Twinks Jacking Off Videos
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Twinks Jacking Off Videos
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These Boys In The Woods Are Making The Best Videos On The Internet
A group of friends are turning their boring lives in the middle of nowhere into some of the country’s most exciting music.
Story by
Patrick D. McDermott
Photography by
Molly Matalon
“ I definitely want to stay out here as long as I can, but I got so much shit back home. My people — my day one people — they keep on asking, ‘When are you gonna be back?’” —Sly C
Dark World,
DJ Lucas,
Electronic,
Gods Wisdom,
Hip-Hop,
Issue 106,
lucy,
Patrick D. McDermott,
Rock
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Dark World’s YouTube page is easy to get lost in. There’s a homespun video for a sort-of rap song called “Christian Dior,” for example, that was made by a 22-year-old named Ruvi Ender Arnold, who records as Gods Wisdom. It opens with footage of sitcom legend Roseanne Barr talking about the CIA mind control in Hollywood. When the song starts, Gods Wisdom’s delivery is coarse and phlegmy and slurred, sounding sort of like chopped-and-screwed screamo or some kind of evil, bedroom-pop approximation of crunk music. For a portion of the video, he wiggles around in a down comforter, like a lumpy caterpillar with a human head.
A few dozen clips later, there’s an unhinged ballad called “She Say She Wana” by Cooper B. Handy, a baby-faced singer who records as Lucy. In the clip, he sits backwards on an old wooden chair and exaggeratedly mouths the words: She say she wanna dance with me/ But she don’t know how . It’s avant-garde in an innocent way: the production is tinny and cheap-sounding, and something about Cooper’s vocal just feels off, as if English wasn’t his first language.
With nearly 47,000 YouTube views at the time of this writing, “Creme De La Creme” — a murky earworm by 22-year-old Lucas Kendall, a.k.a. DJ Lucas — is probably the closest thing Dark World has to a “hit.” Lucas raps on the track, his flow growl-like. The stumbly beat was made by Nick Atkinson, 20, who goes by Ghost, and the song features Cooper’s angelically reverbed voice too. Filmed on VHS then crudely edited in iMovie, the video is a no-budget, vaguely gothic posse showcase that happens to be set in a barn. It’s catchy and a little bit dumb, an unpolished afternoon project that sticks with you.
Dark World is a group of 20-plus boys, most of them from the woodsy towns of Western Massachusetts. It’s a label and a collective, though its members don’t often use those words, choosing instead to call it a “syndicate” or resisting classification entirely. A lot of their music is just as ambiguous, not just defying genre but also frequently defying normal standards of taste. Some of their songs seem to want to be taken seriously, and there are plenty of earnest moments in the Dark World catalog alongside all the jokes.
Within the scene, Lucas is like some combination of coach, starting forward, and team mascot. He puts in work every day to keep energy up: booking shows, emailing music blogs, and selling one-off merch pieces via Twitter DMs. “It’s been his ship since day one,” says Sen Morimoto , a Japanese-American multi-instrumentalist who’s known Lucas since middle school. “He’s good at keeping everyone together and giving everyone their shine.” Lucas is also probably the scene’s most visible character. This fall, he’ll head on tour with Wiki, the Manhattan rapper best known as a member of Ratking.
On his own songs, Lucas raps about living in Western Mass. I grew up in the suburbs, where everyone hates one another , goes “Debt Collector,” a mumbly track that also mentions buying blunt wraps at Cumberland Farms, or “Cumby’s,” a regional convenience store. It’s the sort of day-in-the-life poetry that a lot of the most celebrated hip-hop is known for, but coming from a gangly redhead who lives in the middle of nowhere, it feels original, goofy, and a little sad. Maybe it’s because of the rural setting, or maybe it’s the feeling of futility that comes from a bunch of small-town kids trying to make it big, but some of the Dark World videos emanate a specific sort of loneliness — the same kind of all-American melancholy that Harmony Korine has built a film career around.
Lucas used to live in the oldest still-standing house in Hadley, a sleepy river town. He signed the lease a couple years back after the property turned up in the “For Rent” section of Craigslist, and stayed there with a few other guys from Dark World. That’s where they filmed the video for “Creme De La Creme,” and that’s where Cooper makes Lucy songs in a shoebox-sized studio adjacent to his bedroom. These days, Lucas shares an apartment with his girlfriend in Northampton, an artsier neighboring city, but the Hadley place — a big, creaky, white colonial with 13 rooms — is still very much in the family; Cooper lives there full-time and so does Dom Poropat, a local-college grad who films a lot of the crew’s music videos (a few guys who aren’t affiliated with Dark World live there, too).
“We call it ‘The Old House,’” Lucas says when we meet there on a muggy afternoon in August. We’re hanging out on one of its screened-in porches, and Lucas is whipping darts at a laminated map of the U.S. that’s been taped to the wall, each sharp thud a tiny blow to the house’s historic exterior. He’d just given me a quick tour, which, because of the meandering floorplan and his jittery energy, was a little confusing. Each room is outfitted with its own amazing wallpaper, with patterns ranging from claustrophobic florals to creepy illustrations, like something out of a Depression-era children’s book. The staircases twist sharply; some, like a maroon carpeted set on the second floor, literally lead nowhere.
