Teen Slut Movie
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A young woman defends her right to play the field as much as her male counterparts in Sophie Lorain’s slight but amiable comedy
Tricia Olszewski | March 26, 2019 @ 4:43 PM
Sexual power plays and slut-shaming are the central themes of “Slut in a Good Way,” director Sophie Lorain’s slight but amiable story of three straight teenage girls and their romantic lives. Shot in black and white and set mostly in a retail environment, the French-Canadian film gives off a “Clerks” vibe as the trio of protagonists slack off, bitch about pay, and talk about life and love.
Catherine Léger’s story starts off in a sex shop as 17-year-old Charlotte (Marguerite Bouchard) looks for a bustier that matches one she saw in one of her boyfriend’s porn clips. What she buys doesn’t have the desired effect, though it wouldn’t have mattered what she chose: Her boyfriend tells her that he’s gay. So she gets drunk on a playground with friends Mégane (Romane Denis) and Aube (Rose Adam), lamenting that he’s “perfect” and she loves him. Charlotte starts to forget all that, however, when they stumble into a toy store and notice the college-age guys working there. The three apply for jobs, and soon they’re flirting for a paycheck.
Charlotte doesn’t have to wait long for a rebound opportunity. Her first training shift is with Guillaume (Alex Godbout), who’s playful with her while insisting that he’s not, in fact, chatting her up. He charms her. On her second day, however, she works with the much more direct Francis (Anthony Therrien).
Soon she’s slept with most of the guys employed there, and it’s only when she starts to circle back to Guillaume that she discovers the boys have been talking, and she’s on her way toward racking up a “perfect score,” i.e. having sex with everyone. Charlotte is both mortified and angry — why should she be judged while the guys are probably high-fived?
That such a double standard exists isn’t exactly a fresh idea, and “Slut in a Good Way” suffers from a lack of surprise, aside from a slightly ridiculous development: Inspired by the guys’ Movember charity campaign, the girls decide in a “Lysistrata” turn to take up abstinence in order to raise money for apes. They put empty jars on the store counters and rake it in. “It’s nuts! People actually care if we’re abstinent,” one says.
Not quite everyone, darling. After a while, it’s difficult to care about the girls’ drummed-up drama, especially when it comes from the contrary Mégane, an abrasive budding socialist who at one point loudly proclaims that the employees should give away the store’s merchandise when she discovers how little they’re being paid. There are no adults in this world — although it’s worth noting that between the playground and the toy store, there are two children’s milieus in which the girls play like grown-ups — so there’s no one to reason with her that low pay is to be expected when you’re working 10 hours a week at your first job.
Mégane’s anti-love screeds are more sensible, at least when directed toward the sentimental Charlotte. Charlotte’s initial tendency toward “emotional dependency” is hammered home with her obsession with Maria Callas’s “Habanera” from “Carmen,” snippets of which play several times throughout the film: “If you don’t love me, then I love you/If I love you, you best beware!”
True to form, Charlotte takes out her anger about the boys’ “perfect score” game on Guillaume, who never really tried to sleep with her and takes it all in stride: “I thought it was funny. I thought it was a rebound. Lots of rebounds!” His relative maturity is refreshing compared with the girls’ frequent hissy fits.
But Charlotte’s not amused, at least until film’s end, when everyone starts to make nice again after the abstinence game — and to be sure, it’s also a game — blows up. In true romantic comedy form, “Slut in a Good Way” wraps up with a Bollywood-themed dance number at a Christmas party. It’s the most joyous moment in the film — which, considering this was supposed to be a sex-positive teen story, feels a little wrong.
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It has an endearing lack of seriousness, and Vin Diesel has more than enough muscle for the starring role, but ultimately, XXX is a missed opportunity to breathe new life into the spy thriller genre. Read critic reviews
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Vin Diesel stars as former extreme sports athlete Xander "XXX" Cage, notorious for his death-defying public stunts. Betting he can succeed where other conventional spies have failed, Xander is recruited by NSA Agent Gibbons (Samuel L. Jackson) to become a different kind of undercover agent. Enlisted for a dangerous covert mission, he must use all his extreme skills to combat a clever, organized, and ruthless enemy far beyond the scope of his experience.
PG-13 (Language|Drug Content|Nonstop Action Sequences|Sensuality|Violence)
action, adventure, mystery & thriller
Dolby SR, DTS, Dolby Stereo, Surround, SDDS, Dolby A, Dolby Digital
Samuel L. Jackson
Agent Augustus Gibbons
Joel Hynek
Visual Effects Supervisor
Vin Diesel, every teen's fantasy action hero.
December 29, 2010 | Rating: 4/5 | Full Review…
If Dubya and Dick Cheney had made their very own post-9/11 patriotic propaganda movie for the teens they need as globalisation fodder, then this would be it.
Sporadically entertaining, this is nevertheless seriously hampered by a very choppy screenplay.
March 2, 2003 | Rating: 3/5 | Full Review…
Vin may not yet be a Bond, or a Terminator, or even Conan the Barbarian. But he's got presence and charisma.
November 19, 2002 | Rating: 3/5 | Full Review…
Diesel's a limited actor but a great performer - he just exudes cool. It's his charisma -- coupled with the raw sex appeal of Asia Argento's X girl -- that makes Rob Cohen's movie tick.
October 2, 2002 | Rating: 3/5 | Full Review…
The director piles on one expensive but impersonal action scene after another.
For every action sequence, there are shots dedicated to formulaic rips of the already tired spy subgenre.
