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Joaquin Phoenix and John C. Reilly star as sibling assassins Charlie and Eli Sisters, who are hired to kill a gold prospector accused of stealing from their boss in the Old West.
Directors Jacques Audiard Starring Joaquin Phoenix Genres Comedy , Drama , Western Subtitles English [CC] Audio languages English
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Jacques Audiard - director See profile
Producers Rosa Attab , Chelsea Barnard , Martine Cassinelli , Pascal Caucheteux , Jean-Pierre Dardenne , more… Luc Dardenne , Michael De Luca , Alison Dickey , Megan Ellison Studio 20th Century Fox Rating R (Restricted) Content advisory Smoking , alcohol use , foul language , violence Purchase rights Stream instantly Details Format Prime Video (streaming online video) Devices Available to watch on supported devices
Vigo Verite Reviewed in the United States on March 29, 2019
Don't be dissuaded by the bad reviews that appear here! This film is absolutely superb, nothing less than one of the best Westerns made in recent years. (To reveal my tastes, other great examples of 21st Century Westerns are True Grit, No Country For Old Men, The Assassination of Jesse James by the Coward Robert Ford, Bone Tomahawk, The Hateful Eight & Django Unchained.) The Sisters Brothers is Jacques Audiard’s first English-language film after a forty-year career in France. It was adapted from a Patrick de Witt novel, and lead actor John C. Reilly also served as one of the producers. His interest level in the project is basically why the movie got made. Call it a black comedy with an emotional impact. Just when it seems to be edging toward lightweight, the tone shifts. Filmed in Spain & Romania by a French director, this is about as close to a modern Spaghetti Western as we're likely to get. It came out in 2018 and was a box office bomb in the USA, but given the simpleton level of American movie audiences, that is a badge of honor. While the plot twists are clever, it is primarily a character study. Many subtle changes from the novel were made in the film version, but the raw emotion remains. Forget Clint Eastwood's tight-lipped ciphers, the cowboys here are emotionally available, which allows us into their heads. Regarding cinematic technique, one really neat trick that Audiard employs is a sort of film shorthand. The conventions of Westerns are so well-known that he can run us through establishing shots, etc., with just the barest hint and we get it. On to the next thing. (You only have two hours to work with in a film, so any time saved on story outline can then be used for more interesting & original stuff.) The movie has several moments of graphic violence that earn the R rating. That said, much of the mythic superwarrior aspect of the Sisters brothers is simply referenced, without needing to constantly show the actual gunplay. Veteran Western viewers will immediately understand that these superwarrior killers are cut from the same cloth as Blondie and Angel Eyes, so Audiard doesn’t need to spell it out nor draw us a picture. Back in the day, Leone needed to show the actual killing to establish his superwarriors as genre conventions; by 2018 Audiard can just have us hear the gunfire going on outside and then have the anti-hero come back inside, and we know what happened while he was out there, we don’t need to see it. (We’ve seen it all before.) Another example of Audiard's coded technique shows our anti-heroes being pursued as they flee on horseback from a cowboy mob, but there is never any resolution with a showdown. The next scene just shows the brothers eating again by their campfire, making it obvious that they eluded yet another posse. In this way Audiard lets us know the ordeal that they are going through, but he can spend most of his screen time on things like their conversation at the fire rather than their amazing feats of gunplay. (Maybe this is another reason why US audiences did not turn out? ‘Muricans like to see those squibs constantly going off more than they enjoy dialogue or moral complexity.) The fact that our two protagonists happen to be hired assassins is no more troubling to us than it is in Pulp Fiction. We care about them, and worry about their humanity. Comparisons are a reductionist way to describe a film, but I’ll bite: I see influence of Tarantino and the Coens in Audiard’s work. However, you can rest assured that it is original stuff with a European sensibility. (For example, I really like how plain and even unattractive the prostitutes are compared to the usual Hollywood presentation of jaw-droppingly beautiful perfectly coiffed babes in make-up. Such fantasy women popping up in US Westerns always take me out of the moment--where did she find a beauty shop?--but that does not occur here.) Sidebar- I really like the modern film convention of treating hired killers as just regular guys doing a job. Why not? Most paid work in our death culture involves some sort of contract killing. For example, my father was a car salesman, but who can deny that lots of planetary death had to occur for those cars to be manufactured & sold so that he could live the good life? To my lights, Earth-killing manufacture and human-killing assassination are only different in degree, in how the murder is targeted and executed. If we can do a sympathetic character study about salesmen like Willy Loman, then why not one about hit men?
