Teen Sex Kittens
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Barely legal teenaged cuties experimenting with their first-time every girl-girl experince. These lil` nymphos get naked and pet each other`s pussies!
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You just brought home a kitten that you intend to name Sam but your roommate tells you that you had better consider the name Samantha instead.
Determining the sex (gender) of a kitten is easy when you know what to look for.
Lift the kitten’s tail. The opening just under the tail is the anus. Below the anus is the genital opening which is round in males and is a vertical slit in females. In kittens of similar size, the distance between the anus and the genital opening is greater in the male than the female.
As the male kitten grows, the testicles become more apparent.
The color of the kitten may suggest its gender. Almost all (but not ALL) kittens of calico (black, white and orange) or tortishell (black and orange) color are females. More orange kittens are male than female although the association between color and sex is not as strong as in the calico/tortishell colored kitten.
This information is not meant to be a substitute for veterinary care. Always follow the instructions provided by your veterinarian.
The American Animal Hospital Association is the only trusted evaluator of veterinary hospitals in the United States and Canada. As an AAHA-accredited hospital since 1983, we voluntarily uphold the association’s high standards in 18 areas, including patient care, cleanliness, and emergency services. Only about 15% of veterinary hospitals meet the evaluation’s high standards and carry this accreditation. We are very proud to be one of them.
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1h 34m
1960
A stripper with a high IQ gets a job teaching at a college science department through a selection process determined by a robot.
Sex Kittens Go To College (1960) -- (Movie Clip) When I Blast Off
Sex Kittens Go To College (1960) -- (Movie Clip) I Don't Kiss Girls
Sexpot Goes to College, Teacher Versus Sexpot, Teacher Was a Sexpot
Allied Artists Pictures Corp.; Photoplay Associates Inc.
Sexpot Goes to College, Teacher Versus Sexpot, Teacher Was a Sexpot
Allied Artists Pictures Corp.; Photoplay Associates Inc.
If Albert Zugsmith had never gone into pictures, he would retain honorable mention in the pantheon of American popular culture simply for being the first lawyer to represent Superman creators Jerry Siegel and Joe Shuster in their profit sharing suit against Detective Comics. Unable to lead his clients to victory in 1948 (the resulting settlement awarded Siegel and Shuster crushingly inadequate recompense and denied them credit for future Superman adventures), Zugsmith drifted to Hollywood, having amassed in his 38 years sufficient wealth to do what he damn well pleased. After backing a couple of movies from the Columbia Pictures' B-hive, Zugsmith landed at Universal-International, where he produced the Joan Crawford dud Female on the Beach (1955), Douglas Sirk's Academy Award-winning Written on the Wind (1956), Jack Arnold's science fiction classic The Incredible Shrinking Man (1957), and Orson Welles' expressionistic Touch of Evil (1958). A chance encounter in the Universal commissary brought "Zug" into contact with one Joan Lucille Olander, a former Miss Palm Springs and Vargas Girl who had been discovered by Howard Hughes and renamed Mamie Van Doren.
Over the objections of U-I executives, Zugsmith cast Van Doren in the equivalent of the Grace Kelly role in Star in the Dust (1956), the studio's answer to High Noon (1952). The pair would make seven pictures together, albeit mostly away from Universal City. Metro-Goldwyn-Mayer had hired Zugsmith to produce a series of films catering to the tastes of teenaged moviegoers. First out of the gate was High School Confidential! (1958), with Van Doren contributing little more than an alluring cameo as protagonist Russ Tamblyn's highly inappropriate aunt. By the mid-Fifties, the predatory Hollywood gossip mag Confidential had accrued such a compellingly nasty reputation even in Middle America that producers began to cash in on the brand, resulting in such films as Phil Karlson's Kansas City Confidential (1952), Russell Rouse's New York Confidential (1955), and Sidney Salkow's Chicago Confidential (1957). Zugsmith chased High School Confidential with College Confidential (1960) and capped the academic trilogy with Sex Kittens Go to College (1960), both of which elevated Van Doren from special effect to star of the show.
