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We rank cinema’s best sex scenes, from steamy silent films to Hollywood's lustiest comedies and beyond
By Joshua Rothkopf, Dave Calhoun, Time Out Film and Phil de Semlyen Posted: Thursday April 22 2021
Nooky. Rumpy pumpy. Slap and tickle. Fourth base. La whoopsy-daisy. Whatever you call it, sex runs through cinema like an electric charge. From its seemingly chaste early days through a century-and-a-bit of shadowy film noirs, swooning romances, erotically charged ’80s thrillers and just about every film with Marlon Brando in – up to and very much excluding Apocalypse Now – it’s there, ready to engulf us in its sweaty embrace, and embarrass us when we’ve made a bad choice of film to watch with our parents. Some filmmakers chose to cut tastefully around the deed itself; some have thrown caution (and clothes) to the wind to let it all hang out. Others, like Michael Winterbottom with his explicit indie bonk-athon 9 Songs, take it even further. We’ve put together 101 of the most groundbreaking sex scenes of all time to chart how the movies have chosen to put the moves on. A fair few of these films have won Academy Awards; some are classic feminist movies; controversy has stalked many of them. Let us know which ones we’re missing.

RECOMMENDED: Our list of the 100 best movies of all time
Director: Nicolas Roeg
Bedfellows: Julie Christie, Donald Sutherland
The film
Working with a Daphne du Maurier short story, Roeg gives us Laura (Christie) and John (Sutherland), a married couple who travel from Britain to Venice for his job after losing their young daughter in a drowning accident.
The sex scene
It’s a simple predinner sex scene in a hotel room, but the way Roeg shoots and edits it, and the manner in which the actors perform it, makes it extremely powerful.
Why is it so groundbreaking?
It just feels so real. It’s also a rare sex scene that chimes in perfect harmony with the film around it. Their sex feels like both an expression of grief and a welcome respite from it. Most of all, the actors just look like they know what they’re doing. No wonder they’ve been denying the sex was real ever since.—Dave Calhoun
Director: Ingmar Bergman
Bedfellows: Bibi Andersson, Liv Ullmann
The film
After the catatonic breakdown of stage star Elisabet (Ullmann), she and nurse Alma (Andersson) enter into a fluid, mesmerizing power struggle, also a meeting of the minds.
The sex scene
In a semidarkened room, Alma relates a tale of sex on the beach with her girlfriend and a pair of underage boys, an incident with dire consequences.
Why is it so groundbreaking?
A classic sex scene with no actual sex in it? That's expert-level, folks. It helps to be Ingmar Bergman, the master director who could wring a heartbreaking monologue out of a shoe. Andersson's matter-of-fact relation of graphic acts makes the scene unbearably hot. The moment was often cut from prints by concerned censors. Famously, Roger Ebert wrote, “The imagery of this monologue is so powerful that I have heard people describe the scene as if they actually saw it in the film.”—Joshua Rothkopf
Director: Ang Lee
Tentfellows: Heath Ledger, Jake Gyllenhaal
The film
Based on Annie Proulx’s story about the love affair between two cowboys, Ang Lee’s beautiful, swooning film starred Jake Gyllenhaal and Heath Ledger as range hands who fall in love. 
The sex scene
It gets mighty cold up there in the hills of Wyoming. After a night drinking whiskey, the ranchers huddle up for warmth, and then…
Why is it so groundbreaking?
Ang Lee put gay sex in the mainstream. Conservatives accused the film of promoting a gay agenda, but don’t they always? Brokeback Mountain picked up three Oscars from eight nominations in 2006, but not Best Picture (which went to Crash). Some critics, including Roger Ebert, believed homophobia factored in the voting.—Cath Clarke
Director: William Heise
Bedfellows: May Irwin, John Rice
The film
At just 18 seconds long, “The Kiss” (sometimes known as “The May Irwin Kiss”) is one of the earliest films to be shown to the public. Directed by William Heise for Thomas Edison, it recreates a kiss from a popular musical of the time, The Widow Jones.
The sex scene
To be honest, it’s barely a kiss; there’s definitely no tongues or bodily fluids exchanged as actor John Rice tweezes his moustache in preparation before he goes in for what is more of a peck. 
Why is it so groundbreaking?
