The Wire Nude
⚡ ALL INFORMATION CLICK HERE 👈🏻👈🏻👈🏻
The Wire Nude
Subscribe to our newsletter for updates and special offers
By signing up you agree to our Privacy Policy and Terms of Use
Subscribe to our newsletter for updates and special offers
By signing up you agree to our Privacy Policy and Terms of Use
We use cookies to understand how you use our site and to improve your experience. This includes personalizing content and advertising. To learn more, Click Here . By continuing to use our site, you accept our use of cookies , revised Privacy Policy , and Terms of Use . We use cookies. Learn More | Privacy Policy | Terms of Use
Want Free Access to The Wire Pics & Clips?
Enter an e-mail, verify your account & start watching!
Created by acclaimed filmmaker Barry Levinson and writer David Simon , who were previously responsible for NBC's Homicide: Life on the Street , The Wire details the fierce, frustrating world of drug enforcement from the point of view of both the police and the residents caught in the crossfire. Amidst the intense drama, there are moments of heroism, humor, and, most importantly, nudity! During the show's five season run, it gave us lots of terrific nude scenes, with breast baring action courtesy of Wendy Grantham & Deidre Lovejoy in Season 1, Kristin Proctor and Callie Thorne in Season 2, and even some boobage and buttage from Brandy Burre in Season 3! In addition, the series gave us two skinsationally sapphic encounters between Sonja Sohn & Melanie Nicholls-King , with both ladies baring their beauties! The Wire will set your pants on fire!
Nude - as Theresa 'Terri' D'Agostino
Made with love in Chicago since 1999! © 1999-2022 SK Intertainment, Inc. All Rights Reserved.
Please enter one of the following pieces of information:
Want Free Access to The Wire Pics & Clips?
Enter an e-mail, verify your account & start watching!
Blog
Celebrities
Movies
TV Shows
Video
Updates
Board
Comments
Ancensored Deutsch:
The Wire Nacktszenen
Ancensored Español:
The Wire Escenas Nudistas
Ancensored Italiano:
The Wire Scene Nuda
Ancensored Français:
The Wire Scènes de Nu
Ancensored Português:
The Wire Cenas de Nudez
Ancensored Русский:
The Wire Обнаженные сцены
bot (03/28/2011), hakob317 (09/09/2018)
You must be logged in to post a comment.
Sort by:
Name
Age
Popularity
Callie Thorne
Elena McNulty (33-39 years)
Sonja Sohn
Det. Shakima Greggs (39-45 years)
Deirdre Lovejoy
Rhonda Pearlman (41-47 years)
Kristin Proctor
Aimee (25-31 years)
Brandy Burre
Theresa 'Terri' D'Agostino (28-34 years)
Wendy Grantham
Shardene Innes (??? years)
Unknown
NA (??? years)
Melanie Nicholls-King
Cheryl (??? years)
Lisa Bullock
N/A (??? years)
Marlyne Afflack
Co. Pres. Nerese Campbell (24-30 years)
Jennifer Rouse
Carcetti Campaign Office Staff (28-34 years)
Add
Celebrity Movie TV Show Appearance (Pics & Videos)
About
About Us Contact Privacy Policy Terms of Use
Not logged in.
Login or Become a member!
You are browsing the web-site, which contains photos and videos of nude celebrities. in case you don’t like or not tolerant to nude and famous women, please, feel free to close the web-site. All other people have a nice time watching! Who are the celebrities and what does “ nude ” mean, you can find on Wikipedia.
©2007-2022 Ancensored International . All Rights Reserved.
The Wire Nude Scenes - Does It Contain Nudity?
Michael Kenneth Williams (Omar Little)
Corey Parker Robinson (Leander Sydnor)
Hassan Johnson (Roland 'Wee-Bay' Brice)
This TV show has no scenes, add one using the button above!
This product uses the TMDb API but is not endorsed or certified.
No, we have no record of The Wire containing any nudity. If you think we are missing something, please add it using the 'Add Scene' button below.
Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.
TV
Movies
Comedy
Music
TV Recaps
Streamliner
Vulture Lists
Books
Theater
Art
The Gold Rush
Podcasts
Videos
Like Us
Follow Us
Follow Us
Search
Search
Close
TV
Movies
Comedy
Music
TV Recaps
Streamliner
Vulture Lists
Books
Theater
Art
The Gold Rush
Podcasts
Videos
Like Us
Follow Us
Follow Us
Search
Search
Close
Tags:
vulture homepage lede
vulture section lede
the wire
all the pieces matter
books
tv
dominic west
wendell pierce
book excerpt
More
The Odds Are Going Up That Trump Could Be Charged
The Odds Are Going Up That Trump Could Be Charged
‘No Aliens, No Spaceships, No Invasion of Earth’
‘No Aliens, No Spaceships, No Invasion of Earth’
How Leslie Wexner Helped Create Jeffrey Epstein
How Leslie Wexner Helped Create Jeffrey Epstein
it's a potion
7 mins ago
unretirement plan
26 mins ago
trailer mix
2:43 p.m.
in sickness and in health
2:40 p.m.
calling all readers!
1:59 p.m.
vulture 10x10
12:52 p.m.
overnights
12:45 p.m.
vulture lists
12:00 p.m.
trailer mix
12:00 p.m.
chat room
10:51 a.m.
backstories
10:30 a.m.
trailer mix
10:25 a.m.
putting the atoms together
10:00 a.m.
meat deets
9:09 a.m.
dressing up
1:45 a.m.
Like Us
Follow Us
Follow Us
Follow Us
vulture is a Vox Media Network .
© 2022 Vox Media, LLC. All rights reserved.
Things you buy through our links may earn New York a commission.
