Urumi Narumi

Urumi Narumi

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Chenichery kurup (as Jagathy Sreekumar)
After 'Madrasapattinam' (2010), 'Urumi' marks the second collaboration between actor Alexx O'Nell and Arya.
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Ek Yodha Shoorveer Review By Arun K Singh
Ek Yodha Shoorveer Review: Hi friends, In this exciting post, i am going to publish review of India's greatest adventure epic film Ek Yodha Shoorveer. Today, i have watched this film at Zee preview theater, Fun Republic. After press release, i entered in theater along with guest audiences and started to enjoy film. After watching this movie, i will have to say that Ek Yodha Shoorveer is one of the greatest film of Indian cinema. Plot of the film is from 16th century when the Portuguese sailors under Vasco d Gama (Robin Pratt) discovered India captured some lands of South India. We should appreciate director Santosh Sivan for making this historical film in great way. He is also cinematographer of this film. Acting of Prithviraj, Genelia Dsouza and Prabhudeva are superb. Every characters are looking real. Genelia looks too pretty and showcased extra ordinary act. Acting of Amole Gupte in the role of Chirakkal Thampuran will attract audience and make laugh for some moment. Vidya Balan is looking gorgeous and hot in the role of Teacher Bhumi and Makkom receptively. We should also appreciate the creative art direction team. They decorate every frame according to screenplay. Screenplay should be more better, but neglect it because No one can give 100%. You will love songs and item number of this film. At last i will say that don't miss Ek Yodha Shoorveer and go to your nearest theater. By Arun K Singh
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By what name was Urumi: The Warriors Who Wanted to Kill Vasco Da Gama (2011) officially released in Canada in English?
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Chirakkal Kelu Nayanar, a warrior in 16th century Kerala wants to avenge his father killed in a confrontation with Vasco da Gama and his troops and is assisted by his best friend Vavvali and... Read all Chirakkal Kelu Nayanar, a warrior in 16th century Kerala wants to avenge his father killed in a confrontation with Vasco da Gama and his troops and is assisted by his best friend Vavvali and warrior princess Ayesha. Chirakkal Kelu Nayanar, a warrior in 16th century Kerala wants to avenge his father killed in a confrontation with Vasco da Gama and his troops and is assisted by his best friend Vavvali and warrior princess Ayesha.

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Shaji Nadesan Santosh Sivan Prithviraj Sukumaran

31 March 2011 ( 2011-03-31 ) ( India )

Feature films directed by Santosh Sivan

Halo (1996)
The Terrorist (1998)
Malli (1998)
Aśoka (2001)
Navarasa (2005)
Anandabhadram (2005)
Before the Rains (2008)
Tahaan (2008)
Urumi (2011)
Ceylon (2013)

The film is set in the early 16th century, when the Portuguese dominated the Indian Ocean. The story follows Murikkancheri Kelu (Prithviraj), seeking to avenge the death of his father at the hands of the colonizers, and his cohorts Vavvali of Nagapattinam (Prabhu Deva), princess Ayesha of Arackel (Genelia D'Souza) and princess Bala of Chirakkal (Nithya Menon). The plot incorporates the intrigues of the Chirakkal Royal Family , where Kelu serves as commander-in-chief, its rivalry with the house of Arackal , and the assassination of prince Bhanu Vikraman (Ankur Khanna). . The plot also incorporates such historical figures as Estêvão da Gama (Alexx O'Nell), Vasco da Gama (Alexx O'Nell & Robin Pratt) and Chenichery Kurup (Jagathy Sreekumar).

The film was made on a budget of more than ₹20 crore , making it the second-most expensive Malayalam film at the time, after Gokulam Gopalan's Pazhassi Raja (2009). [4] The film also marked the debut of Prithviraj Sukumaran as producer. [5] Urumi was released in Hindi as Ek Yodha Shoorveer, in Tamil as Urumi: Padhinaintham Nootrandu Uraivaal written by Sasikumaran and dubbed in Telugu with the same title, Urumi . [6] [7]

The film was critically acclaimed. [8] It won two Kerala State Film Awards , for Best Background Music ( Deepak Dev ) and for Best Sound Recordist ( M. R. Rajakrishnan ). [9] It also won the Best film and Best Director in Imagine India Film Festival in Barcelona. [10] It was also the opening film of the Panorama Section in Goa Film Festival. [9] Urumi is widely regarded as one of the defining movies of the Malayalam New Wave . [11]

The executives of the multinational mining corporation Nirvana Group inform Goa-based Krishna Das ( Prithviraj Sukumaran ) that his ancestral property in north Kerala, leased out to a non-governmental organisation (NGO) by his late grandfather, is both rich in minerals and able to be sold because the lease period has expired. Nirvana Group offers him a large sum of money as an advance on the purchase. The NGO currently runs a tribal school on the property, which is situated inside the Kannadi Forest Range. When Krishna Das and his friend Thanseer ( Prabhu Deva ) visit the property, they are kidnapped by local tribal men and taken to a cave deep in the forest. There, Krishna Das meets the tribal chief Thangachan ( Arya ), who explains to him that he is the descendant of a certain Chirakkal Kelu Nayanar.

