Teen Love Sex

Teen Love Sex

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Our conversations are sprinkled with slips, pauses, lies, and clues to our inner world. Here’s what we reveal when we speak, whether we mean to or not.

Ah, love. The stuff that makes the world go ’round, leaves us swooning, and creates that feeling of walking on air with butterflies in our bellies, barely able to catch our breath. Also the stuff that makes us want to pull our hair out, scream at the top of our lungs, and declare all-out emotional warfare. Love, despite its ups, downs, and unpredictability, is something we’re all after. Young, old, male, female, gay, straight…when we are asked about our greatest hope or goal in life, our response usually centers around obtaining a stable and loving relationship with a romantic partner. In fact, love is such an important construct that researchers have studied it for years, investigating the different types, taxonomies, and styles, as well as how to keep it once you’ve finally found that elusive and magical potion. But what I want to explore in this chapter is that transformation from the loving bonds we share with our parents and family to the passionate union we seek in a romantic partner, and which we seemingly need for survival as individuals and as a species.
What is love, anyway? The word is tossed around, overused, misused, quoted, and commercialized so much that it’s difficult to determine what it really means. Certainly, the context in which we consider this emotion matters: I love to read; I love Chinese food; I love my mother. To be clear, I am interested in how we develop and pursue the takes-my-breath-away, euphoric, romantic love that is so sought after. My two daughters and I were watching a movie the other night called Wedding Crashers (we’re all suckers for rom-coms), and we heard Owen Wilson say, “True love is the soul’s recognition of its counterpoint in another” . . . sigh. The Merriam-Webster Dictionary lists various definitions: “a feeling of strong or constant affection for a person”; “ attraction that includes sexual desire”; and “the strong affection felt by people who have a romantic relationship.” But do any of these descriptions really answer our question?
As children, we experience love in the form of unconditional care and affection from our parents. That is indeed love, but does that concept somehow shift as we get older? When we become teens, is one form replaced by another, or is it the same construct on some blissfully complicated continuum? Some researchers have argued that the “targets” of our intimacy change over time, so that intimacy with peers replaces intimacy with parents, and intimacy with peers of the opposite sex replaces intimacy with same-sex friends. There are two problems with this line of reasoning: first, the terms intimacy and love, despite much overlap, are not the same thing and should not be used interchangeably. Romantic love is basically intimacy with the added bonus of sexual attraction and passionate commitment—the beautiful sexual icing on the delicious intimacy cake, if you will. Second, most researchers contend that, instead of anyone being replaced or made unimportant, as we get older and expand our social network, new targets of intimacy and affection are added to old ones. I propose that the same thing happens with love. Not only does our concept and understanding of love shift from that which we feel for our parents, siblings, dogs, and so on to a richer and deeper feeling for another person outside our familial circle, but it also cumulatively adds to the concept of love that we began with. This is why so many people exclaim, “I never knew love could be so . . . amazing, deep, fulfilling, complicated, exhausting...” You get the picture.
Before we continue with how romantic love develops in adolescence , let’s consider dating. I realize that many parents labor over if and when to allow their teen to begin dating. I clearly recall, when I began to show interest in dating boys, my father saying something about putting me into a convent until I was thirty! But again, because I truly believe that knowledge is power, I would like to offer some historical perspective, so as to alleviate any angst over your little girl or little boy going out with some kid you don’t know or trust. In past generations, dating in high school or college, for at least some, served a very specific function: mate selection. That was certainly the case for many in previous cohorts of college women seeking what was so optimistically termed an “MRS. degree.” Offended? Don’t shoot the messenger: I’m simply relaying historical factoids. Because marriage today, if it occurs at all, is happening much later in life (the average age is around twenty-seven for women and twenty-nine for men) dating for high school students has now taken on an entirely new meaning.
