To The Naked Eye This Farm

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to the naked eye, this farm is just like any other. but it doesn’t take long to realise that the

50ealize jesus martin, though not huge, is anything but ordinary.

martin grew up like many others in the santa ana valley – known as the coffee triangle of

colombia – on a coffee farm owned by his father and grandfather. “i am the youngest of six

children and we all worked the farm,” martin said. “my parents focused their energies on teaching

us the agricultural trade, but also the love behind it.” despite this great dedication to coffee and

respect for his family business, he ended up pursuing a different career altogether: law and business

management. it didn’t come easy to him as coffee was never far away.

during every visit to his family’s humble farm, the rich aromas of beans roasting and the

smell of his mother’s carrot cake caused his heart to beat faster. coffee was his life, and in 2004,

after years practicing law, he found a way to combine his legal knowledge, business education and

family’s lifeline into what he called “the coffee dream project”.

despite growing some of the most coveted beans in the world, most colombians have never

even tasted the colombian coffee that is renowned around the world. instead, local people drink

what they call “second-hand coffee”, which is made from berries that haven't fully ripened,’have

been over-roasted or even infected with insects and diseases. like most businesses in struggling

economies, the farmers only make profits on exports – so they save their best stuff for higher paying

countries. “farming coffee for a profit is very challenging,” martin explained, tossing a few berries

in his hand. “the coffee trade intermediaries, exporters, roasters and big multinational companies

are the ones that benefit the most in the coffee-trade chain.” martin’s dream project, however, was

to turn this process around, bringing specialty coffee back to colombia.

the project, however, was a total surprise for his family. “when i first informed them, they

told me i was crazy, they said it was a wild goose chase.”

even with his background in farming, starting the project from the ground up was difficult.

convincing his workers to focus on quality was his biggest concern; most only cared about quantity

since their wage was dependent on how many beans they picked. martin recalled many hours, days

and weeks training local farmers to understand the process, from the colours of the raw berries to

the smell and taste of the beans once they’d been dried and sorted.

once the farmers understood the importance of quality, it was onto phase two: bring the

roasting process in-house, instead of paying for the beans to be roasted elsewhere. buying his own

roaster – one of the only five in the entire country – was expensive, but the purchase offered a huge

saving in roasting, packaging and exporting costs.

by 2008, his passion started to pay off; he opened his flagship store café jesus martin in

salento. the shop and its team of trained baristas, martin said, have done much to teach the locals

about enjoying specialty coffee. the look on their face when they take their first sip is what keeps

him motivated. “they are reacting so positively; they’re discovering something entirely different

than what they’re used to consuming,” martin said. “when they discover the difference in quality of

their coffee, they start to care more about where and whom it’s coming from.”​
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"Naked Eye" is a song by The Who, written by Pete Townshend. The studio version was released on the group's 1974 compilation album Odds and Sods (reissued in 1998). Live versions appear on Live at the Isle of Wight Festival 1970, View from a Backstage Pass, Greatest Hits Live, Thirty Years of Maximum R&B, and both reissues of Who's Next.
One of the main chord progressions in "Naked Eye" can be traced to the spring and summer of 1969 when the band was touring in support of the Tommy album.[1][2] The three-chord riff (F6/9-Cadd9-G) was sometimes played during the group's very long and improvised versions of "Magic Bus" at that time, then later in expanded jams during "My Generation", as heard in the Live at Leeds version. Eventually Townshend composed an entire song around this progression.
"Naked Eye" was originally planned to be released on a 1970 Who EP entitled 6 ft. Wide Garage, 7 ft. Wide Car, a collection which was also to include "Water", "I Don't Even Know Myself", “Now I’m a Farmer”, and "Postcard."[2] There were also plans to release a live version of the song, but neither plan materialized.[1]
Another track from the EP. This number was written around a riff that we often played on stage at the end of our act around the time we were touring early Tommy. It came to be one of our best stage numbers, this was never released because we always hoped we would get a good live version one day. But then we're such a lousy live group...
The band likely began recording the song in 1970 during sessions for an EP that was eventually aborted when Townshend began focusing on his Lifehouse rock opera (these same sessions also yielded “I Don’t Even Know Myself”, “Water”, “Postcard”, and “Now I’m a Farmer”). It was eventually completed in the spring of 1971 during sessions for Who's Next, which included several numbers originally intended for Lifehouse.[1] Evidence that the piece had been started but not completed can be heard in a BBC performance of the song from December 1970 in which the band mimed to the studio recording, which was faded out before the third verse (then likely not yet recorded) could be heard. The version on the remastered edition of Odds and Sods is longer than the original, which had been slightly edited.
"Naked Eye" was debuted in live form during the band's American tour in June–July 1970, generally as part of long medleys during "My Generation". These versions never included the third verse, which wasn't heard until 1971. The song was a regular part of the group's act in 1971 and 1972, again usually following “My Generation”, then became a frequent encore in 1973-74. It appeared less often in the band's 1975-76 shows and was played for the last time with Keith Moon during the group's concert at Madison Square Garden in New York on March 11, 1976. Since then it has been performed during each era of the band's existence, though never regularly. The song has been played in varying arrangements through the years, but never in the exact arrangement of the original studio recording. Versions from 1996-2000 featured Roger Daltrey singing the first verse unaccompanied while playing acoustic guitar.
^ a b c Grantley, Steve; Parker, Alan. The Who by Numbers: The Story of the Who Through Their Music. Helter Skelter.
^ a b c Cady, Brian. "'Odds & Sods' liner notes". The Hypertext Who. Archived from the original on 2007-07-01.
Content is available under CC BY-SA 3.0 unless otherwise noted.

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To The Naked Eye This Farm