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Thanks to the relevations of Edward Snowden and other whistleblowers before and after him, the public has gained incredibly insight into the state of global mass surveillance in the 21st century. Platforms such as The Intercept continue to drive this high-level critical discourse on surveillance, while new leaks continue to shape the global political agenda. In this context, Meta data morphosis MDM is a design research project with a drastically different scope, namely a local, low-key engagement with the public over the personal consequences of big data and global mass surveillance. Meta data morphosis is a longer research project consisting of several experiments, the key one being a workshop with members of the public that was carried out in Or Gallery, Berlin, on July 31, as part of the annual JVEA event. Based on design ethnographic extractions of personal metadata from the workshop participants, each metadata set was designed into a short film script template by the designer researchers. These templates would contain metadata such as locations, characters and time stamps, but importantly no actual content such as dialogue. This was the uncanny moment when participants faced their digital shadows: plausible, perhaps more tedious, perhaps more disturbing, versions of themselves. Following this final performance, the workshop ended with a collective reflection session, connecting the digital shadows back to the larger issues of global mass surveillance. State of Surveillance. Interesting project! Do you have examples of what came out of it and how this affected the surrounding discourse? Skip to content close. Previous Next. Discussion Meta data morphosis Cancel reply. Include discussion in print? Yes No Cancel. Include discussion in pdf?

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