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Epic drama set in the summer of 1932 where India dreams of independence, but the British are clinging to power.
Set against the sweeping grandeur of the Himalayas and tea plantations of Northern India, the drama tells the rich and explosive story of the decline of the British Empire and the birth of modern India, from both sides of the experience. At the heart of the story lie the implications and ramifications of the tangled web of passions, rivalries and clashes that define the lives of those brought together in this summer which will change everything.
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It’s 1932 and the Indian Civil Service begin the annual move to Simla, India’s Little England and the exclusive white British Club is prepared for the summer season. But while the British cling to power, India dreams of independence.
Starring Amber Rose Revah , Henry Lloyd-Hughes , Jemima West Genres Drama , Historical Subtitles English [CC] Audio languages English
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The British arrive at their summer headquarters in northern India for a season of parties, romance, and trouble--including attempted murder.
While Aafrin fights for his life, Ralph confronts the gunman in jail. Sarah is suspicious of Alice's past. Adam goes missing.
Sooni gets into trouble. Witness tampering runs riot. Ramu confronts Armitage at the annual fair. Dougie confesses to Sarah.
The viceroy gets a royal welcome. A crucial piece of evidence is missing. Aafrin sends Alice on an urgent errand. Ian gets bad news.
Ralph plays politics at his engagement bash. Eugene tells Cynthia a shocking secret. Adam and his mother make a surprise visit.
A mountaineer makes trouble. Aafrin and Alice try to check their growing attraction. Ralph’s cover appointment is thwarted by tragedy.
A murder victim is found and a suspect confesses. Ian finds a cause. Aafrin is blackmailed. Meanwhile, the British Club performs Oscar Wilde.
While Simla citizens look on, Ramu is tried for Jaya’s murder. Leena and Ian come to his defense. Sarah is humiliated.
Madeleine gets a shock. Ramu’s fate is in Ralph’s hands. Aafrin makes two fateful decisions. The club changes course. Ian becomes a local hero.
Madeleine gets a shock. Ramu’s fate is in Ralph’s hands. Aafrin makes two fateful decisions. The club changes course. Ian becomes a local hero.
Anand Tucker - director See profile
Directors Anand Tucker Supporting actors Julie Walters , Nikesh Patel Producers Charles Pattinson , Dan McCulloch , Elaine Pyke , Indira Varma , Paul Rutman , more… Rebecca Eaton , Simon Curtis , Willow Grylls Season year 2015 Network PBS Content advisory Alcohol use , foul language , sexual content , smoking , violence Purchase rights Stream instantly Details Format Prime Video (streaming online video) Devices Available to watch on supported devices
Amazon Customer Reviewed in the United States on October 23, 2015
Considering myself to be somewhat of an anglophile and adoring shows about British history (i.e., lives of Henry VIII, Ann Boleyn, Elizabeth I, etc.), I tend to forget that the British had also a history of imperialistic rule especially in the country of India. This very delightful series of “Indian Summers” season one (1) certainly, as a wonderfully acted, produced and directed program, has reminded me of Britain’s imperialistic days in India. Season One (1), which is in ten (10) episodes about an hour in length each, of Masterpiece Theaters/PBS’ series of “Indian Summers”, I found to be a very riveting viewing experience. I simply “fell in love” with all of the featured characters—“warts and all”. This series reflects wonderfully the last days of England’s rule of India and the turmoil between those ruled (with excessive bow-ing, the Indians) and those doing the ruling (with the feelings of being superior, the English). This was done, in the series, mainly by concentrating on certain well-off, “rule Britannia”, establishment-oriented-types of white families and some of those Indians that did their bidding plus so-called regular people and some of those helping to bring about the inevitable changes. All of the characters featured have many deep issues that they are dealing with such as hidden extra marital affairs, unrequited loves, the desire to succeed in often hostile surroundings, jealousies, class alienation, racial prejudices with blatant hostilities, sibling disagreements, etc. Everyone portrayed is caught somehow “in the middle” of the vast changes happening in India in the 1930s.. The series really looks closely at the very obvious and, to me, obnoxious “class snobbery” that was very evident on BOTH sides. Loads of family secrets and disagreements are revealed plus the undercurrent of political change and its effect on all is reflected in this series. Added to the mix are, of course, illicit love affairs and lusts. (I especially loved the sibling banter between Afrim and his sisters—so funny) Knowing personally the effects that blatant and sanctioned discrimination can have on one I found the British series “Indian Summers” (Season 1) to be very astute and that it is really well acted, produced, and directed plus the scenery is gorgeous showing very beautiful parts of India (I’ve learned recently that it was actually in Malaysia)--I simply adored this presentation. .To me, the British really know how to recreate an era on film as is done in this series—1930s. This series is no doubt considered by some to be merely a “soap”; nevertheless, I really liked it and consider it a darn good drama.
