Teen Nude Erotic Art

Teen Nude Erotic Art




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The Exquisite Derrière as Portrayed in Art
I’m glad the female bottom has been elevated in recent years. We seem to be going back to a lascivious, luscious time when Empire was at its height and curves were admired. Let’s enjoy it before it all comes crashing down, and the starving waif look re-emerges as the popular style.
Artists have a great eye for the derrière. From Van Gogh to Renoir to Klimt and more, I cover a few of the paintings throughout the last few centuries that capture bottoms' curvaceous beauty. I’ve included a couple of male forms, but honestly, I personally prefer the sensuous curves of female bottoms.
I chose a Degas painting from the late 1880s for this article’s cover image because it intuitively felt the “safest” — the least sexual or rebellious — of all these paintings. Degas had his models bathe until they didn’t take notice of him anymore, and he portrayed this mundane activity in a series of pastel portraits. The subtle, calm colors of Degas’ art, along with the voluptuous, ample bottom of his model, seduces me as a viewer of its sensual evocation.
Anna Sidelnikova writes of the voyeuristic quality in Degas’ Bath series:
“Degas’s women wash and comb themselves, they do not look into the viewer’s eyes. Moreover, even their faces are often not visible. They awkwardly raise their legs, getting out of the bathroom, unceremoniously bend over and turn their backs and bottoms to us, bunch their wet hair to comb them thoroughly, and dry their legs and back.
“Until now, the nude model has always been depicted in poses that involve the presence of spectators,” the artist explained, adding that his task was to create the feeling of peeping through the keyhole.”
Standing With Confidence: “Male Figure Standing” by Edward Wadsworth and “The Bath” by Fernando Botero
Left: WikiArt. Public Domain. “Male Figure Standing” by Edward Wadsworth. 1911. Impressionism. | Right: WikiArt. Fair Use. “The Bath” by Fernando Botero. 1989. Naïve Art (Primitivism)
These two tushies look good enough to squeeze, to eat, to play with. The artists capture the rounded globes of butt cheeks that arouse so many of us.
It’s interesting to note the anonymity in Wadsworth’s 1911 painting. The model faces away from the viewer, his head at a coy tilt. The students have blurred nondescript faces. Nude portraits are hanging on the wall. This appears to be an accurate depiction of a life drawing or life painting class. It looks quite similar to my own experience in Life Drawing — one of the best classes I took in college.
Compare Botero’s 1989 painting and you will confidence directed at the viewer. Although we observe this lusciously curvaceous woman from behind, we see her admiring her reflection in the mirror and patting her hair. This painting feels like a more interactive experience.
Emma Taggert in My Modern Met One features Latin America, Colombian artist Fernando Botero, writing he “is known for his paintings and sculptures of exaggerated, voluptuous forms which have earned the description “Boterismo.” She continues:
“Botero stress[es] that he does not “paint fat people.” Instead, he claims his work explores the “sensuality of form.”
In “The Bath,” Taggert writes, “The viewer [is invited] to question whether she’s feeling vulnerable and self-conscious, or if she’s confident baring all.”
I’m going with confident baring all.
Klimt Dares the Viewer to Engage with His “Reclining Nude Lying on Her Stomach and Facing Right”
Klimt believed, “All art is erotic.”
In the above painting, we see two perfect globes of cheeks, with an inviting shadow suggestive of a vagina. The model looks directly at the viewer, unabashedly. Klimt was born in the late 1800s in Austria and is famous for his erotic art.
This Klimt painting may be the most suggestive of this curated collection. The model seems to beckon the viewer with her daring, eager eyes to make love to her (with consent, of course).
Klimt remained a bachelor his entire life, having multiple affairs, often with his models, and fathering fourteen children.
Rops illustrated poems for Baudelaire:
“The poet fell in love with a ballet dancer Jeanne Duval from Haiti, whom he called his Black Venus. With her exotic sexuality, she embodied for Baudelaire a dangerous femme fatale, and to love her meant for him to parish.”
This may explain why Rops’ art portrays sexuality as dangerous or sinful. When I chose the above painting, I didn’t know this was a theme of Rops’ portraits. Instead, I was drawn to the beautiful night, vase of calla lilies, and rumpled white clothes pushed off the model’s bottom.
Art is open for interpretation. We don’t have to concede with Rops or Baudelier that sexuality and eroticism are dangerous or evil. Instead, we can enjoy the beauty of the art.
French artist Henri de Toulouse-Lautrec was influenced by the Impressionist painters such as Degas. In his later years, “from 1890 onward, he established his residence in a luxurious brothel, and there he studied his favourite subject: women.”
