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Utena buying blow
First attraction. More precisely, he tempts Utena into corrupting her own ideals. He repeatedly tempts her in small ways, and before long does a Cinderella scene with her shoe, then pushes her down into his car for a kiss. At the end of the episode, the last candle goes out and Utena—though at that moment she does not admit it to herself—has fallen for Akio, pushing other goals aside. She has been corrupted and chooses to violate her ideals. That ironically makes it more apparent. It feels biblical, with Akio truly acting as Lucifer, the devil. The candles are easy to understand in general terms. They have more obscure detailed meanings. Evil meanings. Halos , including the halo around the last burning candle. Basketball games for connections past and future. Akio dominates for a repeated image with subtle meanings. In the joke Who should watch Utena? I claimed that I can grok the abuse without feeling too abused. I can tolerate it, because I wake up with fresh insights. The night before I posted this I woke up, realized the key to deciphering the three candles, and worked out the full symbolism before dawn, almost everything in the candle section below I have added a little more since. Knowledge is worth some emotional turmoil. My tone tends to the clinical. Understanding before feelings. Akio bakes a cake with fancy decoration to impress Utena. On the cake are three burning candles, making it resemble a birthday cake. The candles do not burn down, though one was lit all day. The candles blow out with no visible cause though we can tell the emotional cause. In Utena , unnoticed and unexplained surreal stuff is a sign of pure metaphor directed at the audience; the characters ignore it because it is not real to them. This time, the candles are real to Anthy, who holds them at one point. The candles are implied to be birthday candles. At one point, a single burning candle is picked out, in between a shot of Nanami and one of Nanami and Touga together. Nothing happens to that candle. Apparently Touga did not make a wish. If they are birthday candles, then blowing them all out means making a wish. Who is blowing them out? Not Akio. The candles often flicker, and one is blown out, when Utena is thinking by herself, which Akio cannot see or know about. Utena is blowing them out herself. Akio does not want to reassure Utena, he wants to corrupt her, to break down her ideals—and she must do the work herself, she must break down her own ideals. His job is not complete until Utena wishes to betray Kanae, and has arrived at the wish herself; not complete until she wishes to betray her prince. Akio wants Utena to take evil as good, and he succeeds. In the rest of the corruption arc as well, as Akio steers Utena into decisions, he tries to make her believe that she is the one making the decisions, that she must take responsibility for every evil action. And by her own moral views and I think those of most people , she must; she knowingly harms another to satisfy her own desires. Lying to herself. Repeatedly during the episode, Utena says and thinks that Akio is engaged and denies that she is attracted anyone but her prince. When injured and walking with Anthy, she is about to tell Anthy her feelings, keeping her promise that they should work together. But Akio drives up and interrupts. Her feelings messed up, she eats little at dinner, as Anthy and Akio separately remark, and instead of telling her feelings to Anthy she discusses love in general terms, letting slip her last opportunity for honesty. She blows out the third candle wishing to be corrupt, and from then on she is corrupt. No longer honest, she seeks to hide her corruption from others as she did from herself. She can no longer explain to Anthy. The candles give light. She brought the darkness of corruption on herself with a lie to herself, and it spreads. Why three candles? Does each one have a specific meaning? The fairy tale hero traditionally must overcome three challenges before a final showdown. Here, Akio must successfully tempt Utena three times before she is corrupted; until then, the candles give light. The middle candle, a little higher than the others, is the Routine Date which Utena blows out last, the final step before Akio believes Utena is adequately corrupted. Akio must succeed in all three challenges to finish his plan; Utena only has to thwart one to escape. In this metaphor, Akio is the prince and the hero who must succeed repeatedly, and Utena—the boyish side of Utena—is the foe to vanquish. The three candles take the side of evil and call it good, just as Akio calls his evil good and wants Utena to take evil as good. He truly is Lucifer. The symbolism is so, so evil. The candles are also phallic symbols. She is the foe—her boyish side is the foe—which the prince as hero must overcome three times with his sword before he can reach the final showdown in the dueling arena. There he turns her into a princess to vanquish her, eliminating her boyish side and leaving the girlish side that he dominates. If so, then the three candles that Utena blows out stand for her own life. She is setting herself up to die. Beyond the above, the three candles stand for the division of her cheek hair into three in some images, a sign that she will die. In The Rose of Versailles , in episode 15 honest and religious Marie Antoinette is corrupted into taking up illegal gambling. Immediately before the gambling scene, we see these three candles, surrounded by a halo and seeming to stand against a twilight sky. I think they stand for the Christian holy trinity other candles get a halo of light, but these candles are picked out as special by the dutch angle, non-real background, and more detailed animation. I guess the center candle with its larger flame is the holy spirit. The meaning is not the same, but the parallelism is easy to see. Marie Antoinette is corrupted by Madame de Polignac, who is parallel with Akio: She is equated with the devil, as Akio is, and corrupts by temptation, as Akio does. A mature and well-balanced person understands that feelings and actions can be separated. Love is involuntary; it is OK fall in love with a person who is engaged to be married. It is not OK to act on that love; that is when you cross the moral boundary. She is impulsive, and