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Carlos Gonzales started volunteering for Bellingcat in 2019. He is an independent engineering consultant and researcher and a passionate open source investigator recently focused on geolocating the most difficult cases in Europol’s #StopChildAbuse #TraceAnObject campaign.
Europol’s Child Abuse Image Geolocated In Ukraine: A Forgotten Story Hidden Behind A Landscape
Research by Carlos Gonzales, Daniel Romein, Timmi Allen and “Bo”

The following report contains reference to a child modelling studio producing child sexual abuse material in 2001. All names related to the studio are fictitious. The original source did not contain any explicit material. All the images accessed and used during the investigation were already censored, but for the avoidance of doubt, it must be noted that the researchers did not obtain, look or download any explicit content. The original source was shared with Europol before the publication of this report and cannot be revealed for protection of the victims and as to not impede the investigations. Although the main objective of the article is to show the method by which an image listed by Europol was geolocated, Bellingcat have decided to publish some details found in the investigation to create awareness of the subject and to support Europol’s #StopChildAbuse campaign.
Europol currently holds more than 40 million images of child sexual abuse from across the world. In June 2017, Europol launched a crowdsourcing campaign called Stop Child Abuse – Trace an Object. Censored extracts from explicit images are regularly published on their website and members of the public are asked to help tracing their location or country of origin. These tips are then used to inform the competent law enforcement authority to further investigate the lead and to assist in the identification of the offender and the victim.
As of 23 March 2019, Europol has received more than 23,000 tips, which led to the identification of eight victims and the prosecution of one offender. In recent reports, Bellingcat wrote about their contribution to geolocating images in China and Russia.
For several months, the image shown in Figure 1 was live on Europol’s website. From now on we will refer to this image as “ImageC5” in the text. Bellingcat team members and other Twitter users previously pointed out the difficulty of geolocating this image. The main reason: There are no mountains, landmarks, roads, posters, signs, brand names, or any remarkable object featured on it. Instead, there is a rather desolate landscape flooded with weeds and few rural buildings in very low resolution. What we did not know then was the dark story ImageC5 hid, the number of victims affected by it and how the story itself would allow us to geolocate this image to Kalahliya, a Ukrainian village 47 km southwest of Odessa.
Figure 1: ImageC5 as listed by Europol on their website #StopChildAbuse #TraceAnObject (left). The image was geolocated to a village called Kalahliya, which is southwest of Odessa in Ukraine. The red mark indicates the approximate location from which the original photo was taken from; just on the northeast corner of a group of building ruins (right).
Our first observations about the image were as follows:
Child Sexual Abuse Material (CSAM), also called child pornography, refers to any representation, by whatever means, of a child engaged in real or simulated explicit sexual activities or any representation of the sexual parts of a child for primarily sexual purposes. In 2014, Russia was reported to host the second highest amount of CSAM in the world, accounting for 24%. In 2016, Ukraine was the first in Eastern Europe. The traffic of children for sexual exploitation to Moscow and St. Petersburg from Moldova and Ukraine has also been documented.
The type of houses observed on ImageC5 suggested a very small village which seems to be a rural Soviet construction style, as opposed to western European.
ImageC5 did not feature either any type of tropical, coniferous, or desert vegetation. Therefore Asia, the Middle East and dense forested areas in Europe and North America were not considered. Grasslands are located across Moldova, Ukraine and a thin belt along the border between Russia and Kazakhstan (See Figure 2). Intersecting all these geographical and architectural observations with the information about Children Sexual Abuse in the region, the initial search was chosen to be within the area marked in red on the map in Figure 3, particularly those villages with links to major cities such as Moscow and Kyiv.
Figure 2: Vegetation map of the former Soviet Republics. Grasslands are found across Ukraine and a thin Belt into Russia.
Figure 3: Initial region selected to start the search for ImageC5. The area included West Moldova, South and East Ukraine, and the area around the Ukraine-Russia Border, Moscow, and the River Volga.
It was initially believed the brick construction on the far right side of the picture could have been a Soviet-era railway water tower or a small train station. Railway routes, travellers’ videos, and hundreds of photos were checked to understand the landscape, as well as the typical layout and architecture of small villages.
The first slight landscape similarities with ImageC5 were found in eastern Ukraine within the Sumy oblast. Unfortunately, with no defined landmarks to look for and the limited availability of imagery and street views outside main cities, further visual checks were unproductive. No evidence found was significantly relevant as to draw any conclusion. The place could have been anywhere in the marked region if it existed there at all.
The next step was to find more details about Child Sexual Abuse cases in the suspected region that could then be associated with ImageC5. In early June, after following a lead from a regional children exploitation report, a comprehensive investigative file was found containing details of a child modelling studio trafficking children from Moldova to Ukraine for the production of CSAM. 
