Teenage Engineering Po35 Speak
⚡ 👉🏻👉🏻👉🏻 INFORMATION AVAILABLE CLICK HERE 👈🏻👈🏻👈🏻
The product is ESD sensitive and is sold without casing.
Battery Information:
Install only new batteries of the same type.
Failure to insert batteries in the correct polarity, as indicated in the battery compartment, may shorten the life of the batteries or cause batteries to leak.
Do not mix old and new batteries.
Do not mix Alkaline, Standard (Carbon-Zink) or Rechargeable (Nickel Cadmium) or (Nickel Metal Hybride) batteries.
Do not dispose of batteries in fire.
Batteries should be recycled or disposed of as per state and local guidelines.
FCC statement:NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation.;
if this equipment does cause harmful interference to radio or television reception, which can be determined but turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures;
Reorient or relocate the receiving antenna
Increase the separation between the equipment and receiver
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following conditions;
This device may not cause harmful interference, and
This device must accept any interference received, including interference that may cause undesired operation.
Caution: changes or modifications not expressly approved by the party responsible for compliance could void user’s authority to operate the equipment.
ICES statementCAN ICES-003 (B) / NMB-3 (b)
teenage engineering warrants that this product will be free from defects in material or workmanship for a period of 12 months from the date of teenage engineering’s shipment of the product to you, the customer. in the event of a defect covered by this limited warranty, teenage engineering will, at its option and free of charge to customer, repair, replace or refund the purchase price paid.
TEENAGE ENGINEERING MAKES NO OTHER EXPRESS WARRANTIES EXCEPT AS PROVIDED HEREIN, AND ANY AND ALL IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR PARTICULAR PURPOSE SHALL ONLY BE IN EFFECT DURING THE 12 MONTH WARRANTY PERIOD PROVIDED HEREUNDER. TEENAGE ENGINEERING'S LIABILITY ON ANY WARRANTY CLAIM SHALL BE LIMITED TO THE ACTUAL PURCHASE PRICE PAID. TEENAGE ENGINEERING SHALL NOT BE RESPONSIBLE TO CUSTOMER OR ANY THIRD PARTY FOR ANY CONSEQUENTIAL, INCIDENTAL OR INDIRECT DAMAGES, INCLUDING BUT NOT LIMITED TO LOSS OF PROFITS, LOSS OF DATA, REVENUES, SALES, BUSINESS, GOODWILL OR USE.
what does this limited warranty not cover?
teenage engineering has no obligation to repair, replace, or provide refunds in the following instances:
if the alleged defect arises because customer has altered or repaired the product without the prior written consent or authorization of teenage engineering;
if customer did not follow any applicable instructions for proper storage, usage, or maintenance of this product;
if customer has failed to notify teenage engineering of any defect where the defect should have been reasonably apparent on inspection; or
if customer fails to notify teenage engineering of the defect within 12 months of teenage engineering's shipment of this product to customer. this limited warranty does not cover the cost of shipping the defective product to teenage engineering for repair, or the cost of shipping the repaired or replacement product to you. how do customers receive warranty service? please call your teenage engineering customer service representative for details on how to raise an issue in relation to your product.
play / write mode
indicates write mode is active
tonic
single channel versionof PO-32 tonic
to select sound holdsound and press 1-16
to select pattern holdpattern and press 1-16
press to select tempo
hold to set master volume 1-16hold step 1-16 + mto set multiplier
to use effects hold FX and press 1-16
press FX to toggle mode for knob A / B
voice 1-8
1. neutral 2. autotune 3. retro4. noise5. robot6. fifth7. vocoder 8. synth
effect 9-16
9. stutter sweep10. trance gate11. half rate12. 16 bar build up 13. 6/8 quantize14. retrigger pattern 15. reverse16. no e ect
auto power off (a.p.o)the unit auto powers off when no buttons are pressed for a while, only poweringthe display to show time.
press sound + bpm to show battery status.
factory resethold pattern + write while inserting batteries to restore the unit to factory default.
lock tabbreak off the lock tab to freeze all patterns and sounds. to reverse, solder the two pads by the lock tab together. to restore to locked settings, remove the batteries. when lock tab has been removed sampling is no longer possible.
insert two fresh AAA batteries. pay attention to plus and minus poles.
set time by turning knob A for hours and knob B for minutes. press any key to confirm and exit.
press sound + pattern. set alarm clock by turning A for hours and B for minutes. (disable alarm by turning knob A all the way down.)press any key 1-16 to set pattern for the alarm. to stop the alarm press any key.
reset the clock by removing the batteries and start over.
hold record + any key from 1-15. the microphone will record until the keys are released, and the recording will be stored in the position you selected (1-15). each recording can be 8 seconds long.
if a cable is inserted into the line in jack, the PO-35 will record via line in.
select a sound by holding the sound key and pressing any key from 1-15. press any key from 1-16 to play. if nothing is heard, press write key once.