Sherry Reviewed in the United States on January 5, 2022
I've read several novels about life in India, but this series (Indian Summers, season one) brought them alive. Beautiful scenery and the conflicts between British rule and the Indian population were fascinating, memorable and somewhat sad. Enjoyed very much.
Luv 2 Save Reviewed in the United States on July 8, 2016
First of all I really wanted to 100% like this movie (or series) because of the great and excellent aspects of it. Wanted to give it five stars if it weren't for the bad parts. Good Parts; Kudos for doing a series with Indian culture. This is not a culture that I have seen at all in period dramas. I enjoyed learning and watching the Indian culture. (They said it was shot in Malaysia, that doesn't matter so much to me) Although the beginning of the film starts out slow in episode 1, hang on to your seat. The plot is very fast paced and multilayered after that. I had to watch it couple of time to understand everything that went on. I felt that the cinematography was great! Loved how they took a seemingly insignificant scene and magnified it, allowing you to see and feel how that scene affected characters involved. They would jump from one point in time to another with out filling in boring details, which keeps you on your toes to figure out what is going on, which at times can heighten the suspense. Much of the time there was a multilayered unfolding and building of the plot in one scene, which I felt was very artful and skillful. I felt that the acting was great. All of the actors were above and beyond what you would see in a film that contained 'famous Hollywood actors'. -----------****************** Potential Spoiler Alert if you Haven't watched the Whole Thing***********************--------------------------- The part of the plot where Alice falls for Aafrin, is a great part of the plot. This is something that is believable and is of great suspense because this kind of thing would not be looked upon favorably in the time setting of the story. Bad Parts; Okay, in spite of all of the great parts, I am not able to give the series (at this point) five stars. As others have said, I felt that the reckless sleeping around of the characters was unnecessary (and showing it graphically) detracts from the quality of the story. Not the kind of material I go looking for to watch. -----------****************** Spoiler Alert***********************--------------------------- The worst of all (why I gave it only two stars), is the main character Ralph is a huge moral disappointment. Never mind the sleeping with his girlfriends (which is what got him into alot of trouble in the first place). It's when he had the ability to save Ramu Sood and didn't. This is after scolding Madeline for her lack of regard for human life earlier. I didn't appreciate the huge sense of injustice in this part of the story. (Again not the kind of stuff I go looking to watch). You spend alot of time in the story getting to know Ramu Sood. You feel that he is a good hearted man with good character and good citizen of the community. It is a shock that Ralph decides not to use his power to help Ramu for his own selfish reasons. This really detracts from the film, in my opinion reducing it to filth.
Jonathan Hansen Reviewed in the United States on July 10, 2016
Bit of a mystery how 'Masterpiece' got roped into producing this. Notwithstanding it is an elaborate visual spectacle. I kept waiting for a plot to manifest itself -- and then someone, err, another someone was murdered, discounting the (a-) political prisoner who died in jail, engendering a flurry of cover-ups and investigations leading nowhere, and a queen bitch who rules over the local club with an iron fist and a silk dagger. The brilliant splashes of color in the opening credits aren't misleading, it's full of colorful but inexplicable social tensions. These are exacerbated by the British demonstrating a blissfully ignorant inappreciation of the Hindu caste divisions between the Raj's and the middle caste, and the untouchables. One of the never-ending sub-plots revolves around rural villagers or society at large treating cross-caste/mixed-blood European-Asian babies as demon possessed. So they have to be rescued by a local mission. Parental identities are somewhat nuisance, therefore. One of the chief Hindi protagonists (Effrain) has a lower caste girl-friend/fiancée, who inexplicably screws him up badly with his British employers through her massive disdain for his upper caste family. She later claims it was fear that got in her way, but I'm thinking contempt between their families was a two-way street, and old Effrain in love was deliberately blind to it. We only learn about the murder half-way through the series, and then the identity of the criminal is withheld until the final episode, where miscarriage of justice reveals the true criminal in all these charades is the British colonial government. One really needs to watch this about 3 episodes at once to develop an appreciation for who the characters are and how their deeds distinguish them. Plot focus jumps around so much in each episode that the players don't have much opportunity to become memorable.
