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Holly Parker, a popular transgender porn star and OnlyFans personality, has died. She was 30.
The performer was reportedly found dead in Kokomo, Indiana, on Monday, according to close friend and fellow adult entertainer Brooke Zanell.
“It is with greatest sorrow and devastation that I her sister, inform you the world … yesterday we lost @TheHollyParker,” Zanell posted on Twitter .
A cause of death has not been confirmed — but cops are conducting an investigation, the Sun reports. When contacted by The Post, the Kokomo Police Department declined to comment on Parker’s case.
Parker starred in her first X-rated movie back in 2014, three years before undergoing gender reassignment surgery.
According to news outlet Adult Video News, the blond beauty appeared in more than 30 raunchy titles, including “Transsexual Babysitters 27” and a spoof of “The Brady Bunch” titled “The Tranny Bunch.”
Parker had not appeared in any professional films since 2018, instead moving to OnlyFans, where she shared adult content with paying subscribers.
In addition to her porn career, Parker was an aspiring singer. Disturbingly, just weeks before her death, she released a track titled “Drugs.”
The multifaceted performer shared the song to her SoundCloud account , and it featured the lyrics: “Drugs make me feel fine in the afternoon and the evening, too. They help me get through losing you.”
It continued: “Someone told me that they think I have some problems, then I took a hit and showed them how I solved them. Really wanna quit, but that’s like giving up your best friend.”
One porn director paid tribute to Parker in an interview with AVN , stating: “I met Holly years ago when she came to visit LA. We hit it off online beforehand and would chat on occasion, so it felt like meeting an old friend when we finally met in person.”
The director recalled Parker’s “vibrant energy.”
Taking to Twitter, close friend Zanell shared several photos of herself with Parker on porn sets. “The bread to my butter, my singing partner, my travel companion, my baby sister has left this earth,” she poignantly captioned the snaps.
Fans also took to Twitter to share their shock, with one posting : “Damn it, this hurts and saddens me greatly.”
Parker will be cremated in Indiana, and Zanell has set up a fundraiser on Facebook to help transport the ashes back to her devastated mom, who resides in Washington state.
The blonde’s death comes less than a year after the untimely passing of two other adult film stars.
Last June, adult actress Kristina “Kris the Foxx” Lisina died at 29 after falling from a high-rise building . The following day, Dahlia Sky was found dead in her car from an apparent gunshot wound. She was 31.

BROTHEL BUST Rio cops smash prostitution ring near Olympic stadium DAYS before Games are due to start
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Country’s first female tourism minister promises to crack the whip on vice industry
THAILAND'S sex industry is under fire after the country's first female tourism minister vowed to shut down the country's many brothels and go-go bars.
Kobkarn Wattanavrangkul wants future holidaymakers to flock to Thailand for its beauty and beaches and not its seedy red light districts and world-famous ladyboys.
But those working in the industry say any clampdown would devastate the local economy and leave thousands out of work.
Thailand is predominantly Buddhist country and with traditional values, but it is also home to one of the world's most infamous sex industries.
Every year, hordes of tourists flock to the bright lights of go-go bars and massage parlours in Bangkok and other tourist towns.
But Tourism Minister Kobkarn Wattanavrangkul had tried to play down the role of the sex industry in drawing visitors.
"Tourists don't come to Thailand for such a thing," Kobkarn said.
"They come here for our beautiful culture.
"We want Thailand to be about quality tourism.
Prostitution is actually illegal in Thailand but the law is almost invariably ignored - mainly because of police corruption.
Those trying to promote the welfare of sex workers say Kobkarn's goal is unrealistic.
The military government is in denial about the proliferation of prostitution and its contribution to the economy and tourism, said Panomporn Utaisri of NightLight, a Christian non-profit group that helps women in the sex trade to find alternative work.
"There's no denying this industry generates a lot of incomSe," Panomporn told the Mail .
There are no government estimates of the value of Thailand's sex industry, or how much of the income from tourism comes from sex tourists.
There are about 123,530 sex workers in Thailand, according to a 2014 UNAIDS report.
The tourism sector accounts for about 10 percent of gross domestic product and sex worker groups said the minister's vision of a prostitution-free Thailand would dent that.
"The police presence already drives off a number of clients who come to relax or drink at bars," said Surang Janyam, director of Service Workers in Group (SWING), which provides sex workers with free medical care and vocational training.
"Wiping out this industry is guaranteed to make Thailand lose visitors and income."
Many sex workers come from the impoverished northeast and see selling their bodies as a way out of poverty.
Prostitutes can earn up to 5,000 baht ($143.14) a night, nearly 20 times the minimum wage of 300 baht ($8.59) per day.
I n an attempt to diversify the industry, Thailand is starting a “month for women travellers” campaign in August, in which female-only pink immigration lanes and parking zones will be set up in international airports.
The campaign is timed to coincide with the birthday of Thailand’s Queen Sirikit in August.
Other travel sectors including wedding and honeymoon tourism, and eco-tourism, are also being pursued.
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Words by Luke Slattery Photos by Tim Bauer