Wolfman Reviewed in the United States on August 17, 2022
It is a crime that this movie isn't more well known.
Gregory E. Foster Reviewed in the United States on June 20, 2019
As you know, there are films that can absolutely scare the pants off you...ones that can just leave you with nothing...those that are ugly...or so beautiful they make your heart ache...imagery you will never forget...stories you will carry with you always..... “The Sisters Brothers” is a very special movie based on the book by Patrick DeWitt. It is “big”...vistas that will burn into your heart with their beauty, open and wild frontier western prairies, capped with sharp Rocky Peaks cutting through them. The story is “big” too...think “Dances With Wolves”, “Unforgiven”, “Silverado”, and consider also perhaps that greatest of all westerns, “Once Upon A Time In The West”....big beautiful spans of beautiful photography, a pallet full of colors like you have never seen before in any film! This was what first struck me...the warmth of the green countryside, the rich colors of the men’s clothing. The western towns, just springing up, flush with prospectors and murderers, thieves, whores and men, good and bad. Casting is simply unforgettable...John C. Riley and Joaquin Phoenix as the brothers, Jake Gyllenhaal and Riz Ahmed, two seemingly lost souls, thrown into the mix... We get glimpses, hints, snips of information, and then shifts happen and we’re not sure...all we know is somewhere behind everything is the Commodore...always the Commodore... San Francisco...other scattered dirty little places populated with rough and shady men and women...shootings enough, too to keep you attentive. The four become teamed up and we learn they also know the Commodore...and then we have the gold...the thing that seems to run the whole West at this time...the Rush and all that goes with it. These men are tough and can stand up to anything or anyone.....but times can’t always go smoothly now, can they? Misfortune, oh yes, it’s here alright...in spades and it’s crippling to watch, but it’s life as it happens. And we get to meet the Commodore too! This film is a true masterpiece and I guarantee you will Never forget it. There’s beauty and life enough for anyone here and a rambling sort of trail or trek through the long gone high country and wide green vistas capped with classic blue skies and nights with inky black ones with red-hot gunfire breaking in the darkness. Wild country full of wild men.... I most highly recommend this beautiful absolute classic film to you.
skisan Reviewed in the United States on February 28, 2019
At first, I didn't like it. I almost threw it out. Then, I decided to give it a second try -- and am glad I did. Essentially, this is a story about two gun-slingers who work as private bounty hunters for a wealthy former shipping Commodore. Along the way they way they end up in a series of shootouts with outlaws, thieves and gun-slingers who are hunting them. So, what's not to like? I guess I was initially thrown off because these two brothers were just ordinary guys, and maybe I expected western heroes with a noble mission, not two brothers who bickered, wondered about their whole point in life, and just plodded along. And then it dawned on me, this is what I ended up liking. They were just like anybody else -- except their job was as bounty hunters, who didn't particularly care about anything more complicated than doing their job. But something happens along the way, you get to like them and appreciate their differences and doubts about what they are doing -- or will do when it all ends. Life gets complicated when they bump into a fellow bounty hunter whom they know, and who happens to have custody of the very man they are sent to retrieve. It's not conflict which arises here but a mutual interest in discovering what their "prisoner" can offer them together. It's a chance in a lifetime to leave the business they are in and start over: it's GOLD, whit a hitch that I won'tr spoil here. Enough said, I have grown to really like this movie because it is well told, beautifully filmed (not too crazy about the music) , plenty of the mandatory western shootouts, and a genuine story about two brothers who clearly love one another, but who clearly want different things out of life. How it ends, well you'll just have to buy it to see.
