Video Naked Theater
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Centrum Sztuki Współczesnej Zamek Ujazdowski
Teatro Oficina Uzyna Uzona TV UZYNA
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Никола-ленивецкая Баня, построенная Николаем Полисским (при участии Михаила Буланенкова) на Клязьменском водохранилще в рамках фестиваля Арт-Клязьма.
The Great Nude caters to the growing interest in the artistic trend back towards figurative works, and exists to reconnect the public with art's great tradition of looking to the nude figure to define ourselves and the truths of the human experience. In this video, our model poses seated for a live sketch session. Host: Jeffery Wiener. Guest Artists: Scott Goodwillie, Mikel Glass. Visit www.TheGreatNude.tv for MORE SKETCH SESSIONS>
videowork coming from Liuba's performance at Galerie Parisud, Paris. This project investigates the ambiguity of the limits between ‘public space’ and ‘private space’ and the dynamics of relationship with the other. It raises questions about the blindness of love and the power of senses. The performance begins ‘by surprise’ during the opening of the gallery, without announcement, melting art action and everyday life. There is no difference between the audience and the performing couple ( Liuba as the woman). The exposal of the naked bodies imposes interpretations and suggestions on love, it’s character and relationships, and raises questions about decency and censorship. Tolerance, Yin and Yang, Light and Shadow, Relationship between sexs, races, oppositions, homage a Magritte, are some topics and reflections evocated by this performance. (extract from the text of the exhibition’s catalogue at Galerie Pascal Vanhoecke, Paris)
Poema de Jaime Sabines interpretado por Veronika Maquez. Self Portrait www.veronikamarquez.com
OPERA: Tannhäuser (by Richard Wagner) Categories: Opera, Live Broadcasting Video Director: Xavi Bové Assistant Video Director: Pietro D’Agostino Photography Director: Alberto Rodríguez Sound Mix: José Luis Crespo, Raúl Quílez Editor: Daniel García Isidoro Composer: Richard Wagner Conductor: Sebastian Weigle Stage Direction: Robert Carsen Set designer: Paul Steinberg Costume designer: Constance Hoffman Lighting: Robert Carsen, Peter van Praet Choreographer: Philippe Giraudeau Cast: Peter Seiffert (Tannhäuser), Petra Maria Schnitzer (Elisabeth), Beatrice Uria-Monzon (Venus), Günther Groissböck (Hermann), Markus Eiche (Wolfram) Symphony Orchestra and Chorus of the Gran Teatre del Liceu Chorus Master: José Luis Basso Recorded live at Gran Teatre del Liceu (Barcelona) 2008 A production of Gran Teatre del Liceu and Unitel Classica Available on DVD and Blu-ray by C-Major on January 2012: http://www.cmajor-entertainment.com/catalogue/show/id/2490 AWARDS: 5 stars (Opéra Magazine, 2012)
LADIES OF PLEASURE present 'HORTENSE THE HUMAN TRIFLE' at UNDERCONSTRUCTION Season 5. UnderConstruction is an alt-performance platform for new work. Season 5 - Sept/Oct 2009 at Bistrotheque, London E2 Produced by Rude Grrl www.rudegrrl.net info@rudegrrl.net
Director and Photographer : Aude du Pasquier Grall Sound Design : LOW DISTORTION UNIT (Lucas_a) Production : Aude du Pasquier Grall Genre : Art Movie / Exhibition AUDE DU PASQUIER GRALL - November 2003 Each "Cycle Masculin" is like a poetic and erotic trap where the female artist and her male model meet. A confrontation which happens into the world of art, where desire and anxiety get involved, where the powers alternate. The human male is not a professional. Naked, photographed and filmed, how does he react ? He refuses to obey. He looks at this woman who observes him, who desires to transform him into a piece of art...
performance by EJ Hill (with Happy Collaborationists) [this video documentation represents the deinstallation process, which concluded the three-hour performance.]
Since the 1960s, Franz Erhard Walther has been considering the action as the “form of the artwork” (Werkform). The series of Standing Pieces emphasizes the process as artistic gesture. On the theater stage, the parts of the Dreiteiliges Standstück (Standing Piece in Three Sections) (1975) are laid out in optional, irregular forms, but relatively near to one another. At first activated by the public, the standing pieces are at some point entered by two nude models: male and female standing motionless, till together they move to another section. The iron pieces each have two spaces that due to their inequal size pronounce a feeling of left/right. The person who stands in the larger segment theoretically has a certain freedom of movement, however, in practice he or she will usually assume a stable posture, although still deciding whether to be closer or further away from the other person. www.thisistomorrow.info
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