PO-35 also comes with a single channel version of the PO-32 tonic. hold sound and press key 16 to access it.
to enter/exit rec mode, press write. enter sound/notes in grid. active steps will be lit.
press play to listen to your pattern.
hold pattern and press any key from 1-16 to select pattern. blinking led indicates active pattern.
press play to listen to your pattern. press play again to stop.
PO-35 has a total of four adjustable parameters. parameters are adjusted using the two knobs, A and B.
press FX to toggle the different parameters;- pitch and formant- start and speed
hold FX and press any key from 1-8 to change voice. while playing, if write mode is enabled, the voice change will be saved in the pattern.
while playing, hold FX and press any key from 9-15. if write mode is enabled, the effects will be saved in the pattern. to clear the saved effects, make sure write mode is enabled while holding FX + key 16.
hold bpm and turn A to adjust the swing.
press bpm to switch tempo. the bpm will be displayed in the upper right corner of the screen.HIP HOP (80 bpm)
DISCO (120 bpm)TENCHO (140 bpm)
hold bpm and turn B to fine-tune tempo, from 60 to 240 bpm.
hold bpm and press any key 1-16 to adjust master volume. note: be careful with the volume setting when using headphones. only exceed volume setting 5 with caution.
while playing, hold write and press any key 1-16 to punch in notes. notes will be quantized along with current swing setting. release write when finished.
while playing a pattern, hold write and turn knob A and knob B to lock the currently selected parameters. the parameters will affect the currently selected sound.
hold pattern and turn knob A to change key.hold pattern and turn knob B to switch between different scales.
6 – making a song (pattern chaining)
press and hold pattern and select which patterns 1-16 to chain by pressing the corresponding key 1-16. up to 64 patterns can be chained. one pattern can be selected multiple times.
example 1,1,1,4plays pattern 1 three times then moves on to pattern 4. after the last pattern is played the sequence will start over again.
hold write + pattern and press 1-16 to paste the active pattern to the corresponding new slot.
press record + pattern to clear the active pattern.
it is possible to transfer sound and pattern data directly between units.
connect a 3.5 mm stereo cable from transmitting unit line out to receiving unit line in.
on receiving unit: press record + sound to enter receive mode.
on transmitting unit: press write + sound to transmit data to receiving unit.
sound and pattern data can be exported through line out and stored to any stereo recording device for saving and sharing.
connect a 3.5 mm stereo cable from pocket operator line out to recording device.
start recording and press write + sound to transmit data.record in stereo, minimum 16bit 44khz quality.
connect recording device to line in on pocket operator. press record + sound to enter receive mode. send data from recording device.
you can replace drum sounds on PO-35 speak using microtonic standalone version or the vst/au plugin in any daw of choice.
tweak a sound in microtonic (knob A on PO-35 speak represents pitch, knob B represents morph) and press [the TE logo] on the interface to prepare for transfer.
to receive via microphone: press record + sound to enter receive mode. place mic on receiving unit close to computer speaker and press destination button in microtonic to start the transfer.
to receive via line in: connect a 3.5mm audio cable from computer to receiving unit. press record + sound to enter receive mode and press destination button in microtonic to start the transfer.
ID input output
SY0 stereo stereo
SY1 stereo mono/sync
SY2 sync stereo
SY3 sync mono/sync
SY5 mono/sync mono/sync
it is possible to sync multiple pocket operators with a click track using line in and out.
warning: sync levels should not exceed 5vpp (volt peak-to-peak).
connect a standard stereo audio cable between the units. the master unit will control the tempo of the sync unit.
hold record and press bpm on master unit to toggle sync modes. press repeatedly to toggle between different modes displayed in the upper right corner of the screen. press play on sync unit to wait for master clock sync. press play on master to start.
there are 5 sync modes. default mode is SY0.when sync is used the signal will be split between audio (right) and sync (left).
example A: sync three pocket operator units.chain: PO-32 > PO-35 > PO-33
example B: sync external device such as volca, iPhone, computer or synckontrol to PO-35.
example C: sync an external device to two pocket operator units.
example D: sync PO-32 to an external device.
make surethe folding stand is also removed.
to mount the pro case to a pocket operator, first you need to break away the hanger and remove the folding stand.
wrap the pro case around the edges of the unit. make sure the edges of the case is tightly fit.
free shipping over $85
14 day return policy
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An in-depth look at one of the latest products from Swedish synth manufacturer Teenage Engineering.
The Teenage Engineering PO-35 Speak, referred to from this point on as simply the PO-35, is a small but powerful speech synthesizer. The unit features the same ‘calculator’ format as previous Pocket Operators, albeit featuring the small microphone addition that first appeared on 2017’s PO-32 Tonic.