Jon Waters Reviewed in the United States on January 25, 2020
The Sisters Brothers (2018) is a film depiction of Patrick DeWitt’s novel The Sisters Brothers (2012), which is a multi-layered exploration of themes from buddy-brother relations to sophisticated philosophical revelations to violence-as-redemption (Cormac McCarthy style) to better-living-through-chemistry (1960’s-style) and socialist utopian societies (1848-Marxist-style). Don’t be misled. This is a violent story about two assassins, the brothers Charlie Sisters and Eli Sisters, who are unremorseful cold-blooded killers, in the style of Cormac McCarthy’s All The Pretty Horses and Blood Meridian. Well, almost unremorseful. Eli Sisters (John C. Reilly in Jacques Audiard’s masterful film dramatization) experiences a philosophical epiphany in his journey south from Oregon territory to San Francisco and the Gold Country in Audiard’s film dramatization of the complex themes of DeWitt’s heroic novel. He engages his murderous brother Charlie (Joaquin Phoenix in the Audiard film) in various lucid discussions on these themes, without success. A related theme is the developing buddy-relationship between John Morris (played by Jake Gyllenhaal) and Hermann Kermit (played by Riz Ahmed) who overcome their petty personal interests in order to seek a more perfect society through chemistry. To manage the transition from multi-layered novel to linear film presentation, Audiard truncates much of the novel’s narrative structure, but it’s all in the service of a lucid presentation of the heart of DeWitt’s vision of 1850’s American manifest destiny. I recommend that you read the DeWitt novel before viewing the film, but decide for yourself if the deletions from DeWitt’s narrative are significant. Just how much of a brilliant novel can you pack into a two-hour film anyway?
Tyler Baker Reviewed in the United States on February 7, 2019
Going into this film, I knew it had recieved over 80% positive reviews on Rotten Tomatoes and the general story as well as the cast involved. I am happy to say this film hit all it's marks and earned that positive rating. For a western, there is a required ability to show both the beauty of a sprawling landscape and the old world, as well as it's brutal, raw parts that make it the wild, wild, west. What Jacques Audiard does as writer/director, is very impressive and one of the better westerns of recent years. I put it up there with Buster Scuggs from last year or Slow West, but a step below 3:10 to Yuma (remake). The dialogue is sharp and well acted by Joaquin Phoenix and John C Reilly as the Sisters Brothers. They are great together. Throw in Jake Gyllenhaal, who I think is the best performer in this, and a complete opposite performance by Riz Ahmed than his Venom villain and the four of them eat through the well set scenery from start to finish. Full of surprises, flashy action scenes, strong emotional cues and a good heart, Sisters Brothers is a must watch. I am giving it 5 stars, but out of 100 I would put it at an 80-82%.
Pinn Point Reviewed in the United States on September 15, 2019
My bona fides: I studied Auteur Theory at a top 10 university, with a course on Sergio Leone. Ignore the "it's boring" reviews. This film is set in 1851, the pre-archetypal western era before the Civil War. Virtually every western you have ever seen is set post-1865. It is rich with dialogue that is both rumination and deep interaction in a time and place where taking the measure of another man very well meant life or death. Beautiful scenery, cinematography and relaxed storytelling and acting. I found the picaresque plot to be both magical and realistic, for the routines of life were not a sure or set thing. I'm going to watch Robert Altman's McCabe and Mrs. Miller now. You should too.
Ron Bradshaw Reviewed in the United States on April 24, 2022
Loved it was based on a true story, great actors, it moved along at a great speed.

