Vintage 1930 S Jazz

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Jazz music-related events during the 1930s
The chord progression from Gershwin's " I Got Rhythm ". Sequenced stride piano version, with elaboration. No melody line.

^ "Ed Lang and his Orchestra" . redhotjazz.com . Archived from the original on April 10, 2008 . Retrieved March 28, 2008 .

^ Crow, Bill (1990). Jazz Anecdotes . New York: Oxford University Press.

^ "Top 50 most recorded standards" . JazzStandards.com . Retrieved May 18, 2009 .

^ a b c "Body and Soul" . JazzStandards.com. Archived from the original on February 4, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 57

^ The New Real Book, Volume II , p. 29

^ The New Real Book, Volume III , p. 55

^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao Listed in The Real Vocal Book

^ Kirchner 2005, p. 185

^ a b c d e f "Grammy Hall of Fame" . National Academy of Recording Arts and Sciences . Retrieved May 29, 2009 .

^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag Listed in The Real Jazz Book

^ "But Not for Me" . JazzStandards.com. Archived from the original on March 21, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 185

^ a b c d "I'm Confessin' That I Love You" . JazzStandards.com. Archived from the original on April 3, 2009 . Retrieved February 20, 2009 .

^ "Embraceable You" . JazzStandards.com . Retrieved February 20, 2009 .

^ a b "Exactly Like You" . JazzStandards.com . Retrieved May 5, 2009 .

^ The Real Book, Volume III , p. 116

^ The New Real Book, Volume II , p. 98

^ The Real Book, Volume II , p. 145

^ a b "Georgia on My Mind" . JazzStandards.com . Retrieved February 20, 2009 .

^ "I Got Rhythm" . JazzStandards.com. Archived from the original on February 8, 2009 . Retrieved February 20, 2009 .

^ Greenberg 1998, pp. 152–155

^ a b c "Love for Sale" . JazzStandards.com . Retrieved February 20, 2009 .

^ Wilder & Maher 1972, p. 229

^ The Real Book, Volume II , p. 260

^ The New Real Book, Volume II , p. 202

^ a b c "Memories of You" . JazzStandards.com. Archived from the original on March 21, 2009 . Retrieved February 20, 2009 .

^ Dryden, Ken. "Memories of You" . AllMusic . Retrieved August 31, 2010 .

^ The Real Book, Volume I , p. 279

^ The New Real Book, Volume II , p. 214

^ "Mood Indigo" . JazzStandards.com. Archived from the original on February 6, 2009 . Retrieved February 20, 2009 .

^ Stephen Holden: Theater; Mitchell Parish: A Way With Words . The New York Times , February 1, 1987.

^ Tucker & Ellington 1995, pp. 338–340

^ Bradbury 2005, p. 31

^ The Real Book, Volume II , p. 298

^ The Real Book, Volume III , p. 312

^ The New Real Book, Volume II , p. 277

^ a b c d "On the Sunny Side of the Street" . JazzStandards.com. Archived from the original on January 31, 2009 . Retrieved February 20, 2009 .

^ Forte 1995, p. 251

^ The Real Book, Volume I , p. 20

^ a b c d e f g h i j k l Listed in The New Real Book, Volume I

^ a b c "All of Me" . JazzStandards.com. Archived from the original on February 28, 2009 . Retrieved February 20, 2009 .

^ "Beautiful Love" . JazzStandards.com. Archived from the original on February 7, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 40

^ a b c "I Surrender Dear" . JazzStandards.com. Archived from the original on January 19, 2009 . Retrieved February 20, 2009 .

^ The New Real Book, Volume III , p. 193

^ "Just Friends" . JazzStandards.com. Archived from the original on March 20, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 242

^ "Lazy River" . JazzStandards.com . Retrieved February 20, 2009 .

^ Matthew Greenwald. "Lazy River song review" . AllMusic . Retrieved May 3, 2009 .

