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A teenage busboy Eddie Adams (Mark Wahlberg) gets discovered by porn director Jack Horner (Burt Reynolds), who transforms him into adult-film sensation Dirk Diggler.
Directors Paul Thomas Anderson Starring Mark Wahlberg , Burt Reynolds , Julianne Moore Genres Drama , Erotic Subtitles English [CC] Audio languages English
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Paul Thomas Anderson - director See profile
Supporting actors William H. Macy Producers Lloyd Levin , John Lyons , Paul Thomas Anderson , Joanne Sellars Studio Warner Bros. Domestic Televisi Content advisory Smoking , substance use , alcohol use , nudity , foul language , more… sexual content , violence Purchase rights Stream instantly Details Format Prime Video (streaming online video) Devices Available to watch on supported devices
KEITH Reviewed in the United States on February 3, 2022
This amazing story about a taboo subject begins in 1977. The dramatic set-pieces, the risque ouvre, all calvacade around one issue-pornography. This well-populated world is introduced to us through the club Hot Traxx in the San Fernando Valley. Eddie Adams is the young, ideal driven, docile kid, at a waiter job at the club. Every scene is interesting because in slow canvassing camera shots each sequence is all about the subject-adult film. Eddie Adams becomes Dirk Diggler, a porno film star, under the mentorship of Jack Horner(Burt Reynolds). Amber Waves is on the phone with someone, and she would like to talk to her son. Amber, played by Julianne Moore, is a veteran porn actress. The pornography business is like being introduced into the mob, there are rules to follow, and life exists within a self-contained group. As the event montage continues, Little Bill is meandering around his domestic and clean apartment. He discovers his wife, having sex with some male cohort. Eddie Adams, now back home, is in his room changing his clothes. There are posters on the wall. Every item is an object of awe. This is unknown territory. Where the mob family resolves conflicts into jealousy, the 'industry' leads to love. Jack Horner sees Eddie at the club and he has a special feeling, a notion about Eddie. It is amazing that Jack Horner is a detatched, cold observer as a director, but is intense about pursuing creative ideas-new kinds of pornography movies. Eddie is awkward and has a naive, hard-nosed determination. Despite this he is mature as he is approached by Jack Horner. At Eddie's house, a low camera angle is introduced. This first shot capturing Eddie at breakfast. Eddie's mother is questioning him about his lack of priorities. Eddie has two jobs, one at a carwash, the other is at Hot Traxx. Eddie Adams is gifted, he has a large penis, and he doesn't harbor a proclivity to judge others in the pornography world. Despite the outrageousness of the new life Eddie has involved himself with, we ask how long is Eddie, now Dirk Diggler, going to ascend? Dirk Diggler is the prototype mover, so incandescent in boyish exuberance, he is the model of conflicted stardom. No one else could have been Dirk Diggler except Mark Wahlberg. Eddie is attending parties at Jack Horner's house, and he is a good diver. The camera shot is underwater, and the piqued translucence of sunlit blue brings a consciousness of power over snags and vitality negatives. The camera rests for seconds. The scene is intimate. The whole movie is a nod to the shooting and production of adult films. Unlike lesser serial dramas, the personalities of these characters are entwined to the outcome of the play. Eddie even says that he has seen "Star Wars" four times. At first glance this analogy is ridiculous, but each close-up has a battery of implications for the plot of "Boogie Nights". Like a trance that overcomes the worshipers of the sun-god we float in delight into the next phase and look at the bodies left behind from a safe distance. Has there ever been a film in which the cast achieved recognition to such a fine degree of innovation as in the case of "Boogie Nights"? The friends of Dirk Diggler are knotted within a conductor of soft equilibriums-through rough genuflections their nerves are never mangled. In social divisions the problem is that one does not get included into 'regular society'. Outside of this clique, there are square suburban lawns and tracts of greenery that lie distant from the charismatic beacon lighted by Dirk, and his friends Reed(John C. Reilly), and Scotty (Philip Seymour Hoffman). Then the movie celebrates other times. Now these people move into a sphere of danger, crime, and incongruity, at the mere whim of changing currents. This is explicable because these lives are so extraordinary. Thinking of Reed Rothchild, one intuitively cares what will happen to him. There are amazing set-pieces. A very well choreographed disco dance, a Christmas song playing over the radio during a robbery, and Dirk's fiery pinkish Corvette Stingray. These seventies ironies are done right. These objects are where they would be given the setting. Continuing on the viewer witnesses what becomes of these dynamic characters as they stray from their world and their non-groomed ideals. Unlike many less accomplished slice of life drama exposes, every action, here, advances the themes of "Boogie Nights". In numerous television dramas and other movies the personality 'types' say things simply for the decor of the language-they search for trends that are temporarily nuanced by strangeness, not by meaning. As a diletante reviewer, I am forced to question my objectivity when describing, in detail, my opinions. I have strong beliefs and the subject of "Boogie Nights" was a biasing factor. This movie has me questioning where the origin of the real sin is. "Boogie Nights" is a forking path in my way. I definitely want to be able to enjoy movies as good as this.
