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A hotel room in the center of Rome serves as the setting for Alba and Natasha, two young and recently acquainted women, to have a physical adventure that touches their very souls.
Naslov filma: Popularnost: 24.369 Trajanje: 109 Minutes Slogan: A night of passion that will change their lives.
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Warning: the following film contains nudity and sexual activity. Two beautiful women, strangers until now, enjoy hours of intense sexual pleasure in a Roman hotel room.
Directors Julio Medem Starring Elena Anaya , Natasha Yarovenko , Enrico Lo Verso Genres Drama Subtitles English [CC] Audio languages English
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Producers Julio Medem , Alvarro Longoria , Pilar Benito Studio IFC Films Purchase rights Stream instantly Details Format Prime Video (streaming online video) Devices Available to watch on supported devices
Allan M. Lees Reviewed in the United States on March 5, 2011
I confess I've always wanted to be able to write the story of a relationship in compressed form and Room In Rome accomplishes this brilliantly. In summary it's simple: two women meet in a bar before the movie commences and we see them embark on what should be a simple sexual encounter. But then... half-truths, lies, full truths, sharing of painful past experiences, sharing present joys, the fear of developing love... it's all caught delicately. Every time we think the movie is going in one direction, there's a change of pace, tone and intention. It would be very easy for a film like this to be pretentious but the light direction and sure-footed acting saves the day every time this risk appears to be drawing close. The two women fall in love, almost against their will, and so the morning comes to symbolize both rebirth and also the approaching of the pain of separation. Dawn is Alba's moment, and Dasha promises "I'll stay with you till the dawn, and then we'll say goodbye." It's really difficult to manage the intensity of such a scenario, and the longing it involves, but the script and the cast succeed. When the Russian girl Dasha steps away from Alba we really do feel the pain of the moment. Perhaps the only two unrealistic components are (i) the empathy and sympathy each woman has for the other - in real life one or both would tend to cut away to avoid pain; and (ii) the silly "arrow in the heart" moment that visually depicts the heart-pain Abla feels. Oh, and as the other reviewer has noted, after about the first two minutes we simply stop noticing the nudity of the actresses - the facial expressions, the movements of the hands, are all much more engrossing. The moments of sexual activity are more tender and touching than erotic, culminating in the moment they hug each other in the bath just before Dasha departs forever. It's in no way sexually arousing but it is absolutely arousing of tenderness, love, and the pain of loss-about-to-happen. How many of us have known that moment when the beloved is still present but we know, absolutely know, they are about to leave and never come back? This is what the bath scene captures so brilliantly: lost possibility, lost love, a sacrifice to the quotidian. At the end of the movie the two women leave the room together, to go their separate ways. An entire relationship encapsulated in a single night. But... at the end the movie cheats. After the women part, Dasha runs to Alba. The obligatory happy ending... without this last moment of capitulation to audience expectations the movie would have earned a five-star review. And the music is great! UPDATE - since writing the original review I've re-watched this movie from time to time and each time it seems to become more poignant. Yes, some of the acting is a bit clunky for a few seconds here and there but overall there's something profoundly touching about the way in which even during the moments of greatest tenderness, greatest excitement of new love, the echo of imminent loss permeates everything. Perhaps I've reached the age where, no longer believing in love, it's come to matter more and more.
Charles Dyton Williams Reviewed in the United States on May 29, 2021
Velarama Reviewed in the United States on July 2, 2011
Without giving too much away, two strangers randomly meet and decide to spend the night together in a hotel in Rome. It's the first day of summer. From 12 minutes into the film, they are undressed and remain so until breakfast on the balcony the next morning. Surrounded by the chiaroscuro of Italian Renaissance paintings, with all their watching shadows and highlights, their conversation (between bouts of unbridled passion!) sees them emotionally undressing each other ever more throughout the night, telling their stories, until dawn arrives in stunning brilliance over the Eternal City. The camera moves like a soft and subtle choreographical brush across the canvas, so the nudity is, quite literally, artistic. The natural nudity of lovers, though not a nudist film. The film is lyrical, almost Sappho-like in a poetic way, with everything intertwining, even the theme of being watched from above (as the painted cupids on the ceiling do) wraps the story up in a beautiful bow. I liked it. Am also much impressed with the original music - must get the soundtrack.