Officially the first ever film to feature two people kissing, it caused an uproar, with one commentator writing that it was “beastly enough in life size on the stage, but magnified to gargantuan proportions and repeated three times over, it is absolutely disgusting.” Sounds like a film critic to us.—Cath Clarke
Director: Nagisa Oshima
Bedfellows: Tatsuya Fuji, Eiko Matsuda
The film
Oshima’s 1976 masterpiece—the crown jewel of a career hell-bent on upsetting the establishment—recounts the true story of the all-consuming sexual obsession that blossomed between a hotel owner and his new employee in 1936 Tokyo.
The sex scene
How do we pick just one? A marvel of escalation, In the Realm of the Senses is an almost constant stream of increasingly perverse sex acts. To isolate any moment from the maelstrom of deviant (and unsimulated) behavior would be arbitrary by default. Nevertheless, we’d argue the sequence that most pushes the boundaries occurs when Kichizo (Fuji) inserts a hard-boiled egg into the vagina of his new bride, Sada (Matsuda), in full view of the people serving them dinner. He then instructs Sada to squat like a hen and lay the egg on the floor before he eats it. In most films, the pain that Sada experiences would immediately classify the act as sexual assault, but In the Realm of the Senses renders our judgments irrelevant.
Why is it so groundbreaking?
Even for generations raised on free Internet porn, the acts on display in Oshima’s movie are still taboo. In the Realm of the Senses was the first nonpornographic film to include blow jobs, and there’s a very graphic one prior to the scene of food insertion. But it’s only when you watch that egg disappear that you begin to comprehend the full extent of the film’s transgression.—David Ehrlich
Director: Paul Verhoeven
Bedfellows: Sharon Stone, a short skirt, a bunch of drooling cops
The film
Catherine Tramell (Sharon Stone) is the sexy pulp novelist with a suspected sideline in ice-picking. Nick Curran (Michael Douglas) is the knitwear-clad San Francisco cop hot on her heels – and the rest of her.

The sex scene
Femme fatale Tramell has been calling in for questioning. She’s icy cool, smoking a cigarette, all calculating composure as she slowly turns the tables on her interrogators just by being cool AF. Then she uncrosses her legs and reveals that she’s gone commando. Cue a frenzy of tie-loosening and brow-wiping from SFPD’s finest. 

Why is it so groundbreaking?
A stunningly salacious bit of filmmaking, even by Paul Verhoeven’s lustily provocative standards, it’s become even more controversial with every passing year. In the film, it’s portrayed as a power play – female sexuality as a weapon – but Sharon Stone’s own memoir tells a different story: ‘I’d been told, “We can’t see anything – I just need you to remove your panties, as the white is reflecting the light, so we know you have panties on.’ Yes, there have been many points of view on this topic, but since I’m the one with the vagina in question, let me say: The other points of view are bullshit.’—Phil de Semlyen

Buy, rent or watch Basic Instinct
Director: Martin Scorsese
Bedfellows: Willem Dafoe, Barbara Hershey
The film
Bluntly adapting Nikos Kazantzakis’s novel of the same name, Scorsese’s most controversial film portrays the Son of God as a fallible man, liable to the vices and temptations with which all human beings must contend.
The sex scene
While nailed to the cross, an angel appears to Jesus and leads him on a guided hallucination of the life he might have lead. That life includes Jesus fathering a child with Mary Magdalene, and it turns out that sex is the best way to do that. Sure, it’s all a dream, and thus rather theologically protected, but that didn’t stop people from losing their minds over it.
Why is it so groundbreaking?
It’s Jesus Christ having sex. That’s not exactly what he’s known for.—David Ehrlich
Director: Frank Capra
Not-quite-bedfellows: Claudette Colbert, Clark Gable 
The film
A slapstick comedy starring Claudette Colbert as a spoiled heiress running away to elope with the wrong guy. Clark Gable is the disgraced reporter she meets on the bus to New York City. Her plan changes. 
The sex scene
No sex here, just a tricky situation: Colbert and Gable are forced to spend the night together in a hotel room (pretending to be husband and wife) when their bus breaks down. Gable hangs a sheet between their twin beds for modesty’s sake.
Why is it so groundbreaking?
Because sheet or no sheet, this was the era of Hays Code censorship, intended to stamp any whiff of misbehavior.—Cath Clarke
Director: Gustav Machaty
Bedfellows: Hedy Lamarr, Aribert Mog
The film
Czech director Machaty’s overheated melodrama about an impotent husband, a frisky young wife and the beau who spots her skinny-dipping made an international icon of 19-year-old Hedy Kiesler. U.S. customs burned an uncensored print, but it didn’t stop MGM’s Louis B. Mayer from signing up the starlet, renaming her Hedy Lamarr and launching a new Hollywood goddess.
