Vintage Erotic Film Family Ru

Vintage Erotic Film Family Ru




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German cinema may unfairly be defined, outside its borders anyway, by how it interprets the various atrocities that were perpetrated during the country’s turbulent twentieth century.
This mood hangs over so much of their filmmaking, that when exploring noted erotic moments within this history, it is impossible to ignore the heavy weights that exist here. Noted examples of sexual scenes in German film can be found in examples that engage with this past and also ones that have very little to do with it, as you shall see. From giants of Silent Film to ultra-modern depictions of young womanhood, they are all here for your pleasure.
An adaptation of Gunter Grass’ prize-winning novel of the same name, “The Tin Drum” centres on a young boy who refuses to grow up in 20th century Poland. On his third birthday, he receives a drum which he uses to cause disruption and havoc. What caused outrage upon release was a sex scene between the young Oskar and an older women, involving oral sex. The result was that many festivals refused to show it on grounds of child pornography.
From Patrick Suskind’s “unfilmable” novel of the same name, German director Tom Tykwer created a feast for the senses in this lavish period drama. The final set piece is a work of staggering sexual power as our anti-hero Jean-Baptiste Grenoiulle (Ben Whishaw) releases with one flutter of his hand the essence of pure scent from a piece of cloth. The hundreds of revelers soon indulge in a mass orgy scene that is an unforgettable erotic scene.
An acclaimed German film that takes place during the East-West German divide, Christian Petzold’s drama focuses on a doctor (Nina Hoss) who is sent to a remote hospital as punishment for trying to defect into the West. A disturbingly erotic moment occurs when the Stasi force upon her a full body search. The fact that most of it takes place off screen doesn’t make it any less frightening.
Directed by acclaimed Turkish-German filmmaker Fatih Akin,”The Edge of Heaven” is a grand European odyssey that flicks back and forth between Bremen and Istanbul. Young Ayten is a member of a Turkish communist group, forcing her to flee to Germany where she takes up with Lotte, a college professor. The love scenes between the two are strikingly shot, brutal in their honesty and passion, unfolding within a natural narrative.
“Wetlands” made quite a splash when it premiered at Sundance. One critic labelled it “an extravaganza of delightful perversity.” It is a film full of disgusting moments, littered throughout with a near constant parade of strange erotism, in its story of a rebellious teen who ends up in hospital after a self-harm incident. One such moment involves a plant growing out of her reproductive organs in her hospital bed. Shocking stuff.
Released in the golden age of Silent Film, Germany’s “Pandora Box” from 1929 starred famous heroine Louise Brooks as Lulu, a woman who possesses such beauty and sexual prowess that she can seduce any man who falls within her eye line. The whole film is one long staged sexual scene after the other. Certainly shocking for its time. The costumes and makeup of Brooks adds in large part to this overtly sexual mood; thick black lipstick and that iconic short bob.
“The Lives of Others” is a gripping drama that takes place in the closed-off world of East Germany before the re-unification of the country. It is a place completely controlled and monitored by the State, as a writer becomes the target of a government’s spymaster. In a scene of disturbing sexual content, the couple are having sex unaware of the fact that captain Gerd Wiesler is listening to everything in their bugged apartment.
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2018 Primetime Emmy
& James Beard Award Winner
Author & Photographer:
Liza Van der Stock,
Photographer Liza Van Der Stock’s intimate project about a porn-producing family in Flanders was shortlisted for the 2015 Sony World Photography Awards.
In a Flemish village outside of Turnhout, Belgium, Laura and Maurice live together with their daughter Eva. They have all the trappings of a normal family, but when 9-year-old Eva is at school, Maurice and Laura start their day jobs as porn producers.
I photographed the family for two years for my project called Paradi$e Lu$t. They’ve given me unfettered access to both their personal and professional lives. The duo, more than anything, are small business owners: together they started a production company called “Stout!” around a decade ago. It’s still a modest operation: they produce the movies and both work the camera. And, from time to time, they are the porn stars as well.
Like Maurice and Laura, their other actors are ordinary people. They’re fathers and neighbors. Salesmen and postmen. The sex and the bodies are very real, not fake, not glamorous.
Maurice and Laura used to live above an erotic club they owned and filmed in, but they moved out to the quieter village once Eva got a little older. The most interesting thing about the village life was the process of gaining their new community’s acceptance. When Eva was new in her school there were some children who couldn’t play with her because their parents didn’t allow it. Laura really wanted everybody to accept them, so she threw a very big party for Eva’s birthday. She cleaned the house for two days and made it totally sex-free. She invited everybody from the school, also the parents. People came to realize that they are just normal people and since then she organizes the party each year.
The house where Maurice, Laura and Eva live. They live upstairs and downstairs porn movies are shot and erotic parties take place.
Maurice and Laura are always very honest with Eva. They don’t want to lie to her. But of course they informed her about their job in words she can understand. She knows that they had a bar where naked people came to have a drink and to dance. Eva has a really good relationship with her parents and their job has never been an obstacle. And in my time with them, I saw a warm family with a very normal life that really separated their work life from their personal life. A moment I remember very well was when Eva received her first communion in church. Laura was very involved in the ceremony and afterwards there was a party in their new café. Friends and family came along and it was a very good day. In the porn Laura and Maurice make, actors are captured on tape as they are. My project aims to portray the family with that same humanity.
Maurice, Laura and Eva in the morning getting ready for school and work.
Laura and Eva going to the supermarket.
Eva and her friend Roosje at the riding school.
See more of Van der Stock’s work at www.lizavanderstock.com.
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