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Part of HuffPost Entertainment. ©2022 BuzzFeed, Inc. All rights reserved.
"Girl on Girl" editor Charlotte Jansen says, “Women want to be able to celebrate the pure forms of their bodies, just as men have been allowed to for centuries.”
Nakeya Brown from "Hair Stories Untold," 2014
Ilu Susiraja, "Taydellinen arki/Perfect for everyday," 2012-13
Isabelle Wenzel, "Red Yellow Blue," 2015
Lalla Essaydi, "Converging Territories," 2004
Lebohang Kganye from "Ke Lefa Laka/Her Story," 2013
Ayana V Jackson, "Don't hide the blade/How do you think their women dress," 2013
Zanele Muholi Katlego Mashiloane and Noshipo Lavuta
Zanele Muholi, "Katlego Mashiloane and Noshipo Lavuta, Ext 2, Lakeside, Johannesburg," 2007
Ilu Susiraja, "Taydellinen arki/Perfect for everyday," 2012-13
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Part of HuffPost Entertainment. ©2022 BuzzFeed, Inc. All rights reserved.
Images of women aren’t hard to find, but images of women honestly expressing their womanhood can be. Stiff poses meant to elicit desire or project docility crowd magazine stands, but portraits like Iiu Susiraja ’s ― a series of selfies of the artist, wielding cold hot dogs like middle fingers and cradling a loaf of bread like a child ― are harder to come by.
Susiraja’s photos are among a recently published collection edited by writer and editor Charlotte Jansen, called Girl On Girl . The premise of the art book is simple: Jansen collected together photos of women, taken by women. The result ― like Petra Collins ’ similarly intended Babe , honoring women artists she admires ― is striking in its breadth.
“We need women working in every sphere so we need women behind cameras,” Jansen told The Huffington Post in an email. “That’s especially important now because our world is so much based on images. Images are our stories, our myths, they voice our truths, our documents of this time. How could we not have women creating those as much as men?”
Some of the photos in the book are intentionally lo-fi, offhandedly arranged snapshots that adequately combat the affected aesthetic of, say, magazine covers. Others embrace or comment on the performance of gender, by role-playing commonly held stereotypes about women.
“Many of the women here do dismantle the typical idea of women’s beauty, and some attack that notion quite viciously. That’s useful, because it starts to open up discussions about how narrow our images of women really are. It also shows up the extent to which femininity is molded into something palatable for commercial gain,” Jansen said. “But I think it’s also important to say that women don’t only use their bodies and the grotesque to make a statement about beauty. That interpretation would be another simplification of what women do.”
The collection also features a bevy of selfies and portraits of women posing nude, a tradition that’s historically been in line with the concept of the muse, an idealized vision of womanly appeal.
“Women want to be able to celebrate the pure forms of their bodies, just as men have been allowed to for centuries. What’s interesting is whatever we do now with nudity as women is also compared to that male lineage in art history, so women artists can’t avoid interacting with the established male idea of the female nude,” Jansen said.
The editor laments this, while also celebrating the fact that it’s easier than ever for women to capture and distribute more honest portrayals of their own lives and bodies, now that cameras are much more accessible. The result is countless images of women ― whether raw or stylized or intentionally grotesque ― worth sharing and anthologizing.
Of Girl on Girl , Jansen says, “People can take whatever they want from it ― be aroused, be amused, be disgusted ― I just hope that this can contribute to understanding the position of women in this world in a far more nuanced way.”

