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Locate it on the map. Click on the above map showing the location of Bitcoin ATM, to make it interactive. If you have problems, contact the anonymous support department. This is the amount for immediate withdrawal. Missing funds are replenished within 2 days on average. Our prices on transactions are 2 to 4 times lower than the average commission in the world. This Bitcoin ATM offers both buying and selling cryptocurrencies for cash. When selling cryptocurrencies, it issues RON. Bitcoin ATMs operator Bitomat. Unlike other networks, we don't even collect your phone number, cookies or marketing consents from you. We don't require you to register an account or download any applications. This makes transactions not only secure, but also fast. We follow the KYC requirements specified by law, but we don't require more than what is specified by law. We provide the highest possible level of security and discretion, while guaranteeing privacy and full legality of transactions. We will be happy to solve your problem. Choose from among the several customer support channels we offer. Select a crypto from the list to generate a bitcoin wallet address to transfer funds from your crypto wallet. Transfer funds from your wallet to the address indicated. In return, you will receive a barcode to scan at Bitcoin ATM. Before you can collect the cash at Bitcoin ATM, it must be validated in the blockchain. You can check if the order is already ready for execution on the Check Transaction Status page. The miner fee selected on the screen affects the speed of the transaction, so if you care about time, you can increase the miner fee. The transaction is ready? Great, it's time for the next step. You can also make a sale by skipping the website, that is, directly at Bitcoin ATM. The process is very similar - just follow the directions on the screen. Scan the QR code of your crypto wallet or enter the address. Confirm the transaction on the screen after checking that everything checks out. Receive a printout with the transaction confirmation and check the updated amount of cryptocurrencies in your cryptocurrency wallet. The printout shows two codes: the top QR Code and the bottom Barcode barcode. The first - QR code - is a code that is used to deposit cryptocurrency at the address to use the withdrawal in domestic currency at the bitcoin shitcoins. The second - Barcode - is used to withdraw verified funds in national currency. This means that you scan the QR code with your phone to deposit, and scan the barcode in the ATM scanner to get the funds after exchange. A cryptocurrency wallet simply an e-wallet app on your phone is one of the popular ways to store crypto. The only thing you should keep in mind is that the only cryptocurrencies we support are in the table on the home page, and we only support USDT on the TRC20 network. We announce the opening of new locations on social media and as news in the Blog section. You can also suggest the opening of a new unit or suggest something else by leaving feedback on GoogleMaps. To do so, go to the Feedback page. We announce the addition of new cryptocurrencies in the Blog section and on social media. Subscribe to stay up to date. You can find the current list of cryptocurrencies on the home page in the Cryptocurrency Prices table. The option to sell cryptocurrencies on Shitcoins. The barcode barcode that allows you to sell on the device is valid indefinitely. Currently, we do not offer exchanges in person. In case of changes, we will inform on the blog, newsletter and on social media. We encourage you to check the Careers page, where recruitment is underway for many positions that may interest you. We regret to inform you that transferring to any selected address of the exchange is currently not possible. In all cases, it is necessary to scan the QR code of the wallet. In case of changes, we will inform in the Blog section and on social media. Contact the hotline immediately and inform them of the situation. Please provide information about the incident with a description of the circumstances, location, date and transaction ID. To improve the customer experience, we offer many different channels through which you can get help. Check them out on the Contact Us page. We are flexible on this issue and offer several ways to solve the problem. The amount will be added to your next withdrawal if you send bitcoin to the same address, or if you are in possession of several transaction codes with such an unpaid 'tip'. It is also possible to make a refund, but amounts under 10 PLN are refunded only for DASH cryptocurrency, because for other cryptos we support, such an amount would not even be enough to pay the miners' fee. That's why we strongly recommend adding it to your next code and withdrawing it on your next transaction. The wallet will select the amount of bitcoin so that you receive exactly the amount you declared. We will take care of it immediately! As a result of unusual network problems, it is likely that the normal fee turned out to be too low for the transaction to be triggered in 1 block. This inconvenient problem is due to the peculiarities of blockchain technology. We have prepared a special video tutorial for this circumstance entitled: The transaction is getting longer. To summarize the tutorial, if you have made a purchase, it is possible for us to expedite the transaction on request. However, then a higher fee is charged to the miners. The fee is not deducted by Shitcoins. If you have sold and the double spend option in e-wallet is available to you, then we encourage you to use this option to expedite the transaction, in which case our system will first automatically block the transaction. It will be necessary for us to unlock it manually so that you can withdraw cash. Therefore, please let us know