The source of such files cannot be revealed for protection of the victims and as to not impede the investigations. The original source was shared with Europol before the publication of this report. All the images accessed and used by the Bellingcat Team during the investigation were already heavily censored by the original source of the files, but for the avoidance of doubt, we will once again note that the researchers did not obtain, look or download any explicit content. All names related to the studio used in this report are fictitious.
What information did we find in the files and how did we use it to geolocate ImageC5?
The investigative file described the operation of the studio and their associated websites. Most of the CSAM created by the studio was reported as having been produced in the Odessa region in Ukraine. The file also included a list of unknown locations where at least 60 models were photographed in 2001 for Website2.
All unknown locations appeared classified as Coast, Inland or Ruins, followed by a sequential number, their respective group of censored thumbnails, and a brief description of the surrounding landscape or visible buildings. No specific geolocation was given.
To our surprise, in the group called “Location Ruins (1 & 8)”, a thumbnail containing the same ImageC5, as published by Europol, was found. A direct link between ImageC5 with an official Child Sexual Abuse case was established.
Other censored thumbnails found next to ImageC5 showed several building ruins and a red building in the background, which, according to the file description, could have been a church in a nearby village. The search for a desolate landscape had evolved into a search for more identifiable landmarks – the building ruin and “the red church.”
Having new information about other potential unknown locations related to the case, our strategy was to “encircle” ImageC5’s location in the Odessa region by a simultaneous hunt for the red church, Location Ruins (1 & 8), Ruins (2,3 & 7), Inland (3,6 & 7), Inland (8) and Coast (1 & 6). This selection of censored thumbnails included the most recognisable items for each one of the locations and constituted the key to finding ImageC5. A diagram with all the material used is presented in Figure 4.
Figure 4: Selection of unknown locations listed in the investigative files and related to ImageC5. All images accessed and used by Bellingcat during the investigation were originally censored by the source of the files.
Initial efforts were made to find the red church by exploring the area using Google Earth and Yandex. The amount of churches in Odessa oblast (approx. 33.000 km2) was too large to scrutinise them one by one and many did not have photos easily available for checks.
We also noticed that in some cases the colours and features of churches were changed, due to upgrades and repairs. This made the initial search for the church extremely difficult. Although we were initially unsuccessful, valuable landscape and architecture information was gathered. Different points across the region were analysed with similarities found in several areas; for example, Anan’iv Pershyi and Vyzyrka. Based on this and other examples, it was likely the location to be found along the coastal area of Odessa.
Using Google imagery, a dimensional analysis was done on several churches to establish a reference geometric pattern (see Figure 5):
Figure 5: Dimensional characteristics of similar church in Odessa oblast.
Group Ruins (1 & 8) featured what it seemed to be the ruins of a small industrial facility. Scattered precast pillars could be seen on the ground. There were walls with faded pink tones, large holes, and bullet marks on many of them. The holes seemed similar to those left by a projectile impact. Presumably, these ruins were the result of previous conflicts in the area.
But where to find this type of ruin in an area of 40,000 km2 including Odessa oblast and west Moldova? Furthermore, do the ruins still exist or have the sites been cleared up to give way for new developments? Also, which conflict could have inflicted such damage on a rural structure before 2001?
Using Google imagery, examples of ruins were gathered to establish a visual reference as shown in Figure 6.
Figure 6: Example of ruins found in the Odessa region. Establishing a reference to locate Ruins (1& 8).
Two main events were considered: WWII and the Transnistria conflict in 1992. WWII front lines were studied according to literature as per the maps in Figure 7. In 1941, a system of 3 defence rings was established by the Soviets to protect Odessa; with the outermost ring located at a 50km mark from the city. From March to April 1944, the Red Army launched offensives to liberate Odessa. In August 1944, as part of the Jassy–Kishinev operation to reclaim the Moldavian SSR, the Red Army engaged a large German-Romanian contingent with heavy battles starting with the Akkerman landing.
In both conflicts, WWII and Transnistria, there were fronts localised on several points along the Dniester River and Dniester Estuary. This line would become a focus of attention later in our search.
Figure 7: Battle fronts in 1941 and 1944 during WWII were used as a reference to find potential matching ruin sites. The Dniester Estuary would become important in our search.
Ruins (2,3 &7) appeared to be part of a period property or castle featuring a glass roof structure typical of those found in old greenhouses. The studio was reported to operate from several apartments in the city of Odessa. Their approximate location was investigated and pinned as shown on the map in Figure 8. It was believed that one or several of the locations could have been nearby their studios. Hence, we started to explore the area with Google Maps along Road F. From north to south, we looked for abandoned buildings, castles and ruins where any of the studio’s sets could have been located.
