Terror on the Screen. Witnesses 👁️🗨️ and ➕ the Reanimation of 9️⃣1️⃣1️⃣ as Image-Event, Popular Culture 🧫 and ➕ Pornography
👓 Luke HowieTerror on the Screen. Witnesses 👁️🗨️ and ➕ the Reanimation of 9️⃣1️⃣1️⃣ as Image-Event, Popular Culture 🧫 and ➕ Pornography
✅ The 9️⃣1️⃣1️⃣ attacks have had many extraordinary consequences. The horrific violence of that day ushered in a different world 🗺️, a different time ⏱️. We 👥⬅️ have all become, in one 1️⃣ way or another, witnesses 👁️🗨️ in the global theatre 🎭️ of terrorism. Terrorists want 🙏 their violence to take on a theatrical quality, and ➕ be watched ⌚️. The 9️⃣1️⃣1️⃣ attacks were successful to this end 🔚. It was not ❌️ long before our 👥⬅️ imaginations were running 🏃♂️ wild.Many fields 🏑 of post 🏤-9️⃣1️⃣1️⃣ popular, tele-visual and ➕ screen cultures changed substantially, other subtly.& 3️⃣4️⃣;Through dazzling close readings 👤📖 of a wide variety of cultural texts, from the Battlestar Galactica reboot to post 🏤-9️⃣1️⃣1️⃣ pornography, Howie is able to demonstrate how the politics and ➕ poetics of& 3️⃣4️⃣;witnessing 👁️🗨️& 3️⃣4️⃣; have come ⤵️ to structure the experience of American 🇺🇸 popular culture 🧫 in the past decade.& 3️⃣4️⃣; -Jeff Melnick, University of Massachusett, Boston.& 3️⃣4️⃣;After reading 👤📖 Howie& 3️⃣9️⃣;s ingenious updating of visual theory I would paraphrase Morpheus from The Matrix and ➕ say 💬& 3️⃣4️⃣;welcome to the oasis of interpretation& 3️⃣4️⃣;. This book 📚️ is a much-needed analysis of the dangers ⚡️ to be found 🔍️ when a whole society risks living in an uncritical, ideological version of the witness 👁️🗨️ protection program!& 3️⃣4️⃣; -Paul A. Taylor, University of Leeds, UK 🇬🇧.
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