Teen Penetration Compilation

Teen Penetration Compilation
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The best clips of bikini-clad girls doing idiotic things, all in one video.

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12/15/21

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Pornhub is lifting the lid on America’s X-rated viewing habits, revealing their website’s most popular searches for 2021.
The most popular search term across the United States was “hentai” — a type of Japanese anime. Pornhub revealed that “hundreds of thousands of hentai videos can be found on our website, including professional productions, homemade animations made by fans and 3D generated scenes.”
On an equally bizarre end of the sexy spectrum, “The Suicide Squad” anti-hero Harley Quinn was the most-searched movie franchise or character, followed by Wonder Woman, Harry Potter, “Star Wars” and Black Widow.
Meanwhile, the most-searched porn star by Americans was Lana Rhoades , 25. The Illinois-born actress quit the industry earlier this year and says she now “regrets” making adult movies.
Rhoades was also the most popular porn star internationally, followed by Abella Danger, Eva Elfie, Riley Reid and Mia Malkova.
The adult site further revealed that Americans were the biggest porn consumers on the planet. Brits made up the second-largest share of Pornhub users, while the Japanese placed in third. The frisky French came in fourth, while Italians rounded out the top 5.
Pornhub released the dirty data in a press release on Wednesday .
“Ebony” remained the most-viewed category of video for the second year running, ahead of “lesbian” and “MILF.” Searches for the word “trans” were up 134% when compared with last year.
According to Pornhub, 67% of American visitors were male, although the share of female users slowly increased this year. The average age of a US Pornhub user was 37. However, sexed-up seniors aged 65 and over accounted for 7% of all visitors.
A whopping 85% of Americans chose to watch porn on their smartphone, perhaps hiding away in a bedroom or bathroom, with the average visit lasting just 9 minutes and 44 seconds.
Interestingly, users in Republican states lasted longer on the site, with Pornhub viewers in Wyoming, Mississippi, Alabama and Arkansas all reporting an average visit time above 10 minutes.
However, Pornhub explained that those states may simply have slower internet speeds and not residents who last longer in the bedroom.
Meanwhile, the company claims Americans are “pretty regular when it comes to their masturbation schedule,” with Sunday the most popular day for self-pleasure. The website experiences the most traffic in the US around 11 p.m.
Notably, Pornhub experienced a dramatic drop in traffic during February’s Super Bowl, with Americans swapping frisky videos for football.
Traffic plunged almost 20% during the first half of the game but noticeably picked back up during halftime. That means many naughty NFL viewers snuck away for some self-pleasure instead of sticking around to watch The Weeknd perform the halftime show.

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Full-frontal nudity, steamy threesomes, one-for-the-money shots — these movies pushed the envelope and still played multiplexes
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‘Salò, or the 120 Days of Sodom’ (1975)
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‘In the Realm of the Senses’ (1976)
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Nicole Kidman,

