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Tags watch online the handmaiden in engsub, agassi, lady, korea movie 2016, tdrama,korean drama,k drama,chinese drama,drama eng sub,kshows,english subtitle,drama online, kissasian, dramacool, dramanice, viewasian, boxasian, myasiantv, dramabus, dramafever, dramafire, kshowonline, drama3s, ondemandkorea, gooddrama, newasiantv, veuue, icdrama, viki, dramabay, soompi, dramalove, kdramahood, Watch online The Handmaiden in EngSub, Agassi, Lady, Korea Movie 2016, Watch online Korean drama, Chinese drama, movies with EngSub and download free on TDrama | Armenian ⇔ հայերեն | Azerbaijani ⇔ Azərbaycan | Bashkir ⇔ Башҡорт | Basque ⇔ Euskal | Belarusian ⇔ Беларус | Bengali ⇔ বাংলা | Bosnian ⇔ Bosanski | Bulgarian ⇔ български | ... 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For the servant, see handmaiden. For other uses, see The Handmaid. The HandmaidenTheatrical release posterHangul아가씨Revised RomanizationAgassi Directed byPark Chan-wookProduced by Park Chan-wook Syd Lim Written by Park Chan-wook Chung Seo-kyung Based onFingersmithby Sarah WatersStarring Kim Min-hee Kim Tae-ri Ha Jung-woo Cho Jin-woong Music byJo Yeong-wookCinematographyChung Chung-hoonEdited by Kim Jae-bum Kim Sang-bum Productioncompanies Moho Film Yong Film Distributed byCJ EntertainmentRelease date 14 May 2016 (2016-05-14) (Cannes) 1 June 2016 (2016-06-01) (South Korea) Running time145 minutes[1]CountrySouth KoreaLanguages Korean Japanese Budget₩10 billion(approx. $8.8 million)[2]Box office$38.6 million[3][4] The Handmaiden (Korean: 아가씨; RR: Agassi; lit. '"Lady"') is a 2016 South Korean erotic psychological thriller film directed by Park Chan-wook and starring Kim Min-hee, Kim Tae-ri, Ha Jung-woo and Cho Jin-woong. It is inspired by the 2002 novel Fingersmith by Welsh writer Sarah Waters, with the setting changed from Victorian era Britain to Korea under Japanese colonial rule. The film was selected to compete for the Palme d'Or at the 2016 Cannes Film Festival . It was released in South Korea on 1 June 2016, to critical acclaim. It grossed over $38 million worldwide. At the 71st British Academy Film Awards, the film won the category of Best Film Not in the English Language. Plot Part 1 In Japanese-occupied Korea, a con man operating under the sobriquet of "Count Fujiwara" plans to seduce a Japanese heiress named Lady Hideko, then marry her and commit her to an asylum in order to steal her inheritance. He hires a pickpocket named Sook- hee to become Hideko's maid and encourage Hideko to marry him. Hideko lives with her Uncle Kouzuki, a Korean man who helped the Japanese take over his country in exchange for a gold mine. Kouzuki then uses this wealth to feed his obsession with rare books, selling forgeries to further accumulate money and books. Sook-hee's main job is to help Hideko prepare to read for Kouzuki's guests. Returning frustrated from a reading, Hideko demands Sook-hee sleep next to her. The two end up making love, under the pretext of preparing Hideko for her married life with the Count. Sook-hee begins expressing reluctance about the plan, but when Hideko herself suggests she loves someone other than the Count, Sook-hee insists on the marriage. Hideko slaps her and violently throws her from the room. When Kouzuki leaves on business for a week, Hideko and Fujiwara elope. After cashing out Hideko's inheritance, it is revealed that Hideko's naïveté was part of the con. She and Fujiwara double-crossed Sook-hee and convinced the asylum that she is the "Countess" to have her committed in Hideko's stead. Part 2 A series of flashbacks show that Hideko's “reading practice” was in fact Kouzuki teaching her to erotically read sadistic pornography since she was five years old. The flashbacks show a regimen of psychological and physical abuse that gradually degrades the sanity of Hideko's aunt, who is eventually found hanged from a tree in the yard, and so Hideko takes over as the reader for the auctions. When Hideko questions the description of a hanging in a book she has to read, Kouzuki tells her that he murdered her aunt using torture devices in the basement after she attempted to run away. In the more recent past, the Count realizes seducing Hideko would be impossible and instead includes her in the plan to elope and then split her inheritance. When Hideko expresses her fear of her uncle, the Count gifts her a vial of opium with which to commit suicide, so that she can never be taken to the