quickly if you use the Double Spend option. If the steps outlined here or in the video tutorial do not work, please Contact Us. Please include the transaction id in the subject line. Bitcoin ATMs we replenish regularly, but it is possible that information on one of the ways available on the Contact page will speed up the process in the indicated location. Do not choose this option when you sold us cryptocurrency through an exchange, or you have a changeable address in your wallet. Keep the code for depositing funds. Sometimes there is a delay in updating the transaction status. If the problem lasts more than days, please contact us. We will solve the problem. Please Contact us by email, stating the transaction ID in the subject line. The basic feature of blockchain described by Satoshi Nakamoto in his first paper on the technology is that, unlike other financial systems, transactions in blockchain are absolutely irreversible. Since Bitcoin ATMs operate on the blockchain network, undoing a transaction is impossible. To save you time, we will help you unblock your transaction, even if it is due to a low set fee for miners, or due to other problems. To do so, contact us. If you have experience with blockchain technology, you can also watch our video tutorial on prolonged transactions, and solve the problem on your own. When making a transaction via Bitcoin ATM , we specify the amount of the miner's fee. We do this by using the slider on the screen. The more we pay, the faster the transaction will be completed. It goes to cryptocurrency miners in various places around the world. We recommend waiting up to 4 days, and next time increase the fee for miners in Bitcoin ATM we set it with the slider. If you are concerned about the time, or it has been more than 4 days, please contact us by providing the transaction ID and describing the problem. Miner fees are mining fees that are universal in the world and are deducted with every form of transaction on the blockchain. They cover the computing power needed to verify transactions on the cryptocurrency network. Mining fees are passed on to a miner or computer anywhere in the world, which does the work to verify the next block of transactions added to the blockchain. The amount of miner fees you set in Bitcoin ATM using the slider will determine the speed at which your transaction is approved. We apologize for the difficulties. Please contact us in one of the ways we offer. Provide the transaction ID in the message title. It is one of the legal requirements for doing business in a country belonging to the European Union. Read more on Lex Europa. The first - QR code - is the code that is used to deposit the cryptocurrency at the address in order to use the withdrawal in domestic currency at the bitcoin Shitcoins. The second Barcode is used to withdraw verified funds in national currency. This means that you scan the QR code with your phone to deposit, and scan the barcode in the ATM scanner to receive the funds after exchange. If your money has been blocked during a transaction, it is most likely due to the administrator's obligation to carry out an AML procedure imposed by the government. The law requires the administrator to check suspicious transactions. You should not worry if the money is from a legitimate source. As soon as possible, complete the transaction you started or return the money. Limits are set by the government of the country where you are located. You can check the current KYC limits on the information bar at the very top of the home page. Do you have a problem with your device? Call , write or use the form below:. Bitcoin ATM Timisoara Bitcoin ATM Timisoara now includes. Bitcoin ATM Timisoara. Bitcoin ATM - prices. Buy with cash Exchange for cash. How to buy bitcoin in Verona? Due to the high number of opinions, it may take a while to load all of them. I am completely blown away. Blanko is the real deal! The cameras are installed for security purposes. Determine the route Read more. Convenience: Bitcoin ATMs allow cash transactions, which is convenient for those who prefer physical money. Privacy: Bitcoin ATMs does not require the collection of personal information, which guarantees the confidentiality of your transactions. Cash: Many people trust physical money more than central bank accounts, which is in keeping with the spirit of cryptocurrencies. 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Where do you scan the QR code and where do you scan the barcode barcode? What is a cryptocurrency wallet and where to download it from? Where is Bitcoin ATM in my city? Will you open a new one? If I used the option 'Sell cryptocurrency I'd like to collect cash from cryptocurrency sales in person. I would like to join the Shitcoins. Is it possible to purchase cryptocurrencies without scanning the wallet's QR code? Can I just deposit by entering the key? ATM paid out less than it should have. Bitcoin ATM in my location does not work. My transaction is 'stuck' - not started in 1 block. Bitcoin ATM does not have as much cash as I wanted to withdraw. The website Bitcoin ATM shows that 'confirmation of transactions in the block is in progress,' and Etherscan shows that the funds have already been credited. I want to undo the transaction. What is the average time to post a transaction? I'm waiting a long time for the transaction to post. What to do? What is a miner's fee miner's fee? The transaction already has many confirmations and several days have passed, but the status of my transaction still does not allow me to withdraw from the Bitcoin ATM. What is AML? Why was my money blocked and on what legal basis? How much is the limit after which I have to scan my ID? We are happy to help! Call , write or use the form below: Thank you! Your submission has been received! Something went wrong while submitting the form. Buy Sell Map Contact.