A landmark symbol led us to the ruins of greenhouse Marazli, originally built in 1889. Pictures found in Yandex dated back to 2016 were gathered and analysed. Many features in its interior matched those found in the censored thumbnails of ruins (2, 3 & 7), especially the angle of the glass roof structure, supporting beams, door features, windows and stone masonry (See Figure 9 ). The location served its purpose until 1990s, but various events ultimately contributed to its abandoned state. The source reported the location was used by the studio to produce several CSAM between July and August 2001. No signs of location Ruins (1 & 8) or the red church were noticed in the surrounding areas.
Figure 8: Approximate location of the apartments owned by the studio in the city of Odessa. The F location allowed our investigation to get closer to a child abuse site: the greenhouse.
Figure 9: A 1889 greenhouse in Odessa City. Pictures found in Yandex and dated 2016 were gathered and analysed. Many features in its interior matched those found in the censored thumbnails of ruins (2, 3 & 7). The source reported the location was used by the studio to produce several CSAM between July and August 2001.
A thumbnail within the Inland (3 & 6) group featured a river or lake. A transmission tower in the background could be seen just opposite the bank from where the shot was taken. Another shot, believed to have been taken in the opposite direction to the first, featured another transmission tower, dried grasslands, and small trees in the background.
Using Google Earth, narrow bodies of water with these characteristics along the coast were investigated. On the south end of Oleksandrivske Reservoir, a peninsula with transmission lines on its west side was identified. Across the reservoir, another transmission tower and cables crossing above the water were noticed. By setting the time bar to 05/06/2008, the grass on the peninsula showed up as dried and small trees could be seen clearer now on the east side of the peninsula, just behind the transmission tower. A match was found (see Figure 10). The source reported this location was used by the studio to produce several CSAM between July and August 2001.
Checking the rest of the reservoir for more clues, a white building with a slim tree in the front was noticed east of the previous location. These elements matched those displayed on location Inland (7). After analysing the image, it was determined the shot was taken from the south shore of the Oleksandrivske Reservoir (see Figure 10). The source reported this location was used by the studio to produce CSAM in October 2001. No signs of Ruins (1 & 8) or the red church were identified in the surrounding areas.
Figure 10: Oleksandrivske Reservoir. Power transmission lines and landscape matched those featuring in thumbnail images for location Inland (3,6,7). The source reported these locations were used by the studio to produce several CSAM between July and October 2001.
The unknown location Inland (8), featured a water body and sand around the shores. Despite the low quality of the censored thumbnails, a pink/red tone to the sand was noticed. On the left side of the image, a long cliff which ended in the horizon line was visible. Looking at the background, no buildings or mountains were seen. The body of water seemed to be quite elongated.
In our initial searches around Odessa, we had noticed Kuyalnik Reservoir, which had pink sands. We re-visited the images of Kuyalnik for a reinspection. The result: a Google maps image featuring the same cliff on the west shore of the reservoir.
The cliff exhibited the same angular lines converging downwards and touching the horizon. Dark pink sand was also noticed as well as curved water marks. Another location verified. The source reported the location was used by the studio to produce CSAM in September 2001. No signs of Ruins (1 & 8) or the red church were identified in the surrounding areas.
Figure 11: Kuyalnik Estuary. The source reported the location was used by the studio to produce CSAM in September 2001.
Many of the censored images within group Coast (1 & 6) featured a peninsula with a slim tree on it. The images seemed to have been taken on a shore very close to a grassy cliff.
Rocks bigger than 1.5 meters in diameter, which had become detached from the cliff, appeared in almost every shot from different angles. All main elements were numbered (1 to 10) and organised by scene (A to D). The tree and the peninsula were selected as landmarks with more potential to be identified in satellite images.
Having checked other bodies of water on the northeast side of the coastal region of Odessa, the southwest area around the Dniester Estuary was to be explored using Google Earth. On the east coast of the estuary at the level of the village Mykolaivka, a small peninsula was found. This peninsula had several trees on it but only one produced a long shadow relative to the size of the peninsula and matching the relative position to the one shown in the censored thumbnails.
From the 2014 satellite image, large rocks could be seen all along the shore. After careful analysis, all rocks and trees were identified. Another image geolocated. The source reported the location was used by the studio to produce several CSAM between the end of July and beginning of August 2001.
Figure 12: Location Coast (1& 6). All main rock elements on thumbnail images identified along the east coast of the Dniester Estuary at the level of the village Mykolaivka. The source reported the location was used by the studio to produce several CSAM between the end of July and beginning of August 2001.
After geolocating four different sites related to the case, a 50 km radial perimeter was established around the city of Odessa. This perimeter coincided with one of the battle fronts that took place during WWII on the east shore of the Dniester Estuary. Hence, it was believed that some type of ruins, if linked to the war at all, were likely to be found around this area.

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