Teenage Engineering Po 35 Speak

Teenage Engineering Po 35 Speak

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Musical Instruments

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Electronic Music, DJ & Karaoke

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Electronic Music

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Drum Machines

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4.4 out of 5 stars

45 ratings

Currently unavailable. We don't know when or if this item will be back in stock.

About this item CREATES UNIQUE VOCAL SOUNDS - The teenage engineering PO-35 offers 8 voice characters: Neutral, Autotune, Retro, Noise, Robot, Fifth, Vocoder, and Synth. PROVIDES 120 SECONDS OF SAMPLING MEMORY - The Pocket Operator Speak features a built-in recording microphone that allows you to record up to 120s of samples. LETS YOU FINE TUNE YOUR SAMPLES - The transpose and change scale functions enable you to play your samples musically and to fine-tune the sounds further. SUPPORTS MICROTONIC VST/AU TRANSFER - You can combine PO-35 with a MicroTonic Plug-In (sold separately) to create new drum sounds. Easily transfer VST files via microphone or line-in jack. INCLUDES - teenage engineering PO-35 Pocket Operator Speak Vocal Sampler / Sequencer. 3-Pack of Blucoil 7-Inch Audio Aux Cables. 4-Pack of Blucoil 1.5V AAA Alkaline Batteries.

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Built-In Microphone for Sampling 120 Seconds of Sample Memory 8 Voice Characters + 8 Effects Replaceable Drum Sounds with Microtonic (Sold Separately) Transpose and Change Scale Step Multiplier Parameter Locks Equipped with Silabs EFM32 Gecko MCU, Cirrus Logic DAC, Knowles Speaker, High-Quality Crystal for Solid Clock

4.4 out of 5 stars

45 ratings

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Teenage Engineering PO-35 Speak Overview
Teenage Engineering PO-16 Factory Introduction

Top reviews

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Pocket operators are a ton of fun to play around with and generate some pretty cool sound for such a small device with limited circuitry. Plus there is a mode to transfer the sound to your DAW (computer) for further editing. But, Amazon ships them in a bubble mailer instead of a box and since these don't have a case or a box of their own mine arrived with part of it snapped off. Contacting amazon for customer service is like trying to get a response from Santa Claus. I already ordered the rhythm model from a different website and it showed up undamaged in a cardboard box.

It's a fun gadget to play around with and definitely has some great functions, but it's not super durable. After leaving it in a backpack a few times, there were parts that were falling apart because it's basically encased in a cardboard sleeve. Still, a great gift for someone who likes to tinker with electronics.

The packaging on the synth itself was really banged up for being a brand new item. Other than that, everything was exactly as expected!

It's a very cool little device; It's amazing how much functionality has been packed into such a small and simple package. Unfortunately, the device is plagued with bugs. It completely freezes up on a regular basis. The only way to fix it is to remove the batteries and start all over again. Its not clear what sequence of steps causes the issue, it is pretty random. But I cannot use it for more than ~10 minutes without it locking up. Turns out, Teenage Engineering does not offer any kind of warranty for these devices (contact them and ask for yourself). I guess this is on me. I just assumed that the makers of the famous OP-1 were a trustworthy company and I did not check the warranty on this product before I purchased. It's a cool little toy to dink around with, and it could be so much better if they fixed the freezing issue. But I cannot recommend a near $100 product that is not backed by a warranty.

Amazing product, the recording function makes this PO the most versatile of the bunch. Obviously function is slightly different to other PO’s but there’s always a learning curve with these items

For a first beats machine you can’t do better than these devices in my opinion.

Takes a bit of getting used to as to how to get the most out of it. Youtube vids helped a lot. I recommend this for tinkerers, and anyone that wants a cool tiny drum machine.

My husband LOVES THIS THING! he's a kid at heart.