Though it was released third, Sex Kittens Go to College was the second school-set film for Zugsmith and Van Doren, shot in November and December 1959 but vaulted for almost a year before being sent out to cinemas in October 1960, two months after College Confidential. The film had undergone a number of title changes, from Sexpot Goes to College to Teacher Versus Sexpot to Teacher Was a Sexpot, before Zugsmith and MGM compromised with the less salacious term "sex kitten." (The film would undergo yet another title change for television syndication, to The Beauty and the Robot.) Taking a tip from Howard Hawks' Ball of Fire (1941), the film posits Van Doren as Dr. Mathilda West, a stripper turned scholar who crashes the groves of academe as the newly-hired head of Collins College's science department. Her curvy corporeality a distraction to the student body, West is snubbed by the college deans but her insight into human psychology allows her to bewitch male colleagues John Carradine and Louis Nye, win the heart of public relations director Martin Milner, and save the school from gangsters Mickey Shaughnessy and Allan Drake, who want the school's master-computer THINKO to find them racetrack winners.
With its focus on teen hormones, organized crime, and weird science, Sex Kittens Go to College anticipated American International Pictures' Beach Party franchise (Annette Funicello would play a sexy biology prof in Ski Party in 1965) and Disney's Medfield College comedies (particularly 1969's The Computer Wore Tennis Shoes). Scripted by Zugsmith and Robert Hill, the film feels improvisational in execution and more than a little half-assed but one would have to have a heart of stone to be left unmoved by its Psychotronic excesses. In addition to the talent already mentioned, Tuesday Weld turns up in an early role (Weld was often seen around Hollywood riding bitch on the back of Van Doren's Vespa), as does Brigitte Bardot's kid sister Mijanou, country singer Conway Twitty, Jackie Coogan, Los Angeles TV horror hostess Vampira, the Westinghouse robot Elektro from the 1939 World's Fair, and the sons of Charlie Chaplin and Harold Lloyd. Zugsmith's oddest casting coup was hiring nightclub comic Allan Drake to play the gangster Legs Raffertino less than a month after Drake's wife, former Miss New Jersey Janice Hansen, was murdered in New York in the company of Genovese crime family caporegime Anthony "Little Augie" Carfano.
Conceived to divert the in-crowd out for kicks and entirely unconcerned with critical approbation, Sex Kittens Go to College fared poorly with critics. The film's dismal reputation followed it through the decades, with Leonard Maltin declaring it "shockingly unfunny" and All Movie Guide's Hal Erikson branding it "garbage." Zugsmith would complete one more film in conjunction with a major studio - The Private Life of Adam and Eve (1960) - before going rogue with the comic strip spinoff Dondi (1961) starring a pre-Fugitive David Janssen and Confessions of an Opium Eater (1962) starring Vincent Price, both distributed via Allied Artists. The maverick independent hired on to direct select scenes for the international co-production Dog Eat Dog (1964), starring Mamie Van Doren's bombshell rival Jayne Mansfield, and capped his picaresque career with a diversion into soft core pornography. He co-produced Russ Meyer's Fanny Hill: Memoirs of a Woman of Pleasure (1964) before testing the waters with his own The Incredible Sex Revolution (1965), Psychedelic Sexualis (1966), and The Very Friendly Neighbors (aka The Outrageous, Un-Believable, Mechanical Love Machine, 1969). Zugsmith's final film was the grade-Z rape revenge tale Violated! (1974), starring hardcore porn actress Rene Bond.
By Richard Harland Smith
Sources:
Playing the Field: Sex, Stardom, Love, and Life in Hollywood by Mamie van Doren (Starlet Suave Books, 2013)
Atomic Blonde: The Films of Mamie Van Doren by Barry Lowe (McFarland and Company, 2008)
"Albert Zugsmith's Opium Dreams" by C. Jerry Kutner, Bright Lights Film Journal, no. 20, November 1997
The Movies Go to College: Hollywood and the World of the College-Life Film by Wiley Lee Umphlett (Farleigh Dickinson University, 1984)
Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood by Bernard F. Dick (University of Kentucky, 2001)
Russ Meyer: The Life and Films by David K. Frasier (McFarland & Company, Inc., 1997)
"Hi-Ho, Steverino," was the catchphrase uttered by Gordon Hathaway, the fey, rich snob who greeted Steve Allen during the golden age of television. The man behind it all was Louis Nye, a fine character comedian who for the past 50 years had been a unique, lively presence in film and television. Sadly, Nye passed away on October 9 after a long battle with lung cancer at his Los Angeles home. He was 92.
