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Teens College Group Sex
Published January 13, 2015 6:16pm EST
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WASHINGTON – Parents wondering if their teenagers are having sex might look upstairs or down the hall. New research finds most sexually active teens first had sex in their parents' homes, typically late at night.
The findings, being released Thursday, should dispel myths that teens are most often having sex after school, when parents are still at work, researchers said. The message for parents, experts say, is nothing new: Be aware of what your kids are up to.
``Kids no longer need to drive to lookout point to have sex,'' said Sarah Brown, director of the National Campaign to Prevent Teen Pregnancy. ``The data suggest the adults may be in the house.''
By the time students are in the ninth grade, 34 percent have had sexual intercourse. That rises to 60 percent by 12th grade.
The report, by researchers at Child Trends, is based on a national teen survey that has been tracking about 8,000 teens since 1997. The ages of the teens ranged from 12-16 when the survey began, and researchers have interviewed the same group every year since then. This report looks specifically at the 664 teens who reported having sex for the first time between 1999 and 2000.
Of those surveyed in 2000, 56 percent said they first had sex at their family's home or at the home of their partner's family.
Another 12 percent had their first sex at a friend's house; 9 percent at a teen's own home; 4 percent in a truck or car; 3 percent at a park or other outdoor place and 3 percent at a hotel or motel. Ten percent said someplace else.
The findings reinforce earlier research that parents can have a significant impact on their children's decisions about sex, Brown said.
``This notion that it's impossible to supervise kids is ludicrous if a lot of them are having sex in the rec room,'' she said.
Earlier this month, researchers reported that teen girls who are close to their moms are more likely to stay virgins. That report, by researchers at the University of Minnesota, also found that half of mothers of sexually active teens didn't realize their children were having sex. Further, while the vast majority of mothers strongly disapprove of their teenager's having sex, large numbers of teens don't realize how their moms feel.
``Parents need to know where their children are and what they're doing,'' Brown said. ``This is not a new idea.''
As for timing, Thursday's report found 42 percent of teens said their first sexual encounter was at night, between 10 p.m. and 7 a.m. Another 28 percent said it was in the evening, between 6-10 p.m.
Just 15 percent said it was in the late afternoon, between 3-6 p.m.
That cuts against the conventional wisdom among parents and policy makers alike that teens are more ``at risk'' of sex after school, said Jennifer Manlove, a researcher at Child Trends.
Research has shown that teens are more likely to commit crime during the after-school hours, Brown said. But people have wrongly assumed that the same goes for sex, she said.
The National Longitudinal Survey of Youth did not look at whether teens were having sex on weeknights or weekends. And it did not ask if parents were home at the time. Although the survey has been interviewing teens since 1997, this was the first year the questions about where and when teens first had sex were asked.

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Collins College needs a new department head for their science department. Doctors Carter and Zorch consult Thinko, the campus computer, and come up with Dr. Mathilda West, who has degrees in... Read all Collins College needs a new department head for their science department. Doctors Carter and Zorch consult Thinko, the campus computer, and come up with Dr. Mathilda West, who has degrees in lots of things, but turns out to be disruptively attractive as well. Meanwhile two thugs ... Read all Collins College needs a new department head for their science department. Doctors Carter and Zorch consult Thinko, the campus computer, and come up with Dr. Mathilda West, who has degrees in lots of things, but turns out to be disruptively attractive as well. Meanwhile two thugs search for Sam Thinko who is muscling in on the race horse action, the captain of the foot... Read all
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Conway Twitty was extremely embarrassed by his appearance in this film. When he appeared on Sunday Night (1988), host David Sanborn began to bring the film up, but was immediately shut down by Twitty, who said, "Let's not talk about that".
When Suzanne is talking to Legs Raffertino about love at the beginning of the film; she grabs his jacket lapel and wrinkles it. But on the following cut the lapel is now neatly straightened out. Then on the following cuts after that the lapel goes back and forth between wrinkled and neatly straight.
A foreign release version runs 103 minutes. The additional footage consists of four burlesque dance routines by four strippers who strip all the way down to brief panties and do typical burlesque bumps and grinds. These occur one after another on the night club set, empty except for Thinko and the chimp. The sequence is inserted when Thinko has a nervous breakdown, apparently intended to be Thinko's hallucination.
