Teenage Engineering Po

Teenage Engineering Po

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Drum Machines

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4.7 out of 5 stars

412 ratings

Currently unavailable. We don't know when or if this item will be back in stock.

About this item SMALL BUT LOADED WITH FEATURES - The PO-14 Sub Bass boasts multiple real synthesizer engines including wavetable, FM, subtractive synthesis, and physically modeled strings. ENHANCES YOUR BASS SOUNDS - This pocket-sized synthesizer offers 16 punch-in effects including bit crusher, delay, and vibrato. OFFERS 2 TWEAKABLE PARAMETER LOCKS - PO-14 sub's parameters can be locked while an auto compressor and hardware limiter guarantee that there are no clips with the signal generation. PROVIDES HIGH AUDIO OUTPUT - teenage engineering utilizes a clever Silicon Labs EFM 32 Gecko MCU, Cirrus Logic DAC, and Knowles Speaker to produce excellent sound output. JAM ON THE GO! - PO-14 Sub Bass has a jam-sync function, which lets you connect the unit with other Pocket Operators. You can also integrate PO-14 with 3rd-party gears thanks to its integrated audio-pulse-based sync.

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4.7 out of 5 stars

412 ratings

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Customer Review: It’s a professional sounding synth
How to Sync Multiple Pocket Players
Teenage Engineering PO-16 Factory Introduction
teenage engineering Pocket Operator PO-33 Quick Look!
Customer Review: PO-14 - Red Means Recording

Top reviews

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Top reviews

amazing sound, it has a drum machine built into it not only is it a 303 clone but it has a drum machine, pocket operators are the highest quality synths you can buy at the lowest price, and i think one day will go up in value substantially like a 909 or an 808

This is the most limited of all Pocket Operators, but that doesn't make it bad. Lots of fun to play with, plenty of fun to jam on, but not great for your only unit. You need to combine this with another PO, such as the PO-28 Robot which would be the lead guitar to this bass. This review will be for people already familiar with POs since it is meant to work in combination with the rest. If you're totally new to the Pocket Operator line I'd say start with either the PO-22 Arcade for 8-bit chiptunes, or the PO-12 or P0-32 which are more complete drum sequencers that work well on their own. On to the Bass... Pros: Thumping basslines. Other Pocket Operators have bass, but this one is specifically tuned to make really awesome bass grooves. I put on some good-quality headphones and in a few minutes with this and a PO-28 Robot hooked up I was making such rocking tunes that I was dancing in my seat. Fun fun fun. This thing will get a room full of people on the dance floor. MSRP is $10 less than POs, so the price is in line with the reduced function as a bass-only-unit. Like all other POs, can chain sequences and sync to other POs allowing for all sorts of play options. Also has a mini drum sequencer in place of sound 16, so you can make full-fledged tunes (or at least drums and bass) on this one unit. Cons: Monophonic. Other POs tend to have up to 4 voices, split between their drum machine and other functions. The sub only has one voice for its throbbing bassline, meaning that trying to do things like punch in extra bass on the fly will just cut out the current voice. This limits the live play options a little, you can't really harmonize this unit at all in live play. However, like all POs it contains plenty of options for effects and bending your notes so you can play with it- just in a specific and limited way compared to other units. Overall: This may be the second unit you need to have alongside any other PO. As I said, I hooked this up with the PO-28 Robot and used the Robot as a lead synth. The combination had my head bobbing and my feet tapping. I'd set the Bass to a good bassline pattern (maybe 3x rhythm patterns and 1x break) than jam out lead on the Robot. When I finish a phrase with the robot I could switch to punch in some live effects on the Bass. Back and forth a few times, and I had a killer live set going. For this price and easy of play, you'd be hard-pressed to find anything on the market that can compete. The closest is the Korg Volca line, where one Volca can cost as much as two Pocket Operators. The Bass is the perfect unit to explain the PO line. Sure, it's limited. There are lots of things you can't do with it. Then again, the unit allows so much expression for so little investment. Pair the Bass with another cheap PO, (and look up some YouTube videos because the included manual is worthless), and you'll be making some record-worthy tunes in minutes. Professional musicians may quickly be annoyed with the limitations of a unit like the Bass, but for me, this is just SO. MUCH. FUN. Would you rather invest a lot more money and time into a unit like the Volca or beyond, or do you just want a portable Pocket Calculator you can take on the train and jam out on your tray table? That's why I love a Pocket Operator like the Bass. I can whip it out on the bus on my way to a destination, spend 5 minutes messing around with patterns, and by the time I get home I'm running to grab an audio recorder to capture my creations. Love the POs. Get one today.

