The news comes two weeks after controversy

"The Talk" and Sharon Osbourne have parted ways, CBS announced Friday.

The news comes two weeks after controversy over an on-air confrontation between Osbourne and one of her co-hosts, as well as allegations that she had made racist and homophobic remarks about her colleagues in the past.

"The events of the March 10 broadcast were upsetting to everyone involved, including the audience watching at home. As part of our review, we concluded that Sharon's behavior toward her co-hosts during the March 10 episode did not align with our values for a respectful workplace," CBS said in a statement released to CNN. "We also did not find any evidence that CBS executives orchestrated the discussion or blindsided any of the hosts."

CNN has reached out to a representative for Osbourne for comment.

In the episode at the center of the controversy, Osbourne had an intense debate with fellow co-host Sheryl Underwood after the latter questioned Osbourne's support of her longtime friend, Piers Morgan.

Morgan left his job on ITV's "Good Morning Britain" after allegations that negative comments he made following Prince Harry and Meghan's interview with media mogul Oprah Winfrey were rooted in racism.

Osbourne demanded Underwood present instances of when Morgan had been racist and was visibly upset during the exchange.

Osbourne later tweeted an apology, saying she "panicked," "felt blindsided" and then "got defensive" during her conversation with Underwood.

Following the episode, CBS announced an internal review would take place and the show went on a temporary production hiatus.

Shortly thereafter, in a story written by journalist Yashar Ali, former "Talk" co-host Leah Remini, who spoke on the record in the piece, and a number of unnamed sources, accused Osbourne of using racist and homophobic language in the past when speaking about her colleagues.

Osbourne's spokesperson Howard Bragman disputed the allegations

"The only thing worse than a disgruntled former employee is a disgruntled former talk show host,

with her hosts as evidenced by throwingthem parties, inviting them to her home in the UK and other gestures of kindness too many to name. Sharon is disappointed but unfazed and hardly surprised by the lies, the recasting of history and the bitterness coming out at this moment."

Before the allegations went public, Osbourne spoke to "Entertainment Tonight" and insisted she is not racist. She also said she had attempted to apologize to Underwood, whom she considered a friend, to no avail.

"I am not a racist and if you can't have a go at your friend who happens to be Black, does that make me racist because I said certain things to my friend, but I said them on camera?" Osbourne said. "I will keep on apologizing to Sheryl, even if I decide not to go back, I will still keep apologizing to Sheryl."

Osbourne was the only remaining original cast member of "The Talk," which debuted in 2010.

In its statement Friday, CBS also said: "During this week's hiatus, we are coordinating workshops, listening sessions and training about equity, inclusion and cultural awareness for the hosts, producers and crew. Going forward, we are identifying plans to enhance the producing staff and producing procedures to better serve the hosts, the production and, ultimately, our viewers."

The less you know about "Behind Her Eyes" going in the better, and while the Netflix drama feels slow-going at first, patience has its rewards. By the time it's over, this sci-fi-tinged limited series becomes a buzzworthy binge, one that will likely have you thinking back to clues you might have missed along the way.

Initially this six-episode British production comes across as just another soap, placing its central figure, Louise (Simona Brown), in an extremely uncomfortable position. A divorced mom, when her plans for a rare night out fizzle she somewhat impulsively ends up flirting with a married man, David (Tom Bateman). Not the best judgment, perhaps, but no real harm done.

Alas, David turns out to be her new boss in the psychiatrist's office where she works, and the tension between them only grows. Moreover, Louise gradually befriends David's seemingly perfect wife, Adele (Eve Hewson), which raises questions about what soured their relationship, and a troubled history that dribbles out (too slowly in the first few episodes) via a series of teasing flashbacks.

Answers await, however, and as adapted from Sarah Pinborough's book, they prove far more interesting and unexpected than the familiar set-up suggests. What looks like a tale of infidelity with a sort-of reverse "Fatal Attraction" vibe -- it's the wife who might be the stalker -- takes off in unanticipated directions and yields genuine surprises. Plus, there's the mystery about Adele's days in a mental-health facility.

Granted, one could argue the shift in tone comes a bit out of left field, but therein lies the fun of it. The performances, thankfully, help get through the rough patches (or should), with Brown as an everywoman in a strange predicament -- bonding with Adele, but drawn to David -- and Bateman's brooding intensity resembling a modern-day version of a character from a Jane Austen novel.

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The clever part in the way writers Steve Lightfoot and Angela LaManna ("The Punisher") have constructed the show is the extent to which it makes you think you've seen all this before, then subverts those expectations. If nothing else, amid the current content glut unpredictability is refreshing.

"Can you turn the air-con on?" I asked over and over but none of the grown-ups seemingly could hear me. "It's so hot!"

My mum shot me a look that suggested I would have more than the heat to worry about if I carried on moaning.

We had come to Bangladesh, the country of my ancestors, to see my grandparents, visit our village and, as I was constantly reminded, to "learn about my roots".

As a child, I had spent my holidays roaming our lands - exploring the rice paddies with my younger brother, watching the farm hands tend to the cows and fishing in one of several fushkunis, or small lakes. It was a giant playground, full of joy, wonder and mischief.

But, that magic had started to wear off as a teen.

One thing I remember vividly about that trip was the moment we were all told to get out of the car that was taking us from the airport to our village.

The road in front of us was completely under water.

We were only about half an hour from our "bari" - village estate - but the journey was about to take an unexpected turn. We all climbed aboard a bamboo boat called a nowka, which then meandered down the murky green water for another two or three hours.

That was 15 years ago - the last time I visited our village.

My mum, Ratna, and I talked about this story as we were going through some old photos, which captured 90s fashion, bad haircuts and our land - "a sea of green" - as she describes it. "Your dad dreams of us retiring there, but that won't happen," my mum says. "You, however, need to know what we have there, because that's your inheritance."

My dad was raised in Bangladesh and regularly goes back to look after our estate, visit the school he set up and catch up with the local villagers. Ever since I was a child I've been told that he plans to pass the old family home to my brother, sister and me to look after - but that's not a topic we talk about much any more.

It often ends in an awkward silence.

Like many British Bangladeshis, my father feels duty-bound to help his village and the people he left behind. He has raised funds to build roads and a mosque, for farming equipment, and even to help people with medical bills.

Half the money he earned over the years working in Birmingham's restaurant trade has been sent back to invest in the land and the village, which was named after his great-great-grandfather.

Every summer he would suggest that I return with him to help, but I used to shrug and say, "I don't have time."