Vidio Mandingo

Vidio Mandingo
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Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
Mandingo was a predecessor of the current BBC craze -that's big black cock, not British Broadcasting Corp. His earlier stuff circa 2000 is far more interesting than recent sleepwalking performances like this DVD displays, its contents shot between 2012 and 2018. I watched it to see my favorite Stella Cox, and she doesn't disappoint. She's in a corny vignette making a cuckold (or sort of forced to hotwife) of her man -a nondescript extra - by delivering Mandingo as a present. So the jerk watches Fred hump her and jacks off as voyeur, but the fans get to see Stella take his big dick in her posterior with ease and believer it or not, charm. Stella is a unique performer who can effortlessly rise above the sordid surroundings of any scene she's placed in, proof positive here.
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All Titles TV Episodes Celebs Companies Keywords Advanced Search
Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
The Judy Star half-hour opening segment is a classic sex display for Mandingo fans, easily making this the best of his Decalogue of self-directed eponymous videos. For contrast, his work in the better-produced Jules Jordan tapes, notably the Once You Go Black series, shows what a little style, care (and budget) can do, but for a program featuring only Mandingo as male performer this should satisfy. The drawback is the unfortunate sameness in these videos' structure: a minimum of introductions or storyline (for that, see the 2008 Ultimate Cock Worship 2) and a repetitive progression of sexual positions that gives all-Mandingo videos an unfortunate "going through the motions" aspect.
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Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
James Mason admitted in interviews that he only made the film to make his alimony payments.
During Mede's first fight in the city, he and his opponent are wrestling on the grass. When they roll over on the floor, the grass moves like a slipping carpet would, revealing it to be a sheet of artificial green, probably lying on the floor of a sound stage.
The international version of the film (released on PAL region 2 DVD) contains a different cut of the film that runs approx. 5 minutes shorter than the U.S. release but also has many scenes presented in alternate clothed takes. In all 12 scenes were either trimmed or re-edited with alternate shots/angles/takes:
Scene where slave is bent over and inspected for hemorrhoids is cut. Scene where the wench is being prepared for her deflowering is presented in an alternate take where her breasts are not exposed. Scene with pregnant wench is shot with alternate angles to obscure nudity. Perry King's full frontal nudity is cut and replaced with a closer shot that reveals he is wearing shorts when he kneels down to pray (It looks like a goof - only a bit of the waistband can be seen at the corner of the frame). Alternate takes of the slave being strung up to be beaten are used to obscure nudity, and many shots of him being beat and left bloody are cut. A few seconds where Perry King's cousin rips off a wench's dress and bends her over to begin beating her is cut to remove nudity. The beating is left intact. The slave market scene is edited to remove the topless wenches on display, and the shot where the German widow sticks her hand into Ken Norton's shorts and "inspects" him is cut short. The second shot with her hand in and then removing it is left intact though. An alternate take is used with a prostitute clothed rather than nude at the bawdy house. A few seconds of a prostitute rubbing on Perry King's crotch is cut. An alternate take is used during the fight at the bawdy house so that a prostitute is seen holding her dress up while she cheers whereas in the original she lets it fall and her breasts be exposed. The entire scene between Perry King and Brenda Sykes in which she asks him if he'll let their child go free is presented in alternate clothed takes. In the original film they are both completely nude. Even the camera angles and setups are the same, only with clothes in the international version. In the scene where Ken Norton fights a man to death one long shot where the other fighter claws his back is cut. Also cut is when Ken bites down on the other fighter's neck, is pulled off, and then bites into his neck again. All the close-ups are cut. The Susan George/Ken Norton love scene is almost entirely missing. Ken Norton's nudity is cut, and then the scene ends in an alternate take when the two go out of frame onto the bed. The original scene went on for much longer and exposed Ken Norton's buttocks and Susan George's breasts. The German theatrical version does not feature any of these alterations and is identical to the U.S. release.
Born in This Time Music by Maurice Jarre Lyrics by Hitide Harris (as Hi Tide Harris) Sung by Muddy Waters [Played during opening title and credits]
This unflinching, hard-hitting look at slavery is a severely underrated and misjudged film. That's probably because it sheds light onto a tough, painful subject that many people would prefer to ignore or forget; if you're expecting a "slaves-and-masters-are-all-a-big-happy-family" depiction of the life in the mid-19th-century Southern plantations, then this simply isn't your movie. "Mandingo" was followed, one year later, by "Drum". They are both far better films than their reputations might make you believe, and they are also handsome, almost sumptuous productions with a far lower "sleaze" quotient than many reviews seem to indicate. They are both worth seeing - preferably as a double bill. (***)
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By what name was Mandingo (1975) officially released in India in Hindi?
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An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter. An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter. An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter.
Cicero : I'd rather die than be a slave. You peckerwood! That's tight, you peckerwoods was in oppressed in your own land. We was free. Then you brought us here, in chains. But now we here, you just better know it's as much our land as it is yorn. And after you hang me, kiss my ass!

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