My girlfriend got me the Mega Man one for my birthday and I’m kind of hooked. When I found out the Street Fighter one was a sampler, I got it. Then though I’ve pulled great bass out of both having a dedicated bass line for the pocket band seemed proper. That’s the rabbit hole you should be careful of, once you’ve purchased a few of these you could have gotten something nice without so much limitation. For the value of one though, you’ll be hard pressed to find something that makes sounds like this at this cost. Maybe batteries and finger pinching buttons aren’t great for stage performance but make no judgment of this books cover, they are studio companions. Some of the acid bass I’ve pulled out is comparable to my 303. Not to mention some real funky deep sub lines (sometimes it’s hard to get rid of static, but not impossible and as a lo-fi cat, sometimes I like it). The drum machine might be the cheesiest of all pocket operators but it is there so you can make a jam with only it, but I highly recommend this one as a backup instrument to other pocket operators or a Korg Volca. A tiny interface that gets ahead of you sometimes, lots of functions require pressing two or three buttons at once so that can be a pain. All in all if you love electronic music and the fact that circuits make sound that can be morphed into notes, these are dope!

I can easily see a person spending way too much time messing around with this!!! I already have, and I don't even know how to use all the features yet!! This device is a small palm-sized synthesizer which, while including bass features, does not focus exclusively on them, despite its name. It's about the size of a small calculator, so it's tiny. The variations and permutations you can create on this thing are truly remarkable. I've been trying this out for a couple of days, and it has not substantially repeated itself. At all. A few notes may rarely be similar, but it hasn't actually repeated itself! So there's little chance of using it up or getting tired of it.quickly. On its own it is immensely entertaining for a sick or confined person. While you can't compose with it, exactly, you can play around, thereby generating lots of ideas. A worthwhile though expensive purchase, particularly if you're sick or convalescing!

I found out about the Pocket Operators a couple of months ago and have since become a huge fan of these amazing instruments. They're fun, but serious enough to be used live and in the studio and not as flimsy as you'd think. The variations of sounds you can get from each of the 15 bass sounds (And 1 micro drum kit) is huge by combining the A and B parameter controls with the 16 play styles (How the note is played) and 16 effects. (Sounds 12 - 15 seem like they should come from a much larger, expensive device!) A seemingly major down point is that they're chromatically locked to C major, so if you want any sharps/flats you need to use the semi-tone bend effect on fx number 15. I thought this was going to be a problem, but I haven't had any issues with it at all, in fact, it enables me to think up more creative basslines. Another thing to point out is that I thought my device was broken straight out of the box as it would not turn on when the batteries were inserted. However, I discovered on a forum that by bending the battery connection points in a little, the problem was solved. I don't think I'll bother getting a case as it looks cool and is pretty sturdy - as long as you don't sling it loose into a bag or leave it lying around on the floor somewhere... Recording lines live can be a little tricky, but once you'e used to it, building up and chaining pattern sequences is quite intuitive and powerful, especially when synced to other Pocket Operators and similar devices. A lot of people have described these as 'Toys', which is a slightly misleading thing if you haven't 'Played' with them; it's small and fun, but so is a Harmonica or a Ukulele, and this can do SO much more. Oh... and there's a little dude running around on the screen while you play things that goes back to bed to sleep when playing is done!

1.0 out of 5 stars

Disappointing

Wanted a simple device for creating bass lines to sample in my 1010 Black Box. Initially I was really excited to open up the tiny box, put the batteries in and get going. It's intuitive, clever, small and fun but the clicks, pops and cracks on every single sound and sequence I tried made it completely unusable. Yes it's cheap and 'quirky' and I'm sure there are some nice sounds to come out of it, but the clicking even on all the pre-set patches, is so distracting and irritating that all I could was pack it up and send it back. This was for the PO-14

3.0 out of 5 stars

Packaging torn open

This was bought as a birthday present for my grandson. It has arrived with the box inside the mailing parcel torn open. This makes for a very shoddy looking gift. Disappointing,.

3.0 out of 5 stars

Great little device

PO 14 Sub is great. Came with the tab removed already, but included in the box. You need to remove the tab to fit it into a case. The sound through its small speakers is weak, but sounds great through the output.

5.0 out of 5 stars

Fantastic First Synth

I recently bought this to play around with on the way to and from work. I had been really interested in getting started with synthesisers and wanted something easy to learn and portable to get me started. Teenage engineering has delivered! It’s cheap and cheerful but also delivers a heck of a sound! After an hour of fiddling about, watching tutorials and referring to the (tiny) manual I feel like I can do so much on this little calculator! There are 16 sequences to be played with and many sounds and effects. Also a micro drum machine, which allows for fun even if you don’t have the po rhythm! A must buy for anyone looking for a fun first synth under £50!