Timișoara and the Artists who have Changed the City Through their Initiatives

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Filed in: Debates. Photo credit: Mihai Toth. The money channeled into culture marked a turning point, allowing artists and other cultural professionals to be paid for their work. In terms of visual art, the event succeeded in revitalizing the art scene to such an extent that the demand for exhibition and event space outstripped the available supply, as several organizations from around the country were invited to organize events in a city where there were too few venues for cultural events. This increased demand has led to a recognition of the importance of independent spaces artist-run spaces on the local scene, and they have benefited from recognition of their place in the development of local culture. However, once the Capital Project was over, the question arose as to what would be left after this period of intense funding and interest. There were commitments to spend large sums of money by a certain date, with no alternative presented that this money could provide security for years to come. There are concerns and questions about plans to sustain the spaces created and run by artists and long-term survival. In addition, the need to build new state-supported independent studios and exhibition spaces for artists to operate without financial pressures has been discussed but has not come to fruition. It is crucial to find ways in which these independent spaces can continue to be supported and encouraged, as their activities benefit the local artistic community and cultural diversity in general. All these young people were already trained with a different mindset, closer to the contemporary world so, through their work as well as their theoretical efforts, a breath of fresh air came into the school… Being open to the new and thirsting for information, the group of young teachers shared the same passion with the students; specialist meetings were held regularly in the high school, where they discussed various topics that were highly relevant at the time, such as information aesthetics Max Bense or entropy. Painters, in particular, were concerned with the transgression of two-dimensionality and the visual association between painting and object. This gallery operated before the Pygmalion Gallery between in what is today called Casa Artelor. From the very beginning, they were interested in the neo-Byzantine and Orthodox art movement, represented by the Prolog group and, then, the Noima group. The gallery is still running now, with a high frequency of events. Firstly, thanks to the facilitation of travel and cultural exchanges, Romanian artists were increasingly involved in international projects. Secondly, the return to painting and the taste for commercialism led many of the participants in the country to give up direct, physical expression for good.. The Jecza Gallery officially opened under the name Triade Gallery for the first time in and remained in the garage of the house until Although it has since been transformed into a commercial gallery, built specifically for this purpose, it remains a deeply intimate space that has always been in the proximity of the house, linked to it today by a simple hallway. As they wanted their close friends to be able to enjoy this opportunity, they organized a small recital. After that, meetings started to become more frequent and the group of friends larger, and the chance to meet was given by dinners and themed parties, accompanied by a little art, a little music. It was a institution of dreams. Searching for a publisher to publish the book, they were unable to find one that would allow them the freedom to design the catalog as the artist had envisioned it. The space was offered for free, but the girls had to pay for the utilities and the production of the events by applying for public or private funds. Within the context of the neo-orthodox art being recovered in the early s, the three artists were trying to question what contemporary art was and the capitalist discourse formed by joining the EU and disavowing communist history. The space was defined as feminist, queer, anti-capitalist, and anti-speciesist, with a strong pedagogical and political component, being a place of gathering, discussion, and collaboration. The space would close in but continue in other pop-up locations with a greater focus on political art for shorter periods: Project Space in Bucharest in and then Feminisme space between and The artists continue to practice their art through teaching at the intersection of art and life, trying to incorporate their ideas and practices into the way they live their lives and relate to students and future generations. The scene began to change after , when young graduates of the Faculty of Arts studies were 6 years long wanted to exhibit and had nowhere to go. Already, the 3 galleries in the city First, Galleria 28 and Jecza as well as the new Art Museum had a focus on exhibiting more established artists and recovering works, and young artists felt the need for spaces where they could experiment, play, gather, without too much pressure, as they were still learning where to place themselves. So