Collins College is waiting to welcome their new head of the science department, professor Dr. Mathilda West (Mamie Van Doren), with 13 degrees, IQ 298, and 40-20-30. They had used the school computer Thinko to select West. They didn't realize that she is a buxom blonde with unusual effects on everybody. Also arriving on the train are two criminals searching for Thinko. This is a wacky small sex comedy. It starts with a fun premise but it struggles to go beyond that. Mamie is not a good comedian but at least she can walk and talk. She is Marilyn Monroe without the skills. I'm just not sure if shooting into the crowd is that funny. She does have a monkey. Is that enough? It's definitely not enough to reignite a fun elevator pitch.
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Growing up is akin to walking a tightrope blindfolded. It’s pretending to know what you’re doing when actually your mind is just trying to catch up with this new “reality”. The sharp pivot of being a kid to suddenly an “adult” in charge of their future (and doing your own laundry) is never easy. Most coming-of-age shows examining the complexities of growing pains through the lens of adulthood often skirt around the real issues that plague young adults. Whether it’s through unrealistic depictions of overly sexualized bodies and highly mature scenarios, most of these shows fall short in guiding audiences through the real trials of growing up. Luckily, this year's The Sex Lives of College Girls does not follow this trend.
Written and produced by Mindy Kaling and Justin Noble for HBO Max , The Sex Lives of College Girls revolves around a group of young women that meet as freshmen college roommates. As their journeys unfold, audiences also witness the slow build of a close friendship that remains at the heart of the series. Starring Pauline Chamalet as good-natured, Midwestern girl Kimberly, Amrit Kaur as the overzealous but charming Bela, Reneé Rapp as closed-off but caring Leighton, and Alyah Chanelle Scott as the level-headed Whitney, these four women embark on a thrilling new journey as college freshmen.
With reboots like Gossip Girl and other more explicit shows like Euphoria that dedicate their time to exploring the lives of young teens, The Sex Lives of College Girls is a refreshing series committed to more honest and realistic depictions of young people, especially women. Unlike Gossip Girl and Euphoria , whose interpretations of youth often feel like watching Body Heat but with teens, The Sex Lives of College Girls explores sexuality in a more life-affirming way that actual young people can relate to. It celebrates sexuality, mistakes, friendship, and community in a way that isn’t patronizing or overly grim.
It’s not about turning sex into a taboo but showing the reality of it not being so glamorous and 'perfect". The show gives room to its four female leads to not only make their sexuality and desire for it be part of the many other things that make them who they are as they navigate college life and growing up. This is from how different body types are normalized to the candid conversations on sex these characters have with each other. It’s breaking this mold of showing sex for teens as akin to pornography. It is staged and exaggerated. Desire can also be about consent, understanding that sometimes learning what you like can be awkward and that women have these needs just as much as men.
It’s a more inviting show to make its audience understand the difficulties and the joys of being a young woman at college for the first time, primarily through its use of humor. It’s not just a heartwarming show, but one that doesn’t shy away from the genuine parts of their lives but still does not exceed into turning these young girls into “full-grown adults” in a college setting. One topic that is hard to portray on these shows is sexual assault on campus. Bela gets assaulted by one of the editors of "The Catullan", the Harvard Lampoon-esque comedy paper she works on, and spends a lot of time debating what to do about it.
Throughout the season, Bela’s arc is an example of how we prioritize sexual assault, which is not that much. Instead of reporting him to Title IX, a federation that prohibits sex-based discrimination in any school or other education program that receives federal money, she worries about being perceived—picked apart because of her sexual history even though she’s not the one who did anything wrong. It’s the unfortunate reality of many women who are victims of an assault.
Then, there are topics of sexuality that ground themselves in the complexities of identity. Leighton is sure that if she reveals her sexuality as a lesbian, her identity will become that. That her entire perception of herself will now be tied to her sexuality forever. It’s an oxymoron, isn’t it? How can she be “herself” if she rejects that part of herself? In the end, Leighton overcomes some of these inner struggles as she loses someone she cares about. It’s when she realizes that for her to connect with someone, on any level, even with her friends, she has to shed that last part of shame she feels for who she is. Throughout the season, the show is cleverly weaving this part of Leighton, how most of her struggles stem from conflating identity with just that part of herself—limiting how she and others view her.
Coded in honest comedy and warm camaraderie, The Sex Lives of College Girls is a breakthrough coming-of-age series that authentically portrays the growing pains one encounters during their college years. It has no time for convincing viewers that they are more “adults” than teens for their struggles to become more palatable despite their age. It takes great pains to clarify that sometimes the adults in the room aren’t always the most equipped to preach on the idea of maturity. That, perhaps, maturity and wisdom do not come with age but with how much we’re willing to understand the world around us. The Sex Lives of College Girls is self-aware of the ways younger generations have to “prove” their worth just to have their voices heard. It’s accomplished a lot more than any other series to understand the pitfalls of making that shift from kid to young adult. How that pivot leaves some with incredible whiplash.
