Tubular Bells Instrument
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Tubular bells (also known as chimes) are musical instruments in the percussion family. Wikipedia Directly struck idiophone percussion instrument. Efficient resonator. Wikipedia Musical instrument in the struck idiophone subfamily of the percussion family. Usually played by holding two or four soft mallets and striking the bars.
What kind of instrument is a tubular bell?
What kind of instrument is a tubular bell?
Orchestral Chimes, also known as tubular bells, are a series of metal tubes of equal width but varying length. Striking the tube produces a note similar to that of a church bell.
instrumentsoftheworld.com/instrument/19 …
What kind of bells are used in orchestras?
What kind of bells are used in orchestras?
Orchestral Chimes, also known as tubular bells, are a series of metal tubes of equal width but varying length. Striking the tube produces a note similar to that of a church bell. Orchestral chimes are used in orchestras instead of church bells (which may weigh several tons).
instrumentsoftheworld.com/instrument/19 …
Where did the idea of tubular bells come from?
Where did the idea of tubular bells come from?
Tubular bells are European adaptations of Southeast Asian bamboo chimes. …end, these tubes, known as tubular bells, resembled orchestral tubular bells, or chimes, except for size. The outdoor belfry device was an enlarged version of smaller organ chimes of brass tubes, which were introduced in 1888.
www.britannica.com/art/tubular-bells
When was the first Tubular Bells album released?
When was the first Tubular Bells album released?
For the song, see Mike Oldfield's Single. For the instrument, see Tubular bells. Tubular Bells is the debut studio album by English multi-instrumentalist, composer, and songwriter Mike Oldfield, released on 25 May 1973 as the first album on Virgin Records.
en.m.wikipedia.org/wiki/Tubular_Bells
Колокола́ — ударный инструмент симфонического оркестра. Набор 12—18 цилиндрических металлических трубок …
Текст из Википедии, лицензия CC-BY-SA
https://en.m.wikipedia.org/wiki/Tubular_bells_(instrument)
Classification: idiophone
Hornbostel–Sachs classification: 111.232, (Sets of percussion tubes)
Other names: Chimes
Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells, carillon, or a bell tower; the original tubular bells were made to duplicate the sound of church bells within an ensemble. Each bellis a metal tube, 30–38 mm (1+1⁄4–1+1⁄2 in) in diameter, tuned by altering its length. Its standard range is C4–F5, though many professional instruments reach G5. Tubular b…
Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells, carillon, or a bell tower; the original tubular bells were made to duplicate the sound of church bells within an ensemble. Each bell is a metal tube, 30–38 mm (1+1⁄4–1+1⁄2 in) in diameter, tuned by altering its length. Its standard range is C4–F5, though many professional instruments reach G5. Tubular bells are often replaced by studio chimes, which are a smaller and usually less expensive instrument. Studio chimes are similar in appearance to tubular bells, but each bell has a smaller diameter than the corresponding bell on tubular bells.
Tubular bells are sometimes struck on the top edge of the tube with a rawhide- or plastic-headed hammer. Often, a sustain pedal will be attached to allow extended ringing of the bells. They can also be bowed at the bottom of the tube to produce a very loud, very high-pitched overtone.
The tubes used provide a purer tone than solid cylindrical chimes, such as those on a mark tree.
Chimes are often found in orchestral and concert band repertoire. It rarely plays melody, instead being used most often as a color to add to the ensemble sound. It does have solos occasionally, often depicting church bells.