In today’s world, dating in adolescence no longer holds the sole purpose of mate selection; rather, it has become an introduction to the world of intimacy, relationship roles, sexual experimentation, and, yes, romantic love. It’s almost like practice for the real thing that is yet to come. And despite the fact that high school dating for today’s teenagers has little to do with long-term commitments and/or marriage, modern-day romantic relationships among teens are very common, with approximately one-fourth of twelve-year olds, one-half of fifteen-year olds, and more than two-thirds of eighteen-year olds reporting being in a romantic, dating relationship in the past eighteen months.
To help you put things in perspective (i.e., is the age at which my teen begins dating normal?), on average here in the U.S. teens begin dating around the age of thirteen, and by the age of sixteen more than 90 percent of teens have had at least one date.5 And finally, the average duration of romantic relationships in high school is about six months. Some of you will read this and think, “Dating? My baby? At twelve?” That thought will quickly be followed by a sense of dread that feels like someone unexpectedly delivered a hard, swift kick right to your gut. But let’s think about this: when we contemplate teens dating at twelve, or perhaps even fourteen years of age, what we must realistically consider is what dating means at that age. What are they really doing?
Most often, dating during early adolescence involves exchanging contact information (i.e., giving cell phone numbers for texting, becoming friends or followers on social networking sites); engaging in harmless communication via text and SMSs; seeing each other at school; and maybe even holding hands as they walk through the halls, displaying their “couplehood” so that peer onlookers can eat their hearts out with envy . It’s a social status thing. By the age of fifteen or sixteen, teens move toward qualitatively different and more meaningful romantic relationships; certainly, by the time they are seventeen or eighteen, they begin to think about their romantic relationships in a much deeper, more mature, and long-term way, with significant growth in both emotional and physical interests and commitment. These older adolescents tend to form more adult-like versions of romantic love and attachment , and stay in relationships that last over a year, on average. This is, whether we like it or not, when things get real.
You recall me stating earlier that dating during the teen years serves as a type of practice for future relationships? In fact, in addition to helping to develop intimacy with others, dating serves many purposes for our teens. This is good news, really. Despite our reluctance and fear that our “babies” are venturing into the big scary world of dating, love, and sex, (most certainly to get their hearts shattered into a million pieces), by allowing our teens to date, we are actually helping them to become healthy, mature, informed individuals who are training to be good relational partners. Dating not only helps teens establish emotional and behavioral autonomy from their parents, it also furthers their development of gender identity , helps them learn about themselves and their own role as a romantic partner, and establishes social status and perhaps even popularity in their peer groups.
Having said all this, I should note that there are a couple of potential pitfalls when it comes to teens in the context of romantic relationships. First, studies have shown that early and intensive (exclusive and serious) dating before the age of fifteen can have a somewhat stunting effect on adolescents’ psychosocial development. By getting involved in serious relationships, spending virtually all their time with only one person, teens can run the risk of missing out on other types of social interactions (building other types of relationships, practicing intimacy, gaining different perspectives, and simply having fun with other friends!). This can prove limiting to them in terms of achieving their full potential of psychosocial growth and development. Conversely, research has also shown that adolescent girls, specifically, who do not date at all may tend toward underdeveloped social skills, excessive dependency on their parents, and feelings of insecurity when it comes to meeting romantic interests or potential partners.
In sum, allowing our teens to date and explore romantic relationships (in moderation) is a good thing. So, the next time you cringe at the prospect of your teen dating and possibly even becoming romantically involved or falling head-over-heels in love with another teen, remember that it is yet another way for him to grow and develop into the well-rounded, caring person you want him to be, particularly in the context of long-term, loving relationships.
More information on Love, Sex, Dating, and many other important topics related to Parenting Teens can be found in my book " The Angst of Adolescence: How to Parent Your Teen and Live to Laugh About It (link is external)" published by Bibliomotion, Inc. (link is external)Copyright © 2015 by Sara Villanueva
Sara Villanueva, Ph.D. , an associate professor of psychology at St. Edward’s University in Austin, Texas, is the author of The Angst of Adolescence: How to Parent Your Teen and Live to Laugh About It .

