Teen Solo Art

Teen Solo Art




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In the long history of the Billboard 200 (or its historical antecedents -- Billboard album charts date back to the '40s in one form or another), there have been surprisingly few solo artists to top the album chart under the age of 18. In fact, even going as far back as the '40s, just 11 solo artists have topped Billboard's primary album chart. To be clear, we're not including people who were in a band or duo that scored a No. 1 album -- nor are we including minors who contributed to No. 1 soundtracks.
From Billie Eilish to Shawn Mendes to '50s teen idol Ricky Nelson, here are 11 solo singers who topped the album chart before turning 18.  
Mixing electronic music, indie, pop and trap, Billie Eilish topped the Billboard 200 at the age of 17 in 2019 with her debut album When We All Fall Asleep, Where Do We Go? The newest addition to this exclusive club is also certainly the darkest, riskiest album of the bunch.
Before he became a world-conquering force, Shawn Mendes was a viral sensation on the now-defunct video sharing app Vine. He turned his mastery of the six-second social media format into a successful music career, with his full-length debut, Handwritten, owning the chart for a week in April 2015 when he was just 16. 
Prior to Mendes, the last under-18 to top the Billboard 200 was Alpha Teen Idol Justin Bieber. His Christmas collection Under the Mistletoe netted the then-17-year-old singer the top slot on the Billboard 200 in 2011.
Justin Bieber is one of four solo artists to top the Billboard 200 twice before turning 18. He first reached that height with My World 2.0 in 2010, which hit No. 1 when he was just 16.
Before Bieber, the previous five No. 1 albums from solo singers under 18 all came from Disney kids. First up (but chronologically last) is Demi Lovato, whose second album Here We Go Again hit No. 1 when she was 16 in 2009.
Before she dropped Bangerz and her squeaky clean image, Miley Cyrus saw Breakout become her second chart-topping album in 2008. The soon-to-be-former Hannah Montana was 15 at the time.
When Miley Cyrus was just breaking out of the Hannah Montana mold, she was a mere 14 years old. That didn't stop Hannah Montana 2: Meet Miley Cyrus from dominating the Billboard 200 in 2007.
Hilary Duff's first best-of comp Most Wanted featured selections from her first two non-holiday albums, a few soundtrack cuts and three new songs. It ruled at No. 1 for two weeks in 2005 just before she turned 18.
Miley's Disney predecessor Hilary Duff went No. 1 when she was 15 with Metamorphosis, her proper debut album in 2003.
Presenting herself as the schoolgirl-next-door gone bad, Britney Spears topped the Billboard 200 in 1999 with her massive-selling debut ...Baby One More Time. It wasn't entirely an act: She was only 17 at the time.
The third solo singer to score two No. 1 albums on the Billboard 200 before turning 18 is LeAnn Rimes. In 1997, her uplifting covers album You Light Up My Life: Inspirational Songs topped the chart when she was 15.
Released a year after her hit debut Blue peaked at No. 3, LeAnn Rimes' compilation album Unchained Melody: The Early Years became her first No. 1 in 1997. The rising country star was just 14 at the time.
Thanks to her cover of Tommy James and the Shondells' "I Think We're Alone Now," Tiffany -- the voice of the '80s mallrat generation -- reached No. 1 with her self-titled debut in 1988. She was 16 when Tiffany ruled for two weeks.
Twenty-five years prior to Tiffany's chart-topper is our second-to-last album, coming from a young Stevie Wonder. Released back when he was known as "Little Stevie Wonder" but still (correctly) hailed as a genius, he topped the album chart in 1963 with Recorded Live: The 12 Year Old Genius. Despite the title, he was actually 13 when the album hit No. 1.
Last on our list is the first solo singer to score a No. 1 album before turning 18. Part teen idol, part early rock n' roll pioneer, Ricky Nelson hit No. 1 in 1958 with his debut album, Ricky. At the time, he was just 17. Part of the reason for his teenage success in an era where that wasn't the norm: Nelson played one of the sons on TV's immensely popular sitcom The Adventures of Ozzie & Harriet, which helped propel his career into the stratosphere early on.
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Transgender teen's crypto art series fetches $2.16 million at Christie's
More than 20 collectors bid on the 18-year-old artist's work, "Hello, i'm Victor (FEWOCiOUS) and This Is My Life," which focuses on his gender transition.
July 1, 2021, 11:19 PM MSK / Updated July 2, 2021, 8:13 PM MSK
A transgender teen’s physical artwork and non-fungible tokens netted $2.16 million at auction at Christie’s on Wednesday.