basement alive. Hideko demands the Count find her a girl to hire as a maid, to commit to an asylum in Hideko's place. While being instructed by the Count, who takes advantage of Sook-hee's illiteracy, Hideko unexpectedly falls in love with her. Hideko tries to confess her love, but when Sook-hee insists the marriage go on, Hideko throws her from the room and tries to hang herself. Sook-hee saves her and both admit to their plots. Hideko helps Sook-hee write a letter to her family to say she has teamed up with Hideko, and to hatch a plot to get Hideko and Sook-hee away from the men who have been manipulating them. Hideko shows Sook-hee the books she was forced to read and Sook- hee begins destroying the library. Hideko calls Sook-hee "her savior" and joins in destroying her uncle's collection. Part 3 Sook-hee's friend Bok-soon sets a fire at the asylum and poses as a firefighter to rescue Sook-hee. Hideko doses Fujiwara's wine with drops from the opium vial, causing him to pass out while she takes the money and leaves. The women reunite and flee together, disguising Hideko as a man to avoid detection. Kouzuki captures Fujiwara upon receiving a letter from Hideko detailing Fujiwara's deception. He tortures Fujiwara in his cellar with his collection of antique bookmaking tools and presses him for sexual details about his niece. Fujiwara makes up a story about their wedding night but a flashback shows that he watched Hideko masturbate before cutting her hand on a knife to stain her sheets, refusing to consummate the marriage. When Kouzuki presses for more details, Fujiwara convinces him to give him one of his cigarettes. After smoking, a disgusted Fujiwara refuses to give further details. Kouzuki notices the cigarettes are producing blue smoke. Fujiwara reveals that his cigarettes had been laced with mercury and the toxic gas within the smoke kills them both. On a ferry to Shanghai, China, Sook-hee and Hideko celebrate their newfound freedom by making love once again. Cast Kim Min-hee as Lady/Izumi Hideko Kim Tae-ri as Maid/Nam Sook-hee Ha Jung-woo as Count Fujiwara Cho Jin-woong as Uncle Kouzuki Kim Hae-sook as Butler Madame Sasaki Moon So- ri as Hideko's aunt Lee Yong-nyeo as Bok-soon Lee Dong-hwi as Goo-gai Jo Eun-hyung as young Hideko Rina Takagi as Hideko's mother Han Hannah as Junko Lee Ji-ha as Owner of Ryokan Jeong Ha-dam as Housemaid Choi Byung-mo as Audience member Production In December 2014, it was reported that Kim Min-hee, Kim Tae-ri, Ha Jung-woo and Cho Jin-woong signed on for the film.[5] Kim Tae-ri was selected from 1,500 candidates to play the role.[6] Shooting for the film began in June 2015 and concluded in October 2015.[7][8] The books The Dream of the Fisherman's Wife and Jin Ping Mei were featured in the film.[9] Release In February 2016, CJ Entertainment announced that The Handmaiden was pre-sold to 116 countries, including to Amazon Studios for the US.[10] The film premiered in competition at the 2016 Cannes Film Festival, where it received a standing ovation, and Ryu Seong-hee won the Vulcan Award of the Technical Artist for her art direction work on the film.[11][12][13] The film was also screened in the Special Presentations section of the 2016 Toronto International Film Festival, where The Playlist named it as one of the 15 best films of the festival.[14] In South Korea, the film was released on 1 June 2016 and sold more than 4 million tickets.[15][16][17] In the United States, the distribution of the film was handled by Amazon Studios and Magnolia Pictures. The film opened in limited release across five cinemas in New York City and Los Angeles,[18][19] and played in 140 additional cinemas in the following weeks.[20] Eventually, the film grossed more than $2 million in the United States theatrically;[21] the film outgrossed Stoker and became the highest-grossing Park Chan-wook-directed film in the United States.[22] It was released on DVD in the US on 24 January 2017 and Blu-ray on March 28, 2017.[23][24] In the United Kingdom, the distribution of the film was handled by Amazon Studios and Curzon Artificial Eye. The film grossed more than $1.8 million in the United Kingdom theatrically, and became the highest-grossing foreign-language film in the UK in 2017.[25] Reception Critical response The Handmaiden received critical acclaim. On Rotten Tomatoes, the film has an approval rating of 95%, based on 210 reviews, and an average score of 8.3/10. The site's critical consensus reads, "The Handmaiden uses a Victorian crime novel as the loose inspiration for another visually sumptuous and absorbingly idiosyncratic outing from director Park Chan-wook."