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We find the best products from the brands you love and make bundles that have everything you need. We listen to your reviews so we research and manufacture accessories that will answer your needs. Instead of looking for multiple products, just look for Blucoil!
We find the best products from the brands you love and make bundles that have everything you need. We listen to your reviews so we research and manufacture accessories that will answer your needs. Instead of looking for multiple products, just look for Blucoil!
Enjoy recording and synthesizing different voices using the teenage engineering PO-35 speak . This powerful vocal synthesizer and sequencer comes in a small, ultra-portable design. It has a built-in microphone and 120 seconds of sample memory. You can record your own voice, change the vocal character completely, play with it, sequence it, and add effects on top for a killer new sound!
Onboard PO-35 are 8 unique voice character samplings plus a transpose and change scale. The voicing ranges from auto-tune to a robot to vocoder. Enhance these sounds by punching in one of the 8 built-in effects. You can tweak these effects in real-time with the parameter locks. Want to monitor your mix? You can listen to your beats with the built-in speaker or 3.5mm headphone output.
The built-in microphone allows you to sample your own voice. There's also a 3.5mm line input for recording sounds from an external device (e.g., smartphone, computer, vinyl record). PO-35 offers 120 seconds of sample memory. Up to 64 patterns can be chained with this mini vocal synthesizer. As your sequence plays out, the animations on screen move and groove to the beat.
Button 16 of PO-35 is a nifty drum machine. You can replace the drum sounds with Microtonic standalone version or the VST/AU plugin (sold separately) via sound data transfer. You can receive the Microtonic data via the 3.5mm line input or built-in microphone by placing the pocket operator close to your computer speaker. PO-35 supports 16-bit/44kHz stereo recording.
The onboard clock is one of the pocket operator's quirky features. Use the alarm clock to rouse you from long jamming sessions. To set the alarm clock, press the sound + pattern buttons and turn the A knob for hours and the B knob for minutes. Then press any 1-16 keys to confirm. Turning the A knob all the way down disables the alarm.
Make music anywhere you go with the ultra-portable pocket operator. The small music device offers a multitude of studio-quality sounds. PO-35 is so compact it can fit right inside your jeans pocket. It has a compact 1.8" x 3.5" x 4.9" overall dimensions.
Want to know how to use the PO-35 as a drum machine or lead instrument? Learn cool stuff at teenage engineering's #ems portal. Scan the QR above and learn how to play your pocket operator!
Share your creations with us and tag your video #teoperator at Instagram, Facebook, and YouTube.

Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.

To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.

Percussion Synthesizer & Drum Machine
16 (bass drum, snare drum, closed hi-hat, open hi-hat, synthesized snare, sticks, cymbal, noise, hand clap, click, low tom, hi tom, cow bell, blip, tone, bass tone)
15 assorted bass synthesis ranging from FM, phase distortion, wavetable to physical modeled string + 1 micro drum machine
15 assorted lead synthesis ranging from FM, subtractive synthesis, wavetable to physical modeled string + 1 micro drum machine
16 (kick 1, snare 1, shaker / zap, LFO effect. kick 2, snare 3, close / open hi-hat, claves / cowbell, low tom / kick 3, rimshot, tambourine / crash, hand clap, bass, FM snare, cymbal, high tom)
Replaceable drum sounds with microtonic (sold separately)
16 (low sample rate, distortion, bit crush, delay, lowpass filter, lowpass sweep, hipass filter, hipass sweep, stutter 4, stutter 3, repeat 8, repeat 6, note shuffle, feedback, parameter LFO, vibrato)
16 (low sample rate, distortion, bit crush, delay, lowpass filter, lowpass sweep, hipass filter, hipass sweep, stutter 4, stutter 3, feedback, parameter LFO, octave up, octave down, half note up, vibrato)
16 (low sample rate, distortion, bit crush, delay, lowpass filter, lowpass sweep, hipass filter, hipass sweep, stutter 4, stutter 3, feedback, parameter LFO, octave up, octave down, half note up, vibrato)
16 (half rate, distortion, squash, echo fade, pitch LFO, EQ sweep, mega morph, pitch bend up, punch, 6/8 quantize, beat-repeat, beat-repeat faster, FM, granular. reverse, bouncing ball)
16 (loop 16, loop 12, loop short, loop shorter, unison, unison low, octave up, octave down, stutter 4, stutter 3, scratch, scratch fast, 6 / 8 quantize, retrigger pattern, reverse, no effect)
8 (stutter sweep, trance gate, half rate, 16 bar build up, 6/8 quantize, retrigger pattern, reverse, no effect)
8 (neutral, autotune, retro, noise, robot, fifth, vocoder , synth)
Speakers, Clock, Microphone for Data Transfer
Speakers, Clock, Microphone for Sampling
Speakers, Clock, Microphone for Sampling
2 AAA batteries required. (included)
#6,494 in Musical Instruments ( See Top 100 in Musical Instruments ) #6 in Drum Machines #2,495 in Music Recording Equipment

Pros All-in-one bite-sized performance samplers. The performance effects are so good. Parameter automation.
Cons KO! has a fixed scale for melodic samples. Need to keep two buttons held down while recording. Audio on the lo-fi side.

