Tube Tech Cl18 Compress

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CL1B: The Industry Standard Vocal Compressor!
The TUBE-TECH CL 1B is an all-tube optical mono compressor. It delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings, and this is where CL 1B really stands out compared to other compressors. Furthermore, the operation is very intuitive, enabling you to achieve your goal achieve your goal quickly and easily.
CL1B is by far the most popular TUBE-TECH unit, and this is not without a reason: For vocals and instruments like guitar bass and keys (regardless of musical genre) the CL1B delivers extremely musical and smooth compression, just what’s needed to make the track fit into your mix without any muddiness or distortion, even at very extreme settings.
The CL1B is VERY easy to use; just dial in what you need! You’ll hear and feel the action immediately and don’t have to doubt whether the setting works, it’s always obvious.
With thousands of units sold, the CL 1B is by far the most successful TUBE-TECH device to date, and its distinctive sound can be heard on countless legendary recordings.
The number of hit records featuring the CL1B is countless and the rule is that the majority of all top singers and musicians demands the CL1B for their recordings regardless of the genre they perform. As an example, it’s well known secret that all the big Hip Hop / Rap stars depend heavily on the CL1B for their vocal performance.
Features and Technical Specifications
The TUBE-TECH CL 1B Compressor is an optical, all tube based compressor. The unit features a gain-reduction element, positioned immediately after the input transformer. It is controlled by the sidechain amplifier, which also contain the two time control circuits – one for fixed and one for variable Attack/Release. The two time-controllers can either be used separately or combined. This circuit contains semiconductor OP-amps for the entire control.A dedicated Bus selector with three positions (Off, Bus 1, Bus 2) is used whenever you want to link several compressors together.
The gain-reduction element is followed by a tube-based push-pull amplifier with variable gain up to 30 dB. Input and output transformers have a static-screen between the primary and secondary wirings. Both Input and Output are balanced as well as fully floating.
FAQ: Opto Compressors CL 1A and CL 1B difference
This video uses a drumtrack. Not the best use of a CL1B, but using slow attack it works pretty good!
Our HLT 2A Shelving and tilt EQ was awarded with a TEC Award at NAMM 2016.
Top mixer, Richard Furch, used a CL 1B compressor to add “Blanket of Awesome” to Tyrese Gibson's vocals on his chart-topping album "Black Rose"
Al Schmitt depends on SMC 2B for all his mixes!

The TUBE-TECH CL 2A is an all-tube optical compressor with two independent, linkable channels.
CL 2A is a great compressor on all sources, and it is widely known as an excellent “problem solver” when delicate gain control is called for.
Use it on keyboards, guitars, vocals or even on the mix buss – the result is always musical, smooth and transparent. Among engineers, the CL 2A is loved because of its ability to keep instruments at their right place in the mix, while still retaining their dynamics.
Features and Technical Specifications
CL 2A is a two channel all-tube opto compressor, featuring two independent channels. The optical gain reduction element is placed after the input transformer and followed by an all tube-based output amplifier with a +10 dB gain.
A link switch is provided for use of the two separate compressors in stereo mode or for linking several compressors together. Both Input and Output are balanced and have fully floating transformers with a static screen.
The power supply and the sidechain circuit are based on solid state designs. With the exception of the anode voltage for the output stage, all DC voltages are stabilized.
FAQ: What’s the difference between CL1B and CL2A?
The TUBE-TECH CL2A design is based on the famous CL1B but not exactly the same.
Our HLT 2A Shelving and tilt EQ was awarded with a TEC Award at NAMM 2016.
Top mixer, Richard Furch, used a CL 1B compressor to add “Blanket of Awesome” to Tyrese Gibson's vocals on his chart-topping album "Black Rose"
Al Schmitt depends on SMC 2B for all his mixes!

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Tube Tech Cl18 Compress