Mariana Delgado is a contributing writer at Collider. She is a recent graduate from the University of South Florida with a master's in film studies. She is passionate about television and film. Proud mother of one beautiful little schnauzer named Pepe and lover of all things trauma-related theory. When she’s not rewatching The Leftovers, she may also be found rewatching LOST as a means to finally understand the human condition one traumatic show at a time.
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Reneé Rapp, Alyah Chanelle Scott, Pauline Chalamet, Amrit Kaur in The Sex Lives Of College Girls Photo : Jessica Brooks/HBO Max
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The Sex Life Of College Girls combines Mindy Kaling’ s sharp-witted writing, along with a knack for choosing a cast to bring her words to life, both of which are also on display in her Netflix series Never Have I Ever . The entertaining young adult comedy derives great humor from its contained college environment.
The HBO Max series takes place at the prestigious Essex College, an amalgamation of Ivy League universities, including Dartmouth and Yale, the respective alma maters of Kaling and her co-creator Justin Noble. The setting allows for scathing comedic takes on staple collegiate topics: Greek life, student bodies, first crushes. It captures the exciting tension of the post-high school, stepping-into-adulthood phase.
Four roommates from different walks of life—aspiring comedy writer Bela (Amrit Kaur), naïve scholarship student Kimberley (Pauline Chalamet), cool athlete Whitney (Alyah Chanelle Scott), mean and posh New York City transplant Leighton (Reneé Rapp)—find common ground in their newfound freedom and discover their adventurous sides.
Pauline Chalamet, Amrit Kaur, Reneé Rapp, Alyah Chanelle Scott, Midori Francis, Gavin Leatherwood, Ilia Isorelýs Paulino, Lauren "Lolo" Spencer, Renika Williams, Christopher Meyer
Half-hour coming-of age comedy; six of 10 episodes watched for review
SLOCG ’s central quartet isn’t stuck with any limited descriptors. Each character’s experiences are a solid mix of engaging and empathetic, even if the stories are borderline predictable. The cast chemistry is compelling; they efficiently sell their bond, progressing from an initial awkwardness to believably overcoming their dissimilarities, especially Leighton and Kimberley, who hail from very different socioeconomic settings.
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Chalamet—yes, she is Timotheé’s sister—brings an endearing, wide-eyed appeal to Kimberley. The shyest of the lot, Kimberley is the most relatable as she works hard to open up and expand her worldview. Rapp mines from her time as Regina George on Broadway’s Mean Girls, but with surprising vulnerability; Leighton is also a closeted lesbian from an affluent, conservative white family.
Whitney is unfortunately bogged down by the teen TV trope of a student-teacher romance, an arc that trots along without any inventive subversion, at least not in the first half of season one. Yet, Scott parses through her character’s roller-coaster emotions with depth. Kaur might be the breakout here. Bela is horny for dudes with abs, but her real goal is to thrive in Essex’s comedy scene. The only catch is that her parents still believe she’s a good ole nerd acing all her classes. Kaur’s zealous performance adds a hilarious jolt to any scene, no matter who her on-screen partner is; she crushes her deadpan delivery of one-liners, and guards Bela’s bubbling emotions when she gets involved in a couple of particularly distressing situations.
Season one serves up an interesting variety of love stories, like Kimberley’s sweet and budding one with Leighton’s dreamy brother, Nico (Gavin Leatherwood), and an unexpected team-up between Leighton and a new friend she makes at Essex. Whitney is saddled with secretly dating her assistant football coach, Dalton (James Morosini). Meanwhile, Bela is content with hooking up with fellow hot college students.
SLOCG might initially put off audiences because of its title. However, much like Sex And The City from over two decades ago, the HBO Max series focuses on crafting authentic friendships between the group. The camaraderie makes it easy for them to also divulge secrets, sexual mishaps and victories, and makes room for personal growth.
The depiction of sex isn’t nearly as risqué as in fellow teen comedy Sex Education , but Sex Lives Of College Girls is still Kaling’s boldest work so far. The young characters here are uninhibited thanks to the lack of adult supervision, lots of empty rooms, and the ability to freely drink. The way the show tackles how teens cope with sudden
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