Play (help·info)
In tubular bells, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 9 :11 :13 , or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch". The perceived "strike pitch" is thus an octave below the fourth mode (i.e., the missing "1" in the above series).
https://www.britannica.com/art/tubular-bells
Перевести · Tubular bells, also called orchestral bells or orchestral chimes, series of tuned brass (originally bronze) tubes of graded length, struck with wooden hammers to produce a sound. They first appeared in England in an 1886 performance of Arthur Sullivan’s Golden Legend in Coventry. Large tubular bells …
instrumentsoftheworld.com/instrument/19-Tubular-Bells.html
Перевести · next. Orchestral Chimes, also known as tubular bells, are a series of metal tubes of equal width but varying length. Striking the tube produces a note similar to …
https://www.percussionplay.com/tubular-bells
Перевести · Tubular Bells. C Major Pentatonic (A3-C5) These big, bold, beautiful bells have outstanding resonance, the bells produce deep tones which you can feel as well …
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https://en.m.wikipedia.org/wiki/Tubular_Bells
Genre: Progressive rock
Producer: Tom Newman, Simon Heyworth, …
Recorded: November 1972 – April 1973
Released: 25 May 1973
Side one
Oldfield recorded "Opus One" during his one allotted week at the Manor in November 1972. The album was recorded on an Ampex 2-inch 16-track tape recorder with the Dolby noise-reduction system, which was the Manor's main recording equipment at the time. To create his work Oldfield asked Virgin for various instruments to be hired, which included guitars, various keyboards and perc…
Side one
Oldfield recorded "Opus One" during his one allotted week at the Manor in November 1972. The album was recorded on an Ampex 2-inch 16-track tape recorder with the Dolby noise-reduction system, which was the Manor's main recording equipment at the time. To create his work Oldfield asked Virgin for various instruments to be hired, which included guitars, various keyboards and percussion instruments. Oldfield has recounted differing stories over the years regarding the inclusion of the tubular bells: in an article about the album's making in Q in 2001 he suggested that they were among the instruments he asked Branson to hire, but in interviews in 2013 for Sound on Sound magazine and for a television documentary he stated that he saw them among the instruments being removed from the studios after John Cale had finished recording there, and asked for them to be left behind for his own recording sessions.
Oldfield played the majority of the instruments on the album as a series of overdubs, which was an uncommon recording technique at the time. In total, 274 overdubs were made and an estimated two thousand "punch-ins" added later. Despite various guitars being listed on the album sleeve, such as "speed guitars", "fuzz guitars" and "guitars sounding like bagpipes", the only electric guitar to be used on the album was a 1966 blonde Fender Telecaster which used to belong to Marc Bolan and to which Oldfield had added an extra Bill Lawrence pick-up. All the guitars were recorded via direct injection into the mixing desk. To create the "speed guitar" and "mandolin-like guitar" named in the sleeve notes, the tape was simply run at half speed during recording. An actual mandolin was only used on the final track, the "Sailor's Hornpipe". Oldfield also used a custom effects unit, named the Glorfindel box, to create the "fuzz guitars" and "bagpipe guitars" distortion on some pieces on the album. The guitar was put up for auction a number of times by Bonhams in 2007, 2008 and 2009 with estimates of £25,000–35,000, £10,000–15,000 and £8,000–12,000 respectively before finally being sold for £6,500 – the money was donated to the SANE charity. According to Phil Newell the bass guitar used on the album was one of his Fender Telecaster Basses.
The short "honky tonk piano" section at 13:48 on side one was included as a tribute to Oldfield's grandmother, who had played the instrument in pubs before World War II. The staff and workers at the Manor made up the "nasal choir" that accompanies it.
Vivian Stanshall, a former member of the comedic rock group Bonzo Dog Doo-Dah Band, was due to use the Manor after Oldfield, and had arrived while he was in the process of recording "Opus One". Oldfield was a fan of the way in which Stanshall had introduced the instruments one at a time on the Bonzos' song "The Intro and the Outro". He suggested to Newman that he would like Stanshall to introduce the instruments in the same manner for "Opus One"'s "finale" section, and Newman agreed to the idea. However, the shy Oldfield then needed some persuading by Newman to go and ask Stanshall if he would carry out the request. Stanshall readily agreed to be the "master of ceremonies" on the record, but Newman recalled that the job proved to be more difficult than anticipated, with Stanshall forgetting the names of the instruments and introducing them at the wrong points in the recording. Eventually Oldfield wrote out the list of instruments in order, indicating where Stanshall should introduce them. It was the way in which Stanshall said "plus... tubular bells" to introduce the last instrument in the finale that gave Oldfield the idea to call the album Tubular Bells.
