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Valerie C Porn
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American radical feminist (1936–1988)
Solanas at The Village Voice offices in 1967

^ Solanas's cousin claimed the man was a sailor, and that Solanas may have also given birth to a second child before leaving home. [11]

^ Lord stated that Solanas and her son lived with "a middle-class military couple outside of Washington, D.C." before she went to the University of Maryland. This couple might have paid for her college tuition, according to Lord. [3]

^ The original title of the work is Up Your Ass, or, From the Cradle to the Boat, or, The Big Suck, or, Up from the Slime. [3] [11]

^ "The Times does not present Ms. Fieden's account as definitive.... [but] consider[s] this just one angle of the story". [48]

^ Violet objected to assassination; [81] for a possible contrast in her views, see Violet (1990) , p. 241 for another near-killing of Andy Warhol.

^ Although Up Your Ass was written in 1965, it was not produced as a play until 2000, and was not published until 2014 (as a Kindle ebook). [105]



^ State of California. California Death Index, 1940–1997. Sacramento, CA: State of California Department of Health Services, Center for Health Statistics.

^ Violet (1990) , p. 184

^ Jump up to: a b c d e f g Lord (2010)

^ Harron (1996) , p. xi

^ Jump up to: a b Fahs (2014) , p. 3

^ Jansen (2011) , p. 141

^ Jump up to: a b c Watson (2003) , pp. 35–36

^ Solanas (1996) , p. 48

^ Buchanan (2011) , p. 132

^ Fahs (2014) , pp. 23–24

^ Jump up to: a b c d Fahs (2008)

^ Jump up to: a b c d Coburn, Judith (January 11, 2000). "Solanas Lost and Found" . The Village Voice . Retrieved November 27, 2011 .

^ Jump up to: a b Jobey, Liz, Liz (August 24, 1996). "Solanas and Son". The Guardian .

^ Hewitt (2004) , p. 602

^ Heller (2008) , p. 154

^ Regarding the honor society: Jansen (2011) , p. 152

^ Jump up to: a b c Heller (2001)

^ Jump up to: a b c d Nickels (2005) , pp. 15–16

^ Hamilton (2002) , pp. 264–

^ Solanas (1968) , p. 89

^ Jump up to: a b Harding (2010) , p. 168

^ Harding (2010) , p. 169

^ Watson (2003) , p. 447

^ Solanas, Valerie (July 1966). "For 2¢: pain". Cavalier : 38–40, 76–77.

^ Solanas, Valerie (March 31, 2014). Up Your Ass . VandA.ePublishing. ASIN B00JE6N2UG .

^ Jump up to: a b Barron, James (June 23, 2009). "A Manuscript, a Confrontation, a Shooting" . The New York Times . Retrieved July 6, 2009 .

^ Jump up to: a b Kaufman, Ortenberg & Rosset (2004) , p. 201

^ Warhol, Andy (Director) (1967). I, a Man (Motion picture).

^ Solanas (1967) , p. 1

^ DeMonte (2010) , p. 178

^ Harding (2010) , p. 152, citing Frank (1996) , p. 211

^ Jump up to: a b c Marmorstein (1968) , p. 9

^ Hewitt (2004) , p. 603

^ Morgan (1970) , pp. 514–519

^ See also Rich (1993) , p. 17

^ Heller (2008) , p. 165, citing as excerpting SCUM Manifesto Kolmar, Wendy, & Frances Bartkowski, eds., Feminist Theory: A Reader (Mountain View, Calif.: Mayfield, 2000), & Albert, Judith Clavir, & Stewart Edward Albert, eds., The Sixties Papers: Documents of a Rebellious Decade (1984).

^ Harron (1996) , p. xxi

^ Jump up to: a b Kaufman, Ortenberg & Rosset (2004) , p. 202

^ Watson (2003) , p. 334

^ Jump up to: a b c Baer (1996) , p. 51

^ Jump up to: a b Krassner, Paul (September 10, 2009). "Brain Damage Control: Phil Spector, Valerie Solanas and Me" . High Times . Archived from the original on May 14, 2012.