November 9, 2020 | Rating: 3/10 | Full Review…
Groovy gadgets, deadpan quips and stunning set-piece stunts reign supreme in this expertly-made schlockbuster.
June 24, 2020 | Rating: 3/5 | Full Review…
Fun but deeply, ridiculously silly.
Despite the blatant rips, XXX's storyline remains entertaining enough.
September 8, 2009 | Rating: 3.5/5 | Full Review…
As an action director, Mr. Cohen is competent, but this film -- which is pretty much as non-stop as an action movie can get -- needed a director with a little more finesse.
July 14, 2007 | Rating: 2.5/4 | Full Review…
Okay, that's it. My summer of movies has been completely pissed on.
Vin Diesel, every teen's fantasy action hero.
December 29, 2010 | Rating: 4/5 | Full Review…
If Dubya and Dick Cheney had made their very own post-9/11 patriotic propaganda movie for the teens they need as globalisation fodder, then this would be it.
Sporadically entertaining, this is nevertheless seriously hampered by a very choppy screenplay.
March 2, 2003 | Rating: 3/5 | Full Review…
Vin may not yet be a Bond, or a Terminator, or even Conan the Barbarian. But he's got presence and charisma.
November 19, 2002 | Rating: 3/5 | Full Review…
For every action sequence, there are shots dedicated to formulaic rips of the already tired spy subgenre.
November 9, 2020 | Rating: 3/10 | Full Review…
Groovy gadgets, deadpan quips and stunning set-piece stunts reign supreme in this expertly-made schlockbuster.
June 24, 2020 | Rating: 3/5 | Full Review…
Fun but deeply, ridiculously silly.
Despite the blatant rips, XXX's storyline remains entertaining enough.
September 8, 2009 | Rating: 3.5/5 | Full Review…
As an action director, Mr. Cohen is competent, but this film -- which is pretty much as non-stop as an action movie can get -- needed a director with a little more finesse.
July 14, 2007 | Rating: 2.5/4 | Full Review…
Okay, that's it. My summer of movies has been completely pissed on.
Not since the days when Joel Silver ruled Hollywood and musclebound subliterates vied for supremacy on the big screen has the industry spawned a phenomenon as garish and confounding as Vin Diesel.
With all the stimulating action sequences you can ask for, a touch of class and some fine comedic moments, you'll leave the theater wanting more.
July 5, 2005 | Rating: 4/5 | Full Review…
Basically this is an American James Bond film made for 12 year olds, Full of over the top action which I never really liked as it ruins the whole film for me, But it's pretty fun at times, Predictable but fun, Maybe the age certificate didn't help in the action scenes though, Although it's pretty poor acted and the one liners and dialogue were pretty awful Vin Diesel was fun to watch as he wasn't a morbid, Croaky bore like he usually is he actually looked like he wanted to be there for once, The plot is Ripped off from every Bond film so we know what's going to happen and when, If I reviewed this when I was 12 I'd of given it 5 stars but age and maturity kicked in and it gets a solid 3 stars just for being brain dead fun.
If any future filmmakers are looking for inspiration in the guilty-pleasure high octane action genre, xXx is exactly the film to look into. What's not to like about it? Heck, even the horribly awful things are entertaining. Back when Vin Diesel decided not to come back to the Fast & Furious franchise, he chose to join F&F 1 director Rob Cohen in taking on another ridiculous action extravaganza, xXx. Now, the Fast & Furious franchise has figured out the right balance of lighthearted humor, bada** action sequences, and developed characters who we actually care about. xXx certainly has fun action, but that's about it. The humor is there, but in no way do I believe it's intentionally funny. And the characters are pretty awful. Or, at least the dialogue coming out of their mouths is awful. But does a film like this really need to have great dialogue? I guess not. Especially when it contains countless one-liners that do nothing but put a smile on my face from ear to ear. Essentially, this is just another Fast & Furious movie. Fast cars, explosions, women in scantily clad attire, incoherent plots, over-the-top villains, and catchy music. All are staples of the franchise, and Xander Cage's first film outing is no different. The supporting characters are fittingly absurd and bizzare, led by a prototypical performance from Samuel L. Jackson & an equally clichéd turn from Marton Csokas. I think the bottom line is, this movie is so far-fetched and insane that it works as one of the best mindless action adventures of the last decade. No one would believe a guy like Xander Cage would be recruited as an undercover agent in any sort of organization, but that's not really the point. xXx sets out to entertain, and that it does. +One-liners +Full-throttle action +Over-the-top -Really, really awful dialogue -Cliched -Does anyone actually care about these characters? 6.4/10
Gawd all frickin' mighty. How do people like Vin Diesel in these films? A clear candidate for most annoying action hero of all time. This is complete crap.
Some of the action scenes are okay but the story is dull and Diesel is no James Bond with the ladies. The kissing scenes are way too much to bear and these are extended shots. Rob Cohen is far from a great filmmaker and you only need to see how the dialogue is delivered to know he isn't looking for anything with substance. The avalanche scene is probably the most memorable thing about this dull misfire that was looking to kickstart a new franchise. This film might appeal to the fast and furious crowds but anyone else will find nothing but boring Diesel attempts at being a central character. Riddick is the only character I've enjoyed. 07/07/2017.
I've been undercover here for two years.
Two years? What was your plan? To let them die of old age?
I want you to meet some people and find out whatever you can about them.
Dirty. Dangerous. Tattooed. Uncivilized. Your kind of people.
You've gotta be kidding me! You already broke me, you don't have to get cruel and unusual.
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Teen Slut Movie
