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WITH more than 100 unsupervised sex predators living side by side - this notorious trailer park - described as a "hotbed of drugs and hookers" - may be one of the most dangerous neighbourhoods in the US.
From the outside, Palace Mobile Home Park - dubbed "Pervert Park" - looks just like any other trailer village – full of Americans scraping by on minimum wage or less.
It’s mainly eerily silent and still, aside from the occasional sighting of a man shuffling to the mailbox, or a browbeaten resident sitting outside their trailer puffing on cigarettes while he watches the world go by.
But Sun Online's exclusive investigation into the community reveals local residents outside the park live in fear.
Ambiguously declaring itself an “adult community”, Palace Park houses 100 mostly unsupervised registered sex offenders, aged between 25 and 91 who pay $375 per month to share shabby trailers and communal bathrooms.
The residents' crimes range from being busted looking at child pornography, soliciting minors online for sex, through to molesting their own children.
Some of them were systematically abused themselves throughout their own childhood and admit they’ve repeated the pattern, while others insist that they hold university degrees or are family men and claim police lured them in online paedophile ring stings.
A neighbour to the Saint Petersburg, Florida park – who refused to be named because his own father is a resident – told Sun Online that the theory is the offenders can be reintegrated into society after serving prison time.
“But you should see and hear this place at night,” he says.
“It’s a hotbed of drugs and hookers – and the hookers know who they’re sleeping with, and they don’t care.”
While the surrounding neighbourhood is known for drug dealers and prostitution rings, it is also home to elderly people and young families, who are terrified of the sex offender compound at the top of the street, where residents are free to come and go as they please as long as they don’t go within 1,000 feet of a school.
Destara Anderson, a mom of three girls aged 15, 10, and nine, lives just metres from Palace Park – and only found out about what it really was a year after she moved into her modest home with her husband, their girls, and a wheelchair-bound mother-in-law.
“A work colleague told me about it and I was shocked. It was really upsetting. My youngest walks past there every day which worries me, and I don’t let my kids play outside anymore,” she says.
“The local sheriff is keeping an eye on it – there’s always cops by the bus stop before and after school, and they distribute flyers whenever a new offender moves in.”
Retiree Sarah Walls, who lives one block from the park, adds, “There’s always hookers parading up and down the street, it’s rife with drugs.
"When my adorable little granddaughter comes to visit, we have to rush her from the car into her grandpa’s house just up the street [closer to the park].
"I’ve been here five years. I’m going to have to leave soon.”
Some Palace Park residents wear court-mandated ankle-brace tracking devices or are required to check in with police regularly as part of their parole conditions - but otherwise are free to come and go as they please.
The facility was the subject of 2014 documentary “Pervert Park” but operators claim claim that none of their residents has ever re-offended.
"We provide a safe place for sex offenders to return from prison and begin transitioning back into society," the park's website reads.
"Palace Mobile Home Park has provided housing for sex offenders for over a decade.
"We provide safe, affordable housing, while offering guidance and services to help an individual return to a normal life after incarceration. In our existence, no resident has been convicted of a new sex offence."
They also says residents are offered on-site church and counselling services, plus AA and NA meetings.
However the park's management told Sun Online that they don't provide supervision - and any supervision that residents do get is provided by the Department of Corrections and only for those on parole.
Douglas Baldwin, one of the managers at the park, told Sun Online the park is generally "quiet" with a very low crime rate and they had not had a resident commit a sex offence since they opened.
He said: "We've become somewhat of a refuge simply because the rest of the society wants to pass everybody on. If you're not allowed to be any place else except out in the street, a place like this becomes important.
"We are a mobile home park that just happens to rent predominantly to registered sex offenders. So the supervision they get - if they get any - is typically through the Department of Corrections because a great number of them are on probation.
"There is also a little bit of self policing because you don't want one roommate within a trailer to bring down the whole place by misbehaving. That's part of why there's such a low rate of re-offending because the other people would be endangered by that so if they think something's going on - they tend to report it.
"In terms of drugs and hookers - if we catch them they are evicted strait away. We're not fenced in and sometimes people might sneak in but we certainly don't condone it, and if we find out, they're out.
"The tendency is to say 'These people can't live here they should go away' but you soon run out of places to send them. So unless you're just going to put a death sentence on everyone we have to deal with it. The vast majority of people here are not the people they were when their offence was commited."
A St. Petersburg police spokeswoman confirmed there were no special supervision measures in place for Palace Park.
She said: “Whenever a person is registered as a sex offender there are restrictions on where they can live based on guidelines.
“Sex offenders have a probation officer and are monitored through the courts but police don’t get involved unless a crime has happened or one is in progress.
“That is just way the system is set up. If there are complaints or a specific issue police will take care of that.
