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8 janv. 2006 · Policy issues identified include digitalisation of content leading to an increased number of distribution channels, sources of funding for the live performing arts and the changing skills mix required in the sector. There are two broad categories in the performing arts sector: audiovisual activities and the live performing arts. Both of these. 8 juil. 2024 · The purpose of this study was to identify the most vulnerable points and current problems in the theatre sector and proposals for different solutions. The study, published in July 2024, highlights the sector’s diversity, the different business models that exist within it, as well as the programming methods across stakeholders and the EU. A 2024 report by the FMTW (Freelancers Make Theatre Work) community demonstrates that the additional pressures of the pandemic aggravated existing ‘critical vulnerabilities’ resulting from the freelancers’ ‘forced dependency on the sector's existing infrastructure and organisations, unstable margins of income, significant overheads, and. The European Union has released the first-ever study of theatres across Europe, mapping the socio-economic profile and impact of the sector on the continent. ‘ The Situation of Theatres in the EU Member States ’, prepared for the Commission by leading cultural policy centres PPMI and KEA European Affairs, aims to improve the European. In 2019, the European Commission commissioned an expert report prepared by EENCA on the theatre sector.2 The study had to improve the Commission’s understanding of the main challenges the theatre sector faces in Europe and identify relevant themes and stakeholders for an EU level dialogue. Following further discussions with theatre. What are the most vulnerable points and current problems in the European #theatre sector? 📖 Download and read the report: europa.eu /!K3KX4y IETM - International network for contemporary. 1 janv. 2024 · Our scoping review identified numerous personal and professional challenges and opportunities faced by performing artists during the COVID-19 pandemic. Unsurprisingly, participants reported substantial losses in work and income. Participants in several studies described the perceived failure of governments to understand the nature of. ‘performing’ is not necessarily the goal of all artists. The aim of this scoping review was to explore published literature on how those in the performing arts have experienced the pandemic - in particular, how lockdown has affected their wellbeing and the challenges and opportunities they have experienced. 2. Materials and method. 23 févr. 2024 · • Considered the experiences of performing artists during the COVID-19 pandemic in terms of: direct measures of wellbeing such as stress and mental health; indirect measures of wellbeing i.e. other relevant factors which might impact on wellbeing, such as social connections and finances; and any benefits or challenges experienced. Highlights. • Performing artists experienced loss of work, income, and social connections. • Some experienced negative psychological effects as a result. • Many also reported exploring new avenues and shifting to remote performing. • Lack of technological expertise or poor internet hindered remote performances. 24 févr. 2024 · Challenges and Opportunities Experienced by Performing Artists during COVID-19 Lockdown: Scoping Review. S. Brooks, S. Patel. Published in medRxiv 24 February 2024. Art. This scoping review synthesises published literature on the experiences of professional and amateur performing artists during COVID-19 and their perceptions of the. 1 juin 2024 · This scoping review synthesises published literature on the experiences of professional and amateur performing artists during COVID-19 and their perceptions of the challenges and.