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Taken at tha Killaz' third gig. Photo: Luis Drayton.
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Video created by dou_ble_you to acompany the Six Inch Killaz song; 30/09/09.
Music: Six Inch Killaz: "Rubber Drugette".
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Photo of Holly taken some time before tha Killaz formed in Nov 94.
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Video created by dou_ble_you to acompany the Six Inch Killaz song; 19/09/09.
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And its this big, no not my cock, but the invisible fish I found swimming in my bath.
Holly on stage with tha Killaz at indie club Kitsch Bitch, which on this occasion was held at Madame Jojo's. It was Jasmine's last gig with the Killaz, and the group's second-last ever. Photo: Sarah Demetriou. Originally appeared in Miss K's Killaz flickrset.
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L-R: Miss K (lead guitar), Luis Hatred (bass), Holly Cock (vocals), Jasmine Salome (vocals), Mona Compleine (rhythm guitar).
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L-R: Jasmine Salome (vocals), Holly Cock (vocals). Photo: Pearl.
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L-R: Jasmoine Salome (vocals), Mona Compleine (rhythm guitar), Luis Hatred (bass), Holly Cock (vocals). Photo: Pearl.
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Holly outside Cyberia, following our performance there. Photo: Luis Drayton.
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Flyer produced by me to advertise tha Killaz' performance at Club Vaseline. Model: Mary Kelly.
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Holly on stage at tha Killaz' third gig. Photo: Pearl.
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Killaz merchandise! (Ths little package is headed for my good friend Bridget Love...)
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L-R: Luis Hatred (bass), Jasmine Salome (vocals), Holly Cock (vocals), Miss K (lead guitar), Mona Compleine (rhythm guitar).
Photo: Pearl. Image altered late 2006.
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L-R: Jasmine Salome (vocals), Luis Hatred (bass), Holly Cock (vocals), Miss K (rhythm guitar). Photo: Pearl.
Find out more about Six Inch Killaz here...
Find out more about Six Inch Killaz here...
Article on tha Killaz first published in Skin Two magazine. L-R: Mona Compleine (rhythm guitar), Holly Cock (vocals), Luis Hatred (bass), Miss K (lead guitar).
Original montage: Michael Fearnley; 1996. Image altered late Mar 2007.
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This interview, conducted backstage at our last gig on April 8th 1999, was, apart from meeting to formally split up, the last thing we did together as a group.
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L-R: Jasmine Salome (vocals), Luis Hatred (bass), Holly Cock (vocals), Mona Compleine (rhythm guitar).
Photo: Pearl. Originally appeared in Miss K's Killaz flickrset. Image altered early 2007.
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L-R: Jasmine Salome (vocals), Mona Compleine (rhythm guitar), Holly Cock (vocals), Luis Hatred (bass), Miss K (lead guitar).
Photo: Pearl. Montage created Jul 1996.
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* Click here and here to see craig r4's version of the above image...
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Six Inch Killaz montage which I created in early 1995, shortly before Miss K joined.
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L-R: Jasmine Salome (vocals), Luis Hatred (bass), Holly Cock (vocals), Miss K (lead guitar). Photo: Pearl.
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Article on tha Killaz, which appeared in the May 97 issue of dtour magazine. L-R: Jasmine Salome (vocals), Luis Hatred (bass), Mona Compleine (rhythm guitar), Holly Cock (vocals), Miss K (lead guitar). Photo: Pearl; 20/04/96.
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Photo of Mona and Holly, which appeared on the inside cover of dtour magazine in May 1997. Photo: Pearl; 20/04/96.
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I just had to buy this gorgeous vintage sequined 1980s cocktail dress as soon as I saw it. The colours are so bright and the sequins really catch the light. I love wearing it. I feel so glam!
Oh my gosh I can never decide what shade of pantyhose and which shoes to wear though! I spend ages trying different looks and posing in the mirror. Being a woman is so hard!
Please leave a comment if I make you horny!
Live performance on 31 Jan 1995; recorded for TV show "Shift". Screengrab created early Aug 2007.
One of a series of collaborations with dou_ble_you. Original montage by dou_ble_you (utilising material from the Six Inch Killaz fanzine "Bake a Cake Make a Bomb"); 16/09/09. Coloured by Luis Drayton; 22/10/09.
L-R: Jasmine Salome (vocals), Mona Compleine (rhythm guitar), Holly Cock (vocals), Luis Hatred (bass), Miss K (lead guitar). Photo: Pearl. Montage created Feb 1996. Altered 20/11/10.
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Having a cock doesn't prevent me from using my body like a woman to satisfy a man
shamed sissy husband forced to walk the apartment stairs in his wife's underwear for her bull's amusement
Look at me, I am submissive and obedient at the club before the Alpha men's eyes they want command me! Before a sweet word and after and dominant insult in waiting to be used. Flora knows well, a few minutes and she will soon have to undergo abuse and will prostrate in devotion, submissive to the Master! So obedient! Daddy says: Stand up, turn around and turn around, you are an hot bitch, show me off your cheap meat, your clitty into the cage! All it's ok now stand in front of Daddy and stop your sissy moans! You know are a sissy and you have to serve the cock all night long to Dad and many other men and guys!
Please darling, I love hard and dirty comments!
Slut just gagging for cock, ready, waiting and willing
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Very Young Girls, whose title reflects the fact that in the United States the average age of entry into prostitution is just thirteen. The film takes us into the work of a former sexually ex... Read all
Very Young Girls, whose title reflects the fact that in the United States the average age of entry into prostitution is just thirteen. The film takes us into the work of a former sexually exploited youth-turned-activist named Rachel Lloyd, who started the New York City organization GEMS (Girls Educational and Mentoring Services) to help victimized young women escape their pimps and find another way of life. We meet teen aged girls at different stages of this transition. Some have been so psychologically manipulated by their pimps that they feel compelled to return. Others have successfully broken with their pasts. As we come to know these girls better, they emerge as well-rounded individuals full of unexpected laughter and insight. One chilling element the film uncovers is a videotape - confiscated by police - of two pimps recording their activities with the intent of making a reality television show. Later we see Lloyd get recognized for her work at a human rights awards ceremony shortly after the song "It's Hard Out Here for a Pimp" wins an Academy Award.—Jonsey
title card: In the United States, the average age of entry into the commercial sex industry is 13 years old.
Shaneiqua: I got into the life when I was 12 years old. I was still entering into high school at the time.
voice: I was in the life since I was 16.
in shadows: I got in it when I was 12.
Kim: I started at the age of 13, and the sexploitation is like, at the age 13, what choices to I have?
Well intentioned, but incomplete and overlong
You won't waste your time watching it, especially if you are watching it on TV and you are able to do other stuff while it is on. It does a decent profile of GEMS. It gives us an idea of how messed up our court system is when they convict underage hookers instead of treating them as victims of sexual abuse. But no interviews with prosecutors or legislators of why this is so.

The documentary should have been titled GEMS because it really offers no fresh insight into why these girls turn away from their families in the first place? Yeah, we know the father figure aspect of these pimps attracts them to the profession in the first place. But why were they for the taking? No real insightful interviews with the mothers of these kids were done.

It would have been nice to have seen what it took for Rachel Lloyd to set up her non profit to give us an idea why more of these non profits do not exist.

There was one girl who expressed an interest in becoming an archaeologist, travel to England. The doc really dropped the ball in explaining why someone like this, with good grades, would even be in the position of being approached by a pimp and why she was so quick to fall for his persuasive powers.

It should have been a 45 min to one hour doc at most profiling GEMS.
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