The following is an excerpt from Jonathan Abrams’s new book, All the Pieces Matter: The Inside Story of The Wire , which is now available. In the oral history below, the creators and stars of The Wire explain how they wrote and filmed one of the show’s most famous moments, a sequence from the season-one episode “Old Cases” known simply to fans as the “fuck” scene.
The Wire allowed its audience space to interpret. It would not fully explain scenes, instead leaving viewers pondering the meaning of them for episodes, and sometimes seasons, at a time. One early moment hammered that methodology home. In real life, Ed Burns and Harry Edgerton had worked the murder of Dessera Press, who had been dumped by one of Williams’s lieutenants, Louis “Cookie” Savage. In retaliation, she had threatened to turn Savage into the state’s attorney. A gunman killed her, firing from outside a glass window. Through that case, Burns and Edgerton unearthed Savage’s connection to Melvin Williams. In a storyline that recalled Press’s killing, Jimmy McNulty and Bunk Moreland visit the apartment of a murdered young woman in Episode 4. They quickly discover that the previous detective bungled the investigation, and they slowly and methodically retrace the murder and link it to Avon Barksdale’s conspirators. Television had never seen anything quite like it. McNulty and Bunk conversed in the nearly five-minute scene by using only iterations of the word fuck. Simon credits the scene as an ode to Terry McLarney, a detective sergeant and a fixture in Homicide: A Year on the Killing Streets .
DAVID SIMON (CREATOR): We’re standing at a crime scene. We’re staring, and cops are just cursing left and right. Somebody said something that was so profanity laden that Terry McLarney just started giggling and saying, “One day we’re going to get to the point where we’re all going to be able to just use the word fuck to communicate.” And it was just a throwaway line for Terry, but I remembered it. So, I came to Ed with it, and then Ed wrote that scene.
ED BURNS (CO-CREATOR): Terry is an amazing guy. He might even still be on the force. He was telling David, basically, these homicide things are so matter-of-fact, it just becomes a matter of grunts. I wrote it, and I used four variations of the word fuck: “What the fuck? Oh, fuck. Fucked up.” But just four, and the actors were uncomfortable with the four lines, so then he was like, “Fuck, fuck, fuck, fuck, fuck,” and I asked the director, “Just give me the one. Get them to do the fucking job that they’re being paid for,” and I went to them and I said, “We need the one.” It turns out that David used the “Fuck, fuck, fuck, fuck, fuck,” which, to me, is like, wait a minute, the scene is about this harmony of doing an investigation and they’re so used to it. But we ended up with the “Fuck, fuck, fuck” because it was a little bit, apparently, more fun. I didn’t particularly see it that way, but it was fine.
WENDELL PIERCE (DET. WILLIAM “BUNK” MORELAND): David comes up to us and describes a scene. He says, “You’re going to go to the scene. You’re going to realize that [the previous] detective, he did a bad job. Wendell, you’re going to see the photos of the girl. Dominic, you’re going to start getting the stats, looking at what the report was. Going back over, you’re going to realize it’s impossible to have gone down the way it was reported, because the guy would have to be like eight feet tall to get that trajectory. If he did, then something must be left in here, and you’re looking for any evidence that may be around, and Wendell, you discover that there’s a shot through the window. The glass is on the inside. It means it came from the outside. That means whoever the perpetrator was wasn’t inside, like the person they say in the report. The bullet came from outside. From there, let’s see the trajectory. It would be right here, in the refrigerator. Let’s see, not the wall. In the refrigerator, we find the bullet here. Let’s go outside, make a new discovery.” He explained the whole scene to us. He said, “Now you guys are going to do that whole thing, but they’re going to be on me about the profanity and language that we use.” So, I said, “Let’s just come out the box with it.” He said, “You’re going to do that whole scene, but the only word you can say is ‘fuck.’” I said, “What?”
CLEMENT VIRGO (DIRECTOR): I wanted to really let the audience in and know exactly what was happening visually. It took a long time to shoot that scene, but I wanted to get it right. I wanted it to be kind of like the shower scene in Psycho, where it was a lot of setups. The story was told visually, and so I was very detailed in shooting that scene. I remember our cinematographer, Uta, shot the whole thing—we shot the whole thing handheld—and I remember looking over at her, and she was wiped out from holding the camera for a long time. I really wanted to get all the kind of little details, and I wanted the audience to not have any mystery about what was happening in the story.
WENDELL PIERCE (DET. WILLIAM “BUNK” MORELAND): I think it’s an example of one of the best displays of my acting in the whole series. I tell folks, “Study that if you want to study what intent is,” because everyone understood exactly what we were doing at every moment, even though we were using just that one word or [a] variation thereof. That was one of the best-acted scenes that I did on the show. The one thing they cut out that I regret is we said, “Fuck. Fuck me. Mother fuck. Fuckity fuck,” all of that. Then we were [being] watched the whole time by the super. “Fuck. Motherfucker. Fuck.” We go outside and we find the casing, and the super says, “Well, I’ll be fucked.” They cut that out, though. I was like, “Oh, man, they should have left that in.”
DOMINIC WEST (DET. JIMMY MCNULTY): Every time someone said, “Cut,” we were crying with laughter, Wendell and me, because it was really fun to do. It would get outrageous, sort of go, “Fuckkk,” and “Fuuuckkk,” most of which hit the cutting room floor, thank goodness, but it was just the most ludicrous varieties of saying “fuck” that we could think of.
Reprinted from All the Pieces Matter: The Inside Story of the Wire ® Copyright © 2018 by Jonathan Abrams. Published by Crown, an imprint of Penguin Random House LLC.
Things you buy through our links may earn New York a commission.
Reese Witherspoon Nude Twilight
Kimberly Page Tits
Dina Meyers Nude