Nye was born on May 1, 1913, in Hartford, Connecticut to Russian immigrants. He began his career in theater in his native Hartford before moving to New York City to break into radio. After a stint in the Army during World War II, Nye returned to find a new medium dawning, television. His start was inauspicious, just a few appearances on the Cavalcade of Stars, but little did he realize that when he was picked up for The Steve Allen Show in 1956 that he, along with other talented comedians like Don Knotts, Tom Poston and Bill Dana, were courting stardom. The program was one of the first sketch series to take off on television. It was justly celebrated for the wacky characterizations that the cast invented, and Nye's Gordon Hathaway was no exception. Sure, his take on the country club elite was a touch prissy and effete, but Nye injected Gordon with a raffish charm and child-like sensibilty that never made the character offensive. If anything, Gordon Hathaway was endearing.
His stint on Steve Allen opened up the movie offers, the first of which, the garish Mamie Van Doren vehicle Sex Kittens Go to College (1960), was not exactly a highpoint in cinema comedy, but he soon settled into some good supporting parts in a slew of
films: The Facts of Life (1960), The Last Time I Saw Archie (his best film role, a terrrific comic foil for Robert Mitchum, 1961), The Wheeler Dealers, Who's Been Sleeping in My Bed? (both 1963), Good Neighbor Sam (another great part as an inept detective, 1964), and A Guide for the Married Man (1967).
Nye's career cooled in the '70s, with an occasional television appearance (Laverne & Shirley, Fantasy Island) and mediocre flicks (Won Ton Ton, the Dog Who Saved Hollywood (1976), Harper Valley P.T.A. (1978). Eventually, he found solace in voice work for many animated shows, the most popular of them being his long run on Inspector Gadget (1985-99). Still, just when you thought he was out of the limelight, he returned as a semi-regular in the critically acclaimed HBO comedy Curb Your Enthusiasm where for two seasons (2000-2002), he was hilarious as comic Jeff Garlin's sardonic father. Give Mr. Nye his due, he left the stage near the top of his game. He is survived by his wife, Anita; and a son, Peter.
by Michael T. Toole
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The Collins College's state-of-the-art computer, Sequential Auxiliary Modulator (S.A.M.) or Thinko, has searched databases for the perfect new science department head. With a photographic memory, thirteen college degrees and fluency in eighteen languages, Dr. Mathilda West sounds like the perfect candidate; however, when the welcoming committee meet her at the train station, they are shocked by her buxom figure and platinum blonde hair, having expected a studious professional. Dr. West is so stunning that football team captain Woo Woo Grabowski faints, while college dean Dr. Myrtle Carter believes West's inappropriate appearance will jeopardize their research support from the McPherson family. Much to Carter's chagrin, her boyfriend, public relations director George Barton, and Thinko's creator, Dr. Ernest Zorch, are both smitten with the young woman. Meanwhile, French exchange student and aspiring researcher Suzanne spots gangster Legs Raffertino and his oafish sidekick Boomie exit the train and insists that she interview them for her book on the sex lives of American men. Although their interest is piqued, the men are on a mission to find "Sam Thinko," whom they assume to be a bookie who has been stealing from their boss. Later, college student Jody cuts her bra strap to convince Woo Woo, with whom she is in love, to loan her his fraternity pin to mend it. Although he consents, Woo Woo almost faints when she asks for a kiss and then tells her that she is only his "buddy." Just before West's first class, a jealous Carter sets loose chimpanzee Abraham Q. Voltaire onstage to ensure his antics distract from the lecture. West easily wins the students' attention, though, as she shoots pistols on stage to demonstrate the applied psychology notion of fear. Later, Woo Woo has a therapy session with West to resolve his fear of women, but when she asks about his fantasies, he warns her that his thoughts involve an affair with her. Soon after, science professors Towers and Watts, anxious to flirt with West, invite her to a "meeting" at the Passion Pit nightclub that evening. Meanwhile, Legs and Boomie, disguised in college letter sweaters, find Zorch at the computer lab, accuse him of being "Sam" and "muscling in" on their boss's operation, then knock him out. Later on the football field, West's presence as a spectator is such a distraction that Woo Woo misses a pass and Barton suggest
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