The Who Solo Collection

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THE WHO – THE ULTIMATE COLLECTION, released in June 2002 (UK: CD Polydor 065 234-2 and 065 300-2, October 2002; US: CD MCA 088 112 877-2) was a very comprehensive Who compilation coincided with The Whos US tour that year. The above cover is the US version of THE ULTIMATE COLLECTION. In the UK Polydor issued their own version in a different gatefold package(Polydor 065 300-2). The UK version added five extra tracks: ‘Had Enough’, Don’t Let Go The Coat’, ‘The Quiet One’, Another Tricky Day’ and ‘Athena’ as well as a bonus enhanced CD containing ‘Substitute’ (Rare US Single Version), ‘I’m A Boy’ (Early Version), ‘Happy Jack’ (Acoustic Version), ‘Magic Bus’ (US Single Version) and videos of ‘Baba O’Riley’ and ‘Substitute’ from the BBCs 2nd House film of The Who at Charlton in 1974. A standard 2-disc set without the enhanced CD was also released (Polydor 065 234-2).
Design & art direction by Richard Evans.
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1.Pete Townshend
Empty Glass (1980)

The Great Lost Who Album. Can you imagine the band rejected "Gonna Get You", "Rough Kids" and "Empty Glass" but kept "You Better You Bet" and "Daily Records"? What were they thinking?
The Great Lost Who Album. Can you imagine the band rejected "Gonna Get You", "Rough Kids" and "Empty Glass" but kept "You Better You Bet" and "Daily Records"? What were they thinking?
2.Pete Townshend & Ronnie Lane
Rough Mix (1977)

Simply gorgeous. A folky, light-hearted delight, from the infectious "My Baby Gives It Away" to the cover of "Till The River All Runs Dry". Plus the best Pete-With-Orchestra track, "Street In The City". Ronnie's songs are pretty good too!
Simply gorgeous. A folky, light-hearted delight, from the infectious "My Baby Gives It Away" to the cover of "Till The River All Runs Dry". Plus the best Pete-With-Orchestra track, "Street In The City". Ronnie's songs are pretty good too!
3.John Entwistle
Smash Your Head Against the Wall (1971)

You dig The Ox? Then you must get this. John's still writing those mordantly witty songs and hasn't yet discovered heavy metal. "My Size" shoulda been a Who song.
You dig The Ox? Then you must get this. John's still writing those mordantly witty songs and hasn't yet discovered heavy metal. "My Size" shoulda been a Who song.
4.Roger Daltrey
McVicar (1980)

This is a Who album in all but name; all the band play on it (although Pete reneged on a promise to write some songs for it; I suppose the man who was then coming up with crap like "Daily Records" realised he wasn't up for it) and it very much rocks in a Whoish vein. "Free Me" sounds more like classic Who than anything on Face Dances; "Without Your Love" is the obligatory drippy ballad (but goes down easily).
This is a Who album in all but name; all the band play on it (although Pete reneged on a promise to write some songs for it; I suppose the man who was then coming up with crap like "Daily Records" realised he wasn't up for it) and it very much rocks in a Whoish vein. "Free Me" sounds more like classic Who than anything on Face Dances; "Without Your Love" is the obligatory drippy ballad (but goes down easily).
5.Roger Daltrey
One of the Boys (1977)

Far and away Roger's best solo album. He was always careful to avoid hard rock when putting together his own stuff, as he didn't want to tread on The Who's territory, but on the title track he makes an exception and rocks out. Plus my favourite version of the oft-recorded "Avenging Annie".
Far and away Roger's best solo album. He was always careful to avoid hard rock when putting together his own stuff, as he didn't want to tread on The Who's territory, but on the title track he makes an exception and rocks out. Plus my favourite version of the oft-recorded "Avenging Annie".
6.Pete Townshend
Scoop (1983)

An album of demos, outtakes and offcuts that's easily as grand and cohesive as anything The Who proper did. "Mary", "Melancholia", "Politician", "To Barney Kessel" and "Unused Piano From Quadrophenia" are the highlights here.
An album of demos, outtakes and offcuts that's easily as grand and cohesive as anything The Who proper did. "Mary", "Melancholia", "Politician", "To Barney Kessel" and "Unused Piano From Quadrophenia" are the highlights here.
7.John Entwistle
Whistle Rymes (1972)

Whimsical, charming, silly and thought-provoking. Plus, it rocks.
Whimsical, charming, silly and thought-provoking. Plus, it rocks.
8.Roger Daltrey
Under a Raging Moon (1985)

Roger's best post-split album kicks off with a fine new song by Pete (despite a couple of very clumsy lines). The rest is quite strong too. On the title track a dozen famous drummers, including Roger Taylor and Stewart Copeland, line up to prove they're crap next to the late Mr Moon.
Roger's best post-split album kicks off with a fine new song by Pete (despite a couple of very clumsy lines). The rest is quite strong too. On the title track a dozen famous drummers, including Roger Taylor and Stewart Copeland, line up to prove they're crap next to the late Mr Moon.
9.Pete Townshend
Who Came First (1972)

More acoustic-oriented than The Who, this album would be worth picking up for "Sheraton Gibson", a great song about being on the road. Add in fine tracks contributed by Ronnie Lane and Billy Nicholls, Townshend solo versions of "Let's See Action" and "Pure And Easy", and the haunting melody of "Parvardigar", and you'll see it's a must-have.
More acoustic-oriented than The Who, this album would be worth picking up for "Sheraton Gibson", a great song about being on the road. Add in fine tracks contributed by Ronnie Lane and Billy Nicholls, Townshend solo versions of "Let's See Action" and "Pure And Easy", and the haunting melody of "Parvardigar", and you'll see it's a must-have.
10.Thunderclap Newman
Hollywood Dream (1969)

OK, I'm cheating. But as producer, bass guitarist, mentor and catalyst, Pete deserves almost as much credit for the absolutely wonderful one-and-only Thunderclap Newman album as Speedy Keene. If you're a fan of The Who's more whimsical side (and no, I don't mean "Now I'm A Farmer"), you must hear this record.
OK, I'm cheating. But as producer, bass guitarist, mentor and catalyst, Pete deserves almost as much credit for the absolutely wonderful one-and-only Thunderclap Newman album as Speedy Keene. If you're a fan of The Who's more whimsical side (and no, I don't mean "Now I'm A Farmer"), you must hear this record.

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