The Good Wife Sex

The Good Wife Sex
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The Good Wife
(2009–2016)

Mild
28 of 71 found this mild

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10

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28

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22

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11

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12 of 21 found this moderate

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2

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13 of 20 found this mild

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3

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Mild
10 of 17 found this mild

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3

Mild
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Mild
13 of 19 found this mild

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4

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13

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a list of 40 titles
created 23 Mar 2012

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created 16 Aug 2015

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Australia:M

Brazil:12

Brazil:14
(season 4 and 5)

Canada:PG
(TV rating)

China:(Banned)
(2014, internet)

Denmark:15

Finland:K-12

France:Tous publics
(DVD rating)

Germany:12

India:16

Italy:BA

Japan:PG12
(self-applied)

Mexico:B-15

Netherlands:9
(seasons 1 and 2)

Netherlands:12
(seasons 3 and 4)

Norway:15

Philippines:SPG

Poland:15
(DVD rating)

Russia:16+

Singapore:NC-16
(season 1)

Singapore:M18
(season 2, season 3, season 5, Netflix: series level)

South Africa:13
(self-applied)

South Korea:15

Spain:13
(Netflix)

Sweden:15

Turkey:16+
(self-applied)

United Kingdom:15

United States:TV-14
(some episodes)

United States:TV-PG
(some episodes)