she does not mentally separate having a desire from being willing to act on the desire. During the episode, Utena has conversations with Wakaba and Anthy about love. The first time the candles flicker is while the group including Wakaba is eating the cake. Wakaba is explicitly talking about feelings, not actions, and her innocent car ride with Akio later backs that up. For Akio it was another way to manipulate Utena. The candles represent a wish that Utena increasingly wants to be granted—the candles imply actions because granting the wish implies actions. Utena deliberately chose to violate moral principles that she had held strongly, and she feels deeply ashamed of it. Her moral injury causes moral confusion that makes it easier for Akio to manipulate her into further evil. She continues to struggle with moral decisions until she is more deeply corrupted in the First Seduction , after which she no longer makes moral decisions. She tries to tell lies and hides information from Anthy. This social isolation too makes her easier to manipulate. All these points are aspects of moral injury. Akio stands behind the system of control and ensures that it helps him. Early in the episode, Anthy smiles falsely at Utena, hiding her feelings. Utena seems to take it as Anthy approving her feelings about Akio, and the candles flicker. Wakaba does not buy into strict rules. She favors playing around and having fun, and not taking anything too seriously. Utena has serious feelings and cannot play around with them. She interprets Wakaba more seriously than Wakaba means it; she hears a call to yield to temptation. Utena heard Wakaba telling her to ignore rules that Utena considers meaningful. Then she heard the teachers tell her to follow rules that Utena considers meaningless. The powerful get away with their transgressions, and even show them off to demonstrate their power. The female teacher who wears red shoes gushes praise for Akio. The male teacher seems to be nervous around Akio, even afraid. He admits to Utena that he lied to the teachers to free her from them: He shows off the convenience of dishonesty and calls Utena silly for not realizing it. He flaunts flouting. Before the car ride with Wakaba, Akio is sensually caressing the car with his fingers, as he often does: He is expecting a drive with Utena alone so that he can heighten his sexual temptation. Instead Wakaba proposes a drive, and once he accepts no doubt realizing the effect on Utena , he removes his fingers; the plan changed. In my interpretation, Anthy blames her jealousy on Utena. She does not remove her hand when Akio drives up; Akio knows what she is doing. Anthy is also smiling in enjoyment, I think due to her attraction. Anthy lives in a painful and constricted world, and I think she is always looking for ways to enjoy herself despite it. And I think she dissociates her contradictory feelings out of self-protection. In the picture, the shadow line puts Utena and Anthy in the dark. But Akio drives up at the precise time to interrupt, as he tends to do. Akio portrays himself as her prince and her as Cinderella , a princess to be. The inexperienced young girl does not stand a chance. Utena insists she can walk—she can stand on her own. Akio wants to carry her and enforces it by pilfering her shoe, depriving her of independence. See the foot catalog for more examples of the metaphor. Control of transportation is important later in the seduction scenes. Stereotypes of attractive men. In the Cinderella scene, after Akio takes her shoe, Utena says he is a playboy who knows how to make girls feel special, and that he seems a little naughty. She contrasts him with her prince, good boy versus bad boy, and yet gives in to his pressure after brief and slight resistance. Good boy and bad boy both attract her. She lets herself fall back into the car and be kissed, subordinating herself to his wishes. Male power is attractive. The Cinderella scene conflates prince and playboy, and Utena does not care. She is equally deluded by the illusion of Dios the heroic prince and the reality of Akio the cheating playboy. It is part of the parallel between Touga and Akio. In the Student Council arc, Utena recognizes that playboy Touga cannot be her prince, but soon forgets it and supposes he might be her prince after all—and readies herself to be kissed. Akio starts out exploiting Utena sexually, and only later takes her sword. He succeeds at both. There is no wrong love—here Utena uses the word koi for love, a specific word for the falling-in-love kind of love, where Wakaba had vaguely said suki. Wakaba was playing around, Utena is serious. Compare the pattern of mistrust that Wakaba warned about at the opening of the episode. Why did Utena ask that? And who does Anthy mean as the camera focuses on their joined hands? Neither follows up on it. They both lost an opportunity. By the way, in the preview from the previous episode Anthy answered the question with yes—and that time the camera turned to Akio. I admire Utena for her idealism and honesty. It hurt to see her idealism damaged and her honesty stricken. Until now, she was cheerful and emotionally open. She answered questions directly without holding back. She felt free to share her personal feelings with no fear that anyone might judge her for them or use them against her even though Juri did in episode 7. It was a delight to see on the screen. After this episode she is corrupted. She declines to answer questions that might reveal her corrupted behavior. She fears openness, pulls back from intimacy, hides her feelings, no longer holds hands with Anthy at bedtime. The change is immediate. See Anthy and Utena scenes - playing a role , which is from the next episode. Utena becomes more isolated and her world is more constricted; she is less free and easier to gain control over. She is a lesser person. She continues to speak openly and honestly to Akio in, for example, episode 34 which is after the First Seduction. She does not need to hide her corruption from Akio, and she reveals information he uses to refine his plan. She tries to deceive others sometimes, but a lifetime of honesty left her awful at it. Jay Scott : Utena : Akio and Utena : three candles.
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Utena - the three candles
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