Teen Sex Movies Xxx

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Being a teenager is hard enough, but once the hormones start raging, all bets are off. These films will help you get through it (or remember it semi-fondly).
Risky and risqué, indie films have always been a home for bold, honest, and controversial visions of teens’ sexuality. Eliza Hittman’s “Beach Rats,” opening this week after bowing at Sundance in January, is another notch in the belt of the sub-genre, a sensitive and often shocking look inside the coming-of-age of a young Brooklyn teen.
Like the best of these films, it’s not all about hormones; it builds on questions about identity and desire. But that’s there too, in sensitively crafted scenes that don’t skimp on reality. Punctuated by some bad choices and an unnerving final act, “Beach Rats” embraces the full spectrum of teen sexuality, even when it’s not exactly alluring.
Here are eight indie films that engage with the subject matter in appropriately intimate ways.
While “Beach Rats” isn’t an official sequel to Hittman’s previous film, “It Felt Like Love,” the filmmaker explores similar themes and structures and both, told from seemingly opposite vantage points. Set during another languorous Brooklyn summer, Hittman’s debut follows 14-year-old Lila (a fearless Gina Piersanti), awkwardly and constantly exposed to the sexual exploits of her older friend Chiara (Giovanna Salimeni), who goes through boyfriends and experiences with the kind of ease that Lila can scarcely imagine. Lila’s desire to be, well, desirable, finds her fixating on a local boy Sammy (Ronen Rubinstein) with a reputation, whom she doggedly pursues in hopes of striking up a relationship. Lila’s emotional immaturity constantly butts up against her deep physical desires, leading her into increasingly fraught situations she’s not equipped to handle. Like “Beach Rats,” Hittman slowly spoons out important revelations, but its the smallest details that hurt — and hit — the most.
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Abdellatif Kechiche’s rigorously erotic three-hour romance initially spawned Cannes walkouts before picking up the Palme d’Or, split three ways between Kechiche and his stars Adele Exarchopoulos and Lea Seydoux, proof of the level of dedication all three of them poured into a wild (read: maybe even nightmarish) shoot. While “Blue” earned big buzz because of the obvious — its long-form sex scenes, alternately hot and totally exhausting — that only obscures the finer points that Kechiche and his ladies put on the ill-fated romance between Adele and Emma. Hormonally speaking, it’s essential that the film opens when Exarchopoulos’ Adele is still slogging through high school, all burning desires and deep boredom, the perfect time for her to meet and fall obsessively in love with the slightly older Emma. There’s no love quite like the first, and while Adele’s awakening isn’t just about sex, but also her sexuality, that her most formative of experiences comes at the hands of another woman is simply one facet of a highly relatable love story. Sure, audiences may still flock to the film for its unbridled sex sequences, but there’s no scene more telling than Adele, stuffing her sauce-stained face full of spaghetti, bursting with new desires that have to be redirected somewhere. 
Awkward, horny teens eager for sexual satisfaction are hardly underrepresented in the entertainment world — hello, sex comedies — but films that center on teenage girls and their kinkiest desires are still outliers. Jannicke Systad Jacobsen’s Norwegian festival favorite doesn’t shy away from showing off just how gross, weird, and yes, horny as hell girls can be, too, all filtered through the experience of indomitable Alma (Helene Bergsholm). When the film opens, Alma’s sexual awakening is already chugging right along, though it’s about as tragically amusing as it gets, punctuated by routine calls to a phone sex line and a mother who just doesn’t get it. Alma’s life gets both worse and better when a popular peer pokes her with his penis at a casual gathering (romance!), and she refuses to let him live it down, alternately turned out and a little freaked out. Her isolation grows (turns out, high school kids are awful), but her libido won’t be tamed — a strange mix that adds up to a risky, funny feature topped off by some big truths.
Dee Rees’ lauded feature debut (based on her short of the same name) is a revelatory look inside the fraught coming-of-age of Brooklyn teen Alike (Adepero Oduye), as she conceals her sexual desires — and, in many ways, her entire identity — as outside forces push her to be honest about what she wants. That’s a hard enough concept for even the most well-adjusted of teens to face, but for Alike, trapped by a restrictive family and pushed to conceal everything from her wardrobe to her taste in music, it feels nearly impossible. Rees peppers in moments of Alike embracing her true feelings, brief flashes of freedom that hint at who she could be if she didn’t need to hide, but they also live alongside nerve-wracking reveals that drive home just how trapped she is. For Alike, her sexual awakening comes hand and hand with her personal growth, and neither will be the same by the film’s moving conclusion. She is not running, she is choosing. 