“When I was young, my heart kept telling me I was a lady.”


“Do you have any idea why I’m here? You’ll never guess.”

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She's engaged to be married. She sends money home to her mother in Thailand. And she's one of the Ladyboy Superstars turning heads on Australia's east coast. What will Newcastle make of this?

Published May 13, 2016. Reading time: 11 minutes

A festive big top – sky blue and canary yellow – rears from the busy highway corner of Richardson Park, Newcastle. Inside the tent, perched high on the stage scaffolding like birds in a bower, a few workmen peer down at the scene backstage.
“Phew,” says one as I pass beneath them, parting the heavy black stage curtain to the backstage area. “I wish I could speak Thai.”
Standing before me, resplendent in an ice-green tank top, tiny tortoiseshell patterned shorts, and long bare legs terminating in a pair of scuffed high-heeled boots, is the reason for this sudden linguistic enthusiasm. Her name is Suki.
Suki has big, almond-shaped eyes, a full, beautifully defined mouth, and more curves than the Great Ocean Road. She’s one of a dozen Thai ladyboy cabaret “superstars” – as trumpeted by a banner outside the tent – touring Newcastle and Sydney. The show has been put together by circus owner Damian Syred.
With rehearsals for tonight’s performance in Newcastle scheduled to start in a few hours, I sit down with Suki for a backstage chat. We clear out a space among clothes racks draped with orange feather boas, shimmering evening gowns, wigs of cascading curls, and pink flamingo outfits that cry out “Copacabana carnival”. Suki, 27, picks up a top hat decorated with disco mirror panes, plants it slightly askew on her head, and smiles. She is every inch a performer.
L-R from top: the Richardson Park venue; a costume headdress; Suki in dressing rooms and doing make-up; mobile dressing rooms.
When I ask her to write out her formal Thai name, I note that she signs herself, disconcertingly, with the masculine honorific. Despite appearances to the contrary, she remains, in one corner of her mind, Mr Nutchapa Punyawalgiwang. I look at the name she has written on my notepad, look up at her quizzically, and she smiles. “Thai name very loooong,” is all she says.
Suki hopes, she tells me, to marry a British man she met recently on a tour of South Africa. Not surprisingly, she rates South Africa above all other countries she has toured as a ladyboy cabaret performer: Singapore, Malaysia, Hong Kong and Australia. “South Africa make me find someone special,” she says, flashing a finger with a ring on it. “Finally I’m engaged.” Suki’s father has passed away, but her mother is still a strong influence. “Mum like him a lot,” she says.
From left: Suki, Lada and Bee Bee of the Thailand Ladyboy Superstars.
The course of true love, especially in the transgender world, never did run smoothly. It was a rocky path in Shakespeare’s day when men took the parts of women on stage – transgender in-house gags play an important role in Elizabethan theatre. And it remains the case today when Thai men, with the help of the surgical and pharmacological arts, morph into ladyboys, taking on a female identity that extends beyond the stage.
Suki’s first attempts to tie the knot with her lover were thwarted by British immigration authorities. But she will not countenance defeat. The emotional facts, in her mind, are straightforward and irrefutable. “I am,” she says emphatically, “chosen.”
Suki was born and raised in the northern Thai town of Chiang Rai. She has an older brother and younger sister. “I’m in middle,” she says. Life was pretty basic when she was growing up. Her parents ran a small shop selling lottery tickets, but they supported her through school and college, where she graduated with an accounting qualification.
“You abandoned a career in accounting for this?” I ask, motioning towards the stage. “Yeah,” she says in that singsong Thai lilt. “You know, in Thailand a good job doesn’t give a good salary like you people think.” In any event, Suki spends very little of the money she earns from performing on herself. Most of it she sends home to support her mother.
Her journey through the uncertain world of gender identity began early. She’s not sure of the precise age at which she felt more girl than boy. She has a stab at it: “Maybe 10. Maybe 12.” And then she shakes her head. “Actually I was acting like a girl already,” she says.