The sex scene
Hedy’s much-cut nude swimming brought her notoriety, though even more groundbreaking is a semiclothed love scene, where the camera rests on her face as passion mounts. Note also the highly symbolic string of pearls falling to the floor.
Why is it so groundbreaking?
It’s nothing less than the first onscreen female orgasm.—Trevor Johnston
Director: Bernardo Bertolucci
Floorfellows: Marlon Brando, Maria Schneider
The film
Bertolucci’s steamy tale of two strangers meeting in a Paris flat for impersonal sex remains a byword for confrontational coupling onscreen.
The sex scene
Brando pins Schneider facedown on a hardwood floor and indulges his fondness for dairy products in an unforgettable fashion. You’ll never look at cinema sex—or read the word “unsalted”—the way same again.
Why is it so groundbreaking?
A pipe bomb of an art film, Last Tango in Paris will always be controversial. Even at its 1972 debut at the New York Film Festival, there were screams, walkouts, calls for banning and weeks of media handwringing on TV and in print. More recently, a 2013 clip of a Bertolucci confessing to not telling Schneider ahead of time about the butter moment (“he had to rape her in a way…I wanted her to feel, not to act”), caused a massive outcry online. With even its own director admitting to guilt over the scene, it’s understandable for the sexual violence to be a deal-breaker for even the most open-minded viewer. But there’s no denying the rawness of both performances in that moment. More crucially, the scene is dramatically motivated: a primal exchange of power and vulnerability. It’s as complex as the entire movie.—Joshua Rothkopf
Director: Lawrence Kasdan
Bedfellows: Kathleen Turner, William Hurt
The film
A decade before Basic Instinct launched the era of the mainstream erotic thriller, Lawrence Kasdan reinvented film noir for a sophisticated modern audience with this sweaty tale of scheming femmes fatales.
The sex scene
After chasing her around for days like a puppy in heat, Hurt’s smug lawyer Ned Racine finally tracks temptress Matty Walker (Turner) to her lair. Enticed by her come-hither eyes (“You’re not too smart, are you? I like that in a man”), he smashes a window and dives into her waiting arms.
Why is it so groundbreaking?
Most movies use sex either as cheap titillation or as a form of punctuation. In Body Heat, it’s all about character. These characters are both playing roles here: he, the mad-with-lust macho man; she, the shrinking coquette. The thing is, only one of them knows it’s all an act.—Tom Huddleston
Director: Kimberly Peirce
Fieldfellows: Hilary Swank, Chloë Sevigny
The film
Swank won an Oscar for her portrayal of Brandon Teena, a transgender man murdered in Nebraska in 1993.
The sex scene
At night in a field so dark and striking it feels like a faraway dream, Brandon (Swank) and Lana (Sevigny) have sex for the first time. Lana tells it in flashback to her friends, her emotional arc doubled by the way the scene bounces between present and past.
Why is it so groundbreaking?
Boys Don’t Cry is a tragedy. Yet it is still the most culturally prominent portrayal of a transgender man in American cinema. Its brutal conclusion claws at the memory 15 years after its premiere, but its hopeful moments remain just as important.—Daniel Walber
Director: Larry Clark
Bedfellows: Leo Fitzpatrick, Sarah Henderson
The film
Clark’s disturbingly frank study of middle-class teens running wild in NYC is still shocking two decades later.
The sex scene
In the film’s very first scene, self-proclaimed “virgin surgeon” Telly (Fitzpatrick) talks his way into deflowering his latest victim, an unnamed 12-year-old girl. His gruesome voiceover (“fucking is what I love”) makes the moment even more unsettling.
Why is it so groundbreaking?
Because it still feels completely, unnervingly real. Future director Harmony Korine was just 19 when he penned the script and the result proved hugely controversial, with Clark accused of flirting with child pornography. Whatever your take on it, Kids walks a striking balance between beauty and horror.—Tom Huddleston
Director: Gerard Damiano (as Jerry Gerard)
Bedfellows: Linda Lovelace, Harry Reems
The film
Possibly the most famous X-rated film of all time, comedic sex-romp Deep Throat stars 23-year-old Lovelace as a woman who discovers her clitoris is in her throat.
The sex scene
Linda is unable to orgasm, so she pays a visit to a psychiatrist, Dr. Young (Reems)—a real kook but horny as hell. He discovers her unusual condition. His solution? A technique called “deep throat.” He suggests Linda practice on him.