Stefana217 Reviewed in the United States on January 7, 2021
Loved the characters and enjoyed a very good storyline. I wasn't expecting that. I do believe they fell in love and want to see each other again. You could interpret the ending in two ways. Two beautiful women learning about each other and as they become more vulnerable they grow closer. The movie is well done and I highly recommend it.
Avid reader Reviewed in the United States on April 1, 2018
The entire movie takes place over the night in one room in Rome, where two strangers meet, and come to the one woman's room. The relationship that develops is like peeling an onion. There are many layers and many truths to be discovered, and misinformation to be corrected. The movie is cast in shadows and a richness of a reddish hue from the lights. Until the ending, it really is difficult to know how everything will end up, as the emotions that develop are finely crafted, and at a high pitch.
Dorothy J Green Reviewed in the United States on September 24, 2016
I admit I purchased this for the sex scenes thinking that the dialogue would be boring. Surprisingly I found myself getting engrossed in the story. I thought the actresses besides being very attractive, had chemistry and were believable in their roles. I loved that the film was set in Rome as it reminded my of brief time there and how the room looked just like the one I had stayed in. In my opinion it represented the intimacy between two women when they are attracted to each other. The end even though sad was fitting in the context of the relationships each women had with another person. I would hope others would watch this and understand how same sex relationships do not differ from same sex relationships.
Flip B. Reviewed in the United States on August 14, 2013
A movie about two women who happen to meet in Rome - a lesbian engineer/inventor from Spain and a straight professional tennis player from Russia. They spend the night together and discover many things they have in common - including a love of music, history, and art. I could have done without the death in the Spanish woman's past and the incest in the Russian woman's past, but maybe these unhappy events provide another thing in common for the women. Certainly not for everyone, but if you don't have a problem with girl-on-girl and you like music, history, and art, you just might really enjoy this. The dialog is almost entirely in English, but the English subtitles are still very helpful.
michael Reviewed in the United States on August 14, 2018
I've just put this in my greatest top #10 movie list of all times. A breath of fresh air from all the other movies of this type. I lent my dvd to a friend to watch. He liked the movie but didn't like the ending at all. He believes the girls ended up together & lived happily ever after - unrealistic. Strange, because I don't think that's the case at all. So I guess the endings a bit of a cliffhanger. Either way, it's worth watching ...

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A hotel room in the center of Rome serves as the setting for two young and recently acquainted women to have a physical adventure that touches their very souls.
Beth is a young, ambitious New Yorker who is completely unlucky in love. However, on a whirlwind trip to Rome, she impulsively steals some coins from a reputed fountain of love, and is then aggressively pursued by a band of suitors.
The lives of some visitors and residents of Rome and the romances, adventures and predicaments they get into.
Maggie is an uptight, single mother and college writing teacher from New York City. In an effort to reconnect with her troubled teen daughter Summer, she decides to embark on a journey to a Tuscan village that she frequented in her younger days. Upon arrival, Maggie runs into Luca, a handsome former lover who is still a bachelor and lives with his eighty-year-old mother, Carmen. Summer (missing her "bad boy" boyfriend in NYC) and Carmen (secretly planning a wedding against Luca's wishes to Marcelino, her one true love in Rome) impulsively steal Luca's car and race off to Rome. Maggie and Luca quickly pursue allowing the two mismatched couples to spend some time together and develop a new understanding of each other.
