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See, that’s what the app is perfect for.
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I'm a 21 year old german boy. Insta: marco220399

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Model: Joe Martinez Agency: DT Models Photographer: Marco Ovando
Xavier Serrano photographed by Alejandro Brito

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“Early on we made a promise to look out for each other and that’s what made it a special team to be a part of.”

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hayley, australia; non-binary pal, he/him.
louis cemented his pop-punk kingship in a little over two minutes
TREAT CLOSETED PEOPLE WITH KINDESS
There is something overly familiar about Michael Grandage’s “My Policeman.” Considering the lack of LGBTQ+ representation in media over the decades, tales of closeted gay men and their troubles are not exactly new. And stories about gay men who marry women to protect themselves from public persecution? Well, that’s a tale as old as time. But when the credits roll, something about this adaptation of Bethan Roberts’ novel of the same name seems to resonate in ways you wouldn’t initially expect.
Initially told through Marion’s recollections, we meet a younger version of herself played by Emma Corrin. It’s 1957, and this version of Marion finds herself swept off her feet by a younger Tom, a friendly and handsome Brighton policeman played by Harry Styles. She assumes they are going out on dates but is only mildly bothered nothing truly comes to pass outside of a peck or two on the cheek. One day, Tom introduces her to a younger Patrick, portrayed by David Dawson. Patrick is a witty, educated, and worldly curator at a local museum. Tom says they met at the scene of an accident, and he offered a free tour of the institution. Of course, that’s not entirely true.
It might be the source material, it might be personal experience (Grandage has been out for decades), but there is a sensitivity to the material here that elevates it from that aforementioned nagging sense of familiarity. Styles, night and day here compared to his work in that other fall release, wonderfully inhabits a working-class man fearful of public scrutiny but unable to hide his true self when he’s anywhere near Patrick. Dawson is heartbreaking as the latter. Subtly conveying the pain of someone who realizes the love of his life will soon be lost before his love does. While much of the credit for these performances goes to the actors, obviously, Grandage’s attention to detail, especially in the couple’s intimate scenes together, is sublime.
And yet, like many of these stories, it’s the woman at the center of it all who somehow steals the show. Corrin is simply fantastic as a young woman whose emotions get the best of her when it matters most. The older versions of the characters do a classy job of bringing the enterprise to its emotional conclusion, although McKee doesn’t quite click as well with Corrin’s portrayal as her co-stars do. Everett, in particular, brings more depth to the incapacitated Patrick than is required. So much so that you wish there was more for him to do.
It might get lost among the prestige trappings and the celebrity casting of Styles, but the historical aspect of this film is truly noteworthy. Especially for those unaware of the treatment of LGBTQ+ in the U.K. during the ’50s and ’60s. Men and women might have been arrested and humiliated publicly for going to a gay bar or event in the United States during this era, but few saw themselves imprisoned for it. That wasn’t the case in many European countries (a horror also depicted in the recent German film “Great Freedom” ) and certainly not in Britain. At least not until 1967. That injustice is key to this particular story and the decades of pain that followed it. You just wish the end result broke free of its admittedly pretty period constraints. Maybe that was all necessary for context. Maybe it wasn’t. A little surprise or slight shock wouldn’t hurt, though.
The Playlist review by Gregory Ellwood - Not full review, read here (heavy spoilers).
Harry, once again, messing with Emma’s dress - 11/09
Harry and Emma accepting the TIFF Tribute Award - 11/09
— Harry having the time of his life carrying Emma’s dress train around
The My Policeman cast with their TIFF Tribute Awards - 11/09
it’s so important that harry has an outlet like this where he can express himself and show his true heart. i know he does it in many ways wherever he can, but to be able to play a gay man in a movie and be tender and raw, romantically and sexually, with another man for the world to see must be its own unique brand of catharsis—to have his personal experience reflected like that and be able to talk openly about it when other times he wouldn’t.

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