friends are meeting again in apartments, at dinners and opening their homes or studios for discussions and friends. In , Sergiu Sas, an engineer by profession, decided to open his house to artist friends and to flirt with art in various forms. About 30 people came, future artists and venue coordinators, and the first core of the independent scene began to coalesce. Then things developed naturally; the friends expressed a desire to exhibit more in the apartment-gallery and to get together to party. With electronic music and audio-video experiments, attended by members and participants of the Simultan festival, young art graduates, the meetings reflected a paradigm shift that we would encounter from then on the local scene towards new media art, interventions, performances, gatherings where people critically discuss the current social situation following the formula of future conferences today. The space was opened before the pandemic, so once the pandemic hit, they had to organize fewer events with a smaller audience, yet thanks to the outdoor terrace, they were able to continue their activities despite the restrictions. Once the pandemic was over, the space became a very active one, already nationally recognized, and events were held frequently and with such a large audience that it became overcrowded. Thanks to the establishment of an NGO, they could apply for projects to support the space and pay for rent, utilities, artists, and carry on. At the time of writing, the final European Capital events are being held in pop-up spaces around the city, waiting for a new space. By going through these three spaces managed by Sergiu Sas with different collaborators in their spare time, we can follow the transformation of a space into an independent one, which acquired legal status and started to be supported by public funding, and that now has a clearer curatorial agenda, although still based on the friendships and interests of the coordinating artists, who are also curators of the space. Different from Jecza Gallery, which later became a commercial white cube, the Indecis space is more like a project center with a dominant educational and process-based dimension. Studios were constantly being vacated, more were acquired over the years, and other artists were welcomed, creating a fluid, diverse community that was always participating in organizing events or just gathering around. Again, the community was gathering around tables, cooking, and even started brewing their own beer. Today, our bells weep, the hoof is without horseshoe, and the dog without garlic because they carry to the grave rubble that until yesterday was in our midst, a place that was dear to us and that we all cherished and without which we can still live in peace. It was a good home, honest, warm, sometimes even cold. It had children, girls, boys, puppies, cats, and other critters that it gathered with difficulty, picked them up from the ground to make them grown people and to get them each to their homes. It was a housekeeper: sheep, goats, cows, concerts, exhibitions, presentations, releases, workshops, parties, performances, screenings, audiotheques, cooking and building evenings, horses, pigs, birds, etc. We conclude the Tamtam project after three years, thank you to everyone who participated and helped us in any way, and we are looking forward to having you join us in the next projects. From the very beginning, we wanted the space to remain a studio, but to do an event every now and then where we invite other people, artists or not. In , Gavril Pop and Lucian Barbu joined the group following a residency for which the artists had to organize nine events in the space. Since this year, Gavril has participated in the coordination of two spaces: Balamuc and Indecis, and everything runs naturally through occasional meetings and participation in projects. This problem is often found in the cultural scene, where the only resources to fund artist-run spaces or pop-up projects being complicated applications for local, national, or international funding. Artists take on legal forms to access funds and become secretaries, accountants, managers, drivers, and carpenters, exhausted from writing and accounting for projects. However, since artists in Romania cannot apply directly for funding, this has become a reality for many spaces and artists who want to survive. It is a self-funded space. It is not an NGO. Our projects are not very expensive and, as such, do not represent a financial burden. From the very beginning, we created Balamuc as a group and support space for us, a friendship we extended this year to Lucian and Gavril. We want to avoid subjecting the group to the stress of funding applications, eventful programs, and high production costs. For this residency, we tried to work as much as possible with what was already in the space and use the funds for food and accommodation. The tours we take in the space are conversational. They were only familiar with the situation at Fabrica de Pensule in Cluj — where several artists have gathered and found a larger space suitable for studios — and were not interested in offering their space to organize events; they just want a space to work, experiment, and discover