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teenage engineering creates highly acclaimed products for people who love sound, music, and design.
We develop the alternative future of consumer electronics — each invention driven by need, and built to last.
teenage engineering is the creator of OP-1 portable synthesizer / pocket operators / OP-Z multimedia synth and sequencer / computer-1 case / OB-4 magic radio / TX-6 field mixer / and much more.
Please visit this page to register your product: teenage.engineering/register
This will ensure you get all the latest updates and support for your units.
Please visit teenage.engineering/ems to learn more about teenage engineering education activities and the teenage engineering electronic music school.
You can also join our Discord server, connect with a mentor, or visit the education YouTube channel for more content.
Feel free to join: discord.gg/xZ6n8pCSnQ
The teenage engineering Pocket Operator PO-14 sub is a powerful micro sub bass synthesizer & sequencer, all packed into a small and ultra-portable design.
With studio quality sound, featuring multiple real synth engines, the PO-14 is perfect for making electronic rhythms on the go. It includes FM, subtractive synthesis, wave table, physical modeled string, and more.
You can carry and use it virtually anywhere. Just plug in your favorite headphones and create trippy beats while traveling.
PO-14 sub uses multiple real synthesizer engines to produce 15 assorted bass synthesis sounds, including phase distortion and wavetable. This pocket operator gives crunchy and whoomph sounds like no other. Button 16 has a micro drum machine kit that adds another layer to the sounds.
You can use the built-in speaker for instant sound. The 3.5mm output jack works with headphones and external speaker systems. With three different ways to listen, you can choose the ideal experience to explore your creativity.
This pocket operator is a miniature programmable bassline synthesizer with a 16-step sequencer. It is equipped with 16 patterns and offers a maximum of 16-pattern chaining. A pattern consists of 16 steps. As your sequence plays out, the animations on screen move and groove to the beat.
The onboard clock is one of the pocket operator's quirky features. Use the alarm clock to rouse you from long jamming sessions. To set the alarm clock, press the sound + pattern buttons and turn the A knob for hours and the B knob for minutes. Then press any 1-16 keys to confirm. Turning the A knob all the way down disables the alarm.
Make music anywhere you go with the ultra-portable pocket operator. The small music device offers a multitude of studio-quality sounds. PO-14 is so compact it can fit right inside your jeans pocket. It has a compact 1.8" x 3.5" x 4.9" overall dimensions.
Want to know how to make funky bassline with the PO-14? Learn cool stuff at teenage engineering's #ems portal. Scan the QR above and learn how to play your pocket operator!
Share your creations with us and tag your video #teoperator at Instagram, Facebook, and YouTube.

Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.

To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.

16 (bass drum, snare drum, closed hi-hat, open hi-hat, synthesized snare, sticks, cymbal, noise, hand clap, click, low tom, hi tom, cow bell, blip, tone, bass tone)
15 assorted bass synthesis ranging from FM, phase distortion, wavetable to physical modeled string + 1 Micro drum machine
15 assorted lead synthesis ranging from FM, subtractive synthesis, wavetable to physical modeled string + 1 micro drum machine
16 (bass, bass drum, snare drum, hi-hat, tom, blip, hardsync, noise FX, arpeggio, melodic arp, falling arp, octave arp, lead, vibrato, portamento, echo)
16 (5.25" floppy disk, 3.5" drive eject, 3.5" floppy disk, keyboard, matrix printer, joystick, mouse click, toggle switch, bass drum, PC beeper, hardsync tone, hardsync noise, ring modulation, bass, glitch FX, noise FX)
16 (LFO pulse wave, pulse wave, mixed wave, triangle wave, echo, arpeggio, vibrato, 4-bit triangle, LFO pulse wave, pulse wave, mixed wave, triangle wave, echo, arpeggio, vibrato, micro drum kit)
16 (low sample rate, distortion, bit crush, delay, lowpass filter, lowpass sweep, hipass filter, hipass sweep, stutter 4, stutter 3, repeat 8, repeat 6, note shuffle, feedback, parameter LFO, vibrato)
16 (low sample rate, distortion, bit crush, delay, lowpass filter, lowpass sweep, hipass filter, hipass sweep, stutter 4, stutter 3, feedback, parameter LFO, octave up, octave down, half note up, vibrato)
16 (low sample rate, distortion, bit crush, delay, lowpass filter, lowpass sweep, hipass filter, hipass sweep, stutter 4, stutter 3, feedback, parameter LFO, octave up, octave down, half note up, vibrato)
16 (solo chords, solo chords + lead, solo drums, solo drums + bass, lowpass slow, sweep, lowpass fast sweep, hipass filter, hipass sweep, fill-in, fast fill-in, retrigger, fast retrigger, glitch, fast glitch, blinds, rising arpeggio)
16 (aliasing, overdrive, repeat 4, repeat 2, lowpass filter, lowpass sweep, hipass filter, hipass sweep, distort low, distort high, retrigger, fast retrigger, glitch, fast glitch, blinds, noise effect)
16 (distorted filter, distorted sweep, repeat 4, repeat 2, lowpass slow filter, lowpass fast s
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