Ben30 Reviewed in the United States on August 24, 2013
This is about the 2 Disc DVD set of BOOGIE NIGHTS which is about the Adult film industry from 1977-1983 which i bought out of curiosity, i was curious to watch this version so i had to buy the DVD One Director's perspective/version of the Adult film industry from 1977 to 1983 written and Directed by Paul T Anderson who must've done alot of research of the Adult film industry during the 70'S cause most of the scenes are realistic and tragic especially the Drug scenes lots of Cocaine, Difficult to watch and sad. so very well acted by Julianne moore and Heather Graham. i'm not going to explain the whole film but here is some of the scenes the film is set in California and the main plot is around Eddie Adams/Dirk Diggler played by Mark Wahlberg, excellent acting aswell Mark Wahlberg's character is loosely based on Adult film star John Holmes, i've seen a Documentary on John Holmes life in the Industry so i know that only some scenes that Mark Wahlberg played the character definitely was based on John Holmes and based on Fact one of the factual scenes is where Mark's character is very coked up and couldn't perform any scenes so he has a fight/argument with Director Jack Horner played by Burt reynolds (another fantastic performance) and Eddie adams leaves the set and tries to support himself on his own by recording an album, Prostituting himself to get tons of money for recording contract and there's more Dramatic/tragic scenes to follow after that. there are other Characters based around Dirk Diggler in the film Heather Graham's plays Rollergirl about 18-20years old who's obviously been brainwashed by the Director Jack Horner and definitely doesn't know any better Julianne moore as Maggie plays Adult film star Amber waves who's a struggling mother, her ex husband has custody of her son so she takes comfort in Dirk Diggler the scene where Julianne and Heather character are doing excessive amounts of cocaine together, that's ridiculous and Disturbing to watch maybe that was based on fact or Loosely based, who knows but Julianne and Heather nail that scene, it definitely looks believable old actor Robert Ridgely plays Colonel James who is Jack horner's Producer and financier who happens to brainwash young teens under 18 actually into performing in Jack's films one scene where a young Girl about 15 years old brought in by the Colonel overdoses on Cocaine, very Graphic scene he is later in prisoned for child images, if you know what i mean very disturbing Don cheadle plays another Adult film star Buck swope who tries to get out of the industry to get his own Legitimate business started but can't get anywhere cause he's been type cast as a Adult film performer and the bank manager won't give him a loan to start his own business, he tried to prove himself that he's better than that and wants to start his own business, very sad but he then gets the money by a Convenience store robbery gone wrong very late at night, where the robber is shot and the store owner is shot so he takes the money and runs with it. with no witnesses William H macy plays Little bill Thompson who's a assistant with Jack horner's films get's very Jealous of his Wife played by Adult film actress Nina Hartley who sleeps around Little bill snaps to breaking point and shoots his wife, her Lover and himself at Jack horner's news years eve party 1979 It's anybody's guess if this was based on fact or loosely based, who knows after Dirk Diggler is fired for too much Cocaine use about 1982 Jack Horner sets out to find another performer with Rollergirl Jack drives around in his Limo looking for another star for his films they come across a College graduate who happens to be school friend of Rollergirl, the College freshman persuades her that he knows her from school and insults her for being an adult film star, she denies that he knows her and pushes and kicks him out of the Limo repeatley kicking and punching him with Jack horner joining in and she says you don't know me i'm a star etc very disturbing i was shocked at the scene, Heather Graham's character definitely brainwashed by stardom, very sad/tragic by 1983, Dirk Diggler comes crawling back to Jack Horner for help, Amber waves is still in the business much older now there's a scene where she's staring at herself in the mirror and she looks mid 40's now Jack horner compliments her and says she still looks Hot Dirk Diggler is getting ready for another scene and the film ends and credits roll very tragic and sad perspective on the Adult actors/actress's and Adult film industry from 1977-1983 very