“Hello, i’m Victor (FEWOCiOUS) and This Is My Life” included five lots by 18-year-old Victor Langlois, aka FEWOCiOUS, a rising star in the increasingly popular — and lucrative — world of NFT art.
An NFT is a blockchain-powered unit of data that authenticates ownership of digital objects — images, videos, songs, even tweets.  
Each lot represents a year of Langlois' life between the ages of 14 and 18, as he began to understand his gender identity, transitioned and moved from Las Vegas to Seattle.
The series includes a physical painting, a video artwork sold exclusively as an NFT and a collection of physical and NFT doodles, drawings and journal entries from the corresponding year.
Upon request, Langlois will deliver the physical painting to the collector in a custom suitcase, Christie’s said in a statement, “an ode to how he transported his earliest drawings and paintings, when leaving behind his past in pursuit of a brighter future.” 
The series reflects a traumatic period in Langlois’ life, amid what he describes as an abusive upbringing. After running away from home at age 12, he was raised by his grandmother, a single mom from El Salvador with three jobs and four kids.
"I think she struggled so much that she just wanted security," he told Christie’s. "To see me wanting to pursue art, she was like, 'What? Be a lawyer.' Which I understand. But it hurt when she would say, 'Your art is ugly and that’s why you can’t do it.'"
Langlois began drawing art on his iPad, he told Decrypt, because he wasn’t allowed paint. The first piece in “Hello, I’m Victor” is titled “Year 1, Age 14 — It Hurts to Hide.”
Last year, he began selling digital works on the NFT marketplace Nifty Gateway: He earned $25,000 for “Moment i Fell in Love” in November, enough to fund his move to Seattle, and rang in New Year’s 2021 with the NFT drop “Over-Analyzing Again,” which brought in $35,000. 
Barely two months later, on March 6, his work “The EverLasting Beautiful” sold for $550,000.
Since getting into digital art barely a year ago, Langlois has earned just under $18 million. According to Christie’s, he’s also the youngest artist to have work sold through the legendary auction house.
“He went all out on this project and bared his beautiful soul for the world,” Christie’s digital art specialist Noah Davis said in a statement. “I hope his success shines bright for other young creative people who might be struggling with similar issues of identity and acceptance.”
On June 23, the first day of the auction, demand was so high it crashed the Christie’s website, Esquire reported. That success is particularly poignant, Langlois said, because too often trans artists are overlooked.
“Thank you so much for believing in me and my journey. It means the world,” he said in a tearful Instagram video Wednesday. “I put my everything into this, and I was so nervous to come out and to tell everyone who I am.”
The seven-figure sale is also a sign of NFTs' growing influence among auction houses and the art world in general: Sales of NFTs topped $2 billion in the first quarter of 2021, CNBC reported, with twice as many buyers as sellers.
In March, Christie’s set a record for digital art with the $69 million sale of "EVERYDAYS: THE FIRST 5000 DAYS," an NFT by multimedia artist Beeple.
“I think NFTs are the future,” Langlois told Reuters. “If you’re posting your art and sharing it with the world digitally, I think to offer a way for collectors to own it as a digital asset is just the next step.” 
Just as the queer community has been at the forefront of many artistic movements, LGBTQ artists are quickly adopting the NFT model: In April, former YouTuber Chris Crocker transformed their infamous “Leave Britney Alone” video into an NFT that earned $44,000.
The day before Langlois’ auction closed, The Queenly NFT, which bills itself as "the first cryptogallery for queer creators," held its launch party at the former site of Andy Warhol’s Factory in Union Square in Manhattan, New York.
The inaugural collection includes more than 90 pieces — including works by trans singer Mila Jam, "RuPaul’s Drag Race" stars Manila Luzon and Bob the Drag Queen, gay nightlife photographer Wilsonmodels and lesbian photographer Lola Flash, whose work was just added to the permanent collection at New York's Museum of Modern Art.
Brent Lomas, a New York drag performer also known as Ruby Powers, said he developed Queenly as a place for queer artists to get proper credit and compensation for their work, with LGBTQ-allied nonprofit organizations receiving a donation for every sale.
“Queer creators belong in every single space, and they deserve to take up space,” Lomas said. “They’re the ones creating the most explosive and powerful moments with their art. They’re the pioneers, showing people the world in a new way.” 
This isn’t just a new kind of art, he added; it’s a new kind of patronage.
“Not every queer artist is going to have access to a place like Christie’s,” Lomas said. “Art should be democratizing, and NFTs allow artists to be in control of their work.” 
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