Part of HuffPost Entertainment. ©2022 BuzzFeed, Inc. All rights reserved.
"Girl on Girl" editor Charlotte Jansen says, “Women want to be able to celebrate the pure forms of their bodies, just as men have been allowed to for centuries.”
Nakeya Brown from "Hair Stories Untold," 2014
Ilu Susiraja, "Taydellinen arki/Perfect for everyday," 2012-13
Isabelle Wenzel, "Red Yellow Blue," 2015
Lalla Essaydi, "Converging Territories," 2004
Lebohang Kganye from "Ke Lefa Laka/Her Story," 2013
Ayana V Jackson, "Don't hide the blade/How do you think their women dress," 2013
Zanele Muholi Katlego Mashiloane and Noshipo Lavuta
Zanele Muholi, "Katlego Mashiloane and Noshipo Lavuta, Ext 2, Lakeside, Johannesburg," 2007
Ilu Susiraja, "Taydellinen arki/Perfect for everyday," 2012-13
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A Small Town’s July 4 Parade Has Been Upended By Right-Wing Culture Warriors
This Thule Ridealong Bike Seat Is Highly Rated And Parents Love It
12 Patio Items That Will Transform Your Backyard Into The Ultimate Summer Oasis
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Ice Cream Trucks Return To Colorado Community After 65 Years
2 Killed, 3 Cops Wounded In Texas By Suspect With Assault-Style Rifle And 'Battle Belt'
Venus Williams Has Perfect Response To Tennis Reporter's Ridiculous Question
Part of HuffPost Entertainment. ©2022 BuzzFeed, Inc. All rights reserved.
Images of women aren’t hard to find, but images of women honestly expressing their womanhood can be. Stiff poses meant to elicit desire or project docility crowd magazine stands, but portraits like Iiu Susiraja ’s ― a series of selfies of the artist, wielding cold hot dogs like middle fingers and cradling a loaf of bread like a child ― are harder to come by.
Susiraja’s photos are among a recently published collection edited by writer and editor Charlotte Jansen, called Girl On Girl . The premise of the art book is simple: Jansen collected together photos of women, taken by women. The result ― like Petra Collins ’ similarly intended Babe , honoring women artists she admires ― is striking in its breadth.
“We need women working in every sphere so we need women behind cameras,” Jansen told The Huffington Post in an email. “That’s especially important now because our world is so much based on images. Images are our stories, our myths, they voice our truths, our documents of this time. How could we not have women creating those as much as men?”
Some of the photos in the book are intentionally lo-fi, offhandedly arranged snapshots that adequately combat the affected aesthetic of, say, magazine covers. Others embrace or comment on the performance of gender, by role-playing commonly held stereotypes about women.
“Many of the women here do dismantle the typical idea of women’s beauty, and some attack that notion quite viciously. That’s useful, because it starts to open up discussions about how narrow our images of women really are. It also shows up the extent to which femininity is molded into something palatable for commercial gain,” Jansen said. “But I think it’s also important to say that women don’t only use their bodies and the grotesque to make a statement about beauty. That interpretation would be another simplification of what women do.”
The collection also features a bevy of selfies and portraits of women posing nude, a tradition that’s historically been in line with the concept of the muse, an idealized vision of womanly appeal.
“Women want to be able to celebrate the pure forms of their bodies, just as men have been allowed to for centuries. What’s interesting is whatever we do now with nudity as women is also compared to that male lineage in art history, so women artists can’t avoid interacting with the established male idea of the female nude,” Jansen said.
The editor laments this, while also celebrating the fact that it’s easier than ever for women to capture and distribute more honest portrayals of their own lives and bodies, now that cameras are much more accessible. The result is countless images of women ― whether raw or stylized or intentionally grotesque ― worth sharing and anthologizing.
Of Girl on Girl , Jansen says, “People can take whatever they want from it ― be aroused, be amused, be disgusted ― I just hope that this can contribute to understanding the position of women in this world in a far more nuanced way.”

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The Life & Times of Hollywood
STORIES FROM CLASSIC HOLLYWOOD

WARNING! THESE ARE GRAPHIC PICTURES! VIEW AT YOUR OWN RISK!