Producing the sound that Oldfield wanted from the tubular bells proved problematic: he wanted a loud note from them but both the standard leather-covered and bare metal hammers did not produce the volume that he wanted. In the end Newman obtained a heavier claw hammer and Oldfield used it to produce the desired sound intensity, cracking the bells in the process.
Side two
Once Part One of Tubular Bells had been recorded, Oldfield was allowed to stay on at the Manor to record additional overdubs during studio downtime. He spent Christmas and New Year at his family's home, but returned to the Manor from February to April 1973 to record the second part of his planned album. Branson had visited the Midem music conference in Cannes in January 1973 and pitched Part One to various music companies with the same lack of success that Oldfield had had, so by this time Branson and Draper had plans to set up their own record label, and make Tubular Bells its first release. Oldfield was not given the studio time as he had been for Part One, so Part Two was recorded over a period of three months whenever the studio was free. Oldfield has stated that he already had Part Two mapped out and sequenced by the time he came to record it.
The "caveman" section in Part Two was the only part of the album to feature a drumkit (played by the Edgar Broughton Band's drummer Steve Broughton), which Oldfield later said made the section "fairly normal". The section began with a backing track of bass and drums, with Oldfield overdubbing all other instruments. The shouting sequence was developed near the end of the recording when he had practically finished recording the instruments for the section, but felt that it needed something else. Engineer Simon Heyworth recalled that Branson was getting impatient and pressuring Oldfield to deliver the album, and to include vocals on one of the tracks so that he could release it as a single. Angered by Branson's suggestion, Oldfield replied, "You want lyrics!? I'll give you lyrics!". Back at the Manor he drank half a bottle of Jameson's whiskey from the studio's cellar and demanded that the engineer take him to the studio where, intoxicated, he "screamed his brains out for 10 minutes" into a microphone, leaving him so hoarse that he couldn't speak for two weeks afterwards. The engineer ran the tape at a higher speed during the recording, so that upon playback the tape ran at normal speed, thus dropping the pitch of the voice track and producing the "Piltdown Man" vocals listed on the credits.
The coda at the end of Part Two, "The Sailor's Hornpipe", was a track Oldfield had been performing since he was the bass player with the Whole World. It was originally preceded by a longer rendition of the piece, featuring a vocal contribution from Vivian Stanshall over musical backing and marching footsteps. According to the liner notes for the Boxed vinyl compilation, this session occurred at four in the morning after Oldfield, Stanshall and producer Newman had been drinking heavily. Newman placed microphones in various rooms of the Manor and began recording, and the trio set off on an unplanned tour of the house, with Oldfield on mandolin and Newman on acoustic guitar playing the "Sailor's Hornpipe" while Stanshall gave an inebriated, improvised tour of the Manor. In the end a more traditional instrumental version of the "Sailor's Hornpipe" was recorded for Tubular Bells, although Stanshall's version was later included in what the liner notes describe as "all its magnificent foolishness" on the Boxed compilation. It can also be found on the SACD release (multi-channel track only) and on the 2009 Mercury reissue of Tubular Bells. A Spanish release of the box set missed out the "Sailor's Hornpipe" altogether and ended with the ambient section preceding it.
In the liner notes to the 2009 reissue of Magma's Mëkanïk Dëstruktïẁ Kömmandöh, an album recorded at the Manor at around the same time as Tubular Bells, Magma's leader Christian Vander claimed that "Mike Oldfield stole my music, more precisely, he stole some extracts from Mekanïk and The Dawotsin."
https://orchestralpercussion.co.uk/category/instrument-manufacture/tubular-bells-chimes
Перевести · 01.10.2015 · Tubular bells, like most percussion instruments are simplicity themselves; they are just a tube of brass normally reinforced at the top with a cap. …
Tubular Bells — дебютный студийный альбом английского …
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Tubular bells (also known as chimes) are musical instruments in the percussion family. Wikipedia Directly struck idiophone percussion instrument. Efficient resonator. Wikipedia Musical instrument in the struck idiophone subfamily of the percussion family. Usually played by holding two or four soft mallets and striking the bars.