^ The Real Book, Volume I , p. 318

^ "Out of Nowhere" . JazzStandards.com. Archived from the original on February 8, 2009 . Retrieved February 20, 2009 .

^ "When It's Sleepy Time Down South" . JazzStandards.com . Retrieved February 20, 2009 .

^ Bogdanov, Woodstra & Erlewine 2002, p. 42

^ "When Your Lover Has Gone" . JazzStandards.com . Retrieved February 20, 2009 .

^ "Alone Together" . JazzStandards.com. Archived from the original on January 19, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 32

^ The Real Book, Volume III , p. 150

^ "How Deep Is the Ocean? (How High Is the Sky?)" . JazzStandards.com . Retrieved February 20, 2009 .

^ "(I Don't Stand a) Ghost of a Chance (With You)" . JazzStandards.com. Archived from the original on February 8, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 173

^ The New Real Book, Volume III , p. 132

^ The Real Book, Volume I , p. 224

^ The New Real Book, Volume II , p. 161

^ "It Don't Mean A Thing (If It Ain't Got That Swing)" . JazzStandards.com. Archived from the original on March 4, 2009 . Retrieved February 20, 2009 .

^ "New Orleans" . JazzStandards.com . Retrieved February 20, 2009 .

^ Sudhalter 2003, p. 151

^ "Night and Day" . JazzStandards.com. Archived from the original on February 4, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 426

^ a b "Willow Weep for Me" . JazzStandards.com . Retrieved February 20, 2009 .

^ "Willow Weep for Me" . AllMusic . Retrieved May 29, 2009 .

^ The Real Book, Volume I , p. 121

^ The New Real Book, Volume III , p. 111

^ "Don't Blame Me" . JazzStandards.com. Archived from the original on February 23, 2009 . Retrieved February 20, 2009 .

^ "Drop Me Off in Harlem" . JazzStandards.com . Retrieved February 20, 2009 .

^ The Real Book, Volume III , p. 102

^ "I Cover the Waterfront" . JazzStandards.com . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 209

^ The New Real Book, Volume II , p. 162

^ "It's Only a Paper Moon" . JazzStandards.com. Archived from the original on January 23, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 302

^ The Real Book, Volume I , p. 376

^ The New Real Book, Volume II , p. 337

^ "Sophisticated Lady" . JazzStandards.com. Archived from the original on February 2, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 454

^ "Yesterdays" . JazzStandards.com. Archived from the original on February 22, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 38

^ "Autumn in New York" . JazzStandards.com. Archived from the original on March 9, 2009 . Retrieved February 20, 2009 .

^ The New Real Book, Volume III , p. 47

^ "Blue Moon" . JazzStandards.com. Archived from the original on March 21, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 366

^ The New Real Book, Volume III , p. 346

^ "Solitude" . JazzStandards.com. Archived from the original on January 23, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 354

^ "Smoke Gets in Your Eyes" . JazzStandards.com. Archived from the original on January 19, 2009 . Retrieved February 20, 2009 .

^ The New Real Book, Volume III , p. 354

^ "Stars Fell on Alabama" . JazzStandards.com . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 385

^ The New Real Book, Volume III , p. 359

^ a b Shaw 1989, p. 181

^ "Stompin' at the Savoy" . JazzStandards.com. Archived from the original on February 5, 2009 . Retrieved February 20, 2009 .

^ "Begin the Beguine" . JazzStandards.com. Archived from the original on April 16, 2009 . Retrieved May 7, 2009 .

^ The Real Book, Volume I , p. 207

^ The New Real Book, Volume III , p. 171

^ a b "In a Sentimental Mood" . JazzStandards.com. Archived from the original on February 20, 2009 . Retrieved February 20, 2009 .

^ "Just One of Those Things" . JazzStandards.com. Archived from the original on February 28, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 289

^ "My Romance" . JazzStandards.com. Archived from the original on March 21, 2009 . Retrieved February 20, 2009 .