David Wnendt’s 2013 German drama goes there. And also there, there, and there, right around there, over there, and down there. If there’s an orifice for leading lady Carla Juri to probe in pursuit of pleasure (and maybe even some pain), she’s going to do it. Possibly also with a vegetable. The most out-there, oh-wow coming-of-age story of the century, a movie that makes the pie-loving of “American Pie” look embarrassingly infantile and “Blue Is the Warmest Color” seem suitable for family consumption, “Wetlands” is a riot of sounds and sights that run the gamut between dreamy and nightmarish. But for all its gross-out humor, “Wetlands” also packs an emotional punch, all of it hinging on Juri’s wild-eyed work as the wholly unique Helen, on the cusp of the rest of her life (and super-horny for it).
Marielle Heller’s 2015 Sundance hit “The Diary of a Teenage Girl” is not your average coming-of-age story. Based on Phoebe Gloeckner’s graphic novel 2002 “The Diary of a Teenage Girl: An Account in Words and Pictures,” the film bravely and brazenly turns its taboo subject matter — the sexual awakening of a teenage girl — into a funny, smart, and honest story that entertains as much as it educates. Bel Powley stars as Minnie Goetze, a precocious 15-year-old muddling her way through the swinging scene of seventies-era San Francisco. Like many girls her age, Minnie is struggling to find her place in the world, a journey made all the more difficult by her seemingly unstoppable hormones. As Minnie taps into her burgeoning sexual desires, her life takes a turn — straight into the arms of Monroe (Alexander Skarsgard), her mother’s boyfriend. Heller deftly navigates questions of consent and issues of age, and Minnie makes it clear that she’s making her own decisions, even if they’re probably bad ones.
James Ponsoldt’s 2013 adaptation of the Tim Tharp novel of the same name (beautifully written for the screen by Scott Neustadter and Michael H. Weber) has often been hailed for its sensitive depiction of addiction and its fresh spin on the classic teen romance, but it also takes on sexual awakening in a moving way. Inexperienced Aimee (Shailene Woodley) is seemingly no match for the confident Sutter (Miles Teller), but when the pair fall into a hazy relationship, she bravely embraces the possibility that they could have something real. Inevitably, that includes Aimee losing her virginity to Sutter, in an achingly real sequence that sees Woodley assuming control and guiding the pair into one of the most relatable and emotional love scenes in recent memory. That it also handily deals with issues of consent and doesn’t try to be salacious just for the hell of it makes it even better, and further illustrates the different ways in which both Aimee and Sutter are coming into themselves, with sexuality as just one face of that maturation.
Tucked inside Julia Ducournau’s midnight movie, a visceral, challenging, and often jaw-dropping genre feature about cannibalism, is a tasty treat of a coming-of-age tale. The film follows a young student (Garance Marillier) who discovers some uncomfortable truths about herself (and the world) when she heads off to vet school (kind of the perfect setting for a body horror film), most of them centered on her evolving relationship with meat. All kinds of meat. Initially restrained and severely buttoned up, Marillier’s Justine eventually takes a bite out of her burgeoning desires when a weirdo school tradition activates her hunger in a myriad of ways. Ostensibly a horror movie with bite, Justine’s journey from vegetarian to meat-lover also mirrors her descent into the desire for other kinds of flesh. A parable and a straightforward chiller in one bloody package.
Love all these films but wish mine made the list too -“Toe to Toe”, premiered at Sundance 2009, distributed by Strand.
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It has an endearing lack of seriousness, and Vin Diesel has more than enough muscle for the starring role, but ultimately, XXX is a missed opportunity to breathe new life into the spy thriller genre. Read critic reviews
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Vin Diesel stars as former extreme sports athlete Xander "XXX" Cage, notorious for his death-defying public stunts. Betting he can succeed where other conventional spies have failed, Xander is recruited by NSA Agent Gibbons (Samuel L. Jackson) to become a different kind of undercover agent. Enlisted for a dangerous covert mission, he must use all his extreme skills to combat a clever, organized, and ruthless enemy far beyond the scope of his experience.
PG-13 (Language|Drug Content|Nonstop Action Sequences|Sensuality|Violence)
action, adventure, mystery & thriller
Dolby SR, DTS, Dolby Stereo, Surround, SDDS, Dolby A, Dolby Digital
Samuel L. Jackson
Agent Augustus Gibbons

Joel Hynek
Visual Effects Supervisor
Vin Diesel, every teen's fantasy action hero.
December 29, 2010 | Rating: 4/5 | Full Review…
If Dubya and Dick Cheney had made their very own post-9/11 patriotic propaganda movie for the teens they need as globalisation fodder, then this would be it.
Sporadically entertaining, this is nevertheless seriously hampered by a very choppy screenplay.
March 2, 2003 | Rating: 3/5 | Full Review…
Vin may not yet be a Bond, or a Terminator, or even Conan the Barbarian. But he's got presence and charisma.
November 19, 2002 | Rating: 3/5 | Full Review…
Diesel's a limited actor but a great performer - he just exudes cool. It's his charisma -- coupled with the raw sex appeal of Asia Argento's X girl -- that makes Rob Cohen's movie tick.