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Celebrity deaths make big news before the stars are laid to rest! — with top reporters digging up the troubling truths and disturbing mysteries behind the tragic ends of showbiz legends! Learn the shocking secrets exposed in the autopsy reports of the rich and famous — …. [GRAPHIC PHOTOS FOLLOW…]
DAVID CARRADINE . was found in June 2009 hanging from the clothes bar of a closet in a five-star luxury hotel in Thailand. Some members of the Carradine clan doubted the official story of autoerotic asphyxiation, however — and investigators were later convinced the “Kung Fu” star was murdered by transvestite prostitutes! I’ve probably seen 50 cases of fatal autoerotic asphyxiations,” said Hollywood detective Paul Huebl, “but none of them involved blood!”
MONROE . left a legacy that will never die — but Hollywood mortician Allan Abbott revealed secrets of her death! He was with an embalmer during the autopsy after the star’s strange passing on Aug. 5, 1962. “It was almost impossible to believe this was the body of Marilyn Monroe,” Allan recalled. “She looked like a very average, aging woman who had not been taking very good care . of herself!”
WHITNEY HOUSTON Opens a New Window. endured a tragic and troubled career . that culminated with her drug-dazed death a Beverly Hills bathtub — with a police report citing several sightings nearby of a “a white powdery substance.” In a bombshell exclusive, fans were able to say a last goodbye after The ENQUIRER published a final photo of the closeted diva . at her funeral. The coroner said she was found with “a brown wig…tightly attached to the hair, adding: “There is no balding, and the hair can be described as wavy.”
ELVIS PRESLEY was caught in his coffin by The National ENQUIRER, and others caught on to a new theory about what really killed The King on August 16, 1977. Insiders said the autopsy conducted on Elvis after his death on Aug. 16, 1977 — which ruled the rock ’n’ roll icon died of “cardiac arrhythmia” — covered up a deadly prescription by a dentist!
BOB CRANE was a fading sitcom star when the former “Hogan’s Heroes” actor was bludgeoned to death in Arizona while working the dinner-theater circuit. Cops believed there was a personal motivation . — partly based on the brutal attack that left his pillow soaked in blood. The autopsy noted the “violent” demise “by blunt instrument” and an electrical cord wrapped around his neck. The murder investigation exposed the sex addict’s kinky swinging lifestyle . — and some suggested Bob’s old costar Richard Dawson had helped cover for his alleged murderer!
waiter RON GOLDMAN starred in the Trial of the Century after O.J. Simpson . was charged with their murders — with prosecutors convinced that the NFL legend and film star had slaughtered his ex-wife on the night of June 12, 1994. Simpson would beat the rap, but experts insisted that the autopsy reports on Ron and Nicole showed that the vicious murders on Nicole’s property had a very personal motivation!
KURT COBAIN was a known heroin addict, but the superstar Nirvana frontman still shocked his fans when his body was found after a brutal shotgun suicide in April 1994. The coroner’s report ended in an official ruling of suicide, with the rock star having made no secret of his rampant depression. Others, however, have continued to insist that Cobain was actually murdered!
CHRIS FARLEY followed his fellow “Saturday Night Live” funnyman John Belushi t o an early death via drug use . The autopsy showed cocaine and morphine in the 33-year-old comic’s system. And, just like with Belushi, . a woman had witnessed the struggling star’s final drug-fueled hours. A Chicago prostitute later admitted that she had left Chris alone in his apartment as he had began to pass out on the floor!
. SHARON TATE Opens a New Window. — along with Jay Sebring, Abigail Folger, and Wojciech Frykowski — were victims of changing times when Charles Manson sent out his homicidal hippies . to slaughter the pregnant actress and her pals on August 8, 1969. An autopsy revealed Sharon was also hanged as she died from 16 stab wounds. Manson’s next victims were suburbanites Leno and Rosemary LaBianca, . with medical examiners finding “WAR” carved into Leno’s body!
REEVA STEENKAMP was once a popular model, but is now tragically remembered as the doomed girlfriend of Oscar Pistorius . — who’d found fame as a Paralympics runner Opens a New Window. set to move on to the Olympics. Pistorius insisted he’d mistaken Reeva for a burglar when he grabbed his gun on the night of Feb. 14, 2013, and hobbled on his stumps to fire blindly into a bathroom. The autopsy showed bullets hit Reeva in her hip, arm and head, and Reeva’s parents asked for her daughter’s death photos to be publicized to show her violent end at Pistorious’ hands!

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