But the way Suki tells it, her desire to become a woman was closely bound up with her passion for performance. Both awoke simultaneously, early in life. In Chiang Rai she danced at the night market – the dance numbers were Thai and Western – and glowed when she walked away with the equivalent of A$3 for a performance. “Oh my god, we were so happy to dance on stage. It was small money, but I just wanted to perform.”
When she finished college at 21, she auditioned for a place with the prestigious Tiffany show in the beachside fleshpot of Pattaya, and was accepted. After four years with the show she decided to venture out alone as a freelance performer, and late last year she applied for a place with the show that would bring her to Australia. The troupe has already performed at Sydney's Mardi Gras, some of the members taking out top prizes.
At an age when young Australian professionals are just making their first big professional strides, Suki has travelled far from home on a journey that goes beyond geography. She’s where she wants to be in life: on stage. And she’s poised, seemingly, to marry. Her only problem, and it’s a small one in the scheme of things, is that “sometime the other boy – they’re teasing us”.
Suki’s story, at least in her telling of it, is not shadowed by the tragedy of parental rejection. But it’s not the same for all the girls in the show. Taya, 31, whose real name is Ratikan Phanpool and who also answers to the nickname Pekkie, had a hard time growing up.
A tall, statuesque girl with broad shoulders and a small, neat Buddha-like smile, Taya is able to take much of the masculine timbre out of her voice: not something all the girls accomplish equally well.
She was born and raised in Bangkok to parents who have since divorced and, from the age of four, felt like a girl. She uses a beautiful phrase to convey at once her confusion and her certainty. “When I was young, my heart,” she says, “kept telling me I was a lady.”
“My mother okay now, but not before,” she says. “My dad, if he was still with me, I think would not be okay even now.”
The problem, Taya explains, was that her mother, who runs a small business in the Thai capital, associated gender transition with moral transgression. “She thought I would be bad. But now that I’m grown up, she sees that I am good. Good and successful in my job. Now she okay.”
Taya, too, has bought into the ideal of romantic love. “I want to get married, but right now cannot find someone to marry with me,” she laughs. “But I don’t think about it. I think about my work first.”
Lada, as the Pink Triangle Princess.
Lada, 34, is among the tallest members of the group, and one of the most forthcoming. She is happy to talk about the nitty-gritty, or surgical, torments of the journey. Like most of the girls, she has had breast implants. This was followed in her case by rhinoplasty – “my nose was too short”, she says. A minor operation on her Adam’s apple followed, and she would like yet another. She is content, for the moment, to keep her male genitals. But the full surgical fix is something she thinks about a lot.
“I feel from an early age I want an operation [to remove the male genitals and surgically create a vagina] and all the time I’m thinking about it. I’m happy now. I think if I become just like any other girl, a man can chose me or any other girl, but a ladyboy is special. Some men want a ladyboy. I still want to do [an operation]. But I feel scared. I think that in the future maybe I won’t care what men like. I care for myself first and what I want to do, what I want to be.”
From about the age of 5, Lada knew she wanted to be a woman. “I think I am not the same as my friend, a girl. Why do I have to wear short pants, why wear my hair short? I ask my mother and she say, ‘You’re a boy, not a girl, but when you grow up you can be whatever you want to be’.”
Around this time an uncle, on hearing of Lada’s agony, bought her a skirt. She was under strict instructions never to wear it out of the house. “But I was so happy wearing it at home. I’m dancing so much I fall over.”
Lada’s first sexual partner was a boy – a straight boy. But she was not that long ago in a relationship with a girl she describes as a tomboy.
Like Suki, she was a middle-child with straight siblings on either side. She was conscious of her father’s acceptance only when compelled, in her late teens, to enlist for military service. Her father, not wanting to see her lost to the army, suggested she wear a dress to the muster of recruits. “It was only then that I knew he accepted me,” she recalls.
So off Lada went, telling her mother and father to stay behind to avoid any embarrassment, and back she came in that dress. She was able to avoid military service, but her courage has since been tested time and again on the battlefield of lif
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