October 2, 2002 | Rating: 3/5 | Full Review…
The director piles on one expensive but impersonal action scene after another.
For every action sequence, there are shots dedicated to formulaic rips of the already tired spy subgenre.
November 9, 2020 | Rating: 3/10 | Full Review…
Groovy gadgets, deadpan quips and stunning set-piece stunts reign supreme in this expertly-made schlockbuster.
June 24, 2020 | Rating: 3/5 | Full Review…
Fun but deeply, ridiculously silly.
Despite the blatant rips, XXX's storyline remains entertaining enough.
September 8, 2009 | Rating: 3.5/5 | Full Review…
As an action director, Mr. Cohen is competent, but this film -- which is pretty much as non-stop as an action movie can get -- needed a director with a little more finesse.
July 14, 2007 | Rating: 2.5/4 | Full Review…
Okay, that's it. My summer of movies has been completely pissed on.
Vin Diesel, every teen's fantasy action hero.
December 29, 2010 | Rating: 4/5 | Full Review…
If Dubya and Dick Cheney had made their very own post-9/11 patriotic propaganda movie for the teens they need as globalisation fodder, then this would be it.
Sporadically entertaining, this is nevertheless seriously hampered by a very choppy screenplay.
March 2, 2003 | Rating: 3/5 | Full Review…
Vin may not yet be a Bond, or a Terminator, or even Conan the Barbarian. But he's got presence and charisma.
November 19, 2002 | Rating: 3/5 | Full Review…
For every action sequence, there are shots dedicated to formulaic rips of the already tired spy subgenre.
November 9, 2020 | Rating: 3/10 | Full Review…
Groovy gadgets, deadpan quips and stunning set-piece stunts reign supreme in this expertly-made schlockbuster.
June 24, 2020 | Rating: 3/5 | Full Review…
Fun but deeply, ridiculously silly.
Despite the blatant rips, XXX's storyline remains entertaining enough.
September 8, 2009 | Rating: 3.5/5 | Full Review…
As an action director, Mr. Cohen is competent, but this film -- which is pretty much as non-stop as an action movie can get -- needed a director with a little more finesse.
July 14, 2007 | Rating: 2.5/4 | Full Review…
Okay, that's it. My summer of movies has been completely pissed on.
Not since the days when Joel Silver ruled Hollywood and musclebound subliterates vied for supremacy on the big screen has the industry spawned a phenomenon as garish and confounding as Vin Diesel.
With all the stimulating action sequences you can ask for, a touch of class and some fine comedic moments, you'll leave the theater wanting more.
July 5, 2005 | Rating: 4/5 | Full Review…
Basically this is an American James Bond film made for 12 year olds, Full of over the top action which I never really liked as it ruins the whole film for me, But it's pretty fun at times, Predictable but fun, Maybe the age certificate didn't help in the action scenes though, Although it's pretty poor acted and the one liners and dialogue were pretty awful Vin Diesel was fun to watch as he wasn't a morbid, Croaky bore like he usually is he actually looked like he wanted to be there for once, The plot is Ripped off from every Bond film so we know what's going to happen and when, If I reviewed this when I was 12 I'd of given it 5 stars but age and maturity kicked in and it gets a solid 3 stars just for being brain dead fun.
If any future filmmakers are looking for inspiration in the guilty-pleasure high octane action genre, xXx is exactly the film to look into. What's not to like about it? Heck, even the horribly awful things are entertaining. Back when Vin Diesel decided not to come back to the Fast & Furious franchise, he chose to join F&F 1 director Rob Cohen in taking on another ridiculous action extravaganza, xXx. Now, the Fast & Furious franchise has figured out the right balance of lighthearted humor, bada** action sequences, and developed characters who we actually care about. xXx certainly has fun action, but that's about it. The humor is there, but in no way do I believe it's intentionally funny. And the characters are pretty awful. Or, at least the dialogue coming out of their mouths is awful. But does a film like this really need to have great dialogue? I guess not. Especially when it contains countless one-liners that do nothing but put a smile on my face from ear to ear. Essentially, this is just another Fast & Furious movie. Fast cars, explosions, women in scantily clad attire, incoherent plots, over-the-top villains, and catchy music. All are staples of the franchise, and Xander Cage's first film outing is no different. The supporting characters are fittingly absurd and bizzare, led by a prototypical performance from Samuel L. Jackson & an equally clichéd turn from Marton Csokas. I think the bottom line is, this movie is so far-fetched and insane that it works as one of the best mindless action adventures of the last decade. No one would believe a guy like Xander Cage would be recruited as an undercover agent in any sort of organization, but that's not really the point. xXx sets out to entertain, and that it does. +One-liners +Full-throttle action +Over-the-top -Really, really awful dialogue -Cliched -Does anyone actually care about these characters? 6.4/10
Gawd all frickin' mighty. How do people like Vin Diesel in these films? A clear candidate for most annoying action hero of all time. This is complete crap.
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