themselves, a proper studio. Later they found out that it belonged to the Faculty of Arts itself, which over the years has allowed them to stay in the space after they improved it. Until , the studio was just a private space where colleagues, art students, artists, and other art lovers gathered for discussions and studio visits. Artists try to discover what is happening with contemporary art and how they position themselves in this context. Through this collaboration, the first sanitary group was created. Since , a residency program for emerging artists has been initiated, providing a range of resources such as studio space, tools, and exhibition space, as well as a mentoring system and connection to the local art scene. In October , he rented two spaces at AZUR; one continued to be his studio but also his home for the first two years, and the larger one has been set up to become the artist-run space Lapsus , which hosts exhibitions, fairs, discussions, and screenings. The group exhibits in pop-up spaces around the city with fluid frequency and composition. A heterogeneous community started to form at AZUR, but without any common goal or shared identity, more like friends working individually. With open-minded and understanding management of the factory, artists continue in these spaces paying decent rents, although FABER, an alliance of creative entrepreneurs, architects, and business people who bought part of the AZUR factory and refurbished it, opened in the courtyard in The exhibitions at Lapsus began by inviting local artists who had not had the chance to exhibit due to lack of space. We have seen in recent years this managerial development of the artist either towards applying for government funding or by promoting online and holding fairs where they sell items more accessible to the general public. Thus, artists, through these fairs, try to come together to bring visibility and stop waiting to sell important works at high prices, such as sculptures or paintings, and in the meantime, try to sell works at modest prices, such as prints, sketches, jewelry, greeting cards, diaries, custom clothes, etc. But Lapsus wanted to create a larger event, with an exhibition that is not a gallery but more of a studio, where sketches from student years or various attempts are introduced to a diverse audience who want to bring home accessible yet original work. Then came the idea of an exhibition in Lapsus with the walls full with all these works, sketches, visual experiments, or themes from student days. So many people came, and they were all asking to buy one work or another. I walked around Lapsus that evening with a ladder to keep descend works off the walls. Overall, this elitist attitude blocks communication with the public and makes the artist tense, and then they complain that no one is exhibiting them. In my experience as a curator, I have tried to be critical of what we want and offer, but I have had an open attitude towards art and artists. To this day, the building is a taboo subject for the local authorities, which we think is a great pity and even a missed opportunity to invest heavily in the future generations who, in our opinion, give the city its glow and vibrancy. The space lasted a year and a half. Andrea with a background in theater and being a theater pedagogue, and the boys working in photojournalism, dreamed of the space being open to artistic and pedagogical experimentation, so they rented square meters and formed an NGO to run projects. The founders dreamed of finding a formula whereby guest artists and collaborators could give lectures, conferences, and theater plays that could generate income that would cover the fairly high rent. But after a very short time, it shut down due to a lack of money for rent and external pressures to leave the space following very public events with a large audience frequenting the factory. This is how the new alternative culture space Nava C2 was born. The space is self-funded with symbolic help from the CCS, as the artists were unwilling to spend their time on project applications, just like the Balamuc artists. Artist-supported spaces require dedication and attempts to find the funds to survive, and these stories often remain forgotten when the spaces close but also remain obscure, hidden behind the success of the organized opening. In recent years, we have seen a shift towards pop-up events based on funds and fixed time periods. Artists, forced to establish legal status to apply for funding and organize exhibitions, discussions, conferences, and workshops that revolve around the expense calendar, have neither the strength, money, and determination to support the space to hold events outside of winning projects, which are a lottery, not providing consistent and long-term support. Gabriela Mateescu is a Romanian artist and author who lives and works in Bucharest, working with video, installation, drawing and performance. Her work is feminist, autobiographical and self-referenti December 10, Filed in: Debates. Gabriela Mateescu Gabriela Mateescu is a Romanian artist and author who lives and works in Bucharest, working with video, installation, drawing and performance.

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