^ "Summertime" . JazzStandards.com. Archived from the original on February 22, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 392

^ "These Foolish Things" . JazzStandards.com. Archived from the original on March 23, 2009 . Retrieved February 20, 2009 .

^ The New Real Book, Volume II , p. 411

^ "Caravan" . JazzStandards.com. Archived from the original on February 17, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 77

^ The New Real Book, Volume III , p. 73

^ The Real Book, Volume I , p. 184

^ "I Can't Get Started (with You)" . JazzStandards.com. Archived from the original on February 20, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 309

^ "Pennies from Heaven" . JazzStandards.com. Archived from the original on February 28, 2009 . Retrieved February 20, 2009 .

^ "Sing, Sing, Sing" . JazzStandards.com . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 406

^ The New Real Book, Volume II , p. 366

^ "There Is No Greater Love" . JazzStandards.com. Archived from the original on January 19, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 415

^ "The Way You Look Tonight" . JazzStandards.com. Archived from the original on February 7, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume III , p. 447

^ Herzhaft et al. 1997, p. 281

^ "Azure" . JazzStandards.com. Archived from the original on March 21, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 26

^ The Real Book, Volume I , p. 127

^ "Easy Living" . JazzStandards.com. Archived from the original on January 19, 2009 . Retrieved February 20, 2009 .

^ "A Foggy Day" . JazzStandards.com. Archived from the original on March 21, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 172

^ "Have You Met Miss Jones" . JazzStandards.com. Archived from the original on January 20, 2009 . Retrieved February 20, 2009 .

^ "Giant Steps" . JazzStandards.com. Archived from the original on April 4, 2009 . Retrieved April 27, 2009 .

^ "I Ain't Got Nothin' But the Blues" . JazzStandards.com. Archived from the original on January 19, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume III , p. 152

^ Dregni 2004, p. 138

^ The Real Book, Volume I , p. 287

^ "My Funny Valentine" . JazzStandards.com. Archived from the original on February 20, 2009 . Retrieved February 20, 2009 .

^ Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire . Oxford University Press. pp. 295–297. ISBN 978-0-19-993739-4 .

^ The New Real Book, Volume II , p. 278

^ a b "Once in a While" . JazzStandards.com. Archived from the original on January 6, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 367

^ "Someday My Prince Will Come" . JazzStandards.com . Retrieved April 29, 2009 .

^ "They Can't Take That Away from Me" . JazzStandards.com. Archived from the original on March 21, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 77

^ The New Real Book, Volume II , p. 47

^ "Cherokee (Indian Love Song)" . JazzStandards.com. Archived from the original on February 28, 2009 . Retrieved February 20, 2009 .

^ "Heart and Soul" . JazzStandards.com . Retrieved February 20, 2009 .

^ The Real Book, Volume III , p. 142

^ "Love Is Here to Stay" . JazzStandards.com. Archived from the original on January 19, 2009 . Retrieved February 20, 2009 .

^ Furia 1997, p. 234

^ The Real Book, Volume II , p. 285

^ "The Nearness of You" . JazzStandards.com. Archived from the original on February 9, 2009 . Retrieved February 20, 2009 .

^ Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire . Oxford University Press. pp. 308–310. ISBN 978-0-19-993739-4 .

^ Maycock, Ben. "Old Folks" . JazzStandards.com . Retrieved September 11, 2018 .

^ Driggs & Haddix 2006, p. 168

^ Daniels 2006, p. 178

^ "One O'Clock Jump" . JazzStandards.com. Archived from the original on January 6, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 331

^ The New Real Book, Volume III , p. 294

^ "Prelude to a Kiss" . JazzStandards.com . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 344

^ The New Real Book, Volume II , p. 318

^ "September Song" . JazzStandards.com. Archived from the original on January 19, 2009 . Retrieved February 20, 2009 .