realistic drama the effects on the cocaine use is outrageous maybe some scenes are based on fact that actually happened or are Loosely based, it's a matter of opinion really. now to the special features, there is only 2 audio commentary tracks one by Paul Anderson and another by Paul anderson and the other actors/actress's in the film the commentary is terrible i tried to watch most of the film with the commentary definitely was not interesting, Paul talks about the cast a little bit and how the film came together but most of the time Paul, Mark , Julianne are Joking around about some scenes there is no making of featurette, no interviews with cast and crew. Disc 2 has Deleted scenes and extended scenes and has filmography on the cast but that is it i thought there would be making of featurette at at least but none so the extras are pathetic the soundtrack is obviuosly 70'S Pop radio the blu-ray release of this film is no different to the DVD release, has the same extras as the DVD so there is no point buying the blu-ray just stay with the DVD release i gave this film 4 stars based on the Actor's performances and the story, this film is obviuosly for people who are interested/curious about the Adult film industry lifestyle during the 70'S and early 80'S. very tragic and sad if you ask me considering if some scenes were based on fact.
OLdweeb Reviewed in the United States on August 6, 2022
Boogie Nights (blu-ray): It mostly takes place exactly where I live (so does Cobra Kai) so buying the disc for my library was a no brainer. Great fun, an original story. If you lived here during that era, you know it's even highly plausible. The disc loads & plays with no issues in my Panasonic player, through a mid-level Sony amp, into a 55" 4K Vizio OLED TV. Highly Recommended.
Wheelchair Assassin Reviewed in the United States on August 12, 2006
Given that pornography is a multi-jillion-dollar-a-year business, it's sort of surprising that it hasn't received the cinematic treatment more often, but Boogie Nights provides it with the sort of skewed, darkly comic treatment that it almost certainly deserves, and becomes a certifiable classic in the process. Following the story of Eddie Adams, a simple-minded, almost impossibly well-endowed teenager from suburban California who achieves porn stardom as Dirk Diggler before turning 20, Boogie Nights is both a time-tested star-is-born-and-almost-blows-it-all story and a loving tribute to a time and place that will probably never be replicated and the individuals who made it what it was. Paul Thomas Anderson's directing is as excessive and stylish as you'd expect from a movie centered on the porno industry, with Anderson pulling out every trick in the book--long tracking shots, underwater closeups, montages, movie-within-a-movie views, and some moments that approach stream-of-consciousness (Dirk's vision of his professional name literally exploding off a neon sign being a prominent example). Naturally, Anderson also loads the movie up with period details, right down to the Farah Fawcett poster in teenage Dirk's room, the platform shoes, and the obligatory disco sequences. Its visual flair aside, though, Boogie Nights is also the sort of insanely quotable, watch-it-until-you've-memorized-it movie that seemed to come out in droves in the nineties (Trainspotting, Fargo, Goodfellas, Swingers, True Romance, etc. etc. etc.) but has been in disturbingly short supply this decade. This movie simply seems to have everything you can think of going for it, especially its murderer's row of a cast--Burt Reynolds (Jack Horner), Don Cheadle (Buck Swope), John C. Reilly (Reed Rothchild), Julianne Moore (Amber Waves), William H. Macy (Little Bill), Luis Guzman (Maurice Rodriguez), Tom Jane (Todd Parker), Philip Baker Hall (Floyd Gondolli), Philip Seymour Hoffman (Scotty Jay), and Alfred Molina (Rahad Jackson) all figure prominently--and even Wahlberg (Dirk himself) and Heather Graham (Rollergirl) have roles that are perfectly suited to their relative limitations as actors. That said, what really gives the movie its resonance is the obvious sympathy with which it treats its characters, who are generally easy to laugh at but equally easy to like. The main characters almost entirely have hopes, aspirations, and attachments beyond the rather closed world of their profession--Jack's desire to be a serious filmmaker; Dirk's ridiculous pseudo-Karate and Reed's equally ridiculous poetry; Buck's goal of opening his own stereo store; Amber's attempts to get back in touch with her son, which she blatantly compensates for by mothering her co-stars--helping us see them