this scene
is not the proper format of a normal poker game.
This is also something you would not do.
What would happen is the players would flip
over their hands
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