^ Jump up to: a b c d Kaufman, Ortenberg & Rosset (2004) , pp. 202–203

^ Jump up to: a b c Fahs (2014) , p. 133

^ Fahs (2014) , pp. 133–134

^ Fahs (2014) ,
footnote 198

^ Fahs (2014) , pp. 134–137

^ Jump up to: a b Fahs (2014) , p. 137

^ Jump up to: a b Collins, Nicole (assistant metropolitan editor), comment 3, June 23, 2009, 10:03 a.m. , as accessed June 13, 2013.

^ "Ghomeshi, Jian, host, Q: The Podcast , from CBC Radio 1 " . Archived from the original on November 5, 2012 . Retrieved July 7, 2009 . , as accessed November 18, 2012 (interview of Margo Feiden overall approx. 1:14–18:56 from start) (fragment approx. 5:06–5:45 from start) (based on cbc.ca link before archive.org link provided here).

^ O'Brien, Glenn (March 24, 2009). "History Rewrite" . Interview Magazine : 1–3 . Retrieved October 18, 2012 .

^ Fahs (2014) , p. 347

^ Jump up to: a b Kaufman, Ortenberg & Rosset (2004) , p. 203

^ Jump up to: a b Harding (2010) , pp. 151–173

^ Dillenberger (2001) , p. 31

^ Baer (1996) , p. 53

^ Jump up to: a b Harding (2010) , p. 152

^ Jump up to: a b c d e f g Kaufman, Ortenberg & Rosset (2004) , p. 204

^ Jump up to: a b Faso, Frank; Lee, Henry (June 5, 1968). "Actress defiant: 'I'm not sorry' ". New York Daily News . Vol. 49, no. 297. p. 42.

^ Jump up to: a b "Valerie Solanas replies". The Village Voice . XXII (31): 29. August 1, 1977.

^ Jump up to: a b Third (2006)

^ Fahs (2014) , p. 198

^ Fahs (2014) , p. 221

^ Jump up to: a b Jansen (2011) , p. 153

^ Jump up to: a b c Solanas (1996) , p. 55

^ Jump up to: a b c Nickels (2005) , p. 17

^ Jump up to: a b Friedan (1976) , p. 109

^ Jump up to: a b c Friedan (1998) , p. 138

^ Willis (1992) , p. 124

^ Friedan (1998) , p. 139

^ Solanas (1996) , p. 54

^ Jump up to: a b c Heller (2008) , p. 160

^ Buchanan (2011) , p. 48

^ Solanas (1996) , pp. 55–56

^ Making the Scene: Factory Made: Warhol and the Sixties by Steven Watson Archived April 3, 2007, at the Wayback Machine , Dennis Drabelle, The Washington Post book review, November 16, 2003.

^ Winkiel (1999) , p. 74

^ Jump up to: a b Heller (2008) , p. 151

^ Smith, Howard , & Brian Van der Horst, Valerie Solanas Interview , in Scenes (col.), in The Village Voice (New York, N.Y.), vol. XXII, no. 30, July 25, 1977, p. 32, col. 2.

^ Jump up to: a b c Heller (2008) , p. 164

^ Violet (1990) , p. v

^ Violet (1990) , pp. 183–189

^ Violet (1990) , p. 189

^ Watson (2003) , p. 425

^ Harron (1996) , p. xxxi

^ Oliveros, Pauline (September 1970). "To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation (1970)" . Deep Listening . Retrieved November 27, 2011 .

^ "Pauline Oliveros" . Roaratorio. Archived from the original on April 26, 2012 . Retrieved November 27, 2011 .

^ B. Ruby Rich (1996). "I Shot Andy Warhol" . Archives . Sundance Institute . Retrieved November 27, 2011 .

^ Michael Schaub (November 2003). "The 'Idiot Madness' of Valerie Solanis" . Bookslut . Retrieved November 27, 2011 .

^ Jump up to: a b Carr, C. (July 22, 2003). "SCUM Goddess" . The Village Voice . Retrieved August 13, 2015 .

^ Genzlinger, Neil (March 1, 2001). "Theater Review; A Writer One Day, a Would-Be Killer the Next: Reliving the Warhol Shooting" . The New York Times . New York City . Retrieved November 27, 2011 .