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S1 E1 - Patriarchy Kitty Walker returns to California after being away for 3 years. TV-PG | 09.25.2006
S1 E2 - An Act of Will The reading of William Walker's will may cause a rift in the family. TV-PG | 10.02.2006
S1 E3 - Affairs of State William Walker's indiscretions are made public. TV-PG | 10.09.2006
S1 E4 - Family Portrait Kitty has difficulty deciding between two men. TV-PG | 10.16.2006
S1 E5 - Date Night Several surprises mar Nora's date with a younger man (Treat Williams). TV-PG | 10.23.2006
S1 E6 - For the Children A very public forum exposes the Walker family's most personal business. TV-PG | 10.30.2006
S1 E7 - Northern Exposure Kitty and Warren's country weekend turns out to be anything but quiet. TV-14 | 11.06.2006
S1 E8 - Mistakes Were Made Part 1 A disturbing letter weakens Justin's resolve to stay clean. TV-14 | 11.13.2006
S1 E9 - Mistakes Were Made Part 2 Justin makes a startling revelation about his enlistment. TV-PG | 11.20.2006
S1 E10 - Light the Lights Nora overcompensates over the holidays. TV-PG | 12.11.2006
S1 E11 - Family Day Kitty considers Sen. McCallister's tantalizing proposition. TV-PG | 01.08.2007
S1 E12 - Sexual Politics Kevin falls for a soap-opera actor who is unsure of his sexuality. TV-14 | 01.15.2007
S1 E13 - Something Ida This Way Comes Nora and Saul's not-so-loving mother (Marion Ross) makes an unwelcome visit TV-14 | 01.22.2007
S1 E14 - Valentine's Day Massacre Nora has dinner with a wayward friend. TV-14 | 02.12.2007
S1 E15 - Love is Difficult Tommy has a chance encounter with a distant relative. TV-14 | 02.19.2007
S1 E16 - The Other Walker News of William Walker and Holly's daughter shakes the Walker family. TV-PG | 03.05.2007
S1 E17 - All In The Family Nora has a romantic encounter with her college professor (Peter Coyote). TV-PG | 04.02.2007
S1 E18 - Three Parties Nora's friend convinces her to take a chance with her professor. TV-PG | 04.09.2007
S1 E19 - Game Night The Walker family challenges the Jones family to a game night. TV-PG | 04.16.2007
S1 E20 - Bad News Sarah cannot get past her husband's alleged indiscretions. TV-PG | 04.30.2007
The Walker family deals with struggles and triumphs.

The Sisters Brothers (2018) Stream and Watch Online

R
2 hr 2 min Oct 19th, 2018 Drama ,
Western ,
Adventure
Watch in Movie Theaters on October 19th, 2018
Watch on DVD or Blu-ray starting
February 5th, 2019
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"Left with nothing. Capable of anything."
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Want to watch ' The Sisters Brothers ' on your TV or mobile device at home? Hunting down a streaming service to buy, rent, download, or view the Jacques Audiard-directed movie via subscription can be a huge pain, so we here at Moviefone want to help you out. Read on for a listing of streaming and cable services - including rental, purchase, and subscription choices - along with the availability of 'The Sisters Brothers' on each platform when they are available. Now, before we get into the various whats and wheres of how you can watch 'The Sisters Brothers' right now, here are some details about the France 2 Cinéma, Canal+, UGC, France 3 Cinéma, Why Not Productions, Les Films du Fleuve, Mobra Films, France Télévisions, Michael De Luca Productions, Page 114, Casa Kafka Pictures, Wallimage, Annapurna Pictures, Atresmedia, Apache Films, Movistar+, KNM, Top Drawer Entertainment western flick. Released October 19th, 2018, 'The Sisters Brothers' stars John C. Reilly , Joaquin Phoenix , Jake Gyllenhaal , Riz Ahmed The R movie has a runtime of about 2 hr 2 min, and received a user score of 68 (out of 100) on TMDb, which assembled reviews from 1,604 knowledgeable users. You probably already know what the movie's about, but just in case... Here's the plot: "Oregon, 1851. Hermann Kermit Warm, a chemist and aspiring gold prospector, keeps a profitable secret that the Commodore wants to know, so he sends the Sisters brothers, two notorious assassins, to capture him on his way to California." 'The Sisters Brothers' is currently available to rent, purchase, or stream via subscription on Apple iTunes, DIRECTV, Microsoft Store, Redbox, Google Play Movies, Amazon Video, AMC on Demand, Vudu, Tubi TV, YouTube, and Pluto TV .

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