Teenage Riot

Teenage Riot




🛑 ALL INFORMATION CLICK HERE 👈🏻👈🏻👈🏻

































Teenage Riot
[Verse 2] Everybody's coming from the winter vacation Taking in the sun in a exaltation to you You come running in on platform shoes With Marshall stacks to at least just give us a clue [Verse 3] Ah, here it comes I know it's someone I knew Teenage riot in a public station Gonna fight and tear it up in a hypernation for you [Chorus 2] Now I see it I think I'll leave it out of the way Now I come near you And it's not clear while you make the way [Verse 4] Looking for a ride to your secret location Where the kids are setting up a free-speed nation for you Got a foghorn and a drum and a hammer that's rockin' And a cord and a pedal and a lock, that'll do me for now [Verse 5] It better work out I hope it works out my way Cause it's getting kind of quiet in my city's head It takes a teenage riot to get me out of bed right now
[Chorus 3] You better look it We're gonna shake it up to him He acts the hero We paint a zero on his hand [Instrumental Bridge] [Verse 6] We know it's down We know it's bound too loose Everybody's sound is round it Everybody wants to be proud to choose So who's to take the blame for the stormy weather You're never gonna stop all the teenage leather and cooze [Outro] It's time to go round A one man showdown teach us how to fail We're off the streets now And back on the road on the riot trail
What tunings are used on this song?
Genius is the ultimate source of music knowledge, created by scholars like you who share facts and insight about the songs and artists they love.
To learn more, check out our transcription guide or visit our transcribers forum
The opening track of Sonic Youth’s 1988 opus Daydream Nation , “Teen Age Riot” is a sort of call for the underground audiences of New York to unite, according to Pitchfork .
The song imagines what would happen in an alternate reality if J. Mascis of Dinosaur Jr. were President of the United States , alluded to by his famous use of Marshall stacks and platform shoes.
Given these factors, it would seem the overall message the song is trying to convey is that it’s time for the various underground scenes of New York to come together and make themselves known to the mainstream. Sonic Youth, beyond the shadow of a doubt accomplished this, as they would go on to have the most recognizable careers of the 90’s.
An edited version of the track was released as a limited promo single for radios:
Thurston uses GABDEG, and Lee uses GGDDGG.


Explore American Songwriter Explore American Songwriter
Select Category
American Songwriter Podcast Network
   All Heart Podcast
   Americana Podcast
   Basic Folk Podcast
   Bringin’ It Backwards Podcast
   Dave’s Five Hot Takes
   People Have The Power
   Phil Vassar’s Songs From The Cellar
   Pitch List Podcast
   Power of Song
   Prine Time Podcast
   She Rocks Podcast
   Songcraft Podcast
   SongTown on Songwriting
   SongWriter Podcast
   Stay Human Podcast
   Surviving The Music Industry Podcast
   The C.L.I.M.B. Podcast
   The Zak Kuhn Show
Contests
   High Five
   Lyric Contest
      Lyric Contest Bi-Monthly Winners
      Lyric Contest Grand Prize Winners
      Lyric Contest Judges
      Lyric Contest Success Stories
      Lyric Contest Winners Q&A
   On My Deathbed
   Song Contest
      Song Contest Judges
      Song Contest Winners
         Song Contest Winners Q&A
Digital Issues
Features
   Affiliate
   Articles
   Behind the Album
   Behind the Band Name
   Behind the Death
   Behind The Mic
   Behind The Song
   Deep Cuts
   Digital Cover Exclusives
   Duets
   Interviews
   Legends of Songwriting
   Net Worth
   Premieres
   Quotes
   Reasons to Rejoice
   Songs You Didn’t Know
   The List
   Writers Block
Folk Alliance
Gear
   Gear Guides
Gift Guides
Lyric Of The Week
Music
Nascar
News
   Best New Music
   Daily Discovery
   Latest News
   Today’s Song
   Tour Announcements
People
Performances
Photo Galleries
Rap
Reviews
   Album Reviews
   Book Reviews
   Concert Reviews
   Gear Reviews
   Track Reviews
Songwriter U
   Coaching
   Getting Paid
   Legal Corner
   Marketing
   Song Critiques
   Touring
   Writer’s Room
Songwriting History
Uncategorized-DO NOT USE
Video Sessions
Videos
Workshops
   Bonnie Baker Workshop
   Forest Glen Whitehead Workshop
Writer Of The Week