[26] On Metacritic, the film holds a weighted average score of 84 out of 100, based on 40 reviews, indicating "universal acclaim".[27] The Economist described the film as a masterpiece.[9] Benjamin Lee of The Guardian ranked it four out of five stars and described it as "a hugely entertaining thriller".[28] Response to the explicit scenes The film's numerous sexually explicit scenes between the two main female characters sparked some controversy. Laura Miller at Slate described the scenes as "disappointingly boilerplate" and featuring "visual clichés of pornographic lesbianism, [the actresses'] bodies offered up for the camera’s delectation."[29] However, The New Yorker's Jia Tolentino said that "the women know what they look like, it seems—they are consciously performing for each other— and Park is deft at extracting the particular sense of silly freedom that can be found in enacting a sexual cliché."[30] Top ten lists The Handmaiden was listed on numerous critics' top ten lists.[31] 1st – Danny Bowes, RogerEbert.com 2nd – Dan Callahan, RogerEbert.com 2nd – Noel Murray & Katie Rife, The A.V. Club 2nd – Rob Hunter, Film School Rejects 2nd – Sean Mulvihill, RogerEbert.com 2nd – Tasha Robinson, The Verge 2nd – William Bibbiani, CraveOnline 3rd – Amy Nicholson, MTV 3rd – Witney Seibold, CraveOnline 3rd – Jen Yamato, The Daily Beast 3rd – James Berardinelli, Reelviews 3rd – Bilge Ebiri, L.A. Weekly 4th – Kimberley Jones, The Austin Chronicle 4th – Scott Tobias, Village Voice[32] 5th – Lean Pickett, Chicago Reader 5th – Kate Taylor, The Globe and Mail 5th – Josh Kupecki, The Austin Chronicle 5th – Haleigh Foutch, Collider 5th – Erin Whitney, ScreenCrush 5th – Peter Freeman, DC Outlook[33] 6th – Sean Axmaker, Parallax View 6th – John Powers, Vogue 6th – Alonso Duralde, TheWrap 6th – Christy Lemire and Peter Sobczynski, RogerEbert.com 6th – Mike D’Angelo & A.A. Dowd, The A.V. Club 7th – Bill Goodykoontz, The Arizona Republic 7th – Matt Zoller Seitz & Brian Tallerico, RogerEbert.com 7th – Christopher Orr, The Atlantic 7th – Steve Davis, The Austin Chronicle 8th – Matt Singer, ScreenCrush 8th – Ty Burr, The Boston Globe 8th – Todd McCarthy, The Hollywood Reporter 8th – Manohla Dargis, The New York Times 8th – David Edelstein, New York Magazine 9th – The Guardian 10th – Marc Savlov, The Austin Chronicle 10th – Dennis Dermody, Paper Top 10 (listed alphabetically, not ranked) – Walter Addiego, San Francisco Chronicle In 2019, The Guardian ranked The Handmaiden 41st in its 100 best films of the 21st century list.[34] In 2020, The Guardian also ranked it number 1 among the classics of modern South Korean Cinema.[35] Accolades List of awards and nominations Year Award Category Recipient(s) Result 2016 Alliance of Women Film Journalists[36][37] Best Non-English-Language Film Park Chan-wook Won Austin Film Critics Association[38][39] Best Film The Handmaiden 4th Place Best Director Park Chan-wook Nominated Best Supporting Actress Kim Min-hee Nominated Best Adapted Screenplay Park Chan-wook and Chung Seo-kyung Nominated Best Cinematography Chung Chung-hoon Nominated Best Foreign Language Film The Handmaiden Won Blue Dragon Film Awards Best Film The Handmaiden Nominated Best Director Park Chan-wook Nominated Best Actress Kim Min-hee Won Best New Actress Kim Tae-ri Won Best Cinematography Chung Chung-hoon Nominated Best Art Direction Ryu Seong-hee Won Best Music Jo Yeong-wook Nominated Technical Award Jo Sang-kyeong (costume design) Nominated Boston Society of Film Critics[40] Best Cinematography Chung Chung-hoon Won Best Foreign Language Film The Handmaiden Won Buil Film Awards Best Film The Handmaiden Nominated Best Director Park Chan-wook Nominated Best Actress Kim Min-hee Nominated Best New Actress Kim Tae-ri Won Best Cinematography Chung Chung-hoon Nominated Best Art Direction Ryu Seong-hee Won Best Music Jo Yeong-wook Nominated Buil Readers' Jury Award Park Chan-wook Won Busan Film Critics Awards Best New Actress Kim Tae-ri Won Cannes Film Festival Palme d'Or Park Chan-wook Nominated Queer Palm Park Chan-wook Nominated Vulcan Award Ryu Seong-hee Won Chicago Film Critics Association[41] Best Film The Handmaiden Nominated Best Director Park Chan-wook Nominated Best Adapted Screenplay Park Chan-wook and Chung Seo-kyung Won Best Cinematography Chung Chung-hoon Nominated Best Foreign