Tube Mp Studio V3

Tube Mp Studio V3




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Tube Mp Studio V3


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Overview


Key Features


Specifications


Downloads




Key Features

Built-in analog VU metering
Built-in OPL (switch selectable)
Over 60dB of gain
Hand selected 12AX7A dual triode tube
Balanced XLR inputs and outputs
¼” High impedance Instrument input and ¼” line level output
+48V Phantom power (switch selectable)
Phase Reverse Switch
Gain (+20dB) Switch
Input Gain Control
Output Level Control
Multifunction, dual color LED Power/Clip/Limit indicator
Fully shielded all steel chassis
Designed and developed in the USA


The original ART Tube MP put professional-caliber tube preamplification into the hands of thousands of musicians and recordists who wanted great tube tone in a compact and flexible package.
The Tube MP Studio extends the range of applications by adding an output protection limiter (OPL) to precisely control output peaks, and analog VU metering to aid in setting and maintaining proper signal levels.
The Tube MP Studio can be used in a wide variety of applications including recording, project and home studios, where its metering functionality and OPL circuitry really shines. It also functions as a direct box, with impedance matching and preamplification for instrument or line-level sources.
Dimensions  5.0”H x 5.5” W x 2.0”H
Input Connections XLR (balanced), ¼”TS
Output Connections XLR (balanced), ¼”TS
Input Impedance XLR, ¼” 2K ohms, 840k ohms
Output Impedance XLR, ¼” 600 ohms, 300ohms
Frequency Response 10Hz to 30kHz, +/-.5dB
Dynamic Range >100dB (20-20kHz) typical
Total Harmonic Distortion (THD) <0.1% (typical)
Maximum Gain XLR to XLR 60dB (typical) ¼” to ¼” 44dB (typical) XLR to ¼” 54dB (typical) ¼” to XLR 50dB (typical)
Equivalent Input Noise (EIN) XLR to XLR -129dBu (A weighted) ¼” to ¼” -105dBu (A weighted)
Tube Type 12AX7A, Dual Triode, Hand Selected
Power Requirements USA – 9VAC @ .8A (typ.) Export units configured for country of destination


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Tube MP Studio V3 BK






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Tube microphone preamplifier
Hand-selected 12 AX7A tube
OPL (integrated output limiter)
Up to 70 dB gain
Analogue VU meter
48V phantom power
Phase reversal switch
Different tube voicings adjustable
+20 dB gain switch
Balanced connections: Microphone input XLR, Hi-Z instrument input 6.3 mm jack and line output XLR and 6.3 mm jack
Dimensions (W x H x D): approx. 14 x 5.08 x 12.7 cm
Weight: 680 g
Colour: Black
Incl. External 9V power supply




Number of microphone inputs
1


Compressor/Limiter
Yes


External effect loops
No


Analogue Outputs
XLR, jack


Digitale Outputs
None


Headphone connection
No


The shipping costs are calculated on the checkout page.


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After using expensive valve preamps when recording in studios, I was after a cheaper version for my home studio; something that would add warmth to a bland digital signal. At a reasonable price, I find that the ART Tube MP Studio V3 does just that. The preamp itself comes with presets for certain instruments or vocal types, although after experimenting with these, I don't always go with their suggestions depending on the tone I'm after. Playing around with input gain also is quite interesting, and with a clear VU meter and LEDs to indicate overloading signal paths, you have a clear insight into what simple adjustments can do. The phantom power +48v is great for condenser mics too. Another use for this preamp that I have found useful is using it as a DI for both bass guitar and acoustic guitars. Obviously the sound quality is subjective from person to person and I have read mixed reviews about this. Ultimately, this is no Neve preamp, so don't be under any illusion that it is; however, great and easy to use for simple home demos. As I needed this to use in the UK, it came with an EU to UK plug converter, this was it's only downside... being provided with a genuine ART UK adapter would have been much better as now the adapter+EU/UK converter is extremely cumbersome and doesn't stay in the socket happily without a bit of gaffer tape to hold it in place. DO NOT use any third party adapter as an alternative as the mA has to be exactly 1000mA at 9v AC. Most third party adapter tend to be around 300-500mA and can do serious damage to the preamp. In Thomann's defence, I never raised this as an issue and I'm sure they would have resolved the matter. So, to summarise: perfect for home demos and use as a DI, just be wary about the power source - check with Thomann if buying in the UK


After using expensive valve preamps when recording in studios, I was after a cheaper version for my home studio; something that would add warmth to a bland digital signal. At a reasonable price, I find that the ART Tube MP Studio V3 does just that. The preamp itself comes with presets for certain instruments or vocal types, although after experimenting

After using expensive valve preamps when recording in studios, I was after a cheaper version for my home studio; something that would add warmth to a bland digital signal. At a reasonable price, I find that the ART Tube MP Studio V3 does just that. The preamp itself comes with presets for certain instruments or vocal types, although after experimenting with these, I don't always go with their suggestions depending on the tone I'm after. Playing around with input gain also is quite interesting, and with a clear VU meter and LEDs to indicate overloading signal paths, you have a clear insight into what simple adjustments can do. The phantom power +48v is great for condenser mics too. Another use for this preamp that I have found useful is using it as a DI for both bass guitar and acoustic guitars. Obviously the sound quality is subjective from person to person and I have read mixed reviews about this. Ultimately, this is no Neve preamp, so don't be under any illusion that it is; however, great and easy to use for simple home demos. As I needed this to use in the UK, it came with an EU to UK plug converter, this was it's only downside... being provided with a genuine ART UK adapter would have been much better as now the adapter+EU/UK converter is extremely cumbersome and doesn't stay in the socket happily without a bit of gaffer tape to hold it in place. DO NOT use any third party adapter as an alternative as the mA has to be exactly 1000mA at 9v AC. Most third party adapter tend to be around 300-500mA and can do serious damage to the preamp. In Thomann's defence, I never raised this as an issue and I'm sure they would have resolved the matter. So, to summarise: perfect for home demos and use as a DI, just be wary about the power source - check with Thomann if buying in the UK