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Our conversations are sprinkled with slips, pauses, lies, and clues to our inner world. Here’s what we reveal when we speak, whether we mean to or not.

Being a teenager is hard enough, but once the hormones start raging, all bets are off. These films will help you get through it (or remember it semi-fondly).
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Risky and risqué, indie films have always been a home for bold, honest, and controversial visions of teens’ sexuality . Eliza Hittman’s “ Beach Rats ,” opening this week after bowing at Sundance in January, is another notch in the belt of the sub-genre, a sensitive and often shocking look inside the coming-of-age of a young Brooklyn teen.
Like the best of these films, it’s not all about hormones; it builds on questions about identity and desire. But that’s there too, in sensitively crafted scenes that don’t skimp on reality. Punctuated by some bad choices and an unnerving final act, “Beach Rats” embraces the full spectrum of teen sexuality, even when it’s not exactly alluring.
Here are eight indie films that engage with the subject matter in appropriately intimate ways.
While “Beach Rats” isn’t an official sequel to Hittman’s previous film, “It Felt Like Love,” the filmmaker explores similar themes and structures and both, told from seemingly opposite vantage points. Set during another languorous Brooklyn summer, Hittman’s debut follows 14-year-old Lila (a fearless Gina Piersanti), awkwardly and constantly exposed to the sexual exploits of her older friend Chiara (Giovanna Salimeni), who goes through boyfriends and experiences with the kind of ease that Lila can scarcely imagine. Lila’s desire to be, well, desirable , finds her fixating on a local boy Sammy (Ronen Rubinstein) with a reputation, whom she doggedly pursues in hopes of striking up a relationship. Lila’s emotional immaturity constantly butts up against her deep physical desires, leading her into increasingly fraught situations she’s not equipped to handle. Like “Beach Rats,” Hittman slowly spoons out important revelations, but its the smallest details that hurt — and hit — the most.
Abdellatif Kechiche’s rigorously erotic three-hour romance initially spawned Cannes walkouts before picking up the Palme d’Or, split three ways between Kechiche and his stars Adele Exarchopoulos and Lea Seydoux, proof of the level of dedication all three of them poured into a wild (read: maybe even nightmarish) shoot. While “Blue” earned big buzz because of the obvious — its long-form sex scenes, alternately hot and totally exhausting — that only obscures the finer points that Kechiche and his ladies put on the ill-fated romance between Adele and Emma. Hormonally speaking, it’s essential that the film opens when Exarchopoulos’ Adele is still slogging through high school, all burning desires and deep boredom, the perfect time for her to meet and fall obsessively in love with the slightly older Emma. There’s no love quite like the first, and while Adele’s awakening isn’t just about sex, but also her sexuality, that her most formative of experiences comes at the hands of another woman is simply one facet of a highly relatable love story. Sure, audiences may still flock to the film for its unbridled sex sequences, but there’s no scene more telling than Adele, stuffing her sauce-stained face full of spaghetti, bursting with new desires that have to be redirected somewhere .
Awkward, horny teens eager for sexual satisfaction are hardly underrepresented in the entertainment world — hello, sex comedies — but films that center on teenage girls and their kinkiest desires are still outliers. Jannicke Systad Jacobsen’s Norwegian festival favorite doesn’t shy away from showing off just how gross, weird, and yes, horny as hell girls can be, too, all filtered through the experience of indomitable Alma (Helene Bergsholm). When the film opens, Alma’s sexual awakening is already chugging right along, though it’s about as tragically amusing as it gets, punctuated by routine calls to a phone sex line and a mother who just doesn’t get it. Alma’s life gets both worse and better when a popular peer pokes her with his penis at a casual gathering (romance!), and she refuses to let him live it down, alternately turned out and a little freaked out. Her isolation grows (turns out, high school kids are awful), but her libido won’t be tamed — a strange mix that adds up to a risky, funny feature topped off by some big truths.
Dee Rees’ lauded feature debut (based on her short of the same name) is a revelatory look inside the fraught coming-of-age of Brooklyn teen Alike (Adepero Oduye), as she conceals her sexual desires — and, in many ways, her entire identity — as outside forces push her to be honest about what she wants. That’s a hard enough concept for even the most well-adjusted of teens to face, but for Alike, trapped by a restrictive family and pushed to conceal everything from her wardrobe to her taste in music, it feels nearly impossible. Rees peppers in moments of Alike embracing her true feelings, brief flashes of freedom that hint at who she could be if she didn’t need to hide, but they also live alongside nerve-wracking reveals that drive home just how trapped she is. For Alike, her sexual awakening comes hand and hand with her personal growth, and neither will be the same by the film’s moving conclusion. She is not running, she is choosing.
David Wnendt’s 2013 German drama goes there. And also there, there, and there, right around there, over there, and down there. If there’s an orifice for leading lady Carla Juri to probe in pursuit of pleasure (and maybe even some pain), she’s going to do it. Possibly also with a vegetable. The most out-there, oh-wow coming-of-age story of the century, a movie that makes the pie-loving of “American Pie” look embarrassingly infantile and “Blue Is the Warmest Color” seem suitable for family consumption, “Wetlands” is a riot of sounds and sights that run the gamut between dreamy and nightmarish. But for all its gross-out humor, “Wetlands” also packs an emotional punch, all of it hinging on Juri’s wild-eyed work as the wholly unique Helen, on the cusp of the rest of her life (and super-horny for it).
Marielle Heller’s 2015 Sundance hit “The Diary of a Teenage Girl” is not your average coming-of-age story. Based on Phoebe Gloeckner’s graphic novel 2002 “The Diary of a Teenage Girl: An Account in Words and Pictures,” the film bravely and brazenly turns its taboo subject matter — the sexual awakening of a teenage girl — into a funny, smart, and honest story that entertains as much as it educates. Bel Powley stars as Minnie Goetze, a precocious 15-year-old muddling her way through the swinging scene of seventies-era San Francisco. Like many girls her age, Minnie is struggling to find her place in the world, a journey made all the more difficult by her seemingly unstoppable hormones. As Minnie taps into her burgeoning sexual desires, her life takes a turn — straight into the arms of Monroe (Alexander Skarsgard), her mother’s boyfriend. Heller deftly navigates questions of consent and issues of age, and Minnie makes it clear that she’s making her own decisions, even if they’re probably bad ones.
James Ponsoldt’s 2013 adaptation of the Tim Tharp novel of the same name (beautifully written for the screen by Scott Neustadter and Michael H. Weber) has often been hailed for its sensitive depiction of addiction and its fresh spin on the classic teen romance, but it also takes on sexual awakening in a moving way. Inexperienced A
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