Language Film The Handmaiden Won Best Art Direction The Handmaiden Won Critics' Choice Awards[42] Best Foreign Language Film The Handmaiden Nominated Dallas–Fort Worth Film Critics Association[43] Best Foreign Language Film The Handmaiden Won Director's Cut Awards Best Actress Kim Min-hee Won Best New Actress Kim Tae-ri Won Florida Film Critics Circle[44] Best Foreign Language Film The Handmaiden Runner-up Best Cinematography Chung Chung-hoon Runner-up Korean Association of Film Critics Awards Top Ten Films of the Year The Handmaiden Won Best Cinematography Chung Chung-hoon Won IndieWire Critics Poll[45] Best Film The Handmaiden 7th Place Best Director Park Chan-wook 5th Place Best Original Score or Soundtrack The Handmaiden 8th Place Best Cinematography The Handmaiden 4th Place Best Editing The Handmaiden 8th Place Los Angeles Film Critics Association[46] Best Production Design Ryu Seong-hee Won Best Foreign Language Film The Handmaiden Won Melbourne International Film Festival Most Popular Feature Film The Handmaiden Runner-up New York Film Critics Online[47] Best Foreign Language Film The Handmaiden Won San Diego Film Critics Society[48][49] Best Foreign Language Film The Handmaiden Nominated San Francisco Film Critics Circle[50] [51] Best Adapted Screenplay Park Chan-wook and Chung Seo-kyung Nominated Best Foreign Language Film The Handmaiden Won Best Production Design Ryu Seong-hee Won St. Louis Gateway Film Critics Association[52] Best Production Design Ryu Seong-hee Won Best Foreign Language Film The Handmaiden Runner-up Toronto Film Critics Association[53] Best Foreign Language Film The Handmaiden Runner-up Vancouver Film Critics Circle[54] Best Foreign Language Film The Handmaiden Nominated Washington D.C. Area Film Critics Association[55] Best Foreign Language Film The Handmaiden Nominated Women Film Critics Circle[56] Best Foreign Film by or about Women The Handmaiden Won 2017 Asian Film Awards[57][58] Best Supporting Actress Moon So-ri Won Best Newcomer Kim Tae-ri Won Best Screenplay Park Chan-wook and Chung Seo-kyung Nominated Best Production Designer Ryu Seong-hee Won Best Editor Kim Jae-bum and Kim Sang-bum Nominated Best Costume Designer Jo Sang-kyeong Won Baeksang Arts Awards[59][60] Grand Prize Park Chan-wook Won Best Film The Handmaiden Nominated Best Director Park Chan-wook Nominated Best Actress Kim Min-hee Nominated Best Supporting Actor Cho Jin-woong Nominated Best New Actress Kim Tae-ri Nominated Best Screenplay Park Chan-wook and Chung Seo-kyung Nominated Chunsa Film Art Awards Best Director Park Chan-wook Nominated Best Actress Kim Min-hee Nominated Best New Actress Kim Tae-ri Nominated Technical Award Ryu Sung Hee Nominated Jung Jung Hoon Nominated Dorian Awards[61] Director of the Year Park Chan-wook Nominated Foreign Language Film of the Year The Handmaiden Won LGBTQ Film of the Year The Handmaiden Nominated Visually Striking Film of the Year The Handmaiden Nominated Houston Film Critics Society[62][63] Best Picture The Handmaiden Nominated Best Foreign Language Film The Handmaiden Won National Board of Review[64] Top 5 Foreign Films The Handmaiden Won National Society of Film Critics[65] Best Foreign Language Film The Handmaiden 2nd Place Online Film Critics Society[66] Best Picture The Handmaiden Nominated Best Foreign Language Film The Handmaiden Won Satellite Awards[67] Best Foreign Language Film The Handmaiden Nominated Saturn Awards[68] Best International Film The Handmaiden Won Best Costume Design Jo Sang-kyeong Nominated Seattle Film Critics Society[69][70] Best Picture of the Year The Handmaiden Nominated Best Foreign Language Film The Handmaiden Nominated Best Production Design Ryu Seong-hee Won Best Costume Design Jo Sang-kyeong Won 2018 British Academy Film Awards[71] Best Film Not in the English Language Park Chan-wook and Syd Lim Won Empire Awards[72][73] Best Thriller The Handmaiden Nominated London Film Critics Circle Awards[74] Foreign Language Film of the Year The Handmaiden Nominated See also Fingersmith, BBC mini-series that is also based on the book of the same name References ^ "The Handmaiden". British Board of Film Classification. Retrieved 10 March 2017. ^ "Box office / business for Ah-ga-ssi". IMDb.com. Retrieved 23 October 2016. ^ "A Ga ssi (2016)". The Numbers. Retrieved 16 March 2020. ^ "The Handmaiden (2016)". Box Office Mojo. Retrieved 16 March 2020. ^ Kim, June (1 December 2014). "KIM Min-hee and KIM Ta
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