First of all, I have to say I love the looks of this piece of equipment with its old-school VU meter. Aesthetically it looks much nicer and like a more expensive machine compared to the higher grade Art preamps. There are a number of presets with the main difference in sound between them being different eq profiles, principally more treble or less. The other difference is whether you want the (preset and non-user-adjustable) limiter to work or not. Honestly I couldn't tell the (very subtle?) variations between the "neutral" and "warm" versions of the presets. It's a good active DI as well. It does add a subtle pleasant sonic aspect to the sound thanks to the magic of the tubes--this magic mostly consisting of a natural soft compression inherent to the design of the tube itself. I used it for recording and even during practice to alleviate the digital harshness of most of the equipment we get to use these days. Recommended for both its sonic properties and DI usefulness. However it's not quiet like a thousand-dollar piece of gear and there is a great difference in the input level of the presets with the limiter always on as opposed to the sounds without the limiter. Their outputs are not matched well and the VU meter and the red overload light function at completely different levels. The decay time is quite long on the limiter facility so you want to make sure that the signal never triggers it greatly as the significantly squashed sound will result in poor recordings.


First of all, I have to say I love the looks of this piece of equipment with its old-school VU meter. Aesthetically it looks much nicer and like a more expensive machine compared to the higher grade Art preamps. There are a number of presets with the main difference in sound between them being different eq profiles, principally more treble or less. The other

First of all, I have to say I love the looks of this piece of equipment with its old-school VU meter. Aesthetically it looks much nicer and like a more expensive machine compared to the higher grade Art preamps. There are a number of presets with the main difference in sound between them being different eq profiles, principally more treble or less. The other difference is whether you want the (preset and non-user-adjustable) limiter to work or not. Honestly I couldn't tell the (very subtle?) variations between the "neutral" and "warm" versions of the presets. It's a good active DI as well. It does add a subtle pleasant sonic aspect to the sound thanks to the magic of the tubes--this magic mostly consisting of a natural soft compression inherent to the design of the tube itself. I used it for recording and even during practice to alleviate the digital harshness of most of the equipment we get to use these days. Recommended for both its sonic properties and DI usefulness. However it's not quiet like a thousand-dollar piece of gear and there is a great difference in the input level of the presets with the limiter always on as opposed to the sounds without the limiter. Their outputs are not matched well and the VU meter and the red overload light function at completely different levels. The decay time is quite long on the limiter facility so you want to make sure that the signal never triggers it greatly as the significantly squashed sound will result in poor recordings.


pros : nice construction not much plastic stuff . Gives a nice boost Cool retro kinda looking cons: no power on/off switch Realised it gives a little highs and cuts bass. Maybe its about a set up - I cannot give it as a clear con.


You'll definitely don't find this preamplifier in a professional studio sound chain. This having been said, let me recognize that you'll find it every time in the pole position of my home studio record line. This will be true for voices, acoustic guitar and electric guitar... Some may say that they don't hear any difference in the sound when using this tube preamplifier. That you need a real big sized valve to get this precious old times vibe. Well, let me be subjective and tell that the Art Tube makes me happy. Of course not in the amount as a sixties Marshall combo would make me, but anyway. Specially when acoustic guitar is involved, it nicely warms up the sound. With the voice it does it in a more subtle way. With the electric guitar, turning the input knob clockwise you get a beautifull overdrive. Do the opposite and you get clean levels... Then, some may not care about the old fashioned needle pointer. Then again, I love it. When adjusting recording volumes it's a lot easier to notice the clips with this than with leds... The preadjusted control for different inputs helps quickly to get the desired result. That's all.


You'll definitely don't find this preamplifier in a professional studio sound chain. This having been said, let me recognize that you'll find it every time in the pole position of my home studio record line. This will be true for voices, acoustic guitar and electric guitar... Some may say that they don't hear any difference in the sound when using this tube

You'll definitely don't find this preamplifier in a professional studio sound chain. This having been said, let me recognize that you'll find it every time in the pole position of my home studio record line. This will be true for voices, acoustic guitar and electric guitar... Some may say that they don't hear any difference in the sound when using this tube preamplifier. That you need a real big sized valve to get this precious old times vibe. Well, let me be subjective and tell that the Art Tube makes me happy. Of course not in the amount as a sixties Marshall combo would make me, but anyway. Specially when acoustic guitar is involved, it nicely warms up the sound. With the voice it does it in a more subtle way. With the electric guitar, turning the input knob clockwise you get a beautifull overdrive. Do the opposite and you get clean levels... Then, some may not care about the old fashioned needle pointer. Then again, I love it. When adjusting recording volumes it's a lot easier to notice the clips with this than with leds... The preadjusted control for different inputs helps quickly to get the desired result. That's all.

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