Top Female Characters

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https://www.hollywoodreporter.com/lists/50-best-female-characters-entertainment...
Перевести · 09.12.2016 · Hollywood’s 50 Favorite Female Characters. The Hollywood Reporter's survey shows how Olivia Pope to Annie Hall become possible when the industry writes great female characters.
https://www.ranker.com/list/best-female-movie-characters/ranker-characters
Перевести · Top female characters in movies might also be classed according to their morals. Some, such as Annie Wilkes from Misery, have no problem harming helpless people, while others, including Evelyn Couch …
https://www.amexessentials.com/top-female-movie-characters
Перевести · The 50 Most Iconic Female Characters In Film History. Slide Nr 12. Annie Wilkes (Kathy Bates, Misery, 1990) – Maniacal fandom is taken to a terrifying conclusion by Kathy Bates, an unknown actor who became a star thanks to her portrayal of Annie’s warped infatuation with a trapped author (James Caan).
https://www.ranker.com/crowdranked-list/best-female-characters-in-literature
Перевести · This list includes the best female characters of all ages, like the youthful girls Matilda (Matilda) and Hermione Granger (Harry Potter) to the ever-so-adult Evelyn Couch …
Top 10 Greatest Female Anime Characters in Movies
Top 10 BEST Female Anime Characters
Another Top 10 Underrated Female Disney Characters
Top 10 Supporting Female Characters in Fantasy and Sci-Fi Movies
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Top 20 Times Female Movie Characters Went Beast Mode
https://www.gamesradar.com/100-greatest-female-characters-movies
Перевести · 03.09.2014 · The Character: Planet Terrors go-go dancer, whose job title is aptly named. Not even having her leg torn off by zombies can stop her. Plug in a grenade-launching gun and shes good to go-go.
https://www.buzzfeed.com/ashleyperez/strongest-female-characters-in-literature
Перевести · 19.03.2014 · Laura Ingalls, Little House on the Prairie. CBS. For a girl in the 19th century, she was a huge badass. Wolves and bears outside her door, riding horses …
Who are the most popular female characters in movies?
Who are the most popular female characters in movies?
Twenty years on, this ‘90s twist on Jane Austen’s Emma remains a beloved film, influencing music videos and giving rise to multiple imitation movies. The 50 Most Iconic Female Characters In Film History.
www.amexessentials.com/top-female-mo…
Who are the most famous women in history?
Who are the most famous women in history?
Uhura and her real-life counterpart, Nichelle Nichols, were reportedly an inspiration to such eminent fans as Dr. Martin Luther King, Jr., Whoopi Goldberg and the first African-American female astronaut in space, Dr. Mae Jemison. The 50 Most Iconic Female Characters In Film History.
www.amexessentials.com/top-female-mo…
Who are some good female characters in literature?
Who are some good female characters in literature?
Ramona Quimby, Ramona Quimby Series. Overall as a female character, she wasn't focused on being pretty and she wasn't afraid to play with the boys and get messy. There is a kind of physical joy in how she's portrayed, inhabiting her own body and embracing that messiness rather than staying neatly within the lines.
www.buzzfeed.com/ashleyperez/stronges…
Who are the best female characters in Final Fantasy?
Who are the best female characters in Final Fantasy?
Top 20 Best Female Characters in Final Fantasy, Ranked 1 Lightning (Claire Farron) (FF13) 2 Yuna (FF10) 3 Tifa Lockhart (FF7) 4 Freya Crescent (FF9) 5 Terra Branford (FF6) 6 Celes Chere (FF6) 7 Lenna Charlotte Tycoon (FF5) 8 Rinoa Heartily (FF8) 9 Aerith Gainsborough (FF7) 10 Rikku (FF10) More items...
www.fandomspot.com/best-female-final-f…
https://www.ditchthelabel.org/50-inspiring-female-film-characters
Перевести · 04.10.2017 · In no particular order here’s the best and most inspiring female film characters… 50 inspiring female film characters and why we chose them. 1. Mara …
https://www.flavorwire.com/265847/10-of-the-most-powerful-female-characters-in-literature
Перевести · 25.12.2012 · One of the earliest representations of an individualistic, passionate and complex female character, Jane Eyre knocks our socks off.
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We nominate the coolest female characters to ever command the silver screen – along with the amazing women who brought them to life.