American Angela de Luca is a tour guide in Rome, it a job she loves in showing visitors what she finds special about the city that can't be found in standard guide books. Her exuberance does end up getting her into trouble as, a few days before Christmas, she is fired by her boss Tomasso Toffino for not sticking to the "tourist hot spots" protocol one too many times. It is when she is nursing her wounds about the job in not knowing what to do that she literally runs into Oliver Martin, who works for the New York based acquisitions firm Fiske and Drummond, he in Rome on business to acquire famed high end Italian ceramics company Forlinghetti for Fiske and Drummond. Oliver is all work and no play, he especially seeing the Christmas season as an opportune time to do business as no one else wants to work and thus will rush into deals. He expects to meet with Luigi Forlinghetti, seal the deal and leave Rome without experiencing any of it. A promotion to vice-president of the company rests on the deal happening. Angela knows that Oliver's approach in focusing solely on the financials will not impress an old world person like Forlinghetti, for who doing things the traditional Italian way will be just as if not more important as the money. Not knowing anything about Italian mores, Oliver decides to hire Angela to be his cultural tour guide in navigating the process with Forlinghetti for his planned four day stay. In appreciation, Oliver, in turn, agrees to help her put together a business plan for her own tour company offering specialized, seasonal tours, like one specifically for Christmas, the plan to present to potential investors. In Angela opening Oliver's eyes to the joys that Rome has to offer, especially during the Christmas season, the two start to fall for each other. Whether there is a future for them may depend on both their business futures and if they can bring their two very different and geographically distant lives together.
Having long forgone her aspirations to become a professional actress due to personal circumstances, Amelia Tate of Bend, Oregon, on the urging of her younger sister Kathryn Tate, applies to the worldwide open casting call for an unknown, and is offered the role of Princess Anna in the highly anticipated remake of Roman Holiday (1953) with movie star Jonathan Lyman as the male lead in the role of the journalist. Information of who has been cast as the female lead is kept under wraps until the press junket begins, and as such Amelia has to keep a low profile in Rome and on social media until that first press conference. Meanwhile, American freelance journalist Philip Hamilton, in Italy for a year working on his first novel, has to work several jobs, including hotel porter and waiter, to make ends meet. Vivien Daniels, editor of the English language magazine Vistoso, gives him the assignment of writing all about the mysterious unknown hired for the female lead in the well publicized remake. In approaching director Domenic D'Andrea, Philip is surprised not only that Vivien has already arranged with D'Andrea for the story to be an exclusive, but that the said unknown is the young American woman he has served at the hotel in his role as porter. Philip finds that Amelia is less than open about her life for the story, she stating this unexpected ride being her own and not that of her family, who she doesn't want exposed in the process, especially Kathryn. To reassure her, Philip, unauthorized to do so, gives her editorial control over the final story. In spending time together, they, unspoken, start to fall for each other, with Philip, finding more and more about her in putting the pieces together on his own leading out of what she does tell him on and off the record, being inspired by her and her story. Their budding romance may be kiboshed before it even begins if Philip cannot come through with his promise to her, which becomes more of a possibility with Vivien never agreeing to such, and other Roman journalists fighting for the story regardless of Vistoso's exclusive.
Failing cosmetics magnate Sally Fay will stop at nothing to possess the waters of the Steam Room to help lift her sagging empire. What she doesn't count on is the Steam Room Guys banding together to thwart her evil plans.
The Colour Room follows the journey of a determined, working class woman, Clarice Cliff, as she breaks the glass ceiling and revolutionises the workplace in the 20th century. Clarice Cliff (Dynevor) is a vivacious young factory worker in the industrial British midlands of the 1920s - Bursting at the seams with ideas for colours and shapes, Clarice takes more and more dangerous risks - but she manages to stay one step ahead of the workhouse and impress the eccentric factory owner Colley Shorter (Goode) on the way with her talent and innovation.
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The school teacher Amy has been proposed by her boyfriend Nick early in the morning and she promises her answer later in the afternoon. After her class, while coming back home, Nick has a car accident in a crossroad with a truck driven by Lucas Dylan. He breaks his leg and an ambulance takes him to the hospital. Amy has a phobia about hospitals, but she gets a taxi and goes to the nearest hospital. However, Nick is not there, and she meets Lucas, who is also looking for his sister that has disappeared in the same weird circumstance. They decide to team up and search together where the victims might have been interned, while Amy experiences the most bizarre and scary situations.
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