This guide will cover all the major features of the PO-35, as well as throwing in some tips and tricks that I have found useful during the time I have spent with the unit. As part of a series on all three ‘Metal Series’ Pocket Operators, my aim is to demonstrate the power of these instruments and highlight their capabilities as serious music-making machines.
The idea behind this article is to deliver an experience similar to the old gaming strategy guides I had whilst growing up — a comprehensive tutorial which answers all the major FAQs and can be used standalone without delving through various forums and review sites. As someone who regularly spends hours scanning through the depths of the online synth community, my companion guides are essentially a collection of useful information that I have found online during my free time.
1.0. THE HARDWARE
1.1. The Board, Buttons and Pots
1.2. The Mic
1.3. The Screen
2.0. FEATURES
2.1. The Sound Engines
2.2. Sounds
2.3. Recording Using the Mic
2.4. Voices
2.5. Altering the Vocal Synthesis
2.6. FX
2.7. Scales
3.0. THE SEQUENCER
3.1. Pattern Select
3.2. Tempo
3.3. Write Mode
3.4. Live Record
3.5. Recording Parameters
3.6. Pattern Chaining and Recording Longer Patterns
3.7. Clearing a pattern
4.0 OTHER FUNCTIONS
4.1. Volume
4.2. Powering On/Off
4.3. Factory Reset
4.4. Sync Modes
4.5. The Lock Tab
4.6. Recieving Microtonic Data
4.7. Sending Patches and Data
5.0. TIPS AND TRICKS
5.1. Faux Mute Mode
5.2. Live Transpose
5.3. Useful Patches and Data
5.4. Secret Key Combinations
5.5. Copying Sounds
5.6. System Information
5.7. Misc. Info
So how does the PO-35 work? Looking at the unit on a surface level, here’s the rundown on how everything is put together:
The PO-35 Speak uses the exact same style of construction as the previous Pocket Operators. Instead of using a traditional case, the PO35 is simply printed on a thin yet surprisingly robust circuit board. The screen shields the sensitive components as well as serving as a ‘box’ for the speaker to produce sound.
The buttons have not changed since the original incarnations — the simple click-style switches are far from perfect but serve as a somewhat effective way to either play the synthesizer live or input steps into the sequencer. The PO-35 retains the same layout as before, using 23 identical buttons (with 16 sequencer buttons in a 4x4 grid) and two pots.
Inside, the PO-35 runs on a relatively simple chip. The DSP in the unit can handle two monophonic voices: one for the speech synthesizer engine and another for a stripped-down version of Sonic Charge’s Microtonic (adapted from the PO-32).
As part of the Metal series, the PO-35 comes equipped with a small but powerful microphone. This mic can be used for two different purposes — namely, the recording of audio and the transfer of Microtonic patch data from either another PO unit or a PC.
Much like the other units in the series, the PO-35’s screen forgoes complex menus. Instead, Teenage Engineering has opted to display a basic animated scene with a few parameters dotted about in the corners. A simple breakdown is illustrated below:
The screen provides the following bits of information:
Despite the small size, the PO-35 packs in a huge number of different features — the most useful of which have been detailed in this section:
As previously mentioned, the PO-35 features two distinct sound engines: the vocal synthesis generator and Sonic Charge’s Microtonic — both of which are monophonic. This means that only one instance of each voice can be played at any one time, resulting in a maximum polyphony of two voices.
The PO-35 can hold up to 16 different sounds at once. Sounds 1 to 15 are created through vocal synthesis, while sound 16 is set to play the single voice Microtonic drum kit. Sounds can be selected by holding the SOUND button and pressing the desired number.
Each track features a LIVE PERFORMANCE MODE as the default function when pressing the sound buttons. The vocal synthesis tracks will play different notes across the 1–16 keys while the Microtonic track will assign a different drum sound to each button.
To record a sound into any of the 15 vocal synthesis slots, press and hold the RECORD button along with the corresponding number. The PO-35 will wait for the incoming audio to react a certain threshold before recording starts. Levels can be monitored through with the A and B parameter bars. Once either button is released, the recording will end.
Voices can be accessed by pressing the FX button and selecting the first 8 options. The voice options available in the PO-35 are as follows:
1. Natural — A lightly-affected vocal sound
2. Autotune — Corrects the vocal pitch to the nearest note
3. Retro — A retro-inspired lo-fi sound
4. Noise — A vocoder with heavy white noise added
5. Robot — Daft Punk-style robotic sounds
6. Fifth — Similar to ‘ROBOT’ but with a 5th added above
7. Vocoder — A classic vocoder with few bells and whistles
8. Synth — Less vocal-orientated and more
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