^ Marks, Peter (July 19, 2011). "Theater review: 'Pop!' paints bold portrait of Warhol and his inner circle" . The Washington Post . Washington DC: Nash Holdings LLC . Retrieved November 27, 2011 .

^ "Sara Stridsberg wins the Literature Prize" . News . Norden. 2007. Archived from the original on May 7, 2014 . Retrieved November 27, 2011 .

^ "Valerie | Sara Stridsberg | Macmillan" . Us.macmillan.com. 2019 . Retrieved August 7, 2019 .

^ Bradley, Laura (August 29, 2017). "How American Horror Story: Cult Will Change the A.H.S. Game" . Vanity Fair . New York City: Condé Nast . Retrieved September 6, 2017 .

^ Harding (2010) , p. 153

^ Harding (2010) , pp. 29, 30, 31, 33, 153

^ Harding (2010) , chap. 6 esp. pp. 151–158 and see pp. 21, 24, 26, 29, 63 & 178

^ Harding (2010) , p. 151

^ Harding (2010) , pp. 151–153

^ Harding (2010) , pp. 152, 153

^ Ronell (2004)

^ Harding (2010) , p. 172, citing Bockris, Victor, The Life and Death of Andy Warhol , op. cit. , p. 236.

^
Bonnie Wertheim (June 26, 2020). "Overlooked No More: Valerie Solanas, Radical Feminist Who Shot Andy Warhol" . The New York Times . Overlooked is a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times. This month we’re adding the stories of important L.G.B.T.Q. figures.

^ Echols (1989) , p. 104–105

^ Echols (1989) , p. 104

^ Solanas, Valerie (March 31, 2014). Up Your Ass . VandA.ePublishing. ASIN B00JE6N2UG .