Kindle Customer Reviewed in the United States on October 20, 2016
It's hard to know what to say about this series because it is one of the most complicated I've watched in a long time. I actually watched the first episode three times before I could place all the characters but, as the series went on and more things were revealed, I'd now say it is really good! I am a crafter so I am usually watching while knitting or crocheting but I can't do that with this series. It demands my full attention and now I'm glad to give it. The series is set in 1932 in India while the country was still ruled by the Crown and the class differences are stark. The locals are beginning to agitate for home rule and it is very sad to see the local military treat the people so savagely. I am anxious for season two to be released for free!.
Fiction Fan Reviewed in the United States on July 31, 2016
Indian Summers takes on the waning days of the British Raj in India with some mildly interesting characters and some beautiful photography, but completely lacks the depth and gravitas of The Jewel in the Crown (made way back in 1984). There is nothing subtle in the politics as presented here (always a problem when you have to make your characters say out loud what should be evoked through plot and character development), and the characters in general seem rather inconsistently portrayed from one episode to the next. The central character of Cynthia is a complete waste of Julie Walters' talents -- she's a one-dimensional bore. For the most part, the show really seems to lack the sense of time and place of India in 1932, and feels more like one of those vaguely sentimental period pieces that shows like Downton Abbey really seem to specialize in: lots of beautiful costumes and scenery, but rather ahistorical in tone, with characters who look and sound like they're from a very different time and place than the ones they're portraying. All in all, it's little more than a soap opera masquerading as a history lesson of some sort -- but if you really want to dig into the complexities of the British presence in the last days of the Raj, do yourself a favor and watch The Jewel in the Crown.
Kiwiness Reviewed in the United States on November 8, 2015
An avid watcher of PBS, "Indian Summers' is a stand-out. Having traveled to India, I found it to be a place that both intoxicates and overwhelms all of one's senses and is full of stark contradictions, like destitute poverty beyond comprehension to moments of awe-inspiring beauty. In this period piece set in the 1930s, "Indian Summers" masterfully lets the viewers into the "feel" of this disparity through re-creating the British summer scenes set in the magical foothills of India's Himalayan Mountains, as well as capturing the very different and chaotic world of Delhi's city streets and in portraying the life and cultural perspective of of Dalal and his Parsee family. As lines were blurred and complicated by the Brit's struggle to remain in power as Ghana's power was rising, "Indian Summers" brilliantly takes us on a journey to another place and time from everything to its costumes, interesting and diverse cast of characters and a wonderfully mysterious plot line as characters have their own way of questioning, struggling to uphold and sometimes blatantly defying India's caste system. I am enjoying every moment as this series unfolds and am thrilled to see it has been renewed for a second season.
MaryAnn Dodd Reviewed in the United States on April 23, 2016
It was slow, then I got interested. The scenery is breath taking and I'm getting some idea of colonial rule in India in the 1930s. Ghandi is mentioned and I forsee the British rule ending. It has made me interested in learning more about that period in history in India. The acting was somewhat stiff. It seems that Julie Walters is overacting. I like her usually. The sex scenes are contrived and no foreplay, just "Boom!" Trite. Four stars for the colors of the Indian clothes and homes. The buildings are magnificent. I would think Julie Walters would have more than three or so costume changes. If they can move up a piano, one thinks they could take more clothes up the mountain. lol I'm looking forward to season2.
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The cast of "Indian Summers" discuss the captivating story lines and brilliant writing in the series.
The cast of "Indian Summers" discuss the captivating story lines and brilliant writing in the series.
Actor Nikesh Patel discusses his role as Afrin Dalal in "Indian Summers".
Actor Nikesh Patel discusses his role as Afrin Dalal in "Indian Summers".
Actor Henry Lloyd-Hughes discusses his role as Ralph Whelan in "Indian Summers".
Actor Henry Lloyd-Hughes discusses his role as Ralph Whelan in "Indian Summers".
Actress Julie Walters discusses her role as Cynthia Coffin in "Indian Summers".
Actress Julie Walters discusses her role as Cynthia Coffin in "Indian Summers".
Actress Olivia Grant discusses her role as Madeline Mathers in "Indian Summers".
Actress Olivia Grant discusses her role as Madeline Mathers in "Indian Summers".
Actress Jemima West discusses her role as Alice Whelan in "Indian Summers".
Actress Jemima West discusses her role as Alice Whelan in "Indian Summers".
PBS and Masterpiece talk with the creators and cast about the new series Indian Summers.
PBS and Masterpiece talk with the creators and cast about the new series Indian Summers.
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