What kind of instrument is a tubular bell?
What kind of instrument is a tubular bell?
Orchestral Chimes, also known as tubular bells, are a series of metal tubes of equal width but varying length. Striking the tube produces a note similar to that of a church bell.
instrumentsoftheworld.com/instrument/19 …
What kind of bells are used in orchestras?
What kind of bells are used in orchestras?
Orchestral Chimes, also known as tubular bells, are a series of metal tubes of equal width but varying length. Striking the tube produces a note similar to that of a church bell. Orchestral chimes are used in orchestras instead of church bells (which may weigh several tons).
instrumentsoftheworld.com/instrument/19 …
Where did the idea of tubular bells come from?
Where did the idea of tubular bells come from?
Tubular bells are European adaptations of Southeast Asian bamboo chimes. …end, these tubes, known as tubular bells, resembled orchestral tubular bells, or chimes, except for size. The outdoor belfry device was an enlarged version of smaller organ chimes of brass tubes, which were introduced in 1888.
www.britannica.com/art/tubular-bells
When was the first Tubular Bells album released?
When was the first Tubular Bells album released?
For the song, see Mike Oldfield's Single. For the instrument, see Tubular bells. Tubular Bells is the debut studio album by English multi-instrumentalist, composer, and songwriter Mike Oldfield, released on 25 May 1973 as the first album on Virgin Records.
en.m.wikipedia.org/wiki/Tubular_Bells
Колокола́ — ударный инструмент симфонического оркестра. Набор 12—18 цилиндрических металлических трубок …
Текст из Википедии, лицензия CC-BY-SA
https://en.m.wikipedia.org/wiki/Tubular_bells_(instrument)
Classification: idiophone
Hornbostel–Sachs classification: 111.232, (Sets of percussion tubes)
Other names: Chimes
Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells, carillon, or a bell tower; the original tubular bells were made to duplicate the sound of church bells within an ensemble. Each bellis a metal tube, 30–38 mm (1+1⁄4–1+1⁄2 in) in diameter, tuned by altering its length. Its standard range is C4–F5, though many professional instruments reach G5. Tubular b…
Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells, carillon, or a bell tower; the original tubular bells were made to duplicate the sound of church bells within an ensemble. Each bell is a metal tube, 30–38 mm (1+1⁄4–1+1⁄2 in) in diameter, tuned by altering its length. Its standard range is C4–F5, though many professional instruments reach G5. Tubular bells are often replaced by studio chimes, which are a smaller and usually less expensive instrument. Studio chimes are similar in appearance to tubular bells, but each bell has a smaller diameter than the corresponding bell on tubular bells.
Tubular bells are sometimes struck on the top edge of the tube with a rawhide- or plastic-headed hammer. Often, a sustain pedal will be attached to allow extended ringing of the bells. They can also be bowed at the bottom of the tube to produce a very loud, very high-pitched overtone.
The tubes used provide a purer tone than solid cylindrical chimes, such as those on a mark tree.
Chimes are often found in orchestral and concert band repertoire. It rarely plays melody, instead being used most often as a color to add to the ensemble sound. It does have solos occasionally, often depicting church bells.
Play (help·info)
In tubular bells, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 9 :11 :13 , or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch". The perceived "strike pitch" is thus an octave below the fourth mode (i.e., the missing "1" in the above series).
https://www.britannica.com/art/tubular-bells
Перевести · Tubular bells, also called orchestral bells or orchestral chimes, series of tuned brass (originally bronze) tubes of graded length, struck with woo
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