by


Jim Beviglia



June 19, 2020, 8:00 am








Whether you consider it the apex of the late ’80s alternative music scene of the forefather of the grunge revolution that would sweep the music world in the ’90s, or both, it’s safe to say that few albums have been as impactful as Sonic Youth’s 1988 disc Daydream Nation without ever threatening the mainstream. The closest the album came to commercial success was its opening track and lead single “Teenage Riot.”
Part of the reason for the song’s acceptance at the time on modern rock radio was its capitulation to traditional rock song structure. Once you get past the non-sequitur intro music featuring Kim Gordon’s cryptic chants, “Teenage Riot” settles into a frenzied guitar workout for Thurston Moore and Lee Ranaldo while Gordon on bass and Steve Shelley on drums keep the rhythmic hammer down. Even at the rapid tempo, Moore imbues the song with enough melody to keep things catchy.
In the liner notes to the deluxe edition of Daydream Nation , Moore was quoted as saying the lyrics were inspired by another alt-rock standout. “It was actually about appointing J Mascis as our de facto alternative dream president,” he said, referring to the frontman of Dinosaur Jr. After all, 1988 was an election year, so the intensity and earnestness behind Moore’s wish was understandable.
But “Teenage Riot” ends up transcending those quirky origins and becomes a kind of anthem even though Moore’s deadpan vocals and wry lyrics never dare to aspire to anthemic status. The song ends up being a snapshot of the disaffected, alienated kids who could get behind a leader who would “come running in on platform shoes/With Marshall stacks/To at least give us a clue.”
In many ways, the kids are the ones enacting the change in the song. “Looking for a ride to your secret location,” Moore sings about the leader. “Where the kids are setting up a free-speed nation for you.” Anything is better, after all, than the ambivalence that has enveloped the narrator’s world: “Cause it’s getting kind of quiet in my city head/It takes a teenage riot to get me out of bed right now.”
One of the ingenious things about “Teenage Riot” is how Gordon’s incantatory rambling at the beginning suddenly makes sense once you hear the bulk of the song. In the context of Moore’s subtle rallying cries, her opening lines seem the collective voice of the teenage populace, especially when she sings, “We will fall.” That pessimism is immediately countered by the glimmers of hope that come shining through once the guitars rev up their engines.
And it is undoubtedly hope, albeit hope tempered with sarcasm, that emerges as the seven-minute song rolls to a close. “You’re never gonna stop all the teenage leather and cooze,” Moore promises. “We’re off the streets now/And back on the road/On the riot trail.”
As we listen to politicians lining up one by one to tell us how they’re going to lead, the message of “Teenage Riot” resonates even louder. Sonic Youth, in their uniquely indirect way, seemed to be saying that the youth of America will ultimately choose their own leaders even if they can’t be bothered to elect them.
Only members can comment. Become a member . Already a member? Log In .
For the latest songwriting tips, reviews, podcasts, and more.




Poems Home


Poem Guides


Poets Home


Poem of the Day


Collections






Harriet Books


Featured Blogger


All Posts






Articles Home


Essays


Interviews


Profiles


All Articles






Video Home


All Videos






Podcasts Home


All Podcasts






Learn Home


Children


Teens


Adults


Educators


Glossary of Poetic Terms


Poetry Out Loud






Upcoming Events


All Past Events


Exhibitions






Poetry Magazine Home


Current Issue


Poetry Magazine Archive


Subscriptions


About the Magazine


How to Submit


Advertise with Us






About Us Home


Visit


Library


Foundation News


Awards & Grants


Media Partnerships


People


Press Releases


Contact Us







Tony Barnstone




Kyle Dargan




Jack Collom




Nikky Finney




Craig Dworkin




Pat Mora




Alistair Campbell




Bob Dylan




Gregory Pardlo




Erika T. Wurth









Tony Barnstone




Kyle Dargan




Jack Collom




Nikky Finney




Craig Dworkin




Pat Mora




Alistair Campbell




Bob Dylan




Gregory Pardlo




Erika T. Wurth









Poems & Poets


Poems Home


Poem Guides


Poets Home


Poem of the Day


Collections




Harriet


Harriet Books


Featured Blogger


All Posts




Articles


Articles Home


Essays


Interviews


Profiles


All Articles




Video


Video Home


All Videos




Podcasts


Podcasts Home


All Podcasts




Learn


Learn Home


Children


Teens


Adults


Educators


Glossary of Poetic Terms


Poetry Out Loud




Events


Upcoming Events


All Past Events


Exhibitions




Poetry Magazine


Poetry Magazine Home


Current Issue


Poetry Magazine Archive


Subscriptions


About the Magazine


How to Submit



Goddess Pussy Licking
French Milf Porn Video
Milf Teasing Her Panties And Stockings

Report Page