“Love is when the desire to be desired takes you so badly that you feel you could die of it.” — Henri Toulouse-Lautrec
Toulouse-Lautrec’s “Crouching Woman With Red Hair” does feel a bit more transactional than Klimt’s portrait discussed above. The woman crouching on the bed is beautiful from behind, yet her body is also a bit rigid, as though she is waiting for someone to do something to her, not with her. She seems to be one of the skinnier, meeker models in this collection as well. I love Toulouse-Lautrec’s “Seated Dancer in Pink Tights” painting — he does seem to revere women.
“The body of a beautiful woman is not made for love; it is too exquisite.” — Henri Toulouse-Lautrec
Sunbathing in Confidence: Alexandre Jacovleff’s “Nu 2”
Russian artist Alexandre Jacovleff created this nude portrait. I’m not sure if it’s a painting, drawing, or pencil sketch. Information about this particular piece of Jacovleff’s art is difficult to find — I wasn’t even able to locate an attributable date — I’d guess it was created sometime in the early 1900s.
The slight curve of the models’ right breast and the plump globes of her rear end suggest this is a woman. She stands straight, shoulders arched back slightly. She’s wearing a large sunhat and it appears she may be waving with her right hand or pointing to something.
In the distance, we see ocean waves and a sailboat. The varying shades of earthen brown used in the portrait remind us of beach sand. This art evokes a feeling of freedom and pleasure within me. Who’s ready to go to the beach? It seems to be asking us. I am!
Falero’s Pin-Up Inspiration in “The Witch” and “Moon Nymph”
Spanish artist, Luis Ricardo Falero, was fascinated with women and astronomy — you can see both influences in much of his art. His style was indicative of the pin-up ads that would become popular a century later, and wine companies sometimes used his work for advertising.
Falero’s art is considered “Kitsch” — I guess I like Kitsch. They remind me of fanciful old-fashioned pin-up ads. I think they’re quite magical. I love the lush, wavy red hair in the “The Witch” portrait on the left. This witch, riding her broomstick naked, with bats as animal companions, inspires me. She’s curvy, gorgeous, strong, and steadfast.
“Moon Nymph” on the right elicits a different emotional response from me. She is sensual and nude, suspended in the starry night, in repose with the silvery moon. Breathtaking. You can see a collection of his erotic and sensual art here.
Famous Dutch painter, Vincent Van Gogh, created this oil painting of a nude model in repose. Her hair is in a tidy braid, swept over her back. Her body has a bit of an hourglass shape in this pose even though we can’t see the suggestion of her breasts. Her plump bottom leads to her thick thighs. She seems to be either hiding or resting. I want her to be resting in all her naked glory.
Two More Tushies by Van Gogh and Rops
Left: WikiArt. Public Domain. “Idol” by Vincent van Gogh. c. 1886. Realism | Right: WikiArt. Public Domain. “The Shower” by Felicien Rops. 1878-1881. Symbolism.
Van Gogh portrays male beauty with his “Idol” chalk sketch. His model has a rounded butt I can almost feel myself smacking with a teasing spank or hugging in my grasping fingers.
“A great fire burns within me, but no one stops to warm themselves at it, and passers-by only see a wisp of smoke”
― Vincent Van Gogh
According to the online exhibition curated by H.R. Blakeley, “While Rops employs many fin-de-siècle and Symbolist tropes that denigrate women as femmes fatales or vessels of evil, he also depicts them realistically and empathically as working-class — and sometimes powerfully mythographic — figures.”
I was unable to gather much information on “The Shower” by Rops. I chose this nude portrait for its triple-dose of sensuality — the female model is being showered squarely on her netherregions, while a kind of horn seems to be blowing air on her bottom. She stands with her feet, soaking in a shallow pan of water. Perhaps this is a slight to the Catholicism in which Rops was raised.
I hope the above collection displays an interesting depiction of artists and portraits that prominently feature the derrière. I hope you find these works of art as erotic, sensual, sexual, alluring, and beautiful as I do.
Since I’m just beginning my erotic art journey, I have been dependent on WikiArt to source paintings. I’m not sure if it says something about me, WikiArt, culture, or something else, but I’m highly aware that I didn’t include any women artists in this collection. I’m also aware that it is predominantly white. I hope to discover more diversity in erotic art as I continue my explorations.
In the meantime, let’s cheers to the exquisite derrière. Bottoms up!
Thanks for reading! You may also enjoy these:
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Sex-erotica. Let’s talk about sex. It’s time to get this conversation started. She/her. Collabs, etc.: evarotolo222@gmail.com https://twitter.com/rotolo_eva 🔥
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Sex-erotica. Let’s talk about sex. It’s time to get this conversation started. She/her. Collabs, etc.: evarotolo222@gmail.com https://twitter.com/rotolo_eva 🔥
A sex-positive community for exploring and sharing.
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