Baer, Freddie (1996). "About Valerie Solanas". In Valerie Solanas (ed.). SCUM Manifesto . Edinburgh: AK Press. pp. 48–57. ISBN 978-1-873176-44-3 .
Buchanan, Paul D. (2011). Radical Feminists: A Guide to an American Subculture . Santa Barbara, CA: Greenwood. ISBN 978-1-59884-356-9 .
Chu, Andrea Long (Winter 2018). "On Liking Women" . N Plus One (30) . Retrieved August 10, 2019 .
DeMonte, Alexandra (2010). "Feminism: second-wave". In Roger Chapman (ed.). Culture Wars: An Encyclopedia of Issues, Viewpoints, and Voices . Armonk, NY: M. E. Sharpe. ISBN 978-1-84972-713-6 .
Dillenberger, Jane Daggett (2001). The Religious Art of Andy Warhol . New York: Continuum. ISBN 978-0826413345 .
Echols, Alice (1989). Daring to Be Bad: Radical Feminism in America, 1967–1975 . Minneapolis: University of Minnesota Press. ISBN 9780816617869 .
Fahs, Breanne (Fall 2008). "The radical possibilities of Valerie Solanas". Feminist Studies . 34 (3): 591–617. JSTOR 20459223 .
Fahs, Breanne (2014). Valerie Solanas: The Defiant Life of the Woman Who Wrote SCUM (and Shot Andy Warhol) . New York: The Feminist Press. ISBN 978-1558618480 .
Frank, Marcie (1996). "Popping off Warhol: from the gutter to the underground and beyond" . In Doyle, Jennifer; Flatley, Jonathan; Muñoz, José Esteban (eds.). Pop Out: Queer Warhol . Durham, NC: Duke University Press. pp. 210–223 . ISBN 978-0-8223-1741-8 .
Friedan, Betty (1976). It Changed My Life: Writings on the Women's Movement . New York: Random House. ISBN 978-0-394-46398-8 .
Friedan, Betty (1998) [1963]. It Changed My Life: Writings on the Women's Movement . Cambridge, MA: Harvard University Press. ISBN 978-0-674-46885-6 .
Hamilton, Neil A. (2002). Rebels and Renegades: a Chronology of Social and Political Dissent in the United States . Taylor & Francis. ISBN 978-0-415-93639-2 .
Harding, James Martin (2010). Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde . Ann Arbor: University of Michigan Press. ISBN 978-0-472-11718-5 .
Harron, Mary (1996). "Introduction: on Valerie Solanas" . In Harron, Mary; Minahan, Daniel (eds.). I Shot Andy Warhol . New York: Grove Press. pp. vii–xxxi . ISBN 978-0-8021-3491-2 .
Heller, Dana (2001). "Shooting Solanas: radical feminist history and the technology of failure". Feminist Studies . 27 (1): 167–189. doi : 10.2307/3178456 . JSTOR 3178456 .
Heller, Dana (2008). "Shooting Solanas: radical feminist history and the technology of failure". In Hesford, Victoria; Diedrich, Lisa (eds.). Feminist Time against Nation Time: Gender, Politics, and the Nation-State in an Age of Permanent War . Lanham, MD: Lexington Books. pp. 151–168. ISBN 978-0-7391-1123-9 .
Hewitt, Nancy A. (2004). "Solanas, Valerie". In Ware, Susan; Braukman, Stacy Lorraine (eds.). Notable American Women: A Biographical Dictionary Completing the Twentieth Century . Cambridge, MA: Harvard University Press. ISBN 978-0-674-01488-6 .
Jansen, Sharon L. (2011). Reading Women's Worlds from Christine de Pizan to Doris Lessing: A Guide to Six Centuries of Women Writers Imagining Rooms of Their Own . New York: Palgrave Macmillan. ISBN 978-0-230-11066-3 .
Kaufman, Alan; Ortenberg, Neil; Rosset, Barney, eds. (2004). The Outlaw Bible of American Literature . New York: Thunder's Mouth Press. ISBN 978-1-56025-550-5 .
Lord, Catherine (2010). "Wonder waif meets super neuter". October . 132 (132): 135–136. doi : 10.1162/octo.2010.132.1.135 . S2CID 57566909 .
Marmorstein, Robert (June 13, 1968). "A winter memory of Valerie Solanis [ sic ]: scum goddess". The Village Voice . XIII (35): 9–10, 20.
Morgan, Robin (1970). Sisterhood is Powerful: An Anthology of Writings From the Women's Liberation Movement . New York: Random House. ISBN 978-0-394-70539-2 .
Nickels, Thom (2005). Out in History: Collected Essays . STARbooks Press. ISBN 978-1-891855-58-0 .
Rich, B. Ruby (1993). "Manifesto destiny: drawing a bead on Valerie Solanas". Voice Literary Supplement . 119 : 16–17.
Ronell, Avital (2004). "Deviant payback: the aims of Valerie Solanas". In Valerie Solanas (ed.). SCUM Manifesto . London: Verso. pp. 1–32. ISBN 978-1-85984-553-0 .
Solanas, Valerie (1967). SCUM Manifesto . self-published.
Solanas, Valerie (1968). SCUM Manifesto . Olympia Press.
Solanas, Valerie (1996). SCUM Manifesto . San Francisco, CA: AK Press. ISBN 978-1-873176-44-3 .
Third, Amanda (2006). " 'Shooting from the hip': Valerie Solanas, SCUM and the apocalyptic politics of radical feminism". Hecate . 32 (2): 104–132.
Violet, Ultra (1990). Famous for 15 Minutes: My Years with Andy Warhol . New York: Avon Books. ISBN 978-0-380-70843-7 .
Watson, Steven (2003). Factory Made: Warhol and the Sixties (1st ed.). New York: Pantheon Books. ISBN 978-0-679-42372-0 .
Willis, Ellen (1992). "Radical feminism and feminist radicalism" . In Ellen Willis (ed.). No More Nice Girls: Countercultural Essays . Wesleyan University Press. pp. 117–150 . ISBN 978-0-8195-5250-1 .
Winkiel, Laura (1999). "The "sweet assassin" and the performative politics of SCUM Manifesto ". In Patricia Juliana Smith (ed.). The Queer Sixties . New York: Routledge. pp. 62–86. ISBN 978-0-415-92169-5 .

Valerie Jean Solanas (April 9, 1936 – April 25, 1988) was an American radical feminist known for the SCUM Manifesto , which she self-published in 1967, and for her attempt to murder artist Andy Warhol in 1968.

Solanas had a turbulent childhood, reportedly suffering sexual abuse from both her father and grandfather, and experiencing a volatile relationship with her mother and stepfather. She came out as a lesbian in the 1950s. After graduating with a degree in psychology from the University of Maryland, College Park , Solanas relocated to Berkeley , where she began writing the SCUM Manifesto , which urged women to "overthrow the government, eliminate the money system, institute complete automation and eliminate the male sex."

