VISCOSITY PRINTING
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Screen printingScreen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil. A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact. This causes the ink to wet the substrate and be pulled out of the mesh apertures as the screen springs back after the blade has passed. One colour is printed at a time, so several screens can be used to produce a multi-coloured image or design. Traditionally, silk was used in the process. Currently, synthetic threads are commonly used. The most popular mesh in general use is made of polyester. There are special-use mesh materials of nylon and stainless steel available to the screen-printer. There are also different types of mesh size which will determine the outcome and look of the finished design on the material. The technique is used not only for garment printing but for printing on many other substances, including decals, clock and watch faces, balloons, and many other products. Advanced uses include laying down conductors and resistors in multi-layer circuits using thin ceramic layers as the substrate.
PrintmakingPrintmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine (a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Prints are created by transferring ink from a matrix to a sheet of paper or other material, by a variety of techniques. Common types of matrices include: metal plates for engraving, etching and related intaglio printing techniques; stone, aluminum, or polymer for lithography; blocks of wood for woodcuts and wood engravings; and linoleum for linocuts. Screens made of silk or synthetic fabrics are used for the screen printing process. Other types of matrix substrates and related processes are discussed below. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by hand. A print that copies another work of art, especially a painting, is known as a "reproductive print". Multiple impressions printed from the same matrix form an edition. Since the late 19th century, artists have generally signed individual impressions from an edition and often number the impressions to form a limited edition; the matrix is then destroyed so that no more prints can be produced. Prints may also be printed in book form, such as illustrated books or artist's books.
Inkjet printingInkjet printing is a type of computer printing that recreates a digital image by propelling droplets of ink onto paper or plastic substrates. Inkjet printers were the most commonly used type of printer in 2008, and range from small inexpensive consumer models to expensive professional machines. By 2019, laser printers outsold inkjet printers by nearly a 2:1 ratio, 9.6% vs 5.1% of all computer peripherals. The concept of inkjet printing originated in the 20th century, and the technology was first extensively developed in the early 1950s. While working at Canon in Japan, Ichiro Endo suggested the idea for a "bubble jet" printer, while around the same time Jon Vaught at Hewlett-Packard (HP) was developing a similar idea. In the late 1970s, inkjet printers that could reproduce digital images generated by computers were developed, mainly by Epson, HP and Canon. In the worldwide consumer market, four manufacturers account for the majority of inkjet printer sales: Canon, HP, Epson and Brother. In 1982, Robert Howard came up with the idea to produce a small color printing system that used piezos to spit drops of ink. He formed the company, R.H. (Robert Howard) Research (named Howtek, Inc. in Feb 1984), and developed the revolutionary technology that led to the Pixelmaster color printer with solid ink using Thermojet technology. This technology consists of a tubular single nozzle acoustical wave drop generator invented originally by Steven Zoltan in 1972 with a glass nozzle and improved by the Howtek inkjet engineer in 1984 with a Tefzel molded nozzle to remove unwanted fluid frequencies. The emerging ink jet material deposition market also uses inkjet technologies, typically printheads using piezoelectric crystals, to deposit materials directly on substrates. The technology has been extended and the 'ink' can now also comprise solder paste in PCB assembly, or living cells, for creating biosensors and for tissue engineering. Images produced on inkjet printers are sometimes sold under trade names such as Digigraph, Iris prints, giclée, and Cromalin. Inkjet-printed fine art reproductions are commonly sold under such trade names to imply a higher-quality product and avoid association with everyday printing.
Relief printingRelief printing is a family of printing methods where a printing block, plate or matrix, which has had ink applied to its non-recessed surface, is brought into contact with paper. The non-recessed surface will leave ink on the paper, whereas the recessed areas will not. A printing press may not be needed, as the back of the paper can be rubbed or pressed by hand with a simple tool such as a brayer or roller. In contrast, in intaglio printing, the recessed areas are printed. Relief printing is one of the traditional families of printmaking techniques, along with the intaglio and planographic families, though modern developments have created others.
3D printing3D printing, or additive manufacturing, is the construction of a three-dimensional object from a CAD model or a digital 3D model. It can be done in a variety of processes in which material is deposited, joined or solidified under computer control, with the material being added together (such as plastics, liquids or powder grains being fused), typically layer by layer. In the 1980s, 3D printing techniques were considered suitable only for the production of functional or aesthetic prototypes, and a more appropriate term for it at the time was rapid prototyping. As of 2019, the precision, repeatability, and material range of 3D printing have increased to the point that some 3D printing processes are considered viable as an industrial-production technology; in this context, the term additive manufacturing can be used synonymously with 3D printing. One of the key advantages of 3D printing is the ability to produce very complex shapes or geometries that would be otherwise infeasible to construct by hand, including hollow parts or parts with internal truss structures to reduce weight while creating less material waste. Fused deposition modeling (FDM), which uses a continuous filament of a thermoplastic material, is the most common 3D printing process in use as of 2020.
Planographic printingPlanographic printing means printing from a flat surface, as opposed to a raised surface (as with relief printing) or incised surface (as with intaglio printing). Lithography and offset lithography are planographic processes that rely on the property that water will not mix with oil. The image is created by applying a tusche (greasy substance) to a plate or stone. The term lithography comes from litho, for stone, and -graph to draw. Certain parts of the semi-absorbent surface being printed on can be made receptive to ink while others (the blank parts) reject it.
Viscosity printingViscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter. The process uses the principle of viscosity to print multiple colors of ink from a single plate, rather than relying upon multiple plates for color separation. It is a fine art printmaking technique, making original prints in limited editions, as it is slow and allows too much variation between proofs to make large editions feasible. Color viscosity printing is among the latest developments in intaglio printmaking. Color viscosity printing was developed by a group working at Atelier 17 in Paris in the mid-1950s. This group included Stanley William Hayter, Kaiko Moti, Krishna Reddy, Clare Snider Smith and Shirley Wales. Martin Barooshian arrived at Atelier 17 in 1956, working closely with Hayter, Moti, Reddy and in particular Wales, he further innovated color viscosity printmaking, pushing it to its limits to create more objective imagery, ultimately becoming one of its most important masters. Mario Barattucci continued viscosity art prints into the seventies and eighties.
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