On the porch, Lucas paces and smokes heavily. He has “Dark World” tattooed on his knuckles, and he’s wearing a single pearl earring. Later, while driving around in his car, he puts on a song by his latest obsession, Reginald Wrangler, a black cowboy from rural Florida whose tracks muddle modern pop textures with old-timey country melodies. “I think that his only fans are really country people in Florida,” Lucas says as we drive down a two-lane road that leads us past Emily Dickinson’s house, which he happily points out. “He seems talented enough to be an enormous country star,” Lucas adds. “I just want him to be famous.”
Lucas always had ambitious music dreams, even before Dark World. As a tween, he was the mop-headed frontman of Who Shot Hollywood , a post-Strokes garage rock band that he started in 2005 with his friends Eamon Wick, Lucas Graham, and his kid brother Dana — all of whom are members of Dark World today. Thanks to his father, who is a musician and show-booker, their demo CD got into the right hands. (“It wasn’t like my dad was friends with the bands,” Lucas clarifies. “He was friends with the sound guy.”) They played one of their first shows opening up for The Fray, and they ended up doing a string of Northeast shows with some other medium-sized touring rock bands, like Tokyo Police Club and Ted Leo. At the time, they were all in elementary school. “Bands received us well,” Lucas says, noting that the attention was likely due to their precociousness and the fact that they could really play.
As kids, Lucas and Dana’s parents sent them to The Academy at Charlemont, a tiny day school near the Vermont border. Dana, who makes music now as Weird Dane, stuck it out until graduation and went on to study sound design at Boston’s Emerson College, where he’s about to start his final year. Lucas left Charlemont after 8th grade. He spent a year at PVPA, a performing arts school, where he hung around with Sen. (Now living in Chicago, Sen makes jazzy rap and works at a bar, and remains one of Dark World’s core satellite members.) After PVPA, Lucas tried out public high school, but that didn’t fit either. Three months into 10th grade, on the day he turned 16, he dropped out for good.
By that time, Who Shot Hollywood had already called it quits, but Lucas and his brother started a new band with their pal Chris Wardlaw. Originally called Whirl, then changed to Worms after a potential lawsuit, the trio had a louder, sludgier sound that lent itself to party-house basements and other more punk-leaning spaces. Lucas started building on his already solid network of high-school-aged musicians from Western Mass’s knotty collision of towns, and near the end of 2010, a bunch of these misfits decided to come together — a decision partly spurred on by the formless success of another teen crew, Los Angeles’s Odd Future.
“We were into the fact that Odd Future was a collective of kids that didn’t give a fuck,” Lucas remembers. For him and the rest of the boys, being in a group meant charging full speed into the darkness and not looking back. “I have a vivid memory of our first official meeting,” says Eric Yelle, a 20-year-old kid with big eyes and an eyebrow piercing. “That was the same day I got nicknamed Eric the Ratt .”
A lot of the earliest Dark World music was noisy and punk-y, but there was always an interest in hip-hop, says Lucas, who made his first beats in 7th grade. Sen was one of the first rappers they all rallied behind, and then a bunch of them starting trying it. As Dark World has grown over the years, it has brought in artists from places other than Western Mass. Lucas spends a lot of time scouting talent online and in real life, and he’s blessed with a sixth sense for judging who will vibe with Dark World and feel at home on their turf. It was he who first linked with Josue , a high-energy producer and songwriter from a nearby city. And it was Lucas who first found Sly C , a long-haired rapper and producer from Springfield, Tennessee.
“We were talking on Twitter and shit, you know how that goes,” Sly C says. His Southern accent is subtle, but it comes out when he raps. “I got nothing where I’m from. I was like, I got nothing to lose, so I came up here in June. I never felt out of place. I definitely want to stay out here as long as I can, but I got so much shit back home. My people — my day one people — they keep on asking, ‘When are you gonna be back?’”
After a chance meeting at the studio of New York City’s cult underground radio station, Know Wave, Lucas also recruited Reed Napack, a prodigious freestyler with a thick New York accent who just goes by his first name . “He had never made a song until we were like, ‘Yo, let’s record,’” Lucas remembers. Reed still lives in the Battery Park section of Manhattan, but likes to visit Massachusetts. All of Dark World seems to agree that Reed’s talent is pure. As of now, his songs aren’t more popular than the others, but he has a preternatural gift for stoned wordplay that’s more accessible than a lot of what Dark World puts out.
“I think Reed has the possibility to be extremely famous — more than any of us, honestly,” Lucas says. “He has a lot of support. Jay Electronica loves Reed. Despot thinks Reed is the best rapper. I’ve known him for two years and he makes me laugh every day, all day. As an East Coast rap fan, he’s just what you want from a New York rapper. He makes life sound fun even when it’s not.”
When you’ve known each other for as long as a lot of the Dark World guys have, inside jokes are just jokes, secret handshakes are just handshakes, and outsiders tend to stick out. You ain’t from around here, so how did you get down here? Lucas sings on a generously Auto-Tuned ballad called “Nowhere.” We’re so out-there, we’re from nowhere.
After we leave The Old House, Lucas and I drive to his friend Josh’s suburban McMansion. Josh’s parents are vacationing on Martha’s Vineyard, and their house has become a temporary base for Dark Wor
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