In New York City, she asked pop artist Andy Warhol to produce her play Up Your Ass , but he claimed to have lost her script, hiring her to perform in his film, I, a Man , by way of compensation. At this time, a Parisian publisher of censored works, Maurice Girodias , offered her a contract which she interpreted as a conspiracy between him and Warhol to steal her future writings.

On June 3, 1968, she went to The Factory , shot Warhol and art critic Mario Amaya , and attempted to shoot Warhol's manager, Fred Hughes. Solanas then turned herself in to the police. She was charged with attempted murder, assault, and illegal possession of a gun. She was diagnosed with paranoid schizophrenia and pleaded guilty to "reckless assault with intent to harm," serving a three-year prison sentence, including treatment in a psychiatric hospital . After her release, she continued to promote the SCUM Manifesto . She died in 1988 of pneumonia in San Francisco.

Solanas' views have been described as "unabashed misandry " by Alice Echols .

Solanas was born in 1936 in Ventnor City, New Jersey , to Louis Solanas and Dorothy Marie Biondo. [1] [2] [3] [4] Her father was a bartender and her mother a dental assistant. [3] [5] She had a younger sister, Judith Arlene Solanas Martinez. [6] Her father was born in Montreal to parents who immigrated from Spain and her mother was an Italian-American of Genoan and Sicilian descent born in Philadelphia . [5]

Solanas said that her father regularly sexually abused her. [7] Her parents divorced when she was young, and her mother remarried shortly afterwards. [8] Solanas disliked her stepfather and began rebelling against her mother, becoming a truant . As a child, she wrote insults for children to use on one another, for the cost of a dime. She beat up a girl in high school who was bothering a younger boy, and also hit a nun . [3]

Because of her rebellious behavior, in 1949 her mother sent her to be raised by her grandparents. Solanas said that her grandfather was a violent alcoholic who often beat her. When she was 15, she left her grandparents and became homeless. [9] In 1953, she gave birth to a son, fathered by a married sailor. [10] [a] The child, named David (later David Blackwell by adoption), was taken away from Solanas and she never saw him again. [12] [13] [14] [b]

Despite this, she graduated from high school on time and earned a degree in psychology from the University of Maryland, College Park , where she was in the Psi Chi Honor Society. [15] [16] While at the University of Maryland, she hosted a call-in radio show where she gave advice on how to combat men. [7] She was an open lesbian, despite the conservative cultural climate of the 1950s. [17]

She attended the University of Minnesota 's Graduate School of Psychology, where she worked in the animal research laboratory, [18] before dropping out and moving to attend Berkeley for a few courses. It was during this time that she began writing the SCUM Manifesto . [13]

In the mid-1960s Solanas moved to New York City, where she supported herself through begging and prostitution. [17] [19] In 1965 she wrote two works: an autobiographical [20] short story, "A Young Girl's Primer on How to Attain the Leisure Class," and a play, Up Your Ass , [c] about a young prostitute. [17] According to James Martin Harding, the play is "based on a plot about a woman who 'is a man-hating hustler and panhandler' and who ... ends up killing a man." [21] Harding describes it as more a "provocation than ... a work of dramatic literature" [22] and "rather adolescent and contrived." [21] The short story was published in Cavalier magazine in July 1966. [23] [24] Up Your Ass remained unpublished until 2014. [25]

In 1967, Solanas encountered Andy Warhol outside his studio, The Factory , and asked him to produce her play. He accepted the script for review, told Solanas it was "well typed," and promised to read it. [18] According to Factory lore, Warhol, whose films were often shut down by the police for obscenity, thought the script was so pornographic that it must have been a police trap. [26] [27] Solanas contacted Warhol about the script, and was told that he had lost it. He also jokingly offered her a job at the Factory as a typist. Insulted, Solanas demanded money for the lost manuscript. Instead, Warhol paid her $25 to appear in his film I, a Man . [18]

In her role in I, a Man , she leaves the film's title character, played by Tom Baker , to fend for himself, explaining "I gotta go beat my me
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