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Arriving on a wave of high anticipation, hype and bag-headed public appearances , the first “volume” of Lars Von Trier’s two-part, five-hour magnum opus Nymphomaniac will start rolling into theaters on March 21st. ( Vol. 2 doesn’t arrive until April 4th, though you’ll be able to catch both chapters on video-on-demand starting on March 20th.) Never one to shy from provocation — he’s more likely to sprint towards it — the Danish director’s chronicle of one woman’s sexual awakening is littered with spankings, fellatio, a ménage à trois or two, sodomy, masturbation and good old-fashioned humping. Though some stunt, er, parts were employed, you are basically watching actors like Charlotte Gainsbourg and Shia LeBeouf engage in the sort of unsimulated activities you associate with porn stars. (LeBeouf even sent in a homemade pornographic videotape for his audition.)
Despite the abundance of explicit sex on display, however, Von Trier’s film is not pornography. Rather, it’s the latest in a long line of films that have pushed the envelope in terms of what can be shown in “mainstream” films and not be considered the sort of movie that requires you to give your credit card to a Web site in order to watch. These films are cast with A-list movie stars and directed by world-class filmmakers. They are designed to play in multiplexes and art houses. Some have been imported in as prestige foreign films, and others have been produced and distributed by Hollywood studios. But the 3o films here all share one thing in common: They all come as close to being pornographic as mainstream films will allow. Read this NSFW list with someone you love.
It wasn't just the pubic hair on display that got Vilgot Sjoman's political screed-cum-melodrama seized at customs when it was brought here in 1969, put at the center of an obscenity case tried by the Supreme Court and considered one of the more notorious films of its day. (Although the few scenes in which actors Lena Nyman and Borje Ahlstedt show off some hairy nether regions certainly helped distinguished this Swedish import from the usual foreign-film fare.) No, what put this story of a radical student having an affair with a married man in boiling hot water was the sequence in which Nyman plants a kiss on her costar's penis in full view; that was enough to brew up a shitstorm that woud end up breaking down censorship barriers and ultimately help usher in an age of cinematic permissiveness. No one talked about the interview footage of Martin Luther King Jr., or footage of actual Vietnam War protesting, or the cheeky subversiveness of the movie's antiauthoritarian humor. They focused on the genital smooch. The curiosity and the contrversy helped garner it a broader audience. And the rest is history. DAVID FEAR
Cinematographer-turned-director Haskell Wexler's mix of narrative and nonfiction (including actual riot footage shot during the '68 Democratic Convention in Chicago) is fueled by the tension of watching performers interact with real situations. One scene in particular, however, struck the MPAA board as a little too real for their tastes: A naked-as-jaybirds romp between future Tarantino favorite Robert Forster and Marianna Hill, with the two of them ending up literally between the sheets. The almost documentary-like feel of their tryst earned Wexler's movie an X, though he'd claim that the rating was more reflective of the political rage he portrayed onscreen. We still think the you-are-there canoodling in the buff may have had something do with it, Haskell. DAVID FEAR
Ken Russell's majestic adaptation of D.H. Lawrence's novel was one of the outré director's more somber, "respectable" films – save for the naked wrestling match between Alan Bates and Oliver Reed, considered by many to be mainstream cinema's first instance of full-frontal male nudity. It's also the stuff of acting lore: Both actors kept trying to back out of doing the scene, until one night they got drunk together and went for a joint pee, during which they were able to check each other out and realize there was nothing to feel self-conscious about. (Or maybe there was: Reed spent his time in between takes off to the side, as he put it, "trying to get a semi on so that it would look more purposeful and stop all my girlfriends saying ‘why bother' and deserting me.") Seen today, the homoeroticism is undeniable regardless of the scene's supposedly plantonic male-bonding intentions. It's a man-on-man sex scene in everything but name. BILGE EBIRI
It may not have been as momentous as Stravinsky's The Rites of Spring (as Pauline Kael notoriously claimed at the time), but Bernardo Bertolucci's seminal film was a watershed how sex was depicted on film. The Italian director originally wanted French stars Dominique Sanda and Jean-Louis Trintignant to play the leads; Sanda had just gotten pregnant, however, and Trintignant wouldn't do nudity. So the director enlisted newcomer Maria Schneider and, in a casting coup, Marlon Brando — with the latter quickly turning this tale into a riveting, expansive meditation on his own screen image. His character is a widower who's been beaten down by life, and who uses his anonymous, athletic and often creative sexual encounters in an empty Parisian apartment as his way of escaping from the world. Audiences weren't used to seeing a major movie star having fingers shoved into his rectum, and though its sex scenes seem somewhat tame today, the film's exploration of how carnality can destroy boundaries is still something to behold. And you'll never hear the phrase "go get the butter" the same way again. BILGE EBIRI
Nestled inside Nicolas Roeg's blood-chilling paranormal thriller is one of the best sex scenes ever committed to film. Donald Sutherland and Julie Christie play a couple relocated to Venice after the accidental death of their daughter. Before becoming unraveled by an English psychic claiming spectral visions of their child, the two stars disrobe for a night of marital bliss. The details are one thing (a pocket of saliva gleaming on Christie's neck, an exchange of grins accompanying a change of positions), but it's Roeg's intercutting between the act and its after-moments that makes the sequence so sublime. What makes the film near-pornographic, you ask? Sutherland later claimed that he and Christie actually made love on camera during the sequence — a statement that's been refuted and resubstantiated many times over the years, but which still lends the scenes an odd voyeuristic thrill. ERIC HYNES
In the early 1970s, Italian poet-novelist-critic-filmmaker Pier Paolo Pasolini had conjured up a box office phenomenon with his "Trilogy of Life" – earthy, sex-filled adaptations of The Decameron , The Canterbury Tales , and The Arabian Nights . But for his follow-up to the lively, colorful trilogy, Pasolini made one of the most shocking, degenerate films of all time. Set during Mussolini's short-lived reign in the titular Northern Italian republic, Salò depicts four officials who imprison groups of young men and women and then proceed to sexually humiliate, torture, and murder them in grotesque ways. It's an incredibly hard film to watch, by design: Pasolini wanted to rub the viewer's face in this horrifying allegory of what he felt capitalism was doing to human beings. Given the horrific, no-holds-barred sadomasochism on display, we'd say "Mission Accomplished." BILGE EBIRI
Porn, as we all know, played in seedy theaters full of dudes in dirty raincoats (prior to the video revolution, at least). Porn did not play at the New York Film Festival — so the fact that the presitigious event would program Nagisa Oshima's look at a real-life murder case involving a maid, her employer and their all-consuming sexual frenzy meant it was not porn, right? Despite the NYFF's seal of approval and the fact that one of Japan's greatest filmmakers had made this very explicit docudrama, the film's sequences of actors very much engaging in coitus noninterruptus were still too "hot" for customs officials, and the festival's later screenings were stopped. Legal battles would eventually see the courts ruling on the side of Senses being art and not smut, and the movie is now rightfully recogni
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