In the early 16th century, the Portuguese sailors under Vasco da Gama ( Alexx O'Nell ) captured a Muslim pilgrim ship and took all the passengers as prisoners. The general of Chirakkal kingdom (northern Kerala), the Kothuwal, sends a Brahmin negotiator and his own son, Kelu (as per the customs of the land), to the captured ship to negotiate the prisoners' release. However, Vasco da Gama viciously rejects their attempt at negotiation, cutting off the negotiator's ears. He then orders that the prisoners are locked in the hold and the ship set on fire. Kothuwal storms the burning ship to rescue his son, Kelu. Although Kelu escapes, Chirakkal Kothuwal is killed during the rescue attempt. Vavvali, a Tamil Muslim boy, takes orphaned Kelu with him to his home, and treats him as his brother. Kelu crafts an urumi from the leftover ornaments of the dead women and children of the pilgrim ship. He takes an oath to one day kill Vasco da Gama.

Kelu and Vavvali are next seen as adults hunting in a forest somewhere in Chirakkal . They rescue the princess of Chirakkal, Bala ( Nithya Menen ), from a group of abductors, armed with Portuguese pistols, who apparently have been organised by her cousin, Bhanu Vikraman (Ankur Khanna). Under the orders of Bhanu Vikraman, Kelu and Vavvali are soon captured by the Chirakkal guards at Puthoor Ferry and tried before the king of Chirakkal ( Amole Gupte ). In the trial, it is revealed to the king that the two young men in fact saved the princess' life. Chenichery Kurup ( Jagathy Sreekumar ), minister of the king, convinces the king that the abductors might have been from the Arakkal kingdom.

The king grants Kelu and Vavvali an audience. During the conversation, Kelu learns that Vasco da Gama is scheduled to return to India as the Viceroy. They plan to infiltrate and capture da Gama during the hanging of "pirate" Balia Hassan, at Fort Arakkal. However, they instead capture Estêvão da Gama ( Alexx O'Nell ) and bring him as a prisoner to Chirakkal. In the process, Kelu and Vavvali come across and are helped by Ayesha ( Genelia D'Souza ), a fiery warrior princess of the Arakkal palace. With the help of Ayesha, Balia Hassan is also freed from the gallows and chaos ensues. Unknownst to Kelu and Vavvali, a group of Chirakkal warriors simultaneously raid the Arakkal palace, assassinates the Harabichi Beevi and take a large number of women from the palace as prisoners. Back in Chirakkal, the king bestows Kelu with the honour of being the new general ("Kothuval"). Vavvali, however, is somewhat unhappy as the king neglected to acknowledge his role in the capture of Estêvão. Princess Ayesha - among captives from the raid in Arakkal - is presented to the spoiled prince Bhanu Vikraman as a concubine. She tries to kill the prince in his chamber, but Kelu saves him. Vasco da Gama, in Cochin, is enraged to know the capture and mutilation of his son Estêvão. Later, Kelu helps Ayesha escape from Chirakkal and asks her to flee from "this cursed land". Ayesha, with the help of Kelu and Vavvali, manages to rescue all the women locked up in Chirakkal and smuggle them to a secret cave in Puthur.

With princess Ayesha, Kelu and Vavvali set out to the villages in the kingdom and succeed in garnering support from the common folk against the Portuguese. A large number of people join with Kelu and Ayesha to form a resistance. Kelu also induces the king of Chirakkal to seek assistance from the Syrian Christians in Kodungallur. Meanwhile, with the help of minister Kurup ( Sreekumar ), Bhanu Vikraman conspires against his uncle and joins forces with Estêvão da Gama. Bhanu Vikraman assassinates his uncle with a Portuguese pistol. Kelu returns to Chirakkal palace to discuss with Vikraman, now king of Chirakkal, what actions to take against da Gama, but Bhanu hesitantly states that the army will no longer take orders from Kelu. Chirakkal Bala, the princess of Chirakkal, now joins with Kelu and his cohorts. Meanwhile, da Gama (Robin Pratt), accompanied by Estêvão da Gama among others, arrives at the Chirakkal palace. Chenichery Kurup, whom da Gama remembers, at first sight, welcomes him. During the audience, Bhanu Vikraman is killed by Estêvão da Gama. As a mark of respect for his allegiance to the Portuguese crown, the empire offers Kurup the post of the Governor General of the Laccadives .