United Arab Emirates:15+

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THE GOOD WIFE is a drama starring Emmy Award winner Julianna Margulies as a wife and mother who boldly assumes full responsibility for her family and re-enters the workforce after her husband's very public sex and political corruption scandal lands him in jail.
Genres Drama Subtitles English [CC] Audio languages English
By ordering or viewing, you agree to our Terms . Sold by Amazon.com Services LLC.
Alicia is assigned her first case after having to return to work following her husband's corruption scandal and incarceration. She quickly discovers that the retrial of a woman accused of murdering her ex-husband is not as straightforward as it seems.
A stripper claims she was raped at the bachelor party of a prominent businessman. Alicia represents her after the States' Attorney refuses to pursue criminal charges.
The teenage son of a former friend hires her to defend him in a murder case, Alicia makes a difficult journey back to her old life.
As her husband's legal team continues to mount the case for his appeal, Alicia discovers evidence of possible jury tampering in her firm's class action law suit against a major pharmaceutical company.
Alicia and Will have 72 hours to prove that a train company, and not the engineers, is responsible for a freight train crash, and secure the widows their husbands' pensions. Also, Jackie and Alicia clash over taking the children to visit their father in prison.
As Alicia works with Will on the appeal of a death row inmate, she agrees to a conjugal visit with Peter in order to get information from him since her client was convicted under Peter's regime as state's attorney.
While representing the daughter of one of the partner's at the law firm, Alicia finds herself attracted to her co-counsel and his unorthodox approach to defending their client.
Peter needs Alicia to testify on his behalf as his appeals process begins sooner than expected. At the same time, she prepares to defend a scientist accused of arson.
Alicia deals with tricky office politics when she's asked to represent the firm's senior partner after he's arrested. Meanwhile, Peter's evidentiary hearing hits the skids, leading Alicia to suspect that he may, in fact, actually be guilty of corruption.
When a judge with a history of questionable sentencing overturns a simple plea deal that Alicia arranged, she looks into his motivation. Also, Diane is made the offer of her career.
Alicia learns more about her husband's fall from grace when she represents the wife of Peter's nemesis, Glenn Childs, in their divorce case. Also, Will gets cozy with his opposing counsel, Emily, during a wrongful death suit against caustic TV commentator Duke Rosco.
When a star high school quarterback dies from an overdose of painkillers, Alicia represents the doctor who prescribed the medication.
Tensions are high as Peter's appeal trial begins and Alicia defends a wealthy client in civil court whose innocence she doubts, even after he's found not guilty in criminal court of murdering his wife. Meanwhile, Diane decides to take precautions when a felon she successfully prosecuted is about to be released from prison.
As Alicia defends a husband accused of murdering the babysitter, she and her family prepare for the outcome of Peter's appeal and his possible coming home.
Peter gets acclimated to life at home and works on a comeback strategy with his political team. Meanwhile, Alicia and Diane wrestle with spousal privilege laws in a murder case that hinges on their ability to get a wife to testify against her husband.
As Peter strategizes on how to handle his retrial and the next steps in his public rehabilitation, Alicia and Will defend an attorney arrested for murder.
Alicia and Will deal with their growing sexual tension and Diane and Kurt McVeigh continue their flirtation. At the same time, Alicia defends a college student accused of killing her sorority sister while under the influence of a sleep aid.
When Alicia goes head-to-head in the courtroom with former boss Jonas Stern, she debates whether or not to use personal information to her advantage. Meanwhile, Peter uses religion to work on his appeal.
The police are quickly at the door when Peter's electronic monitor sounds after he chases Alicia out of the apartment. As a result, Grace and Zach scramble to figure out a way to keep him from being arrested.
The winner is announced in the competition between Alicia and Cary.
Eli Gold works on getting Peter's charges dropped, and Alicia defends Colin Sweeney, a client and accused wife killer, who claims self defense after she finds him handcuffed to a dead woman.
At Eli Gold's urging, Alicia must decide if she'll stand by her man during Peter's new political campaign, or if she'll pursue a relationship with Will instead.
Rosemary Rodriguez - director See profile
Directors Rosemary Rodriguez , Michael Zinberg , Brooke Kennedy , James Whitmore Jr. , Félix Enríquez Alcalá , more… Jim McKay , Frederick E.O. Toye , Robert King , Matt Shakman , Nelson McCormick Season year 2010 Network CBS Content advisory Violence , substance use , alcohol use , foul language , sexual content Purchase rights Stream instantly Details Format Prime Video (streaming online video) Devices Available to watch on supported devices
Alex Nichols, author of Shadow Rock Reviewed in the United States on November 3, 2019
The Good Wife is a show I nearly missed out on, partly because it takes nearly half of the first season to establish its tone and fully take flight. I tuned in originally because the premise was intriguing. The protagonist, Alicia Florrick, is the woman behind the fake political smile, standing by a man most women would be happy to be rid of. What makes someone like this tick? From the get go, it is clear that Alicia is complicated. That only develops further as the seasons unfold. If the series had just been about her, I might have lost interest. However, it is also a first-rate courtroom drama and an intriguing political drama with an enthralling romance at its center. An episode like "Bad" features the strengths that hooked me. A disarming sociopath, Colin Sweeney, is introduced and you just can't look away. Who is this man and why would any decent person defend him? There are no easy answers. Equally engrossing is "Heart" in which Alicia crosses a professional line with her boss from which they will never fully recover. And if the final moments of season finale"Running" don't hook you, then you really aren't a fan. The episodes are tightly written with both stand alone legal plots and an overarching political triangle that has multiple reverberations. The cast is uniformly good. My favorites are Josh Charles as Will Gardner and Christine Baranski as Diane Lockhart, as odd and endearing a professional couple as any I have seen. Much attention is given to Juliana Margulies and there is a reason for that. She steers the show gracefully. There is also stellar work by a large supporting cast of mostly familiar faces. If you watched Gilmore Girls, Weeds, The Sopranos, Nurse Jackie, and The Americans, you'll be happy to see familiar faces used effectively. And there are many peculiar cameos by famous faces playing quirky judges. My favorite is Ana Gasteyer as a woman who insists that lawyers in her courtroom preface everything they say with, "In my opinion." I absolutely loved this first season. Don't miss it.
Pamela Adrian Reviewed in the United States on March 19, 2015
The good wife is a masterpiece that captures the moral dilemmas that surround professionals in the 21st century work environment. There is a clear understanding of right and wrong. There is conscience that desires to do what is considered "right". However the complexity of individual's lives and the multifaceted circumstances that can arise make black and white decisions less evident, as well as less honest at times. There is a search for the return of a simpler morale format when religion determined strict guidelines for right and wrong. Yet religion, although ardently grasped by several of the main characters shows us a side of faith that can be deemed as brainwashing, as witnessed in the forced prayer session the daughter receives from her girlfriend. The son's study partner, Becca is the temptress. The symbolic lure of negative behavior.The viewer also notes the use of religion as a political ploy or as a reflection of clergy's own ego. There appears to be a liberal bias in trying to show the postmodern family's effort to take part in religious ceremonies that are not there own nor that they understand. Eli Gold's flippant suggestion to have Yom Kippur break the fast dinner at Peter's house is not really believable. All the inquiries into religion make religion itself appear overly shallow but having said that I think it also reflected this historic eras discontent with today's reflection of the spiritual nature in human beings and the stirring of a search for a new definition of God or ritual. The good wife shows love to be both passionate and responsible in nature. It is a binding force in families while complicated in adult relationships. The family stereotypes have certainly been revamped. The nurturing grandmother is now viewed as a political manipulator. The children are often the parents to the parents with much more knowledge and responsibility as well as power than they have ever cultivated before. Office intrigue is not lacking and one is stimulated to assess whether the ends justifies the means. There is an underlying instruction in law and politics. The show in captivating and moves quickly from one situation to the next while maintaining a continuity of mental exploration. The character development is deeper than in most tv shows which lends to familiarity and affinity with the players human problems. You work through the morale and personal issues with the characters and are never sure of what they will decide or whether you will agree with them
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