“We can’t and don’t just sit on people and wait for them to do something wrong. If someone is concerned about residents’ behaviour they can always call us.”
Many psychologists and psychiatrists have spoken out about the Palace Park’s philosophy.
LA-based Forensic Psychiatrist Dr Carole Lieberman said: “The only time something good could come out of a bunch of sex offenders living together, would be if they were in a forensic psychiatric hospital and getting treatment.”
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by: Liane Bonin Starr January 16, 2014
But that’s not the extent of the fun in this episode. When Cecil leaves on vacation and puts Becky in charge of Myrtle Manor for the summer, she’s immediately tested by another trailer park claiming to be the best in town. Jared discovers Chelsey is lying about her new job and decides to investigate what she’s really doing to pay the bills. Amanda organize the trailer park’s annual 4th of July party but things don’t go as planned.
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Guess what? With age doesn’t always come wisdom. In this exclusive clip from the season premiere of “Trailer Park: Welcome to Myrtle Manor” (airing Thurs. Jan. 16 at 10:00 p.m. on TLC — right after “Here Comes Honey Boo Boo”), party prep for a 4th of July shindig is temporarily derailed by a neighbor who thinks the gelatin shots taste great — and, despite warnings to go easy on them, gets hammered. 

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Julian, Ricky and Bubbles each have new moneymaking schemes, Jim Lahey is on the verge of retiring and Randy has a new assistant, Don. Julian, Ricky and Bubbles each have new moneymaking schemes, Jim Lahey is on the verge of retiring and Randy has a new assistant, Don. Julian, Ricky and Bubbles each have new moneymaking schemes, Jim Lahey is on the verge of retiring and Randy has a new assistant, Don.
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“We met some pimps. One of them had a grill, a giant, gem-encrusted belt buckle in the shape of a “G,” and a bottle of scotch in his breast pocket.”
“Most of the sex workers have been robbed, raped, stabbed, shot. It’s not a profession for the faint of heart.”
Betty works the lot. Photo courtesy Alexander Perlman.
Monica prepares to work the lot. Photo courtesy Alexander Perlman.
“The truth is, making the movie was a really traumatic experience. I suspect I may have developed some mild PTSD.” This is how filmmaker Alexander Perlman describes shooting Lot Lizard , his hypnotic new documentary about truck stop prostitution. While his claim might sound hyperbolic—or like a canny bit of marketing—it rings true: He logged thousands of miles and hundreds of hours to make the film, braving roach motels, crack highs, and homicidal pimps. Indeed, what Perlman captures in Lot Lizard is visceral and harrowing.
The film’s three protagonists—Betty, Monica, and Jennifer—work on the fringes of the trucking industry. America’s Independent Truckers’ Association estimates there are nearly 5,000 truck stops across the country, and although many offer nondescript places to sleep, eat, or shower, many others host a bustling shadow economy of sex and drugs. Lurk on truckers’ online message boards long enough and you’ll likely come across what amounts to a guide to interstate sex, replete with lurid tall tales (see here , here , and here ).
Life on the road, they say, is lonely. To quote one trucker in Lot Lizard : “These walls close in on you. Being in this truck can actually make you crazy.” As Perlman discovered, however, the women—and, occasionally, men—who cater to this loneliness don’t fare much better. Betty and Monica are addicted to crack, Monica is homeless when she’s not crashing with friends or sympathetic drivers, and both are entangled in dysfunctional relationships. “I can feel money,” Betty says, a kind of human divining rod, and yet she spends most of the film desperately searching for just that.
Jennifer, an ex-addict and single mother who recently quit prostitution, struggles to maintain her sobriety. She buys a house but can’t find a job. With time and money running out, she weighs the economics of earning minimum wage at a McJob versus hustling on the lot again. (Guess which pays more?) It’s a particularly wrenching moment in a film loaded with them.
I recently spoke with Alexander Perlman about life on the lots, dodging the police, and what he left on the cutting room floor.
Mother Jones: So this film was inspired by a truck stop prostitute you met while hitchhiking from New York to San Francisco?
Alexander Perlman: Yes. It was midday at a truck stop in Ohio, and I was sitting on a bench outside the travel center. My camping bag lay on the table next to me and a cardboard sign with the word “WEST” scrawled on it. A woman sat down and struck up a conversation. I assumed she was a truck driver. We were in the middle of talking about her grandchildren when a truck driver who looked like Santa Claus walked by. She offered to show him her breasts for $10, he took her up on it, and they walked off into the sunset.
MJ: What was it about the encounter that intrigued you?
AP: There was something about the set of her jaw—she had the strength of someone who had come to grips with a hard life. Also, it was clear that she was living outside the bounds of traditional society. On a much smaller scale I knew what that was like—I hit a rough patch in my teens and almost dropped out of high school. I identified with her, as I identify with anyone who doesn’t really fit the mold.
