The November Man Movie Free Download In Hindi

The November Man Movie Free Download In Hindi

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The November Man Movie Free Download In Hindi

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In Lausanne, Switzerland, the retired CIA agent Peter Devereaux is visited by his former chief John Hanley that convinces him to extract the agent Natalia Ulanova from Russia. Natalia is the assistant of the Russian candidate for President Arkady Federov and has collected evidences of war crimes committed by the candidate during the Chechen War and requested Peter to help her. However, during the operation, CIA chief Perry Weinstein believes that Natalie has been captured by the Russians and orders agent David Mason to kill her. Natalie gives photos and the name Mira Filipova to Peter before dying and the agent informs Hanley. Peter kills the CIA agents, but when he sees Mason, he spares the agent that was trained by him. When Mason meets Weinstein, he learns that Peter and Natalie had a love affair in the past and the agent is assigned to kill him. Peter heads to Belgrade where he saves the social worker Alice Fournier that might know where Mira is from Federov's assassin Alexa and from Mason. Soon Peter learns dirty secrets about Arkady Federov and the CIA and has to flee with Alice to save their lives and expose the crimes to the world.
An ex-C.I.A. operative is brought back in on a very personal mission and finds himself pitted against his former pupil in a deadly game involving high level C.I.A. officials and the Russian President-elect.
Peter Devereaux (Pierce Brosnan) is a retired CIA agent that left the game to settle down. Devereaux, code name &quot;November Man,&quot; is called into action by an old counterpart to help recover valuable information about a target that&#39;s linked to a Russian official. Devereaux and his protégé David Mason (Luke Bracey) have spent some time apart, but working for the same agency has brought them back together and has set them against each other in bitter conflict. Now, Devereaux must find the woman everyone is after and deal with his protégé Mason, as the hunter has become the hunted and by the person he trained. <br/><br/>James Bond...whoops! I almost forgot he&#39;s not Bond anymore, but the movie felt like it because Olga was the Bond girl opposite Daniel Craig in Quantum of Solace. Pierce Brosnan was amazing and some will say he&#39;s the best part of this movie. He played an older, retired spy that&#39;s brought back into the game and he not only looked the part, but he acted the part with a kind of style and ruthlessness that shows he had experience as Bond. He seemed to really take his role seriously and it made watching him work even more enjoyable. I valued Devereaux&#39;s use of psychology and wit, as it showcased a different skill-set that I haven&#39;t seen in sometime.<br/><br/>His supporting cast...I&#39;d say had mixed reviews, but I felt Luke Bracey played the role of the protégé. Luke played a young, emotional, and trying to be detached character. I could see it in Luke&#39;s face, he looked like he was trying to remain cold, trying to get a grip on his emotions, but you could see the angry, young, inexperienced &quot;protégé&quot;role coming through in his acting. If this was the purpose, then he hit the ball on the head and the idea of him being a &quot;protégé&quot; to Pierce could be a springboard for him in later movies.<br/><br/>So about the other supporting casting members...Let&#39;s look at Olga; every time I see her in a movie I&#39;m worried the movie will flop. I don&#39;t mean this disrespectfully, nor do I dislike her, I actually like her in movies and want to see more of her, but the problem is the roles she fills. Have you seen her in the trailer or the poster? She played roles like this &quot;Hitman&quot; and in &quot;Quantum of Solace.&quot; If you&#39;ve seen her in the those movies you know she plays the damsel in distress, who&#39;s being chased and yet pretends to be tough, but ends up dressing like a prostitute to get close to a man in power (usually the villain or anti-hero). It&#39;s no different here folks; she keeps taking roles like this and whenever I see her in a colored wig I know what she&#39;s doing and I can immediately spot where the plot might go. Again, she&#39;s not a bad actress and she has other roles, but I just see the plot coming from a mile away when I see her do something like this.<br/><br/>The other cast members weren&#39;t anything to brag about, except for a few interesting scenes. I can&#39;t tell you anyone in this movie gave an Oscar-winning performance. Let&#39;s make this clear; this movie is entertaining, but it doesn&#39;t compel me to get out of my seat and clap, nor did it challenge me to think beyond my daydreams. This is a spy movie; the moment I heard: &quot;he&#39;s the best at what he does,&quot; I knew some clichés were coming. I feel clichés are difficult to avoid in spy movies because unless you&#39;re a spy from outer space with completely different tactics and emotions, you&#39;re going to see some similarities because spies aren&#39;t exactly trained that differently. Think of this, isn&#39;t every spy they call out of retirement the best at what they do? Pierce&#39;s character takes on that cliché role for sure, but can he really help it? However with roles like Olga&#39;s you&#39;re bound to have some issues.