Why is it so groundbreaking?
Deep Throat brought hard-core sex to the mainstream. Celebs like Martin Scorsese, Jack Nicholson and Truman Capote went to see it, as did millions more. The clampdown—Deep Throat was banned in certain parts of the U.S.—only fueled the phenomenon. Shot for $25,500 (of mob money), it made an estimated $500 million at the box office. Years later, the film was still making headlines when Lovelace claimed that her then-husband Chuck Traynor forced her into taking part.—Cath Clarke
Director: Luis Buñuel
Bedfellows: Catherine Deneuve
The film
In her most iconic role, Catherine Deneuve plays Séverine, a beautiful and bored Parisian housewife who takes a job working the afternoon shift at a high-end brothel.
The sex scene
Séverine and her adoring husband Pierre are curled up in a horse-drawn carriage in the countryside. “If only you weren’t so cold,” he says, breaking the spell. Séverine recoils and Pierre orders the drivers to gag her, tie her to a tree and whip her. Séverine is in ecstasy. Then she awakens: The entire scene is a daydream.
Why is it so groundbreaking?
Buñuel’s transgressive exploration of desire and fetishism make this one of the most celebrated erotic movies ever made. And the fact that Séverine is not punished for her double life, puts Buñuel on the side of feminism.—Cath Clarke
Director: Luca Guadagnino
Bedfellows: Timothée Chalamet, Armie Hammer
The film
It’s 1983, the shorts are short, and the music is by the Psychedelic Furs. In a summer villa in Northern Italy, sensitive teenager Elio (Timothée Chalamet) comes of age after his academic father invites a grad student, Oliver (Armie Hammer), to stay with them. The flirtation becomes mutual.
The sex scene
Up in the sweltering attic, Elio writhes in sexual frustration. He takes a peach, crushes his thumb into it, removes the pit, and finds a cathartic use for the fleshy cavity he’s made. Then Oliver discovers him, and things get even hotter.
Why is it so groundbreaking?
Already a sensation in the short time since its Sundance debut, Guadagnino’s emotional adaptation of André Aciman’s revered gay novel does right by its most notorious scene, vaulting the movie into the naughty, adult realm of Bernardo Bertolucci.—Joshua Rothkopf
Director: Hal Ashby
Bedfellows: Ruth Gordon, Bud Cort
The film
This is the hippyish story of what happens when depressive, death-obsessed rich boy Harold (Cort) meets Maude (Gordon) an optimistic, happy-go-lucky 79-year-old.
The sex scene
Director Hal Ashby’s original script included a full-blown sex scene between Harold and Maude, but the studio put its foot down. So we have to make do with a postcoital scene. While Maude sleeps, Harold sits up in bed blowing bubbles. 
Why is it so groundbreaking?
Without Harold and Maude, there would be no Rushmore or Almost Famous. And when was the last time you saw a movie that treated the sexual desires of a woman over 60 as something other than the butt of a joke?—Cath Clarke
Director: Abdellatif Kechiche
Bedfellows: Adèle Exarchopoulos, Léa Seydoux
The film
This undeniably erotic but also deeply sensitive French film won the Palme d’Or at Cannes for its free and frank portrayal of two young women, Adèle (Exarchopoulos), a schoolgirl, and Emma (Seydoux), an art student. They fall in love and face the challenge of sharing something in the long term other than sex.
The sex scene
When Adèle and Emma first hit the bedsheets, Kechiche shows their lovemaking in intimate detail: a long, no-holds-barred sex scene.
Why is it so groundbreaking?
On paper, six minutes doesn’t sound long. But when you’re sitting through kissing, sucking, licking and slapping, six minutes feels very long indeed. Audiences who thought they’d seen it all suddenly realized they hadn’t.—Dave Calhoun
Director: Alfred Hitchcock
Bedfellows: Cary Grant, Eva Marie Saint
The film
Cary Grant is the debonair ad man mistaken for a secret agent by a group of foreign spies in Hitchcock’s espionage thriller. Eva Marie Saint is the platinum blond he meets on the run.
The sex scene
It’s the most famous double entendre in cinema: On cross-country train, Grant and Saint snuggle in a sleeper car. Grant pulls her up on to the bed just Hitch cuts to the train plunging into a tunnel. Geddit?
Why is it so groundbreaking?
For its sheer audacity alone. In 1959, such things were simply not allowed. And this is a scene that leaves a lasting impression: Without North by Northwest, we wouldn’
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