Teen Girl Teasing Herself

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Lynn feels pressured to consummate her civil union with Jennifer. Joan, Maya and Toni teach William's young girlfriend to stand up for herself.
Lynn feels pressured to consummate her civil union with Jennifer. Joan, Maya and Toni teach William's young girlfriend to stand up for herself.
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Why are so many teenage girls cutting themselves?
Thousands of teenagers across the country are using knives and razors to injure themselves. Nicci Gerrard reports on this alarming new blood cult
The 13-year-old girl rolls up her sleeve. She takes the blade in her right hand and draws it across her left wrist. She watches the blood start to flow. Then she does it once more.
This is not a suicide attempt. The girl is sitting in a classroom at her school, surrounded by other pupils, some of whom look across to see her injure herself. She has taken the blade out of her pencil sharpener (another time, she might use her compass to puncture her skin, or even the end of her plastic ruler, gouging it back and forth across her wrists). She has cut herself, but not deeply.
When healed, the marks up her arm or on her inner thighs may resemble the scratches made by a cat, or brambles, and perhaps you would think nothing of them. Anyway, she wears trousers and has long sleeves, and is careful not to let her cuts show.
This is both public display and private self-abuse, a morbid secret and a public confession. And it is simultaneously very serious and weirdly casual - a cross between Sylvia Plath and wearing your baseball cap backwards.
All over the country, teenagers are cutting themselves, and in some schools it has almost become a group-led gothic kind of fashion-statement: a grungy display of hardness (look at the pain I can bear) and softness (look at the pain I am feeling inside).
They are usually but not always girls, and aged between 13 and 15. Very often their parents have no idea what they are doing, nor do their teachers. Their peers do not seem to see the self-abuse as profoundly disturbing, more as something that is 'stupid', 'ignorant' and 'sad' in the sense of pathetic.
Their sense that cutting is not extraordinary is echoed in the culture that surrounds them. In the Channel 4 soap Hollyoaks, one of the characters, Lisa, is cutting herself. Her father is seriously worried and her friends are concerned. She wants to stop but can't.
In a recent issue of the teen-magazine Mizz, there is a feature about a teenage girl who is cutting herself. A full-page picture shows a pretty girl cradling her injured arm as if it were a baby. Teenage fiction deals with issues around cutting. And in Emma Forrest's new novel, Think Skin, a film star called Ruby cuts her arms, legs and belly with knives. The character is drawn from the author's own battles with depression and self-harm.
The habit of cutting can be, as the nurse at one school where it takes place put it, 'catching'. Margot Waddell of the Tavistock Clinic, author of Inside Lives, a book about adolescence, says there are 'cutting schools' and 'anorexia schools', so strong is the tendency to mimic behaviour. And Sue Sherwin-White, a therapist who has studied the phenomenon, agrees: 'In some schools, it is fashionable, exciting and even rather competitive - and it has the added advantage of scaring teachers and parents.' What starts as an experiment can become a perverse gratification that is hard to give up.
Adolescents have always been known to self-harm, to attack their own bodies in a cry for help and as a sign of psychological disturbance. They may cut themselves, burn themselves, bruise themselves, even, says Sherwin-White, break their bones. They may become anorexic or bulimic (often, eating disorders accompany other forms of self-abuse). Sometimes, they take overdoses, and end up in casualty.
Girls are much more likely to harm themselves than boys (boys and young men attempt suicide far less often than girls, but succeed far more often: they intend to die whereas the girls are trying to get help). In prison, women turn their rage and pain inwards, against themselves, mutilating their bodies, while the men more often harm each other.
In many cases, carving pain on to their bodies is a way of escaping from thinking about what troubles them. Adolescents are often tormented by feelings of self-loathing, a sense of being marginal and alone. Waddell quotes a patient who came to her with a tapestry of stitches on her arms, saying: 'I can't bear mental pain.' Physical pain is better than emotional and psychological pain: it's skin-deep. Other cutters talk about the erotic charge from cutting; the relief of it; the reassurance it gives them that they are 'real'; the thrill of breaking a taboo; the power of blood.
But what is now going on in schools is like a diluted version of this self-mutilation, part of a grunge culture, a tribute to people such as Richey Edwards in Manic Street Preachers (who once carved '4 Real' into his forearm, and has been missing for seven years), an overt display of sorrow. Peter Wilson, director of the charity YoungMinds, says: 'At the far end of the spectrum are remorseless and perverse cutting, substituting physical pain for mental anguish. But most kids avoid their veins; they're expert at keeping themselves alive.
'Cutting is a powerful and extreme act, with a huge amount of gratification about it - the sheer, physical, tactile, even sensuous delight of it. It's not a death-inducing act. There's a kick to it, a thrill. It makes people feel alive.' At this extreme end, he says, cutters have very often been sexually abused and are now abusing themselves. They always need help.
But at the soft end, he says, cutting is a more ambiguous act, as close to sado-masochistic performance art as it is to a cry for help. Adolescents in general are fascinated with exploring possibilities and boundaries - particularly those of their own bodies. The blood is a vivid reminder of the body - and menstruating girls encounter blood in a more immediate way than boys. Children have always cut themselves to become blood-related to close friends - pressing two wounds together to mingle blood. Teenagers often live on an edge - they experiment with drugs, sex and driving too fast.
'Adolescents,' says Wilson, 'do things that disturb us, by definition. There's something morbid about adolescents. Look at the imagery of the pop music they listen to. They are drawn to death. It's not surprising that the second most common cause of death in this age group is suicide.'
Wilson says that for most teenagers it is probably a passing phase. But if it were happening to his children, he would be very anxious. Waddell points out that - as with anorexia, where many adolescents start off by dieting, and only a few develop eating disorders - it is hard to distinguish between the serious and casual act of cutting.
But even if most of the cutters are mimicking their peers and seeking attention, the act of cutting is a sign of disturbance or emotional difficulty that needs to be recognised. The deputy of a high-achieving girl's private school, and in charge of pastoral matters there, agrees. 'It is usually attention-seeking', she says. 'It usually passes. But we always treat it seriously. The girls see the school counsellor and the school nurse, and their parents are brought in. They are then sent to see a therapist.' She sees no sign of the phenomenon increasing.
However, doctors and therapists strongly disagree. There are no statistics, but Waddell is sure the practice is on the increase. The teenagers I spoke to - from different parts of the country, and from comprehensive, grammar and private schools - supported this. They are nonchalant, slightly disgusted, maybe a bit fascinated. They say the cutters are stupid, or show-offs.
They're not stupid or mad, but maybe they are trying to tell us something about their inner lives and can't find the words. So they unscrew the blade of their pencil sharpener and draw it over their skin. Blood flows. 'Look at me', they're saying. 'Look how I hurt. Look.' And we should look.
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