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Fun-size sampling mayhem is the order of the day with the latest Pocket Operators.
Teenage Engineering’s latest three Pocket Operators push the format into new, more sophisticated territory with drum synthesis and sampling. Back in SOS December 2017 we reviewed the first of this new ‘Metal’ range , the PO-32 Tonic drum synth, which is a hardware condensation of Sonic Charge’s Microtonic VST plug-in. Now we’ve got our hands on the PO-33 KO!: the first Pocket Operator sampler, offering eight melodic sample voices and eight slice players. Also in our pockets is the PO-35 Speak, which is also a sampler but specialises in vocal sampling and voice synthesis.
Physically, the new POs appear identical to their predecessors, consisting of a phone-sized sliver of PCB with surface-mount screen and button grid on the front, and a battery clip and fold-out stand on the back. All delicate or static-sensitive components are housed safely behind the screen, but if you prefer a more traditional feel you can add the Pro Case, which gives you a rubber shell and button caps. The top hanger section can be snapped off.
Two 3.5mm jacks at the top corners provide for sampling input and audio output. The ports can be used for sync’ing multiple PO units or jam sync’ing to a click from another source, using one leg of the stereo connection for audio and the other for sync. Both models also have small (obviously) built-in mics and speakers, which are ideal for independent operation and general mucking about. This point was proven conclusively by the regular disappearance of the POs into my children’s bedrooms, after which I’d find my sound slots filled with YouTube meme phrases and — I’m truly sorry to report — bodily emissions.
Like the other POs, much of the screen is taken up with cartoon animations that play along with your patterns, but text and numeric fields around the edges provide useful feedback about modes and parameters. This can be reassuring as many functions are accessed with multi-button combinations that you need to memorise.
Basic operation of the PO-33 and PO-35 will be familiar if you’ve used any of the previous models, but otherwise takes a little getting used to. You work with one sound slot at a time, chosen by holding the Sound button and tapping one of the 16 number buttons. You can then either play it freeform using the number buttons as note/slice triggers, or you can step sequence it by entering Write mode and adding triggers within the 16-step sequence using the same buttons. Real-time pattern recording is also possible by holding down the Write button while tapping out notes.
Patterns are selected for playback or editing with the dedicated Pattern button, again in combination with one of the 16 main grid buttons. When playing back, Pattern recall takes effect at the end of the 16 steps. You can also queue up a chain of patterns to play back in sequence by pressing several buttons in succession. This is a temporary performance group rather than a full-blown song mode.
During playback you can apply momentary effects to the mixed output by holding the FX button and choosing from the FX pool via the grid. This is one of the most brilliant features of the Pocket Operators, giving you tons of real-time performance variation. The KO! has a full complement of 15 effect types while Speak, slightly disappointingly, has seven, as eight of the effects slots on the latter are used for the playback sound engine modes. Rather than traditional audio processors, the performance effects are designed for breaking up patterns with interesting variations and builds. The menu includes things like stutter, reverse, triplet shuffle and slow-down, etc.
Let’s look in a little more detail at the two models on test. The KO! offers two different sample capture and playback modes. The first eight sound slots play back a single sample each. Recording is initiated to a slot by holding the Record button and relevant sound button, and you need to keep these held during recording. This is a simple and immediate sampling method (as evidenced by the burps and worse of my progeny), but can be pretty awkward as you can’t use just a thumb. If you need a hand free for generating the sound from another source, you’ll need to put the PO down and hold the buttons with two fingers. There’s a total of 40 seconds of sample time available to share among the 16 slots, and the remaining time counts down on the screen during recording. Audio quality has a bit of a grungy edge with quantisation noise (especially evident on tones); I estimated 12-bit, but it’s apparently only 8-bit at 23.5kHz.
Once you have a sample you can offset its pitch with the first knob, effecting a simple speed change rather than stretch. Slots 1-8 can be played back melodically from the buttons. Some Pocket Operators, including the Speak, allow you to set a scale for the buttons, but the KO! doesn’t. Instead there’s a single fixed scale that you can use alongside the master offset. This doesn’t appear to be documented anywhere, but I eventually got the info care of Reddit. From the bottom-left corner the buttons play a minor scale but with both a natural and flat seventh, with the octave two buttons directly up. This allows you play a natural or harmonic minor scale, or a major scale depending on which button you start on. This is a bit restrictive (and the fact that it’s not explained was frustrating) but it’s actually pretty neat for fast and easy melody creation.
The two knobs control the current sound and can be cycled through three different parameter sets by tapping the FX button. The main default controls are Pitch and Volume. The second mode controls the sound’s filter. Knob A controls frequency and sweeps between a low-pass to the left of the centre position and high-pass to the right. Knob B controls Resonance. The third mode is Trim, providing simple sample editing capability. A sets the sample start positions, and B is the length. A nice feature is that when moving these controls the sample will trigger repeatedly to provide auditioning. Unfortunately the tri
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