The Chirakkal army, led by Angadan Nambi, attacks the rebel hideout. Rebels under Kelu, Vavvali, Ayesha and defected Chirakkal general Kaimal, fight back. Soon, an Estêvão da Gama-led Portuguese unit arrives in the village as reinforcement for the Chirakkal force. The rebels manage to defeat the combined forces, but Vavvali is killed in action. The rebels now launch an attack on the Chirakkal palace. A terrible battle ensues. The rebels are immediately put on the defensive by the Portuguese cannons. Kelu manages to breach the perimeter set up by Estêvão and enters the palace. He manages to attack da Gama but is killed by the musketeers.

After hearing the moving story of his ancestors, Krishna Das decides not to sell his land to the multinational mining corporation and instead, he decides to start a new life in Kerala.

According to director Santosh Sivan, Urumi is his comment on globalization . He adds that the film resonates with people today as corporate lobbies are causing displacement of indigenous people across the world. "I have travelled across the world while shooting for films and documentaries and I have seen first hand the displacement and exploitation, the side effects of globalisation being suffered by the people who live in close contact to nature. The film centres around a similar situation, but it is removed by a few centuries," said Sivan. The film also focuses on a new perspective of storytelling. "History is written by the victors, the powerful who won. So was Vasco da Gama a brave explorer or an invader after gold." he added. [12]

"The film is designed in such a way that it talks about the present and the past. In the past, some people came and exploited our land and it is happening even now. Perhaps the people who lived then are the people who live now. Still we are not united and our progress is not uniform. The film has also portrayed this aspect in a different manner.", Sivan pointed out to Jyothsna Bhavanishankar of "Behind the Woods". [13]

Shankar Ramakrishnan, who wrote the story and screenplay for Urumi after conducting extensive research, said that the film presents history from a different perspective. "Even a small child in Kerala perceives Vasco da Gama as an explorer, who made the first-ever colonial invasion in any part of the world. But there's more to him than that. Urumi is an attempt to portray or rather discuss the many realities that could have affected the course of our history," he said. Shankar Ramakrishnan added that the title is not just suggestive of Kelu's weapon urumi, but "the feeling of vengeance that we carry in our hearts". [14]

"Whenever you travel to Goa or Fort Kochi or such places, you will always find a suite in the name of Vasco da Gama who is revered as a discoverer of India. But when you delve deeper into the history, you will realize that he discovered India for the Western world but he is the conqueror, the first colonial ruler in the world as they all came to trade in pepper but instead of trading they decided to conquer the place. Hence, I thought it would be interesting to make a film that would show the small peppercorn changing the entire history of India. I think for every Indian it would be interesting."

– Santosh Sivan, the cinematographer-cum-director, explained his initial thoughts about the film on Vasco da Gama [13]

In April 2011, Prithviraj Sukumaran explained the genesis of his production company: "Santosh [Sivan] and I used to keep discussing a historical film during the making of [2010 Tamil film] Raavanan . We roped in Shaji Nadesan, a friend of ours, and thus was born August Cinema." [15] "I like the idea of recreating the bygone era. It is interesting to think of the characters you have heard as real. Also, it excited me to have cannons, swords, and urumi (curling blades) in a film." Santosh Sivan was quite enthusiastic about the idea. [16]

Santosh Sivan and Prithviraj Sukumaran have acknowledged the vital role played by the script writer Shankar Ramakrishnan in the shaping of the film. Ramakrishnan, who had been working for some time as film-maker Ranjith Balakrishnan 's associate director, had scripted a tale for a competition based on the medieval history of Kerala. "Called Chekavar , it was on the gallant warriors of Malabar and the pageant of the Mamankam. I had shown it to Prithviraj [Sukumaran] during the shooting of Thirakkatha . He was quite taken up with the script and mentioned it to Santhosh [Sivan] when the two were working on Raavanan . That is how Santosh [Sivan] got in touch with me," explains Shankar Ramakrishnan. [17] "I was nearly imprisoned in Santosh Sivan's flat in Mumbai for about two months when I was writing the story of Urumi . Finally, I told him the one-line story of a boy who wanted to kill Vasco da Gama and the movie took off smoothly from then on. I did not see it as a period film as I felt that the issues it dealt with were contemporary", reveals Shankar Ramakrishnan. [18] Shankar spent two years gathering the material for
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