<br/><br/>The plot had some interesting twists that made me smile. I liked being surprised when the plot twists came about. Unfortunately, the plot did have a few holes and confusing story pieces, but nothing to hold your head and cry. My biggest issue with the movie was something I best characterize as a &quot;shift.&quot; Whether it&#39;s in the pace, the plot or the quality of the movie, these &quot;shifts&quot; tend to happen and they don&#39;t usually pan out well...<br/><br/>It felt like the movie started on an incredible note, got progressively better and then suddenly things &quot;shifted&quot; and I had no idea how some characters ended up where they did. There was no mention of how it really happened and it just didn&#39;t make sense. There&#39;s also some built up tension between characters in the movie that we don&#39;t really see settled. I&#39;m trying not to spoil it, but believe me when I say there&#39;s a shift in the movie and when it happened I tried not to take notice. Again, a few pieces (not many) don&#39;t add up; none of these issues ruined the movie for me, nor did they spoil my experience.<br/><br/>The action was excellent in most cases and cliché in others, and the dialog may have been confusing in a few scenes, but the movie set out to entertain and I felt it did just that. I give this movie a 6.5 or 7 at best. Again, entertaining movie and Pierce Brosnan was easily one of the best parts, the plot wasn&#39;t bad and I enjoyed the twists. If you can tolerate cliché spy movies, awkward scenes and somewhat confusing dialog (only because it feels like it went by so quickly), then this movie won&#39;t bother you. Regardless, I suggest you watch it. I really enjoyed it and felt it was highly entertaining; despite mixed reviews there&#39;s something there if you&#39;re looking for a flick this weekend.
Ever wonder what would have happened if Pierce Brosnan had been handed a more gritty Bond script from, say, the Timmothy Dalton or Daniel Craig tenure? That&#39;s what we&#39;re given in The November Man, a serviceable spy thriller from Relativity Media starring the former 007 himself.<br/><br/>Here Pierce Brosnan plays ex-CIA operative Peter Devereaux, a cold, hard drinking killer who hardly thinks twice about killing. Brought back into the field he winds up in a plot concerning the future of international politics. Naturally the entire operation goes to hell and Devereaux finds himself alone and on the run from the CIA and Russian assassins as he tries to find the mysterious woman at the center of it all.<br/><br/>The real standout in The November Man is Pierce Brosnan himself who really does go above and beyond in his portrayal of Devereaux. Many modern viewers criticize Brosnan&#39;s Bond for being on the lighter side, but clearly that had more to do with the series direction and scripts than Brosnan himself. He totally sells the role of a cold blood, professional killer in The November Man and leaves you wondering how things might have been if his tenure as Bond had taken a darker direction. Watching him here I found myself thinking: &quot;Man, give Pierce Brosnan one last Bond film as an aging 007 and he&#39;d be FANTASTIC.&quot; Scenes where he confronts his former protégé are especially well executed. As it stands this will be the closest we get to seeing Brosnan play a dark Bond and it is the best element of the film. If you&#39;re a fan of Brosnan -as I am- this is reason enough to see The November Man.<br/><br/>Unfortunately, as great as Brosnan is, the movie&#39;s plot doesn&#39;t live up to his performance. The November Man is needlessly complicated, constantly introducing new plot threads, conflicts, and twists that only serve to muddle the narrative flow. There is nothing wrong with a complex spy thriller, but it needs to be original and The November Man just doesn&#39;t bring anything new to the table. There is nothing awful about it, there&#39;s just very few memorable moments (and all those hinge on Brosnan&#39;s performance).<br/><br/>The November Man could have really benefited from a more focused plot. If the filmmakers had narrowed it down to one or two primary plots and simplified the narrative it would have really been a solid action thriller along the lines of Taken. As it is there are just too many predictable twists and clichés and they pull the film down.<br/><br/>That all being said The November Man is definitely worth a matinée screening in cinemas or rental once it&#39;s available at home. At 61 Pierce Brosnan successfully proves he can still carry an action film and shows he can tackle far darker roles than many gave him credit. Even if I don&#39;t think The November Man is a knockout it has whet my appetite for future Brosnan action films which hopefully can deliver a script worthy of his talent and on screen charisma.
There is something to be said for a thriller that rips along with no regard for anything other than its own pace, coasting on Mr. Brosnan’s blunter-than-Bond suavity and Ms. Kurylenko’s beauty.
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