^ "You Go to My Head" . JazzStandards.com. Archived from the original on February 28, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 22

^ "All the Things You Are" . JazzStandards.com. Archived from the original on February 6, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 99

^ "Darn That Dream" . JazzStandards.com. Archived from the original on February 8, 2009 . Retrieved February 20, 2009 .

^ "Frenesi" . JazzStandards.com . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 142

^ The Real Book, Volume III , p. 158

^ "I Didn't Know What Time It Was" . JazzStandards.com. Archived from the original on March 21, 2009 . Retrieved February 20, 2009 .

^ The Real Book, Volume II , p. 180

^ The New Real Book, Volume II , p. 141

^ "I Thought About You" . JazzStandards.com . Retrieved April 29, 2009 .

^ "In the Mood" . JazzStandards.com . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 208

^ Schuller 1991, p. 674

^ The New Real Book, Volume III , p. 287

^ "Over the Rainbow" . JazzStandards.com. Archived from the original on February 28, 2009 . Retrieved February 20, 2009 .

^ "Something to Live For" . JazzStandards.com. Archived from the original on March 21, 2009 . Retrieved February 20, 2009 .

^ Giddins 2000, p. 257

^ The Real Book, Volume II , p. 420

^ a b "What's New" . JazzStandards.com . Retrieved February 20, 2009 .

^ The Real Book, Volume I , p. 447

^ Studwell & Baldin 2000, p. 151

Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie , Cab Calloway , Jimmy and Tommy Dorsey , Duke Ellington , Benny Goodman , Fletcher Henderson , Earl Hines , Glenn Miller , and Artie Shaw . Duke Ellington and his band members composed numerous swing era hits that have become standards: " It Don't Mean a Thing (If It Ain't Got That Swing) " (1932), " Sophisticated Lady " (1933) and " Caravan " (1936), among others. Other influential bandleaders of this period were Benny Goodman and Count Basie .

Swing was also dance music. It was broadcast on the radio 'live' nightly across America for many years especially by Hines and his Grand Terrace Cafe Orchestra broadcasting coast-to-coast from Chicago, well placed for 'live' time-zones. Although it was a collective sound, swing also offered individual musicians a chance to 'solo' and improvise melodic, thematic solos which could at times be very complex and 'important' music.
Over time, social structures regarding racial segregation began to relax in America: white bandleaders began to recruit black musicians and black bandleaders. In the mid-1930s, Benny Goodman hired pianist Teddy Wilson , vibraphonist Lionel Hampton , and guitarist Charlie Christian to join small groups. Kansas City Jazz in the 1930s as exemplified by tenor saxophonist Lester Young marked the transition from big bands to the bebop influence of the 1940s.

Outside of the United States the beginnings of a distinct European style of jazz emerged in France with the Quintette du Hot Club de France which began in 1934. Belgian guitar virtuoso Django Reinhardt popularised gypsy jazz , a mix of 1930s American swing , French dance hall " musette " and Eastern European folk with a languid, seductive feel. The main instruments are steel stringed guitar, violin, and double bass. Solos pass from one player to another as the guitar and bass play the role of the rhythm section . Some music researchers hold that it was Philadelphia's Eddie Lang (guitar) and Joe Venuti (violin) who pioneered the gypsy jazz form, [1] which was brought to France after they had been heard live or on Okeh Records in the late 1920s. [2]

Broadway theatre contributed some of the most popular standards of the 1930s, including George and Ira Gershwin 's " Summertime " (1935), Richard Rodgers and Lorenz Hart 's " My Funny Valentine " (1937) and Jerome Kern and Oscar Hammerstein II 's " All the Things You Are " (1939). These songs still rank among the most recorded standards. [3] Johnny Green 's " Body and Soul " was introduced in Broadway and became a hit after Coleman Hawkins 's 1939 recording. It is the most recorded jazz standard of all time. It is the bread and butter. [4]

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Vintage 1930's Jazz Wham! Cover ft. Dave Koz

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