The End Of The Fu***In World

The End Of The Fu***In World




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The End Of The Fu***In World


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The End of the F...ing World


(2017 - Present)






Average Tomatometer
Avg Tomatometer




Average Audience Score
Avg Audience Score


Based on the comic book series by Charles Forsman, "The End of the F...ing World" sees two 17-year-old outsiders, James and Alyssa, embark on a road trip to find her estranged father, who left home when she was just a child. James, who is convinced he's a psychopath, has decided it's time to graduate from killing animals to something bigger -- and he already has a target in mind. Alyssa, the embodiment of existential angst, feels like she doesn't fit in at her new school despite being quite popular. Together, they get caught up on a trail of violent events that grow increasingly more ominous as their quest progresses.


Starring:

Alex Lawther ,

Jessica Barden ,

Wunmi Mosaku ,

Gemma Whelan ,

Steve Oram




Alex Lawther


James




Jessica Barden


Alyssa




Wunmi Mosaku


Teri




Gemma Whelan


Eunice




Steve Oram


Phil




Christine Bottomley


Gwen






Navin Chowdhry




Tony






Naomi Ackie




Bonnie






Jonathan Entwistle





Director





Charlie Covell





Writer





Kate Ogborn





Producer


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A series gets an Average Tomatometer when at least 50 percent of its seasons have a score. The Average Tomatometer is the sum of all season scores divided by the number of seasons with a Tomatometer.
The percentage of users who rated this 3.5 stars or higher.




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Jan. 12, 2018


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In Vulture’s review of The End of the F***ing World , Jen Chaney described it as deceptively endearing for a story about a 17-year-old self-diagnosed psychopath and the teen girl that he’s determined to murder in cold blood. But, as she correctly warned, “The title tells us pretty clearly that this show won’t have a happy ending.” All its earnest moments illuminating first love, repressed childhood trauma, and identity, coupled with the show’s typically British sardonic tone, mask the unshakable reality that these two wayward teens are in deep trouble with the law. After Alyssa ( Jessica Barden, in a breakout performance ) persuades our presumed killer James (Alex Lawther) to skip town with her, the two face immediate danger.
They wind up unknowingly breaking into the house of a serial rapist, Dr. Clive Koch (Jonathan Aris). When Koch arrives home to find Alyssa asleep and seemingly alone in his bed, he attacks her. It’s then that James slips out from under the bed, armed with the newly acquired knowledge of Koch’s crimes and the hunting knife he planned to use on Alyssa, and stabs him in the neck, leaving Koch to bleed out. Together, the pair cover their tracks as clinically as possible — the process does make James emotionally and physically ill, since he’s not actually the callous psychopath he thought he was — and flee the scene. They spend the remaining episodes as fugitives on the lam, with their next move always proving more impulsive and sloppier than the last.
The rest of the series tries to unpack how two teenagers, even those as swept up in their own angst as James and Alyssa, could become murder suspects at the center of a national manhunt. We learn James saw his mother drown herself when he was a kid, planting a seed deep within his impressionable brain that he must also be chemically imbalanced because he didn’t save her. Meanwhile, Alyssa’s father abandoned her when she was a child, leaving her to a creepy stepfather and idle mother, and convinced she’s unworthy of love. They are young people who know nothing but adult pain, but their traumatic pasts don’t matter to the two police investigators, Eunice Noon (Gemma Whelan) and Teri Donoghue (Wunmi Mosaku), appointed to make an arrest in the Koch murder.
Whelan’s more sympathetic character tracks them down at Alyssa’s long-lost deadbeat dad’s trailer home, where she suggests it’s in their best interest to surrender and agree to a manslaughter plea deal. (It’s James’s 18th birthday, which means he can now be tried as an adult.) Informed they wouldn’t go to the same prison, Alyssa whacks Noon in the head with a
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