MJ: How did you choose specific truck stops?
AP: The majority of filming was done over eight weeks. Dan Livingston, the field producer, looked for ride shares on Craigslist and eventually found one with Juliana Star Asis, his friend who was headed to Tucson, Arizona. We set out from New York, drove south on I-95, then west on I-10 until we hit L.A. We did a lot of research online and spoke with truck drivers to find out where the sex workers were most prevalent. We put together a map indicating hotspots around the country. In the end, it came down to luck. A lot of the truck stops were clean as a whistle. When that happened, we hit the road.
MJ: You focus on three women—Betty, Monica, and Jennifer. How did you describe the project to them?
AP: We pitched the film as a feature documentary about truck stop sex workers. We resolved ahead of time that we wouldn’t pay them because we thought that would make the film disingenuous. Unsurprisingly, most of them turned us down. We had to go through a large volume of sex workers to find our cast.
They weren’t writers, filmmakers, musicians, or painters. They had no outlets, but like everyone else had a need to express themselves and sort out their personal histories. Eventually we became their therapists—listening patiently, empathizing, asking questions, and being there for them to the best of our abilities. By the end it was challenging to document rather than participate. My experience on the project helped me recognize that I would rather be a participant. I’m applying to MSW programs in February.
MJ: Describe the different codes or shorthand that prostitutes use when advertising themselves on CB radios.
AP: Where do I begin? Most truck drivers refer to the sex workers as “lot lizards.” The girls prefer the term “working girls.” They call the act itself “turning a trick” or “dating.” I find the euphemisms indicative.
“Commercial Company” refers to sex workers, as in, “any commercial out there tonight?” Or, “anybody looking for some company?” The sex workers play an elaborate game of tag with the security guards and police officers. The sex workers hide in a “safe truck” when the heat turns up. It’s kind of like base. In the truck, they use the CB to advertise their services and arrange to meet with other truckers on the lot. There can be several safe trucks on a large lot.
“40-60-80” is shorthand for a fairly standard rate: $40 for oral sex, $60 for sex, and $80 for both. When arranging deals over the CB radio, the sex workers would ask the truck drivers, “what color is your house?” Which means, “what does your truck look like?”
MJ: The film briefly introduces a gay male prostitute offering “massages.” How common are male sex workers on the lot?
AP: We heard a lot of stories, but the only one we met was Jesse. I think there’s less demand for male sex workers. There’s the risk of violence motivated by homophobia.
MJ: None of the women you profiled had pimps. Did you meet any who did?
AP: We met some pimps. One of them had a grill, a giant, gem-encrusted belt buckle in the shape of a “G,” and a bottle of scotch in his breast pocket. This begs the question: Why did none of them feature prominently in the film? Unfortunately, the pimps prohibited it.
One of the concerns we had with our lead characters is that selecting them downplays the prevalence of pimps and trafficking in the industry. There’s an amazing organization called Truckers Against Trafficking that addresses the issue. We had to bite the bullet on that because we just didn’t have the footage to deal with the issue of trafficking in a meaningful way that was consistent with the rest of the film.
MJ: Describe the police or security presence on the lot.
AP: It varied. Like I said, some truck stops were clean as a whistle. Others were out of control. When police rolled through, truckers would announce their arrival and precise location. If you closed your eyes and listened you could see the police cars driving around the lot. The sex workers hid out in safe trucks until the lot cleared.
In many truck stops, security was comically ineffective. Some of them enjoyed ogling the sex workers as much as the truck drivers did. We heard stories about security guards and police officers receiving “favors” in exchange for freedom, but can’t verify these. It seemed there was a bias towards targeting the sex workers as opposed to Johns. It makes sense from the truck stop’s perspective—they don’t want to alienate paying customers.
MJ: The film depicts both prostitutes and truckers as victims in this larger drama of human appetites and loneliness. Do you see both parties as victims? How would you describe the power dynamic?
AP: As one sex worker put it: “We sell our bodies, they sell their time—how different are those really?” Both truck drivers and sex workers were doing a job that wore them down emotionally, but the money was good enough to keep them working.
Power dynamics varied from one person to the next. In some cases, it seemed like truck drivers were taking advantage of sex workers, in others like sex workers were taking advantage of truck drivers, and, in a rare few, it seemed there was mutual respect.
MJ: One of the film’s most powerful moments is Jennifer’s reunion with the trucker who introduced her to prostitution. How did that come about?
AP: Oddly enough it was Jennifer’s suggestion. It seemed like she needed a sense of closure and empowerment. Ultimately, I think she bit off more than she could chew. It’s hard to confront your past when you’re struggling to redefine yourself.
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