as fleshed-out characters, not just plot devices in the story. Since there isn't really a plot to speak of, the movie is told as a series of episodes, Goodfellas-style, with several extended pieces--the pool party at Jack's House where Eddie/Dirk gets introduced to the whole crew; the New Year's Eve party celebrating the start of the '80's; the fake drug deal gone bad at a Rahad's house--serving to turn the narrative in new directions. This last set piece--when Dirk, Reed, and Todd head over to Rahad's house to sell him some baking soda disguised as cocaine and it quickly degenerates into a laughably misguided robbery attempt--deserves special mention, as it's easily one of the most fascinating single scenes in recent film memory. It starts off almost surreal, with a skinny Chinese guy walking around randomly lighting firecrackers and Rahad (clad only in underwear, a bathrobe and slippers) discoursing semi-coherently as he sings along to not-so-classic 80's songs on a mixtape. From there it just gets progressively darker and tenser, with the lighting, acting, and direction all perfectly serving to ratchet up the feeling of desperation and horror as Todd kicks his ill-conceived robbery plot into motion and things spin way out of control. Molina's over-the-top performance, more than anything else, makes the scene, as he turns Rahad into a manic ball of drug-fuelled energy and, later, a shotgun-toting avenging angel determined to take his revenge. I wouldn't say Molina turns in the best performance I've ever seen in a movie, but it it probably the best performance I've seen from someone who only got one scene in the whole movie. The '80's are, of course, the hangover from the joys of the previous decade, as the emergence of video downgrades the quality of the product, cocaine suddenly becomes addictive, and Dirk starts to become too big for his britches in more ways than one. Fittingly, as the disco era gives way to tougher times in the eighties, the movie takes a darker turn, becoming grittier, more downcast and a lot more violent, but no less compelling. All the unbridled energy and creativity of the first half is still present, just in a decidedly less sunny form. Even when people are getting beaten up and shot left and right, the movie's pedal-to-the-metal pacing makes it all but impossible to look away. Well, except maybe for the notorious money shot at the end, but by then I for one didn't care.
Jonathon C. Bell Reviewed in the United States on July 13, 2022
Wonderful movie. Looks great. Too bad there isn't more extras.
Jules Reviewed in the United States on July 1, 2022
joel wing Reviewed in the United States on July 1, 2020
There are plenty of movies mythologizing Hollywood. Boogie Nights tried to do the same for the porn industry. It chronicled the high and low points of a porn producer Jack Horner (Burt Reynolds) and his stable of actors and crew in the 1970s-80s. The movie starts off by portraying Horner’s cast and crew as a bunch of troubled people. His star Maggic/Amber (Julianne Moore) lost custody of her child. His producer Bill (William H. Macy) has a wife that constantly cheats on him. His future star Eddie/Dirk Diggler (Mark Wahlberg) is alienated from his domineering mother and wants to make something of himself but is stuck outside of Los Angeles where he wants to be. Rollergirl (Heather Graham) dropped out of school. When they’re on the set and in front of the camera however they forgot about all their issues and feel like they’re somebody. It’s like they’d all found the California Dream. The story itself is a classic rise and fall. Jack, Dirk and Reed Rothchild (John C. Reilly) start making movies that have actual stories as the two leads play action heroes who kick some butt and then have lots of sex. They feel like they’re real movie stars. Then everything falls apart. Overall this is a great movie about movies. Yes, it’s about porn, but the same story could be played out for Hollywood studios. The characters are all endearing. That’s true down to the supporting cast such as Philip Seymour Hoffman who is gay and has a crush on Wahlberg or Don Cheadle who just wants to be happy with himself. C
Shirts2Smallataoldotcom Reviewed in the United States on June 8, 2022
i snuck in at the end of this movie in 7th grade and it ruined my life. i thought that was the normal size for most of my life, years of therapy, prayer and hope i finally accepted my little dirk only to find it was fake. normally i would take off 1 star for something so life altering but not here. it’s a hard 5 stars for me.

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