Diana Prince (Gal Gadot, Wonder Woman, 2017) – We start with one of the most recent additions to the badass female characters club: Gal Gadot’s triumphant turn in a groundbreaking blockbuster. Playing the legendary character with a hard-to-achieve mixture of innocence and fearlessness, Gadot’s Diana Prince gave the male-dominated comic book genre a hero with the power to literally shake things up.
Lois Lane (Margot Kidder, Superman, 1978) – Kidder’s Lois Lane set the standard for strong female characters four decades before Wonder Woman would hit the screen. Tough and uncompromising, but with a compassionate centre, she was so much more than a damsel in distress, which is what made her so memorable.
Clarice Starling (Jodie Foster, The Silence of The Lambs, 1991) – A huge inspiration for characters such as The X-Files’ Agent Scully, Starling fought for justice and struggled for equality in a chauvinistic workplace, all while facing off against one of cinema’s most legendary and fearsome killers. The role was also Foster’s finest hour, earning her a Best Actress Oscar.
M (Judi Dench, James Bond Films, 1995-2012) – In a welcome break with Bond tradition, Dench became the first female M in GoldenEye. At first a brutal critic of Bond’s methods, she would become his most trusted ally, right up until her heartbreaking goodbye – after 17 years – in Skyfall.
Nyota Uhura (Nichelle Nichols, Star Trek Franchise, 1966-1991) – Another groundbreaker, Uhura was the first African-American character to appear on TV in a role equal to that of her white peers. Uhura and her real-life counterpart, Nichelle Nichols, were reportedly an inspiration to such eminent fans as Dr. Martin Luther King, Jr., Whoopi Goldberg and the first African-American female astronaut in space, Dr. Mae Jemison.
Elle Woods (Reese Witherspoon, Legally Blonde, 2001) – While perhaps not as revelatory as some on this list, Elle Woods’ journey from airhead to legal whiz is a charming, funny and uplifting story of overcoming the prejudices of others. Beloved by fans worldwide, Elle returned for a sequel and a stage musical.
Cher Horowitz (Alicia Silverstone, Clueless, 1995) – The central character of one of the hallmark movies of the ‘90s, Cher makes movie history with her catchy slogans, killer sense of style and bubbly personality that makes her an It Girl without becoming a Mean Girl. Twenty years on, this ‘90s twist on Jane Austen’s Emma remains a beloved film, influencing music videos and giving rise to multiple imitation movies.
Holly Golightly (Audrey Hepburn, Breakfast At Tiffany’s, 1961) – Incredibly, Audrey Hepburn initially felt she was too much of an introvert for what would become her most memorable performance. Outwardly the epitome of elegance, Golightly is a woman seeking reinvention in order to escape the person she once was. An unforgettable figure in Hollywood history.
Veronica Sawyer (Winona Ryder, Heathers, 1989) – Another hero who didn’t quite fit, Veronica’s journey to self-acceptance was a lot darker and bloodier. Shunning the popular Heathers clique, Veronica and new love J.D. (Christian Slater) mete out overzealous justice on their school’s social elite. While not exactly aspirational, Veronica is a perfectly pitched slice of vicarious vengeance.
Blanche DuBois (Vivien Leigh, A Streetcar Named Desire, 1951) – The legendary Vivian Leigh set the standard in this oft-imitated performance, playing Blanche as fabulously broken and teetering on the edge, thanks to cruel provocation by Marlon Brando’s Stanley. While he may have become the star, Leigh is the tragic, unsung hero of this movie.
Annie Wilkes (Kathy Bates, Misery, 1990) – Maniacal fandom is taken to a terrifying conclusion by Kathy Bates, an unknown actor who became a star thanks to her portrayal of Annie’s warped infatuation with a trapped author (James Caan). Deliciously deranged, Bates delivers a captivating performance that made Misery one of the few Stephen King adaptations the writer himself enjoyed.
Carrie White (Sissy Spacek, Carrie, 1976) – While supernatural beings are commonplace in the horror genre, the magic Sissy Spacek brings to the original Carrie lies in the relatable feel she gives the doomed character. We cringe at the humiliation she suffers, and even as her telekinetic powers arrive, the helplessness she exudes makes her doubly terrifying.
Juno MacGuff (Elliot Page, Juno, 2007) – Pregnancy in all its glory and pain is beautifully portrayed by Elliot Page, who earned an Oscar nomination in the role of a quirky young woman who becomes pregnant by her best friend (Michael Cera). Hilarious, tender and unforgettable, Juno became a late-2000s hero.
Marge Gunderson (Frances McDormand, Fargo, 1996) – Some characters are meant to be played by certain actors, and Frances McDormand was meant to be the lead in this Coen Bros’ masterpiece. Her ‘Minnesota Nice’ exterior barely covers a whole barrage of subtle emotions, a masterclass in acting and an unlikely ’90s favourite.
Manuela (Cecilia Roth, All About My Mother, 1999) – The darkest side of motherhood – losing your child – is brought to vivid life in one of Pedro Almodovar’s best. Cecilia Roth is a torrent of conflicted emotions, dealing with her grief by connecting with a number of faces from the past.
Sarah Connor (Linda Hamilton, The Terminator Films, 1984-1991) – What do you do when the fate of the world is on your shoulders? For Sarah Connor, it involved fighting for her life and her son, becoming a fierce protector and an indelible icon of action movie history. Think Arnie was the hero of the Terminator films? Think again!
Furiosa (Charlize Theron, Mad Max: Fury Road, 2015) – Another character who stole the movie from the title star, the ruthless Furiosa became the beating heart of this heart-pounding, high-speed chase film, rescuing young women from the fearsome Immortan Joe. A feminist hero and all-round badass, a spin-off is essential.
Trinity (Carrie-Anne Moss, The Matrix, 1999) – At a time when few women featured in action movies, Trinity matched Neo blow for blow in several classic moments of this cult film (including the first, and best, ‘bullet time’ sequence). Ultimately giving her life for the man she loved, her journey through the saga is thrilling.
Foxy Brown (Pam Grier, Foxy Brown, 1974) – This very ‘70s tale of revenge was criticised at the time for its portrayal of African-American femininity, but Foxy Brown’s vengeful hero has been held up by many as an icon for the female empowerment movement of the time.
Bonnie Parker (Faye Dunaway, Bonnie and Clyde, 1967) – The beret-wearing half of cinema’s greatest crime duo is much more than a basic villain. Childlike and charming, but also sinister and relentless, she is the dark foil to Warren Beatty’s slick bank robber. A baddie you will love to hate!
Sally Bowles (Liza Minnelli, Cabaret, 1972) – Musicals rarely get as dark as Cabaret, set in Berlin just before the outbreak of World War II. At the centre is Minnelli’s Sally Bowles, the epitome of the tragic performer, a rose consumed by the seediness and despair that surrounds her.
“Baby Jane” & Blanche Hudson (Bette Davis and Joan Crawford, Whatever Happened To Baby Jane?, 1962) – The off-screen feud between these two stars often overshadows their terrific performances, creating the (albeit offensively named) ‘psycho-biddy’ sub-genre through their intense psychological warfare. Both stars had rarely been better, with the intense rivalry feeding the magnificence on screen.
Mary Lee Johnson (Mo’Nique, Precious, 2009) – Some performances are so brilliant they become too uncomfortable to watch. While Mo’Nique’s portrayal of an abusive mother is disturbing, the Oscar winner infuses the character with a grit and reality that makes her one of the film’s stand-out performances.
Nurse Ratched (Louise Fletcher, One Flew Over The Cuckoo’s Nest, 1975) – Was Nurse Ratched a representation of society’s indifference towards mental health, or just a really nasty nurse? Either way, Fletcher made the tyrannical authority figure a fearsome foe for Jack Nicholson’s R.P. McMurphy. Not bad for a star who was sixth choice for the role!
Mary Poppins (Julie Andrews, Mary Poppins, 1964) – A carer of quite a different temperament descended on the Banks family in Disney’s timeless classic, with Julie Andrews adding to her illustrious CV with a cheerful and pragmatic character that everyone wishes could help them through life.
Dorothy Gale (Judy Garland, The Wizard of Oz, 1939) – “There’s no place like home…” Dorothy’s journey through The Land of Oz required her to show her courage, brains and heart, leading a band of misfits while trying to find her way home. A seminal cinematic lead, she came to represent hope for all those who felt lost.
Princess Elsa (Idina Menzel, Frozen, 2013) – Though her courageous sister Anna was just as inspiring, Disney’s ice princess spoke to fans around the world. The fact that she did more than simply wait around to be saved gave her a depth that’s been unfortunately rare in animated princess films across the ages, while her signature song, “Let It Go”, became an anthem of self-love and -acceptance for millions
Amélie Poulain (Audrey Tautou, Amélie, 2001) – There’s a reason the poster for Amélie adorns the wall of just about every film student’s bedroom. As beguiling as the city that surrounds her, she’s a dreamer who orchestrates happiness for others, and revels in life’s little joys. What’s not to love?
Chihiro Ogino (Rumi Hiiragi, Spirited Away, 2001) – Forced to fend for herself in a spirit world, Chihiro’s transformation from an easily scared kid to a brave girl who faces her fear in order to protect her loved ones is remarkable to watch – and typical of the kind of much-needed complex female characters that Studio Ghibli became famous for.
Princess Leia Organa (Carrie Fisher, The Star Wars Films, 1977-2017) – The late, great Carrie Fisher sadly didn’t live to see her most famous character’s last appearance in The Last Jedi, but she must have known the impact the character has made. A tough-talking leader, she was a pioneer for women in mainstream film.
Cleopatra (Elizabeth Taylor, Cleopatra, 1963) – When it comes to the glamour of old Hollywood, few can match Elizabeth Taylor in her most famous role. With production costs of over $31 million (over $300 million today), Taylor embodied the splendour and majesty of the legendary Egyptian ruler, fending off the advances of Rome and the passions of Mark Anthony (real-life husband Richard Burton).
Celie Harris Johnson (Whoopi Goldberg, The Color Purple, 1985) – Those who thought Whoopi Goldberg could only play comedy parts were blown away by her in Steven Spielberg’s drama, playing a meek woman in the first part of the 20th century, enduring every indignity and abuse imaginable as she struggles to be treated equally both in terms of race and gender. A heartbreaking display from a true great.
Raimunda (Penélope Cruz, Volver, 2006) – Though she’s an established star in English-speaking Hollywood, Cruz has always been at her best when performing in Spanish (or perhaps working with Spanish directors who give her interesting roles). She’s never better than in Volver, playing a strong parent holding together a family rife with secrets.
Scarlett O’Hara (Vivien Leigh, Gone With The Wind, 1939) – One of the most quotable speeches in movie history, O’Hara’s declaration that “tomorrow is another day” is the perfect sign-off for a character who refused to be what the world expected of her. Even in the face of Rhett Butler’s rejection, she would rise again.
Rose DeWitt Bukater (Kate Winslet, Titanic, 1997) – One of the most successful films of all time is lived through the eyes of Winslet’s Rose, a woman torn between social responsibility and love. It’s a journey that breaks the hearts of all who see it, and makes Rose a classic screen idol.
Frances “Baby” Houseman (Jennifer Grey, Dirty Dancing, 1987) – A similar coming-of-age dilemma is faced by Baby (although there was no sinking ship to survive!). She turns her back on her parents for the dangerous, charismatic Johnny Castle (Patrick Swayze), blossoming from mousy teenager to confident young woman in just a few dance steps.
Maria Von Trapp (Julie Andrews, The Sound Of Music, 1965) – Few stars can portray resilience as convincing as Julie Andrews, and in yet another career-making role, she holds together the Von Trapp family through the onset of war. Proof that, in musicals at least, there’s nothing that can’t be solved with a song.
Hermione Granger (Emma Watson, The Harry Potter Films, 2001-2011) – Arguably the most prominent young female cinema character of the early 2000s, fans grew up with the intelligent, fearless and loyal Hermione across a decade of movie hits. Whether battling demons or telling off Ron Weasley, she always left her mark.
Moana (Auli’i Cravalho, Moana, 2016) – The latest in a new generation of Disney princesses, rough-and-tumble Polynesian royalty Moana’s main desire is to seek out adventure and fulfil the destiny of her ancestors. Oh, and sing some brilliant songs with Dwayne Johnson’s Maui along the way!
Leeloo (Milla Jovovich, The Fifth Element, 1997) – Bruce Willis is normally the one doing the saving, but Milla Jovovich’s star-making turn reverses the roles as he becomes the sidekick to her saviour. Or, to put it in Leeloo’s own unique way, “Me fifth element – supreme being. Me protect you.”
Melanie Daniels (Tippi Hedren, The Birds, 1963) – Whereas many of Hitchcock’s “Blondes” were femme fatale figures or victims, Tippi Hedren was the hero of her own story as she fought an unexplained swarm of birds. The hellish image of her fending off the winged attackers – and her own real-life ordeals with the director himself – will be thought of for as long as Hitchcock’s work is celebrated.
Margo Channing (Bette Davis, All About Eve, 1950) – Bette Davis appears again in another story of fading fame. An ageing star fearing being replaced, Davis is breathtaking as she slowly